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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE4FF3F it is the complementary color #D31B003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE4FF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE4FF3F shade: #31E4FA3F, #42F6FF3F, #53FFFF3F, #64FFFF3F and #75FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE4FF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE4FF3F shade: #2CE4FF3F, #1BD2EC3F, #0AC0D93F, #00AEC63F and #009CB33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE4FF3F shade: #2EE4FF, #2EACFF, #2E73FF, #2E3BFF and #592EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE4FF3F shade: #2EE4FF, #2EACFF, #2E73FF, #2E3BFF and #2E2EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE4FF3F shade matches the following richer shades: #2EE4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE4FF3F shade: #2EE4FF, #3FD8EE, #50CBDD, #61BECC and #72B2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE4FF3F shade: #2EFFA8, #2EFFE0, #2EE7FF, #2EAFFF and #2E77FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE4FF3F shade: #00BEDA, #05DFFF, #2EE4FF, #57EAFF and #80EFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE4FF3F shade: #2CE4FF, #702EFF and #FFC42E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE4FF3F shade: #2CE4FF, #FF2EE7 and #E7FF2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE4FF3F shade: #2CE4FF, #702EFF, #FF462E and #BDFF2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE4FF3F shade: #2CE4FF, #AF2EFF, #FF462E and #7EFF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 3 / 0 / 0

HEX #2CE4FF3F

RGBA 44 228 255 0.25

HSLA 187.68, 1%, 0.59%, 0.25

LABA 83.57, -34.26, -25.51, 0.25

 

Complementary color

CMYK 0 / 22 / 25 / 4

HEX #D31B003F

RGBA 211 27 0 0.25

HSLA 7.68, 1%, 0.41%, 0.25

LABA 45.13, 66.24, 58.67, 0.25

 

CMYK 20 / 2 / 0 / 0

HEX #31E4FA3F

RGBA 49 228 250 0.25

HSLA 186.57, 0.95%, 0.59%, 0.25

LABA 83.46, -35.41, -23.03, 0.25

 

CMYK 19 / 1 / 0 / 0

HEX #42F6FF3F

RGBA 66 246 255 0.25

HSLA 182.86, 1%, 0.63%, 0.25

LABA 89.06, -40.65, -17.17, 0.25

 

CMYK 17 / 0 / 0 / 0

HEX #53FFFF3F

RGBA 83 255 255 0.25

HSLA 180, 1%, 0.66%, 0.25

LABA 91.94, -42.7, -12.81, 0.25

 

CMYK 15 / 0 / 0 / 0

HEX #64FFFF3F

RGBA 100 255 255 0.25

HSLA 180, 1%, 0.7%, 0.25

LABA 92.33, -40.27, -12.2, 0.25

 

CMYK 14 / 0 / 0 / 0

HEX #75FFFF3F

RGBA 117 255 255 0.25

HSLA 180, 1%, 0.73%, 0.25

LABA 92.8, -37.35, -11.44, 0.25

 

CMYK 21 / 3 / 0 / 0

HEX #2CE4FF3F

RGBA 44 228 255 0.25

HSLA 187.68, 1%, 0.59%, 0.25

LABA 83.57, -34.26, -25.51, 0.25

 

CMYK 22 / 3 / 0 / 2

HEX #1BD2EC3F

RGBA 27 210 236 0.25

HSLA 187.46, 0.85%, 0.52%, 0.25

LABA 77.51, -32.66, -24.67, 0.25

 

CMYK 24 / 3 / 0 / 4

HEX #0AC0D93F

RGBA 10 192 217 0.25

HSLA 187.25, 0.91%, 0.45%, 0.25

LABA 71.4, -30.72, -23.75, 0.25

 

CMYK 25 / 3 / 0 / 6

HEX #00AEC63F

RGBA 0 174 198 0.25

HSLA 187.27, 1%, 0.39%, 0.25

LABA 65.24, -28.41, -22.73, 0.25

 

CMYK 25 / 3 / 0 / 7

HEX #009CB33F

RGBA 0 156 179 0.25

HSLA 187.71, 1%, 0.35%, 0.25

LABA 59, -25.77, -21.63, 0.25

 

