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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE5DB it is the complementary color #D31A24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE5DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE5DB shade: #31E5D6, #42F7E9, #53FFFC, #64FFFF and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE5DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE5DB shade: #2CE5DB, #1BD3C8, #0AC1B5, #00AFA2 and #009D8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE5DB shade: #2EE5DB, #2EE5AA, #2EE579, #2EE547 and #46E52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE5DB shade: #2EE5DB, #2EBEE5, #2E8CE5, #2E5BE5 and #2E2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE5DB shade matches the following richer shades: #2EE5DB and #1BF8EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE5DB shade: #2EE5DB, #41D2CA, #54BFB9, #67ACA9 and #7A9998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE5DB shade: #2EE577, #2EE5A8, #2EE5D9, #2EC1E5 and #2E90E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE5DB shade: #15ACA4, #1AD0C7, #2EE5DB, #53EAE2 and #78EEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE5DB shade: #2CE5DB, #472EE5 and #E5902E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE5DB shade: #2CE5DB, #D92EE5 and #E5D92E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE5DB shade: #2CE5DB, #472EE5, #E52E3A and #CDE52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE5DB shade: #2CE5DB, #7E2EE5, #E52E3A and #96E52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

Complementary color

CMYK 0 / 88 / 83 / 17

HEX #D31A24

RGB 211 26 36

HSL 356.76, 0.78%, 0.46%

LAB 45.24, 66.94, 44.8

 

CMYK 79 / 0 / 7 / 10

HEX #31E5D6

RGB 49 229 214

HSL 175, 0.78%, 0.55%

LAB 82.67, -46.22, -5.17

 

CMYK 73 / 0 / 6 / 3

HEX #42F7E9

RGB 66 247 233

HSL 175.36, 0.92%, 0.61%

LAB 88.72, -47.15, -6.21

 

CMYK 67 / 0 / 1 / 0

HEX #53FFFC

RGB 83 255 252

HSL 178.95, 1%, 0.66%

LAB 91.86, -43.51, -11.39

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

CMYK 87 / 0 / 5 / 17

HEX #1BD3C8

RGB 27 211 200

HSL 176.41, 0.77%, 0.47%

LAB 76.67, -43.92, -6.6

 

CMYK 95 / 0 / 6 / 24

HEX #0AC1B5

RGB 10 193 181

HSL 176.07, 0.9%, 0.4%

LAB 70.55, -42.23, -5.36

 

CMYK 100 / 0 / 7 / 31

HEX #00AFA2

RGB 0 175 162

HSL 175.54, 1%, 0.34%

LAB 64.38, -40.15, -4

 

CMYK 100 / 0 / 9 / 38

HEX #009D8F

RGB 0 157 143

HSL 174.65, 1%, 0.31%

LAB 58.13, -37.73, -2.52

 

CMYK 80 / 0 / 4 / 10

HEX #2EE5DB

RGB 46 229 219

HSL 176.72, 0.78%, 0.54%

LAB 82.77, -45.11, -7.68

 

CMYK 80 / 0 / 26 / 10

HEX #2EE5AA

RGB 46 229 170

HSL 160.66, 0.78%, 0.54%

LAB 81.58, -57.49, 16.45

 

CMYK 80 / 0 / 47 / 10

HEX #2EE579

RGB 46 229 121

HSL 144.59, 0.78%, 0.54%

LAB 80.74, -66.99, 40.27

 

CMYK 80 / 0 / 69 / 10

HEX #2EE547

RGB 46 229 71

HSL 128.2, 0.78%, 0.54%

LAB 80.22, -73.25, 61.74

 

CMYK 69 / 0 / 80 / 10

HEX #46E52E

RGB 70 229 46

HSL 112.13, 0.78%, 0.54%

LAB 80.48, -71.55, 70.31

 

CMYK 80 / 0 / 4 / 10

HEX #2EE5DB

RGB 46 229 219

HSL 176.72, 0.78%, 0.54%

LAB 82.77, -45.11, -7.68

 

CMYK 80 / 17 / 0 / 10

HEX #2EBEE5

RGB 46 190 229

HSL 192.79, 0.78%, 0.54%

LAB 71.6, -23.75, -29.94

 

CMYK 80 / 39 / 0 / 10

HEX #2E8CE5

RGB 46 140 229

HSL 209.18, 0.78%, 0.54%

LAB 57.07, 3.89, -52.71

 

CMYK 80 / 60 / 0 / 10

HEX #2E5BE5

RGB 46 91 229

HSL 225.25, 0.78%, 0.54%

LAB 43.83, 34.53, -74.08

 

CMYK 80 / 80 / 0 / 10

HEX #2E2EE5

RGB 46 46 229

HSL 240, 0.78%, 0.54%

LAB 34.38, 60.33, -89.65

 

CMYK 80 / 0 / 4 / 10

HEX #2EE5DB

RGB 46 229 219

HSL 176.72, 0.78%, 0.54%

LAB 82.77, -45.11, -7.68

 

CMYK 89 / 0 / 5 / 3

HEX #1BF8EC

RGB 27 248 236

HSL 176.74, 0.94%, 0.54%

LAB 88.65, -49.72, -7.92

 

