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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CF308 it is the complementary color #D30CF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CF308. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CF308 shade: #31F303, #42FF16, #53FF29, #64FF3C and #75FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CF308. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CF308 shade: #2CF308, #1BE100, #0ACF00, #00BD00 and #00AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CF308 shade: #2BF207, #6BF207, #AAF207, #EAF207 and #F2BC07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CF308 shade: #2BF207, #07F223, #07F262, #07F2A2 and #07F2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CF308 shade matches the following richer shades: #2BF207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CF308 shade: #2BF207, #3ADE1C, #48CA30, #56B644 and #64A258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CF308 shade: #ACF207, #6DF207, #2FF207, #07F21F and #07F25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CF308 shade: #1DA205, #24CA06, #2BF207, #4AF82B and #6CFA53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CF308 shade: #2CF308, #07EBF2 and #F2078D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CF308 shade: #2CF308, #072FF2 and #F2072F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CF308 shade: #2CF308, #07EBF2, #CB07F2 and #F20F07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CF308 shade: #2CF308, #07A4F2, #CB07F2 and #F25607

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

Complementary color

CMYK 15 / 95 / 0 / 3

HEX #D30CF7

RGB 211 12 247

HSL 290.81, 0.94%, 0.51%

LAB 52.76, 89.78, -68.94

 

CMYK 80 / 0 / 99 / 5

HEX #31F303

RGB 49 243 3

HSL 108.5, 0.98%, 0.48%

LAB 84.36, -79.99, 80.37

 

CMYK 74 / 0 / 91 / 0

HEX #42FF16

RGB 66 255 22

HSL 108.67, 1%, 0.54%

LAB 88.32, -80.83, 81.92

 

CMYK 67 / 0 / 84 / 0

HEX #53FF29

RGB 83 255 41

HSL 108.22, 1%, 0.58%

LAB 88.69, -77.43, 79.1

 

CMYK 61 / 0 / 76 / 0

HEX #64FF3C

RGB 100 255 60

HSL 107.69, 1%, 0.62%

LAB 89.18, -73.05, 74.81

 

CMYK 54 / 0 / 69 / 0

HEX #75FF4F

RGB 117 255 79

HSL 107.05, 1%, 0.65%

LAB 89.8, -67.75, 69.3

 

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

CMYK 88 / 0 / 100 / 12

HEX #1BE100

RGB 27 225 0

HSL 112.8, 1%, 0.44%

LAB 78.51, -77.16, 75.84

 

CMYK 95 / 0 / 100 / 19

HEX #0ACF00

RGB 10 207 0

HSL 117.1, 1%, 0.41%

LAB 72.69, -73.25, 71.13

 

CMYK 100 / 0 / 100 / 26

HEX #00BD00

RGB 0 189 0

HSL 120, 1%, 0.37%

LAB 66.82, -68.81, 66.41

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 82 / 0 / 97 / 5

HEX #2BF207

RGB 43 242 7

HSL 110.81, 0.94%, 0.49%

LAB 83.98, -80.3, 79.71

 

CMYK 56 / 0 / 97 / 5

HEX #6BF207

RGB 107 242 7

HSL 94.47, 0.94%, 0.49%

LAB 85.32, -68.87, 81.35

 

CMYK 30 / 0 / 97 / 5

HEX #AAF207

RGB 170 242 7

HSL 78.38, 0.94%, 0.49%

LAB 88, -49.09, 84.6

 

CMYK 3 / 0 / 97 / 5

HEX #EAF207

RGB 234 242 7

HSL 62.04, 0.94%, 0.49%

LAB 92.14, -23.97, 89.57

 

CMYK 0 / 22 / 97 / 5

HEX #F2BC07

RGB 242 188 7

HSL 46.21, 0.94%, 0.49%

LAB 78.96, 6.43, 80.27

 

CMYK 82 / 0 / 97 / 5

HEX #2BF207

RGB 43 242 7

HSL 110.81, 0.94%, 0.49%

LAB 83.98, -80.3, 79.71

 

CMYK 97 / 0 / 86 / 5

HEX #07F223

RGB 7 242 35

HSL 127.15, 0.94%, 0.49%

LAB 83.79, -81.79, 75.68

 

CMYK 97 / 0 / 60 / 5

HEX #07F262

RGB 7 242 98

HSL 143.23, 0.94%, 0.49%

LAB 84.19, -76.76, 55.03

 

CMYK 97 / 0 / 33 / 5

HEX #07F2A2

RGB 7 242 162

HSL 159.57, 0.94%, 0.49%

LAB 85.08, -66.17, 25.37

 

CMYK 97 / 0 / 7 / 5

HEX #07F2E1

RGB 7 242 225

HSL 175.66, 0.94%, 0.49%

LAB 86.5, -50.86, -5.36

 

CMYK 82 / 0 / 97 / 5

HEX #2BF207

RGB 43 242 7

HSL 110.81, 0.94%, 0.49%

LAB 83.98, -80.3, 79.71

 

CMYK 82 / 0 / 97 / 5

HEX #2BF207

RGB 43 242 7

HSL 110.81, 0.94%, 0.49%

LAB 83.98, -80.3, 79.71

 