CMYK 82 / 11 / 0 / 0

HEX #2EE4FF

RGB 46 228 255

HSL 187.75, 1%, 0.59%

LAB 83.59, -34.12, -25.47

 

CMYK 82 / 33 / 0 / 0

HEX #2EACFF

RGB 46 172 255

HSL 203.83, 1%, 0.59%

LAB 67.51, -5.25, -50.44

 

CMYK 82 / 55 / 0 / 0

HEX #2E73FF

RGB 46 115 255

HSL 220.19, 1%, 0.59%

LAB 51.91, 28.96, -75.46

 

CMYK 82 / 77 / 0 / 0

HEX #2E3BFF

RGB 46 59 255

HSL 236.27, 1%, 0.59%

LAB 39.46, 61.97, -95.91

 

CMYK 65 / 82 / 0 / 0

HEX #592EFF

RGB 89 46 255

HSL 252.34, 1%, 0.59%

LAB 40.08, 70.53, -94.81

 

CMYK 82 / 11 / 0 / 0

HEX #2EE4FF

RGB 46 228 255

HSL 187.75, 1%, 0.59%

LAB 83.59, -34.12, -25.47

 

CMYK 82 / 33 / 0 / 0

HEX #2EACFF

RGB 46 172 255

HSL 203.83, 1%, 0.59%

LAB 67.51, -5.25, -50.44

 

CMYK 82 / 55 / 0 / 0

HEX #2E73FF

RGB 46 115 255

HSL 220.19, 1%, 0.59%

LAB 51.91, 28.96, -75.46

 

CMYK 82 / 77 / 0 / 0

HEX #2E3BFF

RGB 46 59 255

HSL 236.27, 1%, 0.59%

LAB 39.46, 61.97, -95.91

 

CMYK 82 / 82 / 0 / 0

HEX #2E2EFF

RGB 46 46 255

HSL 240, 1%, 0.59%

LAB 37.4, 67.99, -99.33

 

CMYK 82 / 11 / 0 / 0

HEX #2EE4FF

RGB 46 228 255

HSL 187.75, 1%, 0.59%

LAB 83.59, -34.12, -25.47

 

CMYK 82 / 11 / 0 / 0

HEX #2EE4FF

RGB 46 228 255

HSL 187.75, 1%, 0.59%

LAB 83.59, -34.12, -25.47

 

CMYK 74 / 9 / 0 / 7

HEX #3FD8EE

RGB 63 216 238

HSL 187.54, 0.84%, 0.59%

LAB 79.81, -32.01, -22.2

 

CMYK 64 / 8 / 0 / 13

HEX #50CBDD

RGB 80 203 221

HSL 187.66, 0.67%, 0.59%

LAB 75.85, -28.47, -19.06

 

CMYK 52 / 7 / 0 / 20

HEX #61BECC

RGB 97 190 204

HSL 187.85, 0.51%, 0.59%

LAB 72.05, -23.73, -15.52

 

CMYK 39 / 5 / 0 / 27

HEX #72B2BB

RGB 114 178 187

HSL 187.4, 0.35%, 0.59%

LAB 68.76, -18.11, -11.06

 

CMYK 82 / 0 / 34 / 0

HEX #2EFFA8

RGB 46 255 168

HSL 155.02, 1%, 0.59%

LAB 89.36, -67.48, 28.19

 

CMYK 82 / 0 / 12 / 0

HEX #2EFFE0

RGB 46 255 224

HSL 171.1, 1%, 0.59%

LAB 90.54, -54.69, 1.13

 

CMYK 82 / 9 / 0 / 0

HEX #2EE7FF

RGB 46 231 255

HSL 186.89, 1%, 0.59%

LAB 84.46, -35.53, -24.15

 

CMYK 82 / 31 / 0 / 0

HEX #2EAFFF

RGB 46 175 255

HSL 202.97, 1%, 0.59%

LAB 68.36, -6.93, -49.1

 

