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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE613 it is the complementary color #D319EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE613 shade: #31E60E, #42F821, #53FF34, #64FF47 and #75FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE613 shade: #2CE613, #1BD400, #0AC200, #00B000 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE613 shade: #2CE713, #65E713, #9EE713, #D8E713 and #E7BD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE613 shade: #2CE713, #13E733, #13E76C, #13E7A5 and #13E7DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE613 shade matches the following richer shades: #2CE713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE613 shade: #2CE713, #3BD327, #4BBF3B, #5AAB4F and #6A9664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE613 shade: #A0E713, #68E713, #2FE713, #13E72F and #13E768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE613 shade: #1D9B0D, #25C110, #2CE713, #4BEF35 and #6DF25B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE613 shade: #2CE613, #13D9E7 and #E71384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE613 shade: #2CE613, #132FE7 and #E7132F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE613 shade: #2CE613, #13D9E7, #CB13E7 and #E72113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE613 shade: #2CE613, #1399E7, #CB13E7 and #E76113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

Complementary color

CMYK 11 / 89 / 0 / 7

HEX #D319EC

RGB 211 25 236

HSL 292.89, 0.85%, 0.51%

LAB 52.51, 86.6, -63.18

 

CMYK 79 / 0 / 94 / 10

HEX #31E60E

RGB 49 230 14

HSL 110.28, 0.89%, 0.48%

LAB 80.34, -76.17, 76.14

 

CMYK 73 / 0 / 87 / 3

HEX #42F821

RGB 66 248 33

HSL 110.79, 0.94%, 0.55%

LAB 86.21, -78.49, 78.4

 

CMYK 67 / 0 / 80 / 0

HEX #53FF34

RGB 83 255 52

HSL 110.84, 1%, 0.6%

LAB 88.74, -76.92, 76.49

 

CMYK 61 / 0 / 72 / 0

HEX #64FF47

RGB 100 255 71

HSL 110.54, 1%, 0.64%

LAB 89.24, -72.34, 71.38

 

CMYK 54 / 0 / 65 / 0

HEX #75FF5A

RGB 117 255 90

HSL 110.18, 1%, 0.68%

LAB 89.88, -66.84, 65.22

 

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

CMYK 87 / 0 / 100 / 17

HEX #1BD400

RGB 27 212 0

HSL 112.36, 1%, 0.42%

LAB 74.39, -73.62, 72.54

 

CMYK 95 / 0 / 100 / 24

HEX #0AC200

RGB 10 194 0

HSL 116.91, 1%, 0.38%

LAB 68.5, -69.73, 67.77

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 81 / 0 / 92 / 9

HEX #2CE713

RGB 44 231 19

HSL 112.92, 0.85%, 0.49%

LAB 80.59, -76.92, 75.72

 

CMYK 56 / 0 / 92 / 9

HEX #65E713

RGB 101 231 19

HSL 96.79, 0.85%, 0.49%

LAB 81.82, -66.49, 77.24

 

CMYK 32 / 0 / 92 / 9

HEX #9EE713

RGB 158 231 19

HSL 80.66, 0.85%, 0.49%

LAB 84.21, -48.71, 80.18

 

CMYK 6 / 0 / 92 / 9

HEX #D8E713

RGB 216 231 19

HSL 64.25, 0.85%, 0.49%

LAB 87.87, -26.04, 84.63

 

CMYK 0 / 18 / 92 / 9

HEX #E7BD13

RGB 231 189 19

HSL 48.11, 0.85%, 0.49%

LAB 78.13, 1.29, 77.74

 

CMYK 81 / 0 / 92 / 9

HEX #2CE713

RGB 44 231 19

HSL 112.92, 0.85%, 0.49%

LAB 80.59, -76.92, 75.72

 

CMYK 92 / 0 / 78 / 9

HEX #13E733

RGB 19 231 51

HSL 129.06, 0.85%, 0.49%

LAB 80.48, -77.54, 68.66

 

CMYK 92 / 0 / 53 / 9

HEX #13E76C

RGB 19 231 108

HSL 145.19, 0.85%, 0.49%

LAB 80.95, -71.67, 46.69

 

CMYK 92 / 0 / 29 / 9

HEX #13E7A5

RGB 19 231 165

HSL 161.32, 0.85%, 0.49%

LAB 81.84, -61.19, 19.39

 

CMYK 92 / 0 / 3 / 9

HEX #13E7DF

RGB 19 231 223

HSL 177.74, 0.85%, 0.49%

LAB 83.24, -46.43, -9.12

 

CMYK 81 / 0 / 92 / 9

HEX #2CE713

RGB 44 231 19

HSL 112.92, 0.85%, 0.49%

LAB 80.59, -76.92, 75.72

 

CMYK 81 / 0 / 92 / 9

HEX #2CE713

RGB 44 231 19

HSL 112.92, 0.85%, 0.49%

LAB 80.59, -76.92, 75.72

 

