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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D1ABC it is the complementary color #D2E543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D1ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D1ABC shade: #321AB7, #432CCA, #543EDD, #6550F0 and #7662FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D1ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D1ABC shade: #2D1ABC, #1C08A9, #0B0096, #000083 and #000070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D1ABC shade: #2D1ABC, #591ABC, #851ABC, #B11ABC and #BC1A9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D1ABC shade: #2D1ABC and #1A1ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D1ABC shade matches the following richer shades: #2D1ABC and #2008CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D1ABC shade: #2D1ABC, #3A2BAB, #473C9A, #554E89 and #625F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D1ABC shade: #1A5EBC, #1A32BC, #2D1ABC, #581ABC and #841ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D1ABC shade: #1C1074, #241598, #2D1ABC, #361FE0 and #5643E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D1ABC shade: #2D1ABC, #BC1A89 and #48BC1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D1ABC shade: #2D1ABC, #BC2D1A and #1ABC2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D1ABC shade: #2D1ABC, #BC1A89, #AABC1A and #1ABC4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D1ABC shade: #2D1ABC, #BC1A58, #AABC1A and #1ABC7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

Complementary color

CMYK 8 / 0 / 71 / 10

HEX #D2E543

RGB 210 229 67

HSL 67.04, 0.76%, 0.58%

LAB 87.07, -26.07, 72.34

 

CMYK 73 / 86 / 0 / 28

HEX #321AB7

RGB 50 26 183

HSL 249.17, 0.75%, 0.41%

LAB 26.26, 55.69, -76.32

 

CMYK 67 / 78 / 0 / 21

HEX #432CCA

RGB 67 44 202

HSL 248.73, 0.64%, 0.48%

LAB 32.39, 54.7, -77.33

 

CMYK 62 / 72 / 0 / 13

HEX #543EDD

RGB 84 62 221

HSL 248.3, 0.7%, 0.55%

LAB 38.81, 53.14, -77.67

 

CMYK 58 / 67 / 0 / 6

HEX #6550F0

RGB 101 80 240

HSL 247.88, 0.84%, 0.63%

LAB 45.35, 51.42, -77.67

 

CMYK 54 / 62 / 0 / 0

HEX #7662FF

RGB 118 98 255

HSL 247.64, 1%, 0.69%

LAB 51.62, 48.55, -75.76

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 83 / 95 / 0 / 34

HEX #1C08A9

RGB 28 8 169

HSL 247.45, 0.91%, 0.35%

LAB 21.15, 56.47, -76.46

 

CMYK 93 / 100 / 0 / 41

HEX #0B0096

RGB 11 0 150

HSL 244.4, 1%, 0.29%

LAB 16.86, 53.42, -72.02

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 53 / 86 / 0 / 26

HEX #591ABC

RGB 89 26 188

HSL 263.33, 0.76%, 0.42%

LAB 30.62, 60.33, -71.95

 

CMYK 29 / 86 / 0 / 26

HEX #851ABC

RGB 133 26 188

HSL 279.63, 0.76%, 0.42%

LAB 36.66, 65.98, -61.82

 

CMYK 6 / 86 / 0 / 26

HEX #B11ABC

RGB 177 26 188

HSL 295.93, 0.76%, 0.42%

LAB 43.82, 73.15, -49.88

 

CMYK 0 / 86 / 16 / 26

HEX #BC1A9D

RGB 188 26 157

HSL 311.48, 0.76%, 0.42%

LAB 44.04, 70.69, -31.02

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 86 / 86 / 0 / 26

HEX #1A1ABC

RGB 26 26 188

HSL 240, 0.76%, 0.42%

LAB 25.53, 56.02, -80.55

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 84 / 96 / 0 / 19

HEX #2008CE

RGB 32 8 206

HSL 247.27, 0.93%, 0.42%

LAB 26.55, 66.17, -89.43

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 66 / 75 / 0 / 33

HEX #3A2BAB

RGB 58 43 171

HSL 247.03, 0.6%, 0.42%

LAB 28.29, 44.8, -65.76

 

CMYK 54 / 61 / 0 / 40

HEX #473C9A

RGB 71 60 154

HSL 247.02, 0.44%, 0.42%

LAB 31.59, 31.29, -50.05

 