CMYK 82 / 53 / 0 / 0

HEX #2E77FF

RGB 46 119 255

HSL 219.04, 1%, 0.59%

LAB 52.94, 26.46, -73.77

 

CMYK 100 / 13 / 0 / 15

HEX #00BEDA

RGB 0 190 218

HSL 187.71, 1%, 0.43%

LAB 70.79, -29.69, -25.22

 

CMYK 98 / 13 / 0 / 0

HEX #05DFFF

RGB 5 223 255

HSL 187.68, 1%, 0.51%

LAB 81.85, -33.53, -28.16

 

CMYK 82 / 11 / 0 / 0

HEX #2EE4FF

RGB 46 228 255

HSL 187.75, 1%, 0.59%

LAB 83.59, -34.12, -25.47

 

CMYK 66 / 8 / 0 / 0

HEX #57EAFF

RGB 87 234 255

HSL 187.5, 1%, 0.67%

LAB 86.05, -32.51, -21.67

 

CMYK 50 / 6 / 0 / 0

HEX #80EFFF

RGB 128 239 255

HSL 187.56, 1%, 0.75%

LAB 88.71, -27.66, -17.54

 

CMYK 83 / 11 / 0 / 0

HEX #2CE4FF

RGB 44 228 255

HSL 187.68, 1%, 0.59%

LAB 83.57, -34.26, -25.51

 

CMYK 56 / 82 / 0 / 0

HEX #702EFF

RGB 112 46 255

HSL 258.95, 1%, 0.59%

LAB 42.18, 72.57, -91.26

 

CMYK 0 / 23 / 82 / 0

HEX #FFC42E

RGB 255 196 46

HSL 43.06, 1%, 0.59%

LAB 82.34, 8.5, 76.11

 

CMYK 83 / 11 / 0 / 0

HEX #2CE4FF

RGB 44 228 255

HSL 187.68, 1%, 0.59%

LAB 83.57, -34.26, -25.51

 

CMYK 0 / 82 / 9 / 0

HEX #FF2EE7

RGB 255 46 231

HSL 306.89, 1%, 0.59%

LAB 60.77, 89.87, -46.76

 

CMYK 9 / 0 / 82 / 0

HEX #E7FF2E

RGB 231 255 46

HSL 66.89, 1%, 0.59%

LAB 95.46, -30.6, 86.5

 

CMYK 83 / 11 / 0 / 0

HEX #2CE4FF

RGB 44 228 255

HSL 187.68, 1%, 0.59%

LAB 83.57, -34.26, -25.51

 

CMYK 56 / 82 / 0 / 0

HEX #702EFF

RGB 112 46 255

HSL 258.95, 1%, 0.59%

LAB 42.18, 72.57, -91.26

 

CMYK 0 / 73 / 82 / 0

HEX #FF462E

RGB 255 70 46

HSL 6.89, 1%, 0.59%

LAB 57.88, 68.11, 54.56

 

CMYK 26 / 0 / 82 / 0

HEX #BDFF2E

RGB 189 255 46

HSL 78.95, 1%, 0.59%

LAB 92.81, -46.78, 83.18

 

CMYK 83 / 11 / 0 / 0

HEX #2CE4FF

RGB 44 228 255

HSL 187.68, 1%, 0.59%

LAB 83.57, -34.26, -25.51

 

CMYK 31 / 82 / 0 / 0

HEX #AF2EFF

RGB 175 46 255

HSL 277.03, 1%, 0.59%

LAB 49.84, 80.31, -78.39

 

CMYK 0 / 73 / 82 / 0

HEX #FF462E

RGB 255 70 46

HSL 6.89, 1%, 0.59%

LAB 57.88, 68.11, 54.56

 

CMYK 51 / 0 / 82 / 0

HEX #7EFF2E

RGB 126 255 46

HSL 97.03, 1%, 0.59%

LAB 89.93, -67.31, 79.53

 

Description

Color code: HEX #2CE4FF3F | qconv.com Color code: HEX #2CE4FF3F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 228 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 228 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 3 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 3% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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