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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CEF45 it is the complementary color #D310BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CEF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CEF45 shade: #31EF40, #42FF53, #53FF66, #64FF79 and #75FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CEF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CEF45 shade: #2CEF45, #1BDD32, #0ACB1F, #00B90C and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CEF45 shade: #2AEF43, #45EF2A, #7BEF2A, #B0EF2A and #E5EF2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CEF45 shade: #2AEF43, #2AEF78, #2AEFAD, #2AEFE3 and #2AC6EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CEF45 shade matches the following richer shades: #2AEF43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CEF45 shade: #2AEF43, #3CDC51, #4FCA5E, #61B76C and #74A57A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CEF45 shade: #7CEF2A, #47EF2A, #2AEF41, #2AEF75 and #2AEFAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CEF45 shade: #0EB824, #11DE2B, #2AEF43, #50F265 and #76F587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CEF45 shade: #2CEF45, #2AB0EF and #EF2A61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CEF45 shade: #2CEF45, #412AEF and #EF412A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CEF45 shade: #2CEF45, #2AB0EF, #EF2AD8 and #EF682A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CEF45 shade: #2CEF45, #2A75EF, #EF2AD8 and #EFA32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

Complementary color

CMYK 0 / 92 / 12 / 17

HEX #D310BA

RGB 211 16 186

HSL 307.69, 0.86%, 0.45%

LAB 49.21, 80.39, -39.77

 

CMYK 79 / 0 / 73 / 6

HEX #31EF40

RGB 49 239 64

HSL 124.74, 0.86%, 0.56%

LAB 83.31, -76.45, 67.43

 

CMYK 74 / 0 / 67 / 0

HEX #42FF53

RGB 66 255 83

HSL 125.4, 1%, 0.63%

LAB 88.59, -77.49, 66.18

 

CMYK 67 / 0 / 60 / 0

HEX #53FF66

RGB 83 255 102

HSL 126.63, 1%, 0.66%

LAB 89.07, -72.89, 59.16

 

CMYK 61 / 0 / 53 / 0

HEX #64FF79

RGB 100 255 121

HSL 128.13, 1%, 0.7%

LAB 89.68, -67.36, 51.57

 

CMYK 54 / 0 / 45 / 0

HEX #75FF8C

RGB 117 255 140

HSL 130, 1%, 0.73%

LAB 90.41, -60.97, 43.66

 

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

CMYK 88 / 0 / 77 / 13

HEX #1BDD32

RGB 27 221 50

HSL 127.11, 0.78%, 0.49%

LAB 77.39, -74.31, 66

 

CMYK 95 / 0 / 85 / 20

HEX #0ACB1F

RGB 10 203 31

HSL 126.53, 0.91%, 0.42%

LAB 71.47, -71.3, 65.58

 

CMYK 100 / 0 / 94 / 27

HEX #00B90C

RGB 0 185 12

HSL 123.89, 1%, 0.36%

LAB 65.53, -67.45, 63.91

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 82 / 0 / 72 / 6

HEX #2AEF43

RGB 42 239 67

HSL 127.61, 0.86%, 0.55%

LAB 83.25, -76.96, 66.31

 

CMYK 71 / 0 / 82 / 6

HEX #45EF2A

RGB 69 239 42

HSL 111.78, 0.86%, 0.55%

LAB 83.53, -74.98, 74.13

 

CMYK 49 / 0 / 82 / 6

HEX #7BEF2A

RGB 123 239 42

HSL 95.33, 0.86%, 0.55%

LAB 85.05, -62.6, 76.07

 

CMYK 26 / 0 / 82 / 6

HEX #B0EF2A

RGB 176 239 42

HSL 79.19, 0.86%, 0.55%

LAB 87.55, -44.9, 79.23

 

CMYK 4 / 0 / 82 / 6

HEX #E5EF2A

RGB 229 239 42

HSL 63.05, 0.86%, 0.55%

LAB 91.03, -24.03, 83.59

 

CMYK 82 / 0 / 72 / 6

HEX #2AEF43

RGB 42 239 67

HSL 127.61, 0.86%, 0.55%

LAB 83.25, -76.96, 66.31

 

CMYK 82 / 0 / 50 / 6

HEX #2AEF78

RGB 42 239 120

HSL 143.76, 0.86%, 0.55%

LAB 83.75, -70.84, 44.51

 

CMYK 82 / 0 / 28 / 6

HEX #2AEFAD

RGB 42 239 173

HSL 159.9, 0.86%, 0.55%

LAB 84.61, -60.96, 19.11

 

CMYK 82 / 0 / 5 / 6

HEX #2AEFE3

RGB 42 239 227

HSL 176.35, 0.86%, 0.55%

LAB 85.89, -47.52, -7.28

 

CMYK 82 / 17 / 0 / 6

HEX #2AC6EF

RGB 42 198 239

HSL 192.49, 0.86%, 0.55%

LAB 74.26, -24.87, -31.25

 

CMYK 82 / 0 / 72 / 6

HEX #2AEF43

RGB 42 239 67

HSL 127.61, 0.86%, 0.55%

LAB 83.25, -76.96, 66.31

 

