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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CF440 it is the complementary color #D30BBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CF440. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CF440 shade: #31F43B, #42FF4E, #53FF61, #64FF74 and #75FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CF440. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CF440 shade: #2CF440, #1BE22D, #0AD01A, #00BE07 and #00AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CF440 shade: #2AF43E, #4CF42A, #83F42A, #B9F42A and #EFF42A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CF440 shade: #2AF43E, #2AF474, #2AF4AB, #2AF4E1 and #2AD0F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CF440 shade matches the following richer shades: #2AF43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CF440 shade: #2AF43E, #3CE24D, #4ECF5B, #60BD6A and #72AB78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CF440 shade: #81F42A, #4BF42A, #2AF43E, #2AF474 and #2AF4AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CF440 shade: #0AC11C, #0CE822, #2AF43E, #51F661 and #78F885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CF440 shade: #2CF440, #2AB7F4 and #F42A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CF440 shade: #2CF440, #3E2AF4 and #F43E2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CF440 shade: #2CF440, #2AB7F4, #F42AE0 and #F4662A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CF440 shade: #2CF440, #2A7BF4, #F42AE0 and #F4A32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

Complementary color

CMYK 0 / 95 / 9 / 17

HEX #D30BBF

RGB 211 11 191

HSL 306, 0.9%, 0.44%

LAB 49.31, 81.53, -42.53

 

CMYK 80 / 0 / 76 / 4

HEX #31F43B

RGB 49 244 59

HSL 123.08, 0.9%, 0.57%

LAB 84.83, -78.26, 70.55

 

CMYK 74 / 0 / 69 / 0

HEX #42FF4E

RGB 66 255 78

HSL 123.81, 1%, 0.63%

LAB 88.56, -77.92, 67.99

 

CMYK 67 / 0 / 62 / 0

HEX #53FF61

RGB 83 255 97

HSL 124.88, 1%, 0.66%

LAB 89.03, -73.43, 61.2

 

CMYK 61 / 0 / 55 / 0

HEX #64FF74

RGB 100 255 116

HSL 126.19, 1%, 0.7%

LAB 89.62, -67.99, 53.77

 

CMYK 54 / 0 / 47 / 0

HEX #75FF87

RGB 117 255 135

HSL 127.83, 1%, 0.73%

LAB 90.35, -61.69, 45.97

 

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

CMYK 88 / 0 / 80 / 11

HEX #1BE22D

RGB 27 226 45

HSL 125.43, 0.79%, 0.5%

LAB 78.93, -76.03, 68.92

 

CMYK 95 / 0 / 88 / 18

HEX #0AD01A

RGB 10 208 26

HSL 124.85, 0.91%, 0.43%

LAB 73.06, -72.89, 68.05

 

CMYK 100 / 0 / 96 / 25

HEX #00BE07

RGB 0 190 7

HSL 122.21, 1%, 0.37%

LAB 67.16, -68.93, 65.86

 

CMYK 100 / 0 / 100 / 33

HEX #00AC00

RGB 0 172 0

HSL 120, 1%, 0.34%

LAB 61.22, -64.16, 61.92

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 69 / 0 / 83 / 4

HEX #4CF42A

RGB 76 244 42

HSL 109.9, 0.9%, 0.56%

LAB 85.2, -75.3, 75.69

 

CMYK 46 / 0 / 83 / 4

HEX #83F42A

RGB 131 244 42

HSL 93.56, 0.9%, 0.56%

LAB 86.85, -62.08, 77.78

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 2 / 0 / 83 / 4

HEX #EFF42A

RGB 239 244 42

HSL 61.49, 0.9%, 0.56%

LAB 93.11, -22.31, 85.64

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 83 / 0 / 52 / 4

HEX #2AF474

RGB 42 244 116

HSL 141.98, 0.9%, 0.56%

LAB 85.23, -73.04, 48.22

 

CMYK 83 / 0 / 30 / 4

HEX #2AF4AB

RGB 42 244 171

HSL 158.32, 0.9%, 0.56%

LAB 86.07, -63.24, 22.17

 

CMYK 83 / 0 / 8 / 4

HEX #2AF4E1

RGB 42 244 225

HSL 174.36, 0.9%, 0.56%

LAB 87.3, -50.18, -4.14

 

CMYK 83 / 15 / 0 / 4

HEX #2AD0F4

RGB 42 208 244

HSL 190.69, 0.9%, 0.56%

LAB 77.36, -28.23, -29.17

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 73 / 0 / 66 / 11

HEX #3CE24D

RGB 60 226 77

HSL 126.14, 0.74%, 0.56%

LAB 79.55, -69.92, 58.75

 

