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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CF36D it is the complementary color #D30C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CF36D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CF36D shade: #31F368, #42FF7B, #53FF8E, #64FFA1 and #75FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CF36D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CF36D shade: #2CF36D, #1BE15A, #0ACF47, #00BD34 and #00AB21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CF36D shade: #2BF36C, #2BF336, #55F32B, #8BF32B and #C1F32B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CF36D shade: #2BF36C, #2BF3A2, #2BF3D8, #2BD8F3 and #2BA2F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CF36D shade matches the following richer shades: #2BF36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CF36D shade: #2BF36C, #3DE172, #4FCE79, #61BC7F and #74AA85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CF36D shade: #56F32B, #2BF335, #2BF36A, #2BF39F and #2BF3D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CF36D shade: #0BC046, #0DE754, #2BF36C, #52F587 and #79F7A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CF36D shade: #2CF36D, #2B8BF3 and #F32B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CF36D shade: #2CF36D, #6A2BF3 and #F36A2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CF36D shade: #2CF36D, #2B8BF3, #F32BB3 and #F3922B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CF36D shade: #2CF36D, #2B50F3, #F32BB3 and #F3CE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

Complementary color

CMYK 0 / 94 / 31 / 17

HEX #D30C92

RGB 211 12 146

HSL 319.6, 0.89%, 0.44%

LAB 47.22, 76, -19.12

 

CMYK 80 / 0 / 57 / 5

HEX #31F368

RGB 49 243 104

HSL 137.01, 0.89%, 0.57%

LAB 84.87, -73.64, 53.27

 

CMYK 74 / 0 / 52 / 0

HEX #42FF7B

RGB 66 255 123

HSL 138.1, 1%, 0.63%

LAB 88.97, -72.9, 49.63

 

CMYK 67 / 0 / 44 / 0

HEX #53FF8E

RGB 83 255 142

HSL 140.58, 1%, 0.66%

LAB 89.54, -67.51, 41.4

 

CMYK 61 / 0 / 37 / 0

HEX #64FFA1

RGB 100 255 161

HSL 143.61, 1%, 0.7%

LAB 90.23, -61.25, 33.04

 

CMYK 54 / 0 / 29 / 0

HEX #75FFB4

RGB 117 255 180

HSL 147.39, 1%, 0.73%

LAB 91.05, -54.24, 24.67

 

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

CMYK 88 / 0 / 60 / 12

HEX #1BE15A

RGB 27 225 90

HSL 139.09, 0.79%, 0.49%

LAB 78.94, -71.75, 52.49

 

CMYK 95 / 0 / 66 / 19

HEX #0ACF47

RGB 10 207 71

HSL 138.58, 0.91%, 0.43%

LAB 72.99, -69.41, 53.86

 

CMYK 100 / 0 / 72 / 26

HEX #00BD34

RGB 0 189 52

HSL 136.51, 1%, 0.37%

LAB 67.01, -66.38, 54.95

 

CMYK 100 / 0 / 81 / 33

HEX #00AB21

RGB 0 171 33

HSL 131.58, 1%, 0.34%

LAB 60.99, -62.63, 55.38

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36C

RGB 43 243 108

HSL 139.5, 0.89%, 0.56%

LAB 84.84, -73.73, 51.42

 

CMYK 82 / 0 / 78 / 5

HEX #2BF336

RGB 43 243 54

HSL 123.3, 0.89%, 0.56%

LAB 84.42, -78.92, 71.63

 

CMYK 65 / 0 / 82 / 5

HEX #55F32B

RGB 85 243 43

HSL 107.4, 0.89%, 0.56%

LAB 85.1, -73.24, 75.44

 

CMYK 43 / 0 / 82 / 5

HEX #8BF32B

RGB 139 243 43

HSL 91.2, 0.89%, 0.56%

LAB 86.88, -59.22, 77.71

 

CMYK 21 / 0 / 82 / 5

HEX #C1F32B

RGB 193 243 43

HSL 75, 0.89%, 0.56%

LAB 89.68, -40.18, 81.24

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36C

RGB 43 243 108

HSL 139.5, 0.89%, 0.56%

LAB 84.84, -73.73, 51.42

 

CMYK 82 / 0 / 33 / 5

HEX #2BF3A2

RGB 43 243 162

HSL 155.7, 0.89%, 0.56%

LAB 85.62, -64.66, 26.15

 

CMYK 82 / 0 / 11 / 5

HEX #2BF3D8

RGB 43 243 216

HSL 171.9, 0.89%, 0.56%

LAB 86.79, -52.08, -0.19

 

CMYK 82 / 11 / 0 / 5

HEX #2BD8F3

RGB 43 216 243

HSL 188.1, 0.89%, 0.56%

LAB 79.67, -32.35, -25.1

 

CMYK 82 / 33 / 0 / 5

HEX #2BA2F3

RGB 43 162 243

HSL 204.3, 0.89%, 0.56%

LAB 64.02, -4.12, -49.42

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36C

RGB 43 243 108

HSL 139.5, 0.89%, 0.56%

LAB 84.84, -73.73, 51.42

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36C

RGB 43 243 108

HSL 139.5, 0.89%, 0.56%

LAB 84.84, -73.73, 51.42

 

