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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE72D it is the complementary color #D318D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE72D shade: #31E728, #42F93B, #53FF4E, #64FF61 and #75FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE72D shade: #2CE72D, #1BD51A, #0AC307, #00B100 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE72D shade: #2CE82D, #5DE82C, #90E82C, #C3E82C and #E8DA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE72D shade: #2CE82D, #2CE85F, #2CE892, #2CE8C5 and #2CD8E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE72D shade matches the following richer shades: #2CE82D and #19FB1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE72D shade: #2CE82D, #3FD540, #52C252, #65AF65 and #789C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE72D shade: #90E82C, #5EE82C, #2CE82C, #2CE85E and #2CE890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE72D shade: #13AE14, #17D318, #2CE82D, #51EC52 and #76F077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE72D shade: #2CE72D, #2CC2E8 and #E82C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE72D shade: #2CE72D, #2C2CE8 and #E82C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE72D shade: #2CE72D, #2CC2E8, #E82CE8 and #E8512C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE72D shade: #2CE72D, #2C8AE8, #E82CE8 and #E88A2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

Complementary color

CMYK 0 / 89 / 0 / 17

HEX #D318D2

RGB 211 24 210

HSL 300.32, 0.8%, 0.46%

LAB 50.87, 82.76, -51.03

 

CMYK 79 / 0 / 83 / 9

HEX #31E728

RGB 49 231 40

HSL 117.17, 0.8%, 0.53%

LAB 80.72, -75.59, 71.93

 

CMYK 73 / 0 / 76 / 2

HEX #42F93B

RGB 66 249 59

HSL 117.79, 0.94%, 0.6%

LAB 86.62, -77.52, 72.37

 

CMYK 67 / 0 / 69 / 0

HEX #53FF4E

RGB 83 255 78

HSL 118.31, 1%, 0.65%

LAB 88.88, -75.19, 68.42

 

CMYK 61 / 0 / 62 / 0

HEX #64FF61

RGB 100 255 97

HSL 118.86, 1%, 0.69%

LAB 89.44, -70.12, 61.77

 

CMYK 54 / 0 / 55 / 0

HEX #75FF74

RGB 117 255 116

HSL 119.57, 1%, 0.73%

LAB 90.12, -64.14, 54.49

 

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

CMYK 87 / 0 / 88 / 16

HEX #1BD51A

RGB 27 213 26

HSL 119.68, 0.78%, 0.47%

LAB 74.76, -73.29, 69.57

 

CMYK 95 / 0 / 96 / 24

HEX #0AC307

RGB 10 195 7

HSL 119.04, 0.93%, 0.4%

LAB 68.83, -69.86, 67.25

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82D

RGB 44 232 45

HSL 120.32, 0.8%, 0.54%

LAB 80.98, -76.2, 70.89

 

CMYK 60 / 0 / 81 / 9

HEX #5DE82C

RGB 93 232 44

HSL 104.36, 0.8%, 0.54%

LAB 81.96, -67.91, 72.41

 

CMYK 38 / 0 / 81 / 9

HEX #90E82C

RGB 144 232 44

HSL 88.09, 0.8%, 0.54%

LAB 83.87, -53.28, 74.86

 

CMYK 16 / 0 / 81 / 9

HEX #C3E82C

RGB 195 232 44

HSL 71.81, 0.8%, 0.54%

LAB 86.75, -34.43, 78.51

 

CMYK 0 / 6 / 81 / 9

HEX #E8DA2C

RGB 232 218 44

HSL 55.53, 0.8%, 0.54%

LAB 85.75, -12.51, 78.72

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82D

RGB 44 232 45

HSL 120.32, 0.8%, 0.54%

LAB 80.98, -76.2, 70.89

 

CMYK 81 / 0 / 59 / 9

HEX #2CE85F

RGB 44 232 95

HSL 136.28, 0.8%, 0.54%

LAB 81.33, -71.84, 53.1

 

CMYK 81 / 0 / 37 / 9

HEX #2CE892

RGB 44 232 146

HSL 152.55, 0.8%, 0.54%

LAB 82.01, -63.81, 29.44

 

CMYK 81 / 0 / 15 / 9

HEX #2CE8C5

RGB 44 232 197

HSL 168.83, 0.8%, 0.54%

LAB 83.06, -52.38, 4.37

 

CMYK 81 / 7 / 0 / 9

HEX #2CD8E8

RGB 44 216 232

HSL 185.11, 0.8%, 0.54%

LAB 79.31, -35.64, -19.77

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82D

RGB 44 232 45

HSL 120.32, 0.8%, 0.54%

LAB 80.98, -76.2, 70.89

 

CMYK 90 / 0 / 90 / 2

HEX #19FB1A

RGB 25 251 26

HSL 120.27, 0.97%, 0.54%

LAB 86.64, -83.74, 79.76

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82D

RGB 44 232 45

HSL 120.32, 0.8%, 0.54%

LAB 80.98, -76.2, 70.89

 