CMYK 62 / 0 / 56 / 19

HEX #4ECF5B

RGB 78 207 91

HSL 126.05, 0.57%, 0.56%

LAB 74.19, -58.68, 46.7

 

CMYK 49 / 0 / 44 / 26

HEX #60BD6A

RGB 96 189 106

HSL 126.45, 0.41%, 0.56%

LAB 69.41, -45.17, 33.59

 

CMYK 33 / 0 / 30 / 33

HEX #72AB78

RGB 114 171 120

HSL 126.32, 0.25%, 0.56%

LAB 65.01, -29.28, 20.51

 

CMYK 47 / 0 / 83 / 4

HEX #81F42A

RGB 129 244 42

HSL 94.16, 0.9%, 0.56%

LAB 86.77, -62.67, 77.69

 

CMYK 69 / 0 / 83 / 4

HEX #4BF42A

RGB 75 244 42

HSL 110.2, 0.9%, 0.56%

LAB 85.18, -75.47, 75.67

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 83 / 0 / 52 / 4

HEX #2AF474

RGB 42 244 116

HSL 141.98, 0.9%, 0.56%

LAB 85.23, -73.04, 48.22

 

CMYK 83 / 0 / 30 / 4

HEX #2AF4AA

RGB 42 244 170

HSL 158.02, 0.9%, 0.56%

LAB 86.05, -63.45, 22.65

 

CMYK 95 / 0 / 85 / 24

HEX #0AC11C

RGB 10 193 28

HSL 125.9, 0.9%, 0.4%

LAB 68.23, -68.66, 63.37

 

CMYK 95 / 0 / 85 / 9

HEX #0CE822

RGB 12 232 34

HSL 126, 0.9%, 0.48%

LAB 80.69, -79, 73.14

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 67 / 0 / 61 / 4

HEX #51F661

RGB 81 246 97

HSL 125.82, 0.9%, 0.64%

LAB 86.27, -70.84, 58.07

 

CMYK 52 / 0 / 46 / 3

HEX #78F885

RGB 120 248 133

HSL 126.09, 0.9%, 0.72%

LAB 88.36, -58.57, 44.45

 

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

CMYK 83 / 25 / 0 / 4

HEX #2AB7F4

RGB 42 183 244

HSL 198.12, 0.9%, 0.56%

LAB 70.1, -15.43, -40.41

 

CMYK 0 / 83 / 58 / 4

HEX #F42A66

RGB 244 42 102

HSL 342.18, 0.9%, 0.56%

LAB 53.87, 75.21, 17.97

 

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

CMYK 75 / 83 / 0 / 4

HEX #3E2AF4

RGB 62 42 244

HSL 245.94, 0.9%, 0.56%

LAB 36.39, 67.28, -94.8

 

CMYK 0 / 75 / 83 / 4

HEX #F43E2A

RGB 244 62 42

HSL 5.94, 0.9%, 0.56%

LAB 54.91, 67.31, 53.01

 

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

CMYK 83 / 25 / 0 / 4

HEX #2AB7F4

RGB 42 183 244

HSL 198.12, 0.9%, 0.56%

LAB 70.1, -15.43, -40.41

 

CMYK 0 / 83 / 8 / 4

HEX #F42AE0

RGB 244 42 224

HSL 305.94, 0.9%, 0.56%

LAB 58.29, 87.63, -46.85

 

CMYK 0 / 58 / 83 / 4

HEX #F4662A

RGB 244 102 42

HSL 17.82, 0.9%, 0.56%

LAB 60.7, 51.69, 58.17

 

CMYK 82 / 0 / 74 / 4

HEX #2CF440

RGB 44 244 64

HSL 126, 0.9%, 0.56%

LAB 84.8, -78.44, 68.9

 

CMYK 83 / 50 / 0 / 4

HEX #2A7BF4

RGB 42 123 244

HSL 215.94, 0.9%, 0.56%

LAB 53.16, 19.54, -67.34

 

CMYK 0 / 83 / 8 / 4

HEX #F42AE0

RGB 244 42 224

HSL 305.94, 0.9%, 0.56%

LAB 58.29, 87.63, -46.85

 

CMYK 0 / 33 / 83 / 4

HEX #F4A32A

RGB 244 163 42

HSL 35.94, 0.9%, 0.56%

LAB 73.28, 21, 69.09

 

Description

Color code: HEX #2CF440 | qconv.com Color code: HEX #2CF440 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 244 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 244 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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