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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CEC62 it is the complementary color #D3139D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CEC62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CEC62 shade: #31EC5D, #42FE70, #53FF83, #64FF96 and #75FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CEC62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CEC62 shade: #2CEC62, #1BDA4F, #0AC83C, #00B629 and #00A416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CEC62 shade: #2DEB63, #2DEB2F, #5EEB2D, #92EB2D and #C5EB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CEC62 shade: #2DEB63, #2DEB96, #2DEBC9, #2DDAEB and #2DA7EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CEC62 shade matches the following richer shades: #2DEB63 and #1AFE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CEC62 shade: #2DEB63, #40D96B, #52C673, #65B47B and #77A183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CEC62 shade: #60EB2D, #2DEB2D, #2DEB60, #2DEB93 and #2DEBC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CEC62 shade: #11B53F, #14DB4C, #2DEB63, #53EF7F and #79F39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CEC62 shade: #2CEC62, #2D93EB and #EB2D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CEC62 shade: #2CEC62, #602DEB and #EB602D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CEC62 shade: #2CEC62, #2D93EB, #EB2DB9 and #EB862D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CEC62 shade: #2CEC62, #2D59EB, #EB2DB9 and #EBBF2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

Complementary color

CMYK 0 / 91 / 26 / 17

HEX #D3139D

RGB 211 19 157

HSL 316.88, 0.83%, 0.45%

LAB 47.94, 76.46, -24.61

 

CMYK 79 / 0 / 61 / 7

HEX #31EC5D

RGB 49 236 93

HSL 134.12, 0.83%, 0.56%

LAB 82.61, -72.79, 55.46

 

CMYK 74 / 0 / 56 / 0

HEX #42FE70

RGB 66 254 112

HSL 134.68, 0.99%, 0.63%

LAB 88.55, -74.04, 54.11

 

CMYK 67 / 0 / 49 / 0

HEX #53FF83

RGB 83 255 131

HSL 136.74, 1%, 0.66%

LAB 89.39, -69.18, 46.48

 

CMYK 61 / 0 / 41 / 0

HEX #64FF96

RGB 100 255 150

HSL 139.35, 1%, 0.7%

LAB 90.06, -63.11, 38.26

 

CMYK 54 / 0 / 34 / 0

HEX #75FFA9

RGB 117 255 169

HSL 142.61, 1%, 0.73%

LAB 90.86, -56.27, 29.96

 

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

CMYK 88 / 0 / 64 / 15

HEX #1BDA4F

RGB 27 218 79

HSL 136.34, 0.78%, 0.48%

LAB 76.64, -70.9, 54.61

 

CMYK 95 / 0 / 70 / 22

HEX #0AC83C

RGB 10 200 60

HSL 135.79, 0.9%, 0.41%

LAB 70.66, -68.45, 55.75

 

CMYK 100 / 0 / 77 / 29

HEX #00B629

RGB 0 182 41

HSL 133.52, 1%, 0.36%

LAB 64.66, -65.24, 56.42

 

CMYK 100 / 0 / 87 / 36

HEX #00A416

RGB 0 164 22

HSL 128.05, 1%, 0.32%

LAB 58.61, -61.23, 56.13

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 81 / 0 / 80 / 8

HEX #2DEB2F

RGB 45 235 47

HSL 120.63, 0.83%, 0.55%

LAB 81.94, -76.84, 71.25

 

CMYK 60 / 0 / 81 / 8

HEX #5EEB2D

RGB 94 235 45

HSL 104.53, 0.83%, 0.55%

LAB 82.91, -68.63, 73.03

 

CMYK 38 / 0 / 81 / 8

HEX #92EB2D

RGB 146 235 45

HSL 88.11, 0.83%, 0.55%

LAB 84.85, -53.76, 75.52

 

CMYK 16 / 0 / 81 / 8

HEX #C5EB2D

RGB 197 235 45

HSL 72, 0.83%, 0.55%

LAB 87.72, -34.97, 79.15

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 81 / 0 / 36 / 8

HEX #2DEB96

RGB 45 235 150

HSL 153.16, 0.83%, 0.55%

LAB 83.01, -64, 28.74

 

CMYK 81 / 0 / 14 / 8

HEX #2DEBC9

RGB 45 235 201

HSL 169.26, 0.83%, 0.55%

LAB 84.07, -52.5, 3.72

 

CMYK 81 / 7 / 0 / 8

HEX #2DDAEB

RGB 45 218 235

HSL 185.37, 0.83%, 0.55%

LAB 80.01, -35.59, -20.32

 

CMYK 81 / 29 / 0 / 8

HEX #2DA7EB

RGB 45 167 235

HSL 201.47, 0.83%, 0.55%

LAB 65.12, -9.6, -43.3

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 90 / 0 / 65 / 0

HEX #1AFE5A

RGB 26 254 90

HSL 136.84, 0.99%, 0.55%

LAB 87.89, -80.4, 62.57

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 71 / 0 / 51 / 15

HEX #40D96B

RGB 64 217 107

HSL 136.86, 0.67%, 0.55%

LAB 77.15, -62.66, 42.63

 

