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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CF421 it is the complementary color #D30BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CF421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CF421 shade: #31F41C, #42FF2F, #53FF42, #64FF55 and #75FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CF421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CF421 shade: #2CF421, #1BE20E, #0AD000, #00BE00 and #00AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CF421 shade: #2AF41F, #64F41F, #9DF41F, #D7F41F and #F4D91F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CF421 shade: #2AF41F, #1FF44D, #1FF487, #1FF4C1 and #1FEFF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CF421 shade matches the following richer shades: #2AF41F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CF421 shade: #2AF41F, #3BE132, #4CCE45, #5DBC58 and #6EA96B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CF421 shade: #9FF41F, #66F41F, #2DF41F, #1FF44A and #1FF483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CF421 shade: #12B809, #16E00B, #2AF41F, #50F646 and #75F86E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CF421 shade: #2CF421, #1FD8F4 and #F41F83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CF421 shade: #2CF421, #1F2DF4 and #F41F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CF421 shade: #2CF421, #1FD8F4, #E61FF4 and #F43B1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CF421 shade: #2CF421, #1F98F4, #E61FF4 and #F47B1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

Complementary color

CMYK 5 / 95 / 0 / 13

HEX #D30BDE

RGB 211 11 222

HSL 296.87, 0.91%, 0.46%

LAB 51.11, 85.96, -57.51

 

CMYK 80 / 0 / 89 / 4

HEX #31F41C

RGB 49 244 28

HSL 114.17, 0.91%, 0.53%

LAB 84.71, -79.76, 77.89

 

CMYK 74 / 0 / 82 / 0

HEX #42FF2F

RGB 66 255 47

HSL 114.52, 1%, 0.59%

LAB 88.39, -79.95, 77.32

 

CMYK 67 / 0 / 74 / 0

HEX #53FF42

RGB 83 255 66

HSL 114.6, 1%, 0.63%

LAB 88.81, -76.09, 72.45

 

CMYK 61 / 0 / 67 / 0

HEX #64FF55

RGB 100 255 85

HSL 114.71, 1%, 0.67%

LAB 89.34, -71.24, 66.43

 

CMYK 54 / 0 / 59 / 0

HEX #75FF68

RGB 117 255 104

HSL 114.83, 1%, 0.7%

LAB 90, -65.49, 59.6

 

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

CMYK 88 / 0 / 94 / 11

HEX #1BE20E

RGB 27 226 14

HSL 116.32, 0.88%, 0.47%

LAB 78.84, -77.2, 74.81

 

CMYK 95 / 0 / 100 / 18

HEX #0AD000

RGB 10 208 0

HSL 117.12, 1%, 0.41%

LAB 73.01, -73.52, 71.39

 

CMYK 100 / 0 / 100 / 25

HEX #00BE00

RGB 0 190 0

HSL 120, 1%, 0.37%

LAB 67.15, -69.08, 66.67

 

CMYK 100 / 0 / 100 / 33

HEX #00AC00

RGB 0 172 0

HSL 120, 1%, 0.34%

LAB 61.22, -64.16, 61.92

 

CMYK 83 / 0 / 87 / 4

HEX #2AF41F

RGB 42 244 31

HSL 116.9, 0.91%, 0.54%

LAB 84.63, -80.4, 77.27

 

CMYK 59 / 0 / 87 / 4

HEX #64F41F

RGB 100 244 31

HSL 100.56, 0.91%, 0.54%

LAB 85.76, -70.75, 78.68

 

CMYK 36 / 0 / 87 / 4

HEX #9DF41F

RGB 157 244 31

HSL 84.51, 0.91%, 0.54%

LAB 87.95, -54.09, 81.42

 

CMYK 12 / 0 / 87 / 4

HEX #D7F41F

RGB 215 244 31

HSL 68.17, 0.91%, 0.54%

LAB 91.35, -32.3, 85.6

 

CMYK 0 / 11 / 87 / 4

HEX #F4D91F

RGB 244 217 31

HSL 52.39, 0.91%, 0.54%

LAB 86.48, -7.25, 82.65

 

CMYK 83 / 0 / 87 / 4

HEX #2AF41F

RGB 42 244 31

HSL 116.9, 0.91%, 0.54%

LAB 84.63, -80.4, 77.27

 

CMYK 87 / 0 / 68 / 4

HEX #1FF44D

RGB 31 244 77

HSL 132.96, 0.91%, 0.54%

LAB 84.76, -78.47, 64.23

 

CMYK 87 / 0 / 45 / 4

HEX #1FF487

RGB 31 244 135

HSL 149.3, 0.91%, 0.54%

LAB 85.37, -70.92, 39.31

 

CMYK 87 / 0 / 21 / 4

HEX #1FF4C1

RGB 31 244 193

HSL 165.63, 0.91%, 0.54%

LAB 86.43, -59.02, 11.28

 

CMYK 87 / 2 / 0 / 4

HEX #1FEFF4

RGB 31 239 244

HSL 181.41, 0.91%, 0.54%

LAB 86.28, -43.37, -15.63

 

CMYK 83 / 0 / 87 / 4

HEX #2AF41F

RGB 42 244 31

HSL 116.9, 0.91%, 0.54%

LAB 84.63, -80.4, 77.27

 