CMYK 80 / 0 / 4 / 10

HEX #2EE5DB

RGB 46 229 219

HSL 176.72, 0.78%, 0.54%

LAB 82.77, -45.11, -7.68

 

CMYK 69 / 0 / 4 / 18

HEX #41D2CA

RGB 65 210 202

HSL 176.69, 0.62%, 0.54%

LAB 76.97, -39.35, -7.17

 

CMYK 56 / 0 / 3 / 25

HEX #54BFB9

RGB 84 191 185

HSL 176.64, 0.46%, 0.54%

LAB 71.32, -32.03, -6.28

 

CMYK 40 / 0 / 2 / 33

HEX #67ACA9

RGB 103 172 169

HSL 177.39, 0.29%, 0.54%

LAB 65.95, -22.48, -5.33

 

CMYK 20 / 0 / 1 / 40

HEX #7A9998

RGB 122 153 152

HSL 178.06, 0.13%, 0.54%

LAB 60.95, -10.94, -3.04

 

CMYK 80 / 0 / 48 / 10

HEX #2EE577

RGB 46 229 119

HSL 143.93, 0.78%, 0.54%

LAB 80.71, -67.31, 41.21

 

CMYK 80 / 0 / 27 / 10

HEX #2EE5A8

RGB 46 229 168

HSL 160, 0.78%, 0.54%

LAB 81.54, -57.94, 17.43

 

CMYK 80 / 0 / 5 / 10

HEX #2EE5D9

RGB 46 229 217

HSL 176.07, 0.78%, 0.54%

LAB 82.72, -45.66, -6.7

 

CMYK 80 / 16 / 0 / 10

HEX #2EC1E5

RGB 46 193 229

HSL 191.8, 0.78%, 0.54%

LAB 72.48, -25.27, -28.58

 

CMYK 80 / 37 / 0 / 10

HEX #2E90E5

RGB 46 144 229

HSL 207.87, 0.78%, 0.54%

LAB 58.21, 1.51, -50.89

 

CMYK 88 / 0 / 5 / 33

HEX #15ACA4

RGB 21 172 164

HSL 176.82, 0.78%, 0.38%

LAB 63.63, -37.33, -6.21

 

CMYK 88 / 0 / 4 / 18

HEX #1AD0C7

RGB 26 208 199

HSL 177.03, 0.78%, 0.46%

LAB 75.73, -42.95, -7.45

 

CMYK 80 / 0 / 4 / 10

HEX #2EE5DB

RGB 46 229 219

HSL 176.72, 0.78%, 0.54%

LAB 82.77, -45.11, -7.68

 

CMYK 65 / 0 / 3 / 8

HEX #53EAE2

RGB 83 234 226

HSL 176.82, 0.78%, 0.62%

LAB 85.09, -41.12, -7.87

 

CMYK 50 / 0 / 3 / 7

HEX #78EEE8

RGB 120 238 232

HSL 176.95, 0.78%, 0.7%

LAB 87.47, -34.74, -7.37

 

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

CMYK 69 / 80 / 0 / 10

HEX #472EE5

RGB 71 46 229

HSL 248.2, 0.78%, 0.54%

LAB 35.89, 61.97, -87.1

 

CMYK 0 / 37 / 80 / 10

HEX #E5902E

RGB 229 144 46

HSL 32.13, 0.78%, 0.54%

LAB 67.13, 24.87, 61.58

 

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

CMYK 5 / 80 / 0 / 10

HEX #D92EE5

RGB 217 46 229

HSL 296.07, 0.78%, 0.54%

LAB 54.41, 82.52, -56.12

 

CMYK 0 / 5 / 80 / 10

HEX #E5D92E

RGB 229 217 46

HSL 56.07, 0.78%, 0.54%

LAB 85.24, -13.22, 77.66

 

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

CMYK 69 / 80 / 0 / 10

HEX #472EE5

RGB 71 46 229

HSL 248.2, 0.78%, 0.54%

LAB 35.89, 61.97, -87.1

 

CMYK 0 / 80 / 75 / 10

HEX #E52E3A

RGB 229 46 58

HSL 356.07, 0.78%, 0.54%

LAB 50.59, 68.1, 39.3

 

CMYK 10 / 0 / 80 / 10

HEX #CDE52E

RGB 205 229 46

HSL 67.87, 0.78%, 0.54%

LAB 86.61, -28.97, 78.14

 

CMYK 81 / 0 / 4 / 10

HEX #2CE5DB

RGB 44 229 219

HSL 176.76, 0.78%, 0.54%

LAB 82.75, -45.27, -7.71

 

CMYK 45 / 80 / 0 / 10

HEX #7E2EE5

RGB 126 46 229

HSL 266.23, 0.78%, 0.54%

LAB 41.29, 67.87, -78.01

 

CMYK 0 / 80 / 75 / 10

HEX #E52E3A

RGB 229 46 58

HSL 356.07, 0.78%, 0.54%

LAB 50.59, 68.1, 39.3

 

CMYK 34 / 0 / 80 / 10

HEX #96E52E

RGB 150 229 46

HSL 85.9, 0.78%, 0.54%

LAB 83.29, -49.93, 73.93

 

Description

Color code: HEX #2CE5DB | qconv.com Color code: HEX #2CE5DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 229 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 229 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 4 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 4% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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