CMYK 59 / 0 / 42 / 22

HEX #52C673

RGB 82 198 115

HSL 137.07, 0.5%, 0.55%

LAB 71.84, -50.88, 32.01

 

CMYK 44 / 0 / 32 / 29

HEX #65B47B

RGB 101 180 123

HSL 136.71, 0.34%, 0.55%

LAB 67.16, -36.95, 21.7

 

CMYK 26 / 0 / 19 / 37

HEX #77A183

RGB 119 161 131

HSL 137.14, 0.18%, 0.55%

LAB 62.55, -20.59, 11.07

 

CMYK 59 / 0 / 81 / 8

HEX #60EB2D

RGB 96 235 45

HSL 103.89, 0.83%, 0.55%

LAB 82.96, -68.16, 73.11

 

CMYK 81 / 0 / 81 / 8

HEX #2DEB2D

RGB 45 235 45

HSL 120, 0.83%, 0.55%

LAB 81.93, -76.95, 71.77

 

CMYK 81 / 0 / 59 / 8

HEX #2DEB60

RGB 45 235 96

HSL 136.11, 0.83%, 0.55%

LAB 82.28, -72.55, 53.77

 

CMYK 81 / 0 / 37 / 8

HEX #2DEB93

RGB 45 235 147

HSL 152.21, 0.83%, 0.55%

LAB 82.96, -64.58, 30.19

 

CMYK 81 / 0 / 16 / 8

HEX #2DEBC5

RGB 45 235 197

HSL 168, 0.83%, 0.55%

LAB 83.97, -53.51, 5.68

 

CMYK 91 / 0 / 65 / 29

HEX #11B53F

RGB 17 181 63

HSL 136.83, 0.83%, 0.39%

LAB 64.58, -62.08, 47.98

 

CMYK 91 / 0 / 65 / 14

HEX #14DB4C

RGB 20 219 76

HSL 136.88, 0.83%, 0.47%

LAB 76.88, -71.97, 56.1

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 65 / 0 / 47 / 6

HEX #53EF7F

RGB 83 239 127

HSL 136.92, 0.83%, 0.63%

LAB 84.54, -64.16, 42.3

 

CMYK 50 / 0 / 36 / 5

HEX #79F39B

RGB 121 243 155

HSL 136.72, 0.84%, 0.71%

LAB 87.26, -52.93, 32.2

 

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

CMYK 81 / 37 / 0 / 8

HEX #2D93EB

RGB 45 147 235

HSL 207.79, 0.83%, 0.55%

LAB 59.36, 1.84, -52.39

 

CMYK 0 / 81 / 70 / 8

HEX #EB2D46

RGB 235 45 70

HSL 352.11, 0.83%, 0.55%

LAB 51.82, 70.47, 34.08

 

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

CMYK 59 / 81 / 0 / 8

HEX #602DEB

RGB 96 45 235

HSL 256.11, 0.83%, 0.55%

LAB 38.48, 66.26, -86.16

 

CMYK 0 / 59 / 81 / 8

HEX #EB602D

RGB 235 96 45

HSL 16.11, 0.83%, 0.55%

LAB 58.24, 51.27, 54.11

 

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

CMYK 81 / 37 / 0 / 8

HEX #2D93EB

RGB 45 147 235

HSL 207.79, 0.83%, 0.55%

LAB 59.36, 1.84, -52.39

 

CMYK 0 / 81 / 21 / 8

HEX #EB2DB9

RGB 235 45 185

HSL 315.79, 0.83%, 0.55%

LAB 55.12, 80.13, -29.63

 

CMYK 0 / 43 / 81 / 8

HEX #EB862D

RGB 235 134 45

HSL 28.11, 0.83%, 0.55%

LAB 65.67, 32.57, 60.93

 

CMYK 81 / 0 / 58 / 7

HEX #2CEC62

RGB 44 236 98

HSL 136.88, 0.83%, 0.55%

LAB 82.6, -72.72, 53.25

 

CMYK 81 / 62 / 0 / 8

HEX #2D59EB

RGB 45 89 235

HSL 226.11, 0.83%, 0.55%

LAB 43.8, 37.89, -77.52

 

CMYK 0 / 81 / 21 / 8

HEX #EB2DB9

RGB 235 45 185

HSL 315.79, 0.83%, 0.55%

LAB 55.12, 80.13, -29.63

 

CMYK 0 / 19 / 81 / 8

HEX #EBBF2D

RGB 235 191 45

HSL 46.11, 0.83%, 0.55%

LAB 79.11, 2.55, 72.82

 

Description

Color code: HEX #2CEC62 | qconv.com Color code: HEX #2CEC62 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 236 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 236 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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