CMYK 82 / 0 / 72 / 6

HEX #2AEF43

RGB 42 239 67

HSL 127.61, 0.86%, 0.55%

LAB 83.25, -76.96, 66.31

 

CMYK 73 / 0 / 63 / 14

HEX #3CDC51

RGB 60 220 81

HSL 127.88, 0.7%, 0.55%

LAB 77.72, -67.59, 55.09

 

CMYK 61 / 0 / 53 / 21

HEX #4FCA5E

RGB 79 202 94

HSL 127.32, 0.54%, 0.55%

LAB 72.7, -56.25, 43.51

 

CMYK 47 / 0 / 41 / 28

HEX #61B76C

RGB 97 183 108

HSL 127.67, 0.37%, 0.55%

LAB 67.64, -42.02, 30.28

 

CMYK 30 / 0 / 26 / 35

HEX #74A57A

RGB 116 165 122

HSL 127.35, 0.21%, 0.55%

LAB 63.37, -25.32, 17.18

 

CMYK 48 / 0 / 82 / 6

HEX #7CEF2A

RGB 124 239 42

HSL 95.03, 0.86%, 0.55%

LAB 85.09, -62.31, 76.12

 

CMYK 70 / 0 / 82 / 6

HEX #47EF2A

RGB 71 239 42

HSL 111.17, 0.86%, 0.55%

LAB 83.57, -74.65, 74.18

 

CMYK 82 / 0 / 73 / 6

HEX #2AEF41

RGB 42 239 65

HSL 127.01, 0.86%, 0.55%

LAB 83.24, -77.11, 66.99

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 82 / 0 / 29 / 6

HEX #2AEFAA

RGB 42 239 170

HSL 158.98, 0.86%, 0.55%

LAB 84.55, -61.61, 20.58

 

CMYK 92 / 0 / 80 / 28

HEX #0EB824

RGB 14 184 36

HSL 127.76, 0.86%, 0.39%

LAB 65.36, -65.48, 58.66

 

CMYK 92 / 0 / 81 / 13

HEX #11DE2B

RGB 17 222 43

HSL 127.61, 0.86%, 0.47%

LAB 77.6, -75.63, 68.19

 

CMYK 82 / 0 / 72 / 6

HEX #2AEF43

RGB 42 239 67

HSL 127.61, 0.86%, 0.55%

LAB 83.25, -76.96, 66.31

 

CMYK 67 / 0 / 58 / 5

HEX #50F265

RGB 80 242 101

HSL 127.78, 0.86%, 0.63%

LAB 85.07, -69.23, 54.97

 

CMYK 52 / 0 / 45 / 4

HEX #76F587

RGB 118 245 135

HSL 128.03, 0.86%, 0.71%

LAB 87.44, -57.62, 42.31

 

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

CMYK 82 / 26 / 0 / 6

HEX #2AB0EF

RGB 42 176 239

HSL 199.19, 0.86%, 0.55%

LAB 67.85, -13.39, -41.2

 

CMYK 0 / 82 / 59 / 6

HEX #EF2A61

RGB 239 42 97

HSL 343.25, 0.86%, 0.55%

LAB 52.81, 73.63, 19.39

 

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

CMYK 73 / 82 / 0 / 6

HEX #412AEF

RGB 65 42 239

HSL 247.01, 0.86%, 0.55%

LAB 36.01, 66.06, -92.61

 

CMYK 0 / 73 / 82 / 6

HEX #EF412A

RGB 239 65 42

HSL 7.01, 0.86%, 0.55%

LAB 54.34, 64.84, 52.15

 

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

CMYK 82 / 26 / 0 / 6

HEX #2AB0EF

RGB 42 176 239

HSL 199.19, 0.86%, 0.55%

LAB 67.85, -13.39, -41.2

 

CMYK 0 / 82 / 10 / 6

HEX #EF2AD8

RGB 239 42 216

HSL 307.01, 0.86%, 0.55%

LAB 57.04, 85.59, -44.36

 

CMYK 0 / 56 / 82 / 6

HEX #EF682A

RGB 239 104 42

HSL 18.88, 0.86%, 0.55%

LAB 60.26, 48.95, 57.48

 

CMYK 82 / 0 / 71 / 6

HEX #2CEF45

RGB 44 239 69

HSL 127.69, 0.86%, 0.55%

LAB 83.28, -76.6, 65.65

 

CMYK 82 / 51 / 0 / 6

HEX #2A75EF

RGB 42 117 239

HSL 217.16, 0.86%, 0.55%

LAB 51.21, 21.43, -67.71

 

CMYK 0 / 82 / 10 / 6

HEX #EF2AD8

RGB 239 42 216

HSL 307.01, 0.86%, 0.55%

LAB 57.04, 85.59, -44.36

 

CMYK 0 / 32 / 82 / 6

HEX #EFA32A

RGB 239 163 42

HSL 36.85, 0.86%, 0.55%

LAB 72.7, 18.89, 68.36

 

Description

Color code: HEX #2CEF45 | qconv.com Color code: HEX #2CEF45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 239 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 239 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 71 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 71% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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