CMYK 72 / 0 / 82 / 17

HEX #3BD327

RGB 59 211 39

HSL 113.02, 0.69%, 0.49%

LAB 74.61, -68.24, 66.67

 

CMYK 61 / 0 / 69 / 25

HEX #4BBF3B

RGB 75 191 59

HSL 112.73, 0.53%, 0.49%

LAB 68.8, -57.05, 54.49

 

CMYK 47 / 0 / 54 / 33

HEX #5AAB4F

RGB 90 171 79

HSL 112.83, 0.37%, 0.49%

LAB 63.23, -43.17, 39.44

 

CMYK 29 / 0 / 33 / 41

HEX #6A9664

RGB 106 150 100

HSL 112.8, 0.2%, 0.49%

LAB 57.84, -25.17, 21.72

 

CMYK 31 / 0 / 92 / 9

HEX #A0E713

RGB 160 231 19

HSL 80.09, 0.85%, 0.49%

LAB 84.31, -47.99, 80.31

 

CMYK 55 / 0 / 92 / 9

HEX #68E713

RGB 104 231 19

HSL 95.94, 0.85%, 0.49%

LAB 81.92, -65.72, 77.36

 

CMYK 80 / 0 / 92 / 9

HEX #2FE713

RGB 47 231 19

HSL 112.08, 0.85%, 0.49%

LAB 80.63, -76.58, 75.77

 

CMYK 92 / 0 / 80 / 9

HEX #13E72F

RGB 19 231 47

HSL 127.92, 0.85%, 0.49%

LAB 80.46, -77.78, 69.78

 

CMYK 92 / 0 / 55 / 9

HEX #13E768

RGB 19 231 104

HSL 144.06, 0.85%, 0.49%

LAB 80.9, -72.23, 48.48

 

CMYK 81 / 0 / 92 / 39

HEX #1D9B0D

RGB 29 155 13

HSL 113.24, 0.85%, 0.33%

LAB 55.82, -56.66, 55.65

 

CMYK 81 / 0 / 92 / 24

HEX #25C110

RGB 37 193 16

HSL 112.88, 0.85%, 0.41%

LAB 68.44, -66.93, 65.91

 

CMYK 81 / 0 / 92 / 9

HEX #2CE713

RGB 44 231 19

HSL 112.92, 0.85%, 0.49%

LAB 80.59, -76.92, 75.72

 

CMYK 69 / 0 / 78 / 6

HEX #4BEF35

RGB 75 239 53

HSL 112.9, 0.85%, 0.57%

LAB 83.7, -73.37, 71.41

 

CMYK 55 / 0 / 62 / 5

HEX #6DF25B

RGB 109 242 91

HSL 112.85, 0.85%, 0.65%

LAB 85.76, -64.1, 60.22

 

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

CMYK 92 / 6 / 0 / 9

HEX #13D9E7

RGB 19 217 231

HSL 183.96, 0.85%, 0.49%

LAB 79.35, -37.84, -19.21

 

CMYK 0 / 92 / 43 / 9

HEX #E71384

RGB 231 19 132

HSL 328.02, 0.85%, 0.49%

LAB 50.83, 78.19, -4.84

 

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

CMYK 92 / 80 / 0 / 9

HEX #132FE7

RGB 19 47 231

HSL 232.08, 0.85%, 0.49%

LAB 33.86, 59.48, -91.68

 

CMYK 0 / 92 / 80 / 9

HEX #E7132F

RGB 231 19 47

HSL 352.08, 0.85%, 0.49%

LAB 49.08, 73.37, 43.99

 

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

CMYK 92 / 6 / 0 / 9

HEX #13D9E7

RGB 19 217 231

HSL 183.96, 0.85%, 0.49%

LAB 79.35, -37.84, -19.21

 

CMYK 12 / 92 / 0 / 9

HEX #CB13E7

RGB 203 19 231

HSL 292.08, 0.85%, 0.49%

LAB 50.61, 85.35, -63.49

 

CMYK 0 / 86 / 92 / 9

HEX #E72113

RGB 231 33 19

HSL 3.96, 0.85%, 0.49%

LAB 49.65, 70.64, 57.56

 

CMYK 81 / 0 / 92 / 10

HEX #2CE613

RGB 44 230 19

HSL 112.89, 0.85%, 0.49%

LAB 80.28, -76.64, 75.46

 

CMYK 92 / 34 / 0 / 9

HEX #1399E7

RGB 19 153 231

HSL 202.08, 0.85%, 0.49%

LAB 60.51, -4.85, -48.38

 

CMYK 12 / 92 / 0 / 9

HEX #CB13E7

RGB 203 19 231

HSL 292.08, 0.85%, 0.49%

LAB 50.61, 85.35, -63.49

 

CMYK 0 / 58 / 92 / 9

HEX #E76113

RGB 231 97 19

HSL 22.08, 0.85%, 0.49%

LAB 57.64, 48.8, 62.86

 

Description

Color code: HEX #2CE613 | qconv.com Color code: HEX #2CE613 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 230 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 230 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 92 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 92% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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