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Color name
HEX #2CE558

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE558 it is the complementary color #D31AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE558 shade: #31E553, #42F766, #53FF79, #64FF8C and #75FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE558 shade: #2CE558, #1BD345, #0AC132, #00AF1F and #009D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE558 shade: #2EE55A, #34E52E, #65E52E, #97E52E and #C8E52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE558 shade: #2EE55A, #2EE58B, #2EE5BC, #2EDDE5 and #2EABE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE558 shade matches the following richer shades: #2EE55A and #1BF850

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE558 shade: #2EE55A, #41D264, #54BF6E, #67AC78 and #7A9982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE558 shade: #65E52E, #34E52E, #2EE559, #2EE58A and #2EE5BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE558 shade: #15AC39, #1AD045, #2EE55A, #53EA77 and #78EE94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE558 shade: #2CE558, #2E96E5 and #E52E4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE558 shade: #2CE558, #592EE5 and #E5592E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE558 shade: #2CE558, #2E96E5, #E52EBA and #E57E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE558 shade: #2CE558, #2E5FE5, #E52EBA and #E5B42E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

Complementary color

CMYK 0 / 88 / 21 / 17

HEX #D31AA7

RGB 211 26 167

HSL 314.27, 0.78%, 0.46%

LAB 48.73, 76.64, -29.34

 

CMYK 79 / 0 / 64 / 10

HEX #31E553

RGB 49 229 83

HSL 131.33, 0.78%, 0.55%

LAB 80.36, -71.72, 57.14

 

CMYK 73 / 0 / 59 / 3

HEX #42F766

RGB 66 247 102

HSL 131.93, 0.92%, 0.61%

LAB 86.33, -73.02, 55.91

 

CMYK 67 / 0 / 53 / 0

HEX #53FF79

RGB 83 255 121

HSL 133.26, 1%, 0.66%

LAB 89.27, -70.58, 50.98

 

CMYK 61 / 0 / 45 / 0

HEX #64FF8C

RGB 100 255 140

HSL 135.48, 1%, 0.7%

LAB 89.92, -64.69, 42.93

 

CMYK 54 / 0 / 38 / 0

HEX #75FF9F

RGB 117 255 159

HSL 138.26, 1%, 0.73%

LAB 90.69, -57.99, 34.73

 

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

CMYK 87 / 0 / 67 / 17

HEX #1BD345

RGB 27 211 69

HSL 133.7, 0.77%, 0.47%

LAB 74.35, -69.85, 56.19

 

CMYK 95 / 0 / 74 / 24

HEX #0AC132

RGB 10 193 50

HSL 133.11, 0.9%, 0.4%

LAB 68.34, -67.28, 57.04

 

CMYK 100 / 0 / 82 / 31

HEX #00AF1F

RGB 0 175 31

HSL 130.63, 1%, 0.34%

LAB 62.3, -63.89, 57.19

 

CMYK 100 / 0 / 92 / 38

HEX #009D0C

RGB 0 157 12

HSL 124.59, 1%, 0.31%

LAB 56.23, -59.64, 56.06

 

CMYK 80 / 0 / 61 / 10

HEX #2EE55A

RGB 46 229 90

HSL 134.43, 0.78%, 0.54%

LAB 80.38, -71.29, 54.19

 

CMYK 77 / 0 / 80 / 10

HEX #34E52E

RGB 52 229 46

HSL 118.03, 0.78%, 0.54%

LAB 80.16, -74.32, 69.9

 

CMYK 56 / 0 / 80 / 10

HEX #65E52E

RGB 101 229 46

HSL 101.97, 0.78%, 0.54%

LAB 81.29, -64.85, 71.36

 

CMYK 34 / 0 / 80 / 10

HEX #97E52E

RGB 151 229 46

HSL 85.57, 0.78%, 0.54%

LAB 83.35, -49.58, 73.99

 

CMYK 13 / 0 / 80 / 10

HEX #C8E52E

RGB 200 229 46

HSL 69.51, 0.78%, 0.54%

LAB 86.26, -30.98, 77.7

 

CMYK 80 / 0 / 61 / 10

HEX #2EE55A

RGB 46 229 90

HSL 134.43, 0.78%, 0.54%

LAB 80.38, -71.29, 54.19

 

CMYK 80 / 0 / 39 / 10

HEX #2EE58B

RGB 46 229 139

HSL 150.49, 0.78%, 0.54%

LAB 81.01, -63.87, 31.66

 

CMYK 80 / 0 / 18 / 10

HEX #2EE5BC

RGB 46 229 188

HSL 166.56, 0.78%, 0.54%

LAB 81.97, -53.24, 7.55

 

CMYK 80 / 3 / 0 / 10

HEX #2EDDE5

RGB 46 221 229

HSL 182.62, 0.78%, 0.54%

LAB 80.71, -38.68, -16.06

 

CMYK 80 / 25 / 0 / 10

HEX #2EABE5

RGB 46 171 229

HSL 199.02, 0.78%, 0.54%

LAB 66.03, -13.78, -38.57

 

CMYK 80 / 0 / 61 / 10

HEX #2EE55A

RGB 46 229 90

HSL 134.43, 0.78%, 0.54%

LAB 80.38, -71.29, 54.19

 

CMYK 89 / 0 / 68 / 3

HEX #1BF850

RGB 27 248 80

HSL 134.39, 0.94%, 0.54%

LAB 85.98, -79.6, 64.39

 