CMYK 38 / 43 / 0 / 46

HEX #554E89

RGB 85 78 137

HSL 247.12, 0.27%, 0.42%

LAB 36.34, 17.95, -32

 

CMYK 18 / 20 / 0 / 53

HEX #625F77

RGB 98 95 119

HSL 247.5, 0.11%, 0.42%

LAB 41.4, 6.6, -13.07

 

CMYK 86 / 50 / 0 / 26

HEX #1A5EBC

RGB 26 94 188

HSL 214.81, 0.76%, 0.42%

LAB 40.99, 15.28, -55.17

 

CMYK 86 / 73 / 0 / 26

HEX #1A32BC

RGB 26 50 188

HSL 231.11, 0.76%, 0.42%

LAB 29.74, 43.84, -73.56

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 53 / 86 / 0 / 26

HEX #581ABC

RGB 88 26 188

HSL 262.96, 0.76%, 0.42%

LAB 30.51, 60.23, -72.15

 

CMYK 30 / 86 / 0 / 26

HEX #841ABC

RGB 132 26 188

HSL 279.26, 0.76%, 0.42%

LAB 36.51, 65.83, -62.07

 

CMYK 76 / 86 / 0 / 55

HEX #1C1074

RGB 28 16 116

HSL 247.2, 0.76%, 0.26%

LAB 14.84, 38.3, -53.86

 

CMYK 76 / 86 / 0 / 40

HEX #241598

RGB 36 21 152

HSL 246.87, 0.76%, 0.34%

LAB 20.74, 47.78, -66.74

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 76 / 86 / 0 / 12

HEX #361FE0

RGB 54 31 224

HSL 247.15, 0.76%, 0.5%

LAB 32.14, 65.48, -90.51

 

CMYK 62 / 71 / 0 / 10

HEX #5643E5

RGB 86 67 229

HSL 247.04, 0.76%, 0.58%

LAB 40.65, 53.14, -79.2

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 0 / 86 / 27 / 26

HEX #BC1A89

RGB 188 26 137

HSL 318.89, 0.76%, 0.42%

LAB 43.12, 68.19, -20.33

 

CMYK 62 / 0 / 86 / 26

HEX #48BC1A

RGB 72 188 26

HSL 102.96, 0.76%, 0.42%

LAB 67.59, -58.79, 63.62

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 0 / 76 / 86 / 26

HEX #BC2D1A

RGB 188 45 26

HSL 7.04, 0.76%, 0.42%

LAB 42.22, 55.41, 45.37

 

CMYK 86 / 0 / 76 / 26

HEX #1ABC2D

RGB 26 188 45

HSL 127.04, 0.76%, 0.42%

LAB 66.81, -65.17, 57.26

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 0 / 86 / 27 / 26

HEX #BC1A89

RGB 188 26 137

HSL 318.89, 0.76%, 0.42%

LAB 43.12, 68.19, -20.33

 

CMYK 10 / 0 / 86 / 26

HEX #AABC1A

RGB 170 188 26

HSL 66.67, 0.76%, 0.42%

LAB 72.62, -24.46, 69.9

 

CMYK 86 / 0 / 59 / 26

HEX #1ABC4D

RGB 26 188 77

HSL 138.89, 0.76%, 0.42%

LAB 67.07, -61.91, 44.57

 

CMYK 76 / 86 / 0 / 26

HEX #2D1ABC

RGB 45 26 188

HSL 247.04, 0.76%, 0.42%

LAB 26.53, 56.82, -78.86

 

CMYK 0 / 86 / 53 / 26

HEX #BC1A58

RGB 188 26 88

HSL 337.04, 0.76%, 0.42%

LAB 41.43, 63.45, 7.68

 

CMYK 10 / 0 / 86 / 26

HEX #AABC1A

RGB 170 188 26

HSL 66.67, 0.76%, 0.42%

LAB 72.62, -24.46, 69.9

 

CMYK 86 / 0 / 33 / 26

HEX #1ABC7E

RGB 26 188 126

HSL 157.04, 0.76%, 0.42%

LAB 67.79, -53.37, 20.64

 

Description

Color code: HEX #2D1ABC | qconv.com Color code: HEX #2D1ABC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 26 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 26 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 86 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 86% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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