CMYK 83 / 0 / 87 / 4

HEX #2AF41F

RGB 42 244 31

HSL 116.9, 0.91%, 0.54%

LAB 84.63, -80.4, 77.27

 

CMYK 74 / 0 / 78 / 12

HEX #3BE132

RGB 59 225 50

HSL 116.91, 0.74%, 0.54%

LAB 79.05, -71.91, 67.74

 

CMYK 63 / 0 / 67 / 19

HEX #4CCE45

RGB 76 206 69

HSL 116.93, 0.58%, 0.54%

LAB 73.62, -61.18, 55.64

 

CMYK 51 / 0 / 53 / 26

HEX #5DBC58

RGB 93 188 88

HSL 117, 0.43%, 0.54%

LAB 68.75, -48.14, 41.73

 

CMYK 35 / 0 / 37 / 34

HEX #6EA96B

RGB 110 169 107

HSL 117.1, 0.26%, 0.54%

LAB 63.96, -31.85, 26.09

 

CMYK 35 / 0 / 87 / 4

HEX #9FF41F

RGB 159 244 31

HSL 83.94, 0.91%, 0.54%

LAB 88.05, -53.4, 81.54

 

CMYK 58 / 0 / 87 / 4

HEX #66F41F

RGB 102 244 31

HSL 100, 0.91%, 0.54%

LAB 85.82, -70.28, 78.76

 

CMYK 82 / 0 / 87 / 4

HEX #2DF41F

RGB 45 244 31

HSL 116.06, 0.91%, 0.54%

LAB 84.67, -80.09, 77.31

 

CMYK 87 / 0 / 70 / 4

HEX #1FF44A

RGB 31 244 74

HSL 132.11, 0.91%, 0.54%

LAB 84.73, -78.74, 65.32

 

CMYK 87 / 0 / 46 / 4

HEX #1FF483

RGB 31 244 131

HSL 148.17, 0.91%, 0.54%

LAB 85.32, -71.59, 41.18

 

CMYK 90 / 0 / 95 / 28

HEX #12B809

RGB 18 184 9

HSL 116.91, 0.91%, 0.38%

LAB 65.3, -66.32, 64.13

 

CMYK 90 / 0 / 95 / 12

HEX #16E00B

RGB 22 224 11

HSL 116.9, 0.91%, 0.46%

LAB 78.17, -77.04, 74.55

 

CMYK 83 / 0 / 87 / 4

HEX #2AF41F

RGB 42 244 31

HSL 116.9, 0.91%, 0.54%

LAB 84.63, -80.4, 77.27

 

CMYK 67 / 0 / 72 / 4

HEX #50F646

RGB 80 246 70

HSL 116.59, 0.91%, 0.62%

LAB 86.04, -73.52, 68.31

 

CMYK 53 / 0 / 56 / 3

HEX #75F86E

RGB 117 248 110

HSL 116.96, 0.91%, 0.7%

LAB 87.99, -62.27, 54.65

 

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

CMYK 87 / 11 / 0 / 4

HEX #1FD8F4

RGB 31 216 244

HSL 187.89, 0.91%, 0.54%

LAB 79.58, -32.8, -25.79

 

CMYK 0 / 87 / 46 / 4

HEX #F41F83

RGB 244 31 131

HSL 331.83, 0.91%, 0.54%

LAB 53.87, 79.36, 0.53

 

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

CMYK 87 / 82 / 0 / 4

HEX #1F2DF4

RGB 31 45 244

HSL 236.06, 0.91%, 0.54%

LAB 35.4, 64.69, -96.49

 

CMYK 0 / 87 / 82 / 4

HEX #F41F2D

RGB 244 31 45

HSL 356.06, 0.91%, 0.54%

LAB 52.29, 74.87, 49.09

 

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

CMYK 87 / 11 / 0 / 4

HEX #1FD8F4

RGB 31 216 244

HSL 187.89, 0.91%, 0.54%

LAB 79.58, -32.8, -25.79

 

CMYK 6 / 87 / 0 / 4

HEX #E61FF4

RGB 230 31 244

HSL 296.06, 0.91%, 0.54%

LAB 56.42, 89.99, -61.2

 

CMYK 0 / 76 / 87 / 4

HEX #F43B1F

RGB 244 59 31

HSL 7.89, 0.91%, 0.54%

LAB 54.51, 68, 57.56

 

CMYK 82 / 0 / 86 / 4

HEX #2CF421

RGB 44 244 33

HSL 116.87, 0.91%, 0.54%

LAB 84.66, -80.13, 76.93

 

CMYK 87 / 38 / 0 / 4

HEX #1F98F4

RGB 31 152 244

HSL 205.92, 0.91%, 0.54%

LAB 61.03, 1.16, -54.72

 

CMYK 6 / 87 / 0 / 4

HEX #E61FF4

RGB 230 31 244

HSL 296.06, 0.91%, 0.54%

LAB 56.42, 89.99, -61.2

 

CMYK 0 / 50 / 87 / 4

HEX #F47B1F

RGB 244 123 31

HSL 25.92, 0.91%, 0.54%

LAB 64.56, 41.4, 65.38

 

Description

Color code: HEX #2CF421 | qconv.com Color code: HEX #2CF421 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 244 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 244 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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