CMYK 80 / 0 / 61 / 10

HEX #2EE55A

RGB 46 229 90

HSL 134.43, 0.78%, 0.54%

LAB 80.38, -71.29, 54.19

 

CMYK 69 / 0 / 52 / 18

HEX #41D264

RGB 65 210 100

HSL 134.48, 0.62%, 0.54%

LAB 74.91, -61.05, 43.25

 

CMYK 56 / 0 / 42 / 25

HEX #54BF6E

RGB 84 191 110

HSL 134.58, 0.46%, 0.54%

LAB 69.66, -48.45, 31.77

 

CMYK 40 / 0 / 30 / 33

HEX #67AC78

RGB 103 172 120

HSL 134.78, 0.29%, 0.54%

LAB 64.76, -33.23, 20.07

 

CMYK 20 / 0 / 15 / 40

HEX #7A9982

RGB 122 153 130

HSL 135.48, 0.13%, 0.54%

LAB 60.37, -15.58, 8.56

 

CMYK 56 / 0 / 80 / 10

HEX #65E52E

RGB 101 229 46

HSL 101.97, 0.78%, 0.54%

LAB 81.29, -64.85, 71.36

 

CMYK 77 / 0 / 80 / 10

HEX #34E52E

RGB 52 229 46

HSL 118.03, 0.78%, 0.54%

LAB 80.16, -74.32, 69.9

 

CMYK 80 / 0 / 61 / 10

HEX #2EE559

RGB 46 229 89

HSL 134.1, 0.78%, 0.54%

LAB 80.37, -71.41, 54.61

 

CMYK 80 / 0 / 40 / 10

HEX #2EE58A

RGB 46 229 138

HSL 150.16, 0.78%, 0.54%

LAB 80.99, -64.06, 32.14

 

CMYK 80 / 0 / 19 / 10

HEX #2EE5BA

RGB 46 229 186

HSL 165.9, 0.78%, 0.54%

LAB 81.93, -53.73, 8.54

 

CMYK 88 / 0 / 67 / 33

HEX #15AC39

RGB 21 172 57

HSL 134.3, 0.78%, 0.38%

LAB 61.62, -59.64, 47.29

 

CMYK 88 / 0 / 67 / 18

HEX #1AD045

RGB 26 208 69

HSL 134.18, 0.78%, 0.46%

LAB 73.39, -69.03, 55.15

 

CMYK 80 / 0 / 61 / 10

HEX #2EE55A

RGB 46 229 90

HSL 134.43, 0.78%, 0.54%

LAB 80.38, -71.29, 54.19

 

CMYK 65 / 0 / 49 / 8

HEX #53EA77

RGB 83 234 119

HSL 134.3, 0.78%, 0.62%

LAB 82.92, -63.56, 44.12

 

CMYK 50 / 0 / 38 / 7

HEX #78EE94

RGB 120 238 148

HSL 134.24, 0.78%, 0.7%

LAB 85.65, -52.32, 33.58

 

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

CMYK 80 / 34 / 0 / 10

HEX #2E96E5

RGB 46 150 229

HSL 205.9, 0.78%, 0.54%

LAB 59.93, -2, -48.16

 

CMYK 0 / 80 / 66 / 10

HEX #E52E4D

RGB 229 46 77

HSL 349.84, 0.78%, 0.54%

LAB 50.86, 68.93, 28.5

 

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

CMYK 61 / 80 / 0 / 10

HEX #592EE5

RGB 89 46 229

HSL 254.1, 0.78%, 0.54%

LAB 37.36, 63.57, -84.62

 

CMYK 0 / 61 / 80 / 10

HEX #E5592E

RGB 229 89 46

HSL 14.1, 0.78%, 0.54%

LAB 56.09, 52.3, 51.27

 

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

CMYK 80 / 34 / 0 / 10

HEX #2E96E5

RGB 46 150 229

HSL 205.9, 0.78%, 0.54%

LAB 59.93, -2, -48.16

 

CMYK 0 / 80 / 19 / 10

HEX #E52EBA

RGB 229 46 186

HSL 314.1, 0.78%, 0.54%

LAB 54.19, 78.74, -31.73

 

CMYK 0 / 45 / 80 / 10

HEX #E57E2E

RGB 229 126 46

HSL 26.23, 0.78%, 0.54%

LAB 63.16, 34.33, 57.93

 

CMYK 81 / 0 / 62 / 10

HEX #2CE558

RGB 44 229 88

HSL 134.27, 0.78%, 0.54%

LAB 80.34, -71.74, 55

 

CMYK 80 / 59 / 0 / 10

HEX #2E5FE5

RGB 46 95 229

HSL 223.93, 0.78%, 0.54%

LAB 44.83, 31.99, -72.44

 

CMYK 0 / 80 / 19 / 10

HEX #E52EBA

RGB 229 46 186

HSL 314.1, 0.78%, 0.54%

LAB 54.19, 78.74, -31.73

 

CMYK 0 / 21 / 80 / 10

HEX #E5B42E

RGB 229 180 46

HSL 43.93, 0.78%, 0.54%

LAB 75.76, 5.75, 69.35

 

Description

Color code: HEX #2CE558 | qconv.com Color code: HEX #2CE558 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 229 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 229 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 62 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 62% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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