CMYK 70 / 0 / 70 / 16

HEX #3FD540

RGB 63 213 64

HSL 120.4, 0.64%, 0.54%

LAB 75.46, -66.48, 59.46

 

CMYK 58 / 0 / 58 / 24

HEX #52C252

RGB 82 194 82

HSL 120, 0.48%, 0.54%

LAB 70.17, -54.09, 46.16

 

CMYK 42 / 0 / 42 / 31

HEX #65AF65

RGB 101 175 101

HSL 120, 0.32%, 0.54%

LAB 65.25, -38.44, 30.87

 

CMYK 23 / 0 / 23 / 39

HEX #789C78

RGB 120 156 120

HSL 120, 0.15%, 0.54%

LAB 60.89, -19.75, 14.9

 

CMYK 38 / 0 / 81 / 9

HEX #90E82C

RGB 144 232 44

HSL 88.09, 0.8%, 0.54%

LAB 83.87, -53.28, 74.86

 

CMYK 59 / 0 / 81 / 9

HEX #5EE82C

RGB 94 232 44

HSL 104.04, 0.8%, 0.54%

LAB 81.99, -67.68, 72.45

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82C

RGB 44 232 44

HSL 120, 0.8%, 0.54%

LAB 80.98, -76.26, 71.15

 

CMYK 81 / 0 / 59 / 9

HEX #2CE85E

RGB 44 232 94

HSL 135.96, 0.8%, 0.54%

LAB 81.32, -71.97, 53.53

 

CMYK 81 / 0 / 38 / 9

HEX #2CE890

RGB 44 232 144

HSL 151.91, 0.8%, 0.54%

LAB 81.98, -64.19, 30.41

 

CMYK 89 / 0 / 89 / 32

HEX #13AE14

RGB 19 174 20

HSL 120.39, 0.8%, 0.38%

LAB 62.05, -63.07, 59.65

 

CMYK 89 / 0 / 89 / 17

HEX #17D318

RGB 23 211 24

HSL 120.32, 0.8%, 0.46%

LAB 74.09, -73.09, 69.34

 

CMYK 81 / 0 / 81 / 9

HEX #2CE82D

RGB 44 232 45

HSL 120.32, 0.8%, 0.54%

LAB 80.98, -76.2, 70.89

 

CMYK 66 / 0 / 65 / 7

HEX #51EC52

RGB 81 236 82

HSL 120.39, 0.8%, 0.62%

LAB 83.1, -69.07, 60.74

 

CMYK 51 / 0 / 50 / 6

HEX #76F077

RGB 118 240 119

HSL 120.49, 0.8%, 0.7%

LAB 85.76, -57.89, 47.85

 

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

CMYK 81 / 16 / 0 / 9

HEX #2CC2E8

RGB 44 194 232

HSL 192.13, 0.8%, 0.54%

LAB 72.86, -24.97, -29.63

 

CMYK 0 / 81 / 49 / 9

HEX #E82C77

RGB 232 44 119

HSL 336.06, 0.8%, 0.54%

LAB 52.16, 72.95, 5

 

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

CMYK 81 / 81 / 0 / 9

HEX #2C2CE8

RGB 44 44 232

HSL 240, 0.8%, 0.54%

LAB 34.32, 62.05, -91.47

 

CMYK 0 / 81 / 81 / 9

HEX #E82C2C

RGB 232 44 44

HSL 0, 0.8%, 0.54%

LAB 50.85, 68.98, 47.41

 

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

CMYK 81 / 16 / 0 / 9

HEX #2CC2E8

RGB 44 194 232

HSL 192.13, 0.8%, 0.54%

LAB 72.86, -24.97, -29.63

 

CMYK 0 / 81 / 0 / 9

HEX #E82CE8

RGB 232 44 232

HSL 300, 0.8%, 0.54%

LAB 56.86, 86.15, -53.75

 

CMYK 0 / 65 / 81 / 9

HEX #E8512C

RGB 232 81 44

HSL 11.81, 0.8%, 0.54%

LAB 55.3, 56.68, 51.64

 

CMYK 81 / 0 / 81 / 9

HEX #2CE72D

RGB 44 231 45

HSL 120.32, 0.8%, 0.54%

LAB 80.67, -75.92, 70.6

 

CMYK 81 / 41 / 0 / 9

HEX #2C8AE8

RGB 44 138 232

HSL 210, 0.8%, 0.54%

LAB 56.62, 6.01, -55.09

 

CMYK 0 / 81 / 0 / 9

HEX #E82CE8

RGB 232 44 232

HSL 300, 0.8%, 0.54%

LAB 56.86, 86.15, -53.75

 

CMYK 0 / 41 / 81 / 9

HEX #E88A2C

RGB 232 138 44

HSL 30, 0.8%, 0.54%

LAB 66.15, 29.22, 61.59

 

Description

Color code: HEX #2CE72D | qconv.com Color code: HEX #2CE72D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 231 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 231 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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