CMYK 73 / 0 / 49 / 12

HEX #3DE172

RGB 61 225 114

HSL 139.39, 0.73%, 0.56%

LAB 79.65, -64.84, 42.34

 

CMYK 62 / 0 / 41 / 19

HEX #4FCE79

RGB 79 206 121

HSL 139.84, 0.56%, 0.56%

LAB 74.31, -53.63, 32.13

 

CMYK 48 / 0 / 32 / 26

HEX #61BC7F

RGB 97 188 127

HSL 139.78, 0.4%, 0.56%

LAB 69.5, -40.89, 22.7

 

CMYK 32 / 0 / 22 / 33

HEX #74AA85

RGB 116 170 133

HSL 138.89, 0.24%, 0.56%

LAB 65.09, -25.72, 13.5

 

CMYK 65 / 0 / 82 / 5

HEX #56F32B

RGB 86 243 43

HSL 107.1, 0.89%, 0.56%

LAB 85.13, -73.04, 75.47

 

CMYK 82 / 0 / 78 / 5

HEX #2BF335

RGB 43 243 53

HSL 123, 0.89%, 0.56%

LAB 84.42, -78.98, 71.92

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36A

RGB 43 243 106

HSL 138.9, 0.89%, 0.56%

LAB 84.82, -73.99, 52.3

 

CMYK 82 / 0 / 35 / 5

HEX #2BF39F

RGB 43 243 159

HSL 154.8, 0.89%, 0.56%

LAB 85.56, -65.26, 27.6

 

CMYK 82 / 0 / 12 / 5

HEX #2BF3D5

RGB 43 243 213

HSL 171, 0.89%, 0.56%

LAB 86.71, -52.86, 1.27

 

CMYK 94 / 0 / 64 / 25

HEX #0BC046

RGB 11 192 70

HSL 139.56, 0.89%, 0.4%

LAB 68.18, -64.98, 48.95

 

CMYK 94 / 0 / 64 / 9

HEX #0DE754

RGB 13 231 84

HSL 139.54, 0.89%, 0.48%

LAB 80.67, -74.96, 56.99

 

CMYK 82 / 0 / 56 / 5

HEX #2BF36C

RGB 43 243 108

HSL 139.5, 0.89%, 0.56%

LAB 84.84, -73.73, 51.42

 

CMYK 67 / 0 / 45 / 4

HEX #52F587

RGB 82 245 135

HSL 139.51, 0.89%, 0.64%

LAB 86.43, -65.24, 40.81

 

CMYK 51 / 0 / 34 / 3

HEX #79F7A2

RGB 121 247 162

HSL 139.52, 0.89%, 0.72%

LAB 88.54, -53.36, 30.39

 

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

CMYK 82 / 43 / 0 / 5

HEX #2B8BF3

RGB 43 139 243

HSL 211.2, 0.89%, 0.56%

LAB 57.51, 9.4, -59.77

 

CMYK 0 / 82 / 75 / 5

HEX #F32B3C

RGB 243 43 60

HSL 354.9, 0.89%, 0.56%

LAB 53.07, 72.7, 41.68

 

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

CMYK 56 / 82 / 0 / 5

HEX #6A2BF3

RGB 106 43 243

HSL 258.9, 0.89%, 0.56%

LAB 40.02, 70.05, -88.11

 

CMYK 0 / 56 / 82 / 5

HEX #F36A2B

RGB 243 106 43

HSL 18.9, 0.89%, 0.56%

LAB 61.25, 49.51, 58.19

 

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

CMYK 82 / 43 / 0 / 5

HEX #2B8BF3

RGB 43 139 243

HSL 211.2, 0.89%, 0.56%

LAB 57.51, 9.4, -59.77

 

CMYK 0 / 82 / 26 / 5

HEX #F32BB3

RGB 243 43 179

HSL 319.2, 0.89%, 0.56%

LAB 56.12, 81.57, -24.47

 

CMYK 0 / 40 / 82 / 5

HEX #F3922B

RGB 243 146 43

HSL 30.9, 0.89%, 0.56%

LAB 69.32, 29.53, 65.29

 

CMYK 82 / 0 / 55 / 5

HEX #2CF36D

RGB 44 243 109

HSL 139.6, 0.89%, 0.56%

LAB 84.86, -73.5, 51

 

CMYK 82 / 67 / 0 / 5

HEX #2B50F3

RGB 43 80 243

HSL 228.9, 0.89%, 0.56%

LAB 42.34, 46.13, -84.42

 

CMYK 0 / 82 / 26 / 5

HEX #F32BB3

RGB 243 43 179

HSL 319.2, 0.89%, 0.56%

LAB 56.12, 81.57, -24.47

 

CMYK 0 / 15 / 82 / 5

HEX #F3CE2B

RGB 243 206 43

HSL 48.9, 0.89%, 0.56%

LAB 83.64, -1.82, 77.57

 

Description

Color code: HEX #2CF36D | qconv.com Color code: HEX #2CF36D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 243 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 243 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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