CMYK 74 / 0 / 87 / 13

HEX #3ADE1C

RGB 58 222 28

HSL 110.72, 0.78%, 0.49%

LAB 78.01, -72.22, 72.17

 

CMYK 64 / 0 / 76 / 21

HEX #48CA30

RGB 72 202 48

HSL 110.65, 0.62%, 0.49%

LAB 72.12, -62.35, 61.77

 

CMYK 53 / 0 / 63 / 29

HEX #56B644

RGB 86 182 68

HSL 110.53, 0.46%, 0.49%

LAB 66.41, -50.03, 48.23

 

CMYK 38 / 0 / 46 / 36

HEX #64A258

RGB 100 162 88

HSL 110.27, 0.3%, 0.49%

LAB 61.01, -34.84, 32.24

 

CMYK 29 / 0 / 97 / 5

HEX #ACF207

RGB 172 242 7

HSL 77.87, 0.94%, 0.49%

LAB 88.11, -48.36, 84.73

 

CMYK 55 / 0 / 97 / 5

HEX #6DF207

RGB 109 242 7

HSL 93.96, 0.94%, 0.49%

LAB 85.39, -68.36, 81.43

 

CMYK 81 / 0 / 97 / 5

HEX #2FF207

RGB 47 242 7

HSL 109.79, 0.94%, 0.49%

LAB 84.03, -79.88, 79.77

 

CMYK 97 / 0 / 87 / 5

HEX #07F21F

RGB 7 242 31

HSL 126.13, 0.94%, 0.49%

LAB 83.78, -81.95, 76.44

 

CMYK 97 / 0 / 61 / 5

HEX #07F25E

RGB 7 242 94

HSL 142.21, 0.94%, 0.49%

LAB 84.15, -77.24, 56.71

 

CMYK 82 / 0 / 97 / 36

HEX #1DA205

RGB 29 162 5

HSL 110.83, 0.94%, 0.33%

LAB 58.14, -59, 58.82

 

CMYK 82 / 0 / 97 / 21

HEX #24CA06

RGB 36 202 6

HSL 110.82, 0.94%, 0.41%

LAB 71.3, -69.86, 69.47

 

CMYK 82 / 0 / 97 / 5

HEX #2BF207

RGB 43 242 7

HSL 110.81, 0.94%, 0.49%

LAB 83.98, -80.3, 79.71

 

CMYK 70 / 0 / 83 / 3

HEX #4AF82B

RGB 74 248 43

HSL 110.93, 0.94%, 0.57%

LAB 86.39, -76.81, 76.51

 

CMYK 57 / 0 / 67 / 2

HEX #6CFA53

RGB 108 250 83

HSL 111.02, 0.94%, 0.65%

LAB 88.06, -67.89, 65.9

 

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

CMYK 97 / 3 / 0 / 5

HEX #07EBF2

RGB 7 235 242

HSL 181.79, 0.94%, 0.49%

LAB 84.93, -42.99, -16.62

 

CMYK 0 / 97 / 42 / 5

HEX #F2078D

RGB 242 7 141

HSL 325.79, 0.94%, 0.49%

LAB 52.9, 82.35, -6.95

 

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

CMYK 97 / 81 / 0 / 5

HEX #072FF2

RGB 7 47 242

HSL 229.79, 0.94%, 0.49%

LAB 34.98, 62.69, -96.07

 

CMYK 0 / 97 / 81 / 5

HEX #F2072F

RGB 242 7 47

HSL 349.79, 0.94%, 0.49%

LAB 50.96, 77.14, 46.6

 

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

CMYK 97 / 3 / 0 / 5

HEX #07EBF2

RGB 7 235 242

HSL 181.79, 0.94%, 0.49%

LAB 84.93, -42.99, -16.62

 

CMYK 16 / 97 / 0 / 5

HEX #CB07F2

RGB 203 7 242

HSL 290.04, 0.94%, 0.49%

LAB 50.99, 88.22, -69.07

 

CMYK 0 / 94 / 97 / 5

HEX #F20F07

RGB 242 15 7

HSL 2.04, 0.94%, 0.49%

LAB 50.96, 75.89, 62.92

 

CMYK 82 / 0 / 97 / 5

HEX #2CF308

RGB 44 243 8

HSL 110.81, 0.94%, 0.49%

LAB 84.31, -80.46, 79.9

 

CMYK 97 / 32 / 0 / 5

HEX #07A4F2

RGB 7 164 242

HSL 199.91, 0.94%, 0.49%

LAB 64.17, -7.44, -48.66

 

CMYK 16 / 97 / 0 / 5

HEX #CB07F2

RGB 203 7 242

HSL 290.04, 0.94%, 0.49%

LAB 50.99, 88.22, -69.07

 

CMYK 0 / 64 / 97 / 5

HEX #F25607

RGB 242 86 7

HSL 20.17, 0.94%, 0.49%

LAB 57.61, 57.38, 66.33

 

Description

Color code: HEX #2CF308 | qconv.com Color code: HEX #2CF308 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 243 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 243 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 97 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 97% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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