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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE331 it is the complementary color #D31CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE331 shade: #31E32C, #42F53F, #53FF52, #64FF65 and #75FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE331 shade: #2CE331, #1BD11E, #0ABF0B, #00AD00 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE331 shade: #2BE330, #58E32B, #89E32B, #BBE32B and #E3DA2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE331 shade: #2BE330, #2BE362, #2BE393, #2BE3C5 and #2BD0E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE331 shade matches the following richer shades: #2BE330 and #17F71E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE331 shade: #2BE330, #3ED042, #52BD55, #65A967 and #789679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE331 shade: #8AE32B, #59E32B, #2BE32E, #2BE35F and #2BE390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE331 shade: #16A61A, #1ACB1F, #2BE330, #4FE854 and #74ED77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE331 shade: #2CE331, #2BBBE3 and #E32B72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE331 shade: #2CE331, #2E2BE3 and #E32E2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE331 shade: #2CE331, #2BBBE3, #E32BE0 and #E3532B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE331 shade: #2CE331, #2B84E3, #E32BE0 and #E38A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

Complementary color

CMYK 0 / 87 / 2 / 17

HEX #D31CCE

RGB 211 28 206

HSL 301.64, 0.77%, 0.47%

LAB 50.85, 81.57, -48.77

 

CMYK 78 / 0 / 81 / 11

HEX #31E32C

RGB 49 227 44

HSL 118.36, 0.77%, 0.53%

LAB 79.48, -74.23, 69.79

 

CMYK 73 / 0 / 74 / 4

HEX #42F53F

RGB 66 245 63

HSL 119.01, 0.9%, 0.6%

LAB 85.41, -76.05, 69.94

 

CMYK 67 / 0 / 68 / 0

HEX #53FF52

RGB 83 255 82

HSL 119.65, 1%, 0.66%

LAB 88.91, -74.86, 66.98

 

CMYK 61 / 0 / 60 / 0

HEX #64FF65

RGB 100 255 101

HSL 120.39, 1%, 0.7%

LAB 89.47, -69.7, 60.14

 

CMYK 54 / 0 / 53 / 0

HEX #75FF78

RGB 117 255 120

HSL 121.3, 1%, 0.73%

LAB 90.16, -63.66, 52.73

 

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

CMYK 87 / 0 / 86 / 18

HEX #1BD11E

RGB 27 209 30

HSL 120.99, 0.77%, 0.46%

LAB 73.5, -72.01, 67.66

 

CMYK 95 / 0 / 94 / 25

HEX #0ABF0B

RGB 10 191 11

HSL 120.33, 0.9%, 0.39%

LAB 67.54, -68.67, 65.73

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 81 / 0 / 79 / 11

HEX #2BE330

RGB 43 227 48

HSL 121.63, 0.77%, 0.53%

LAB 79.42, -74.7, 68.6

 

CMYK 61 / 0 / 81 / 11

HEX #58E32B

RGB 88 227 43

HSL 105.33, 0.77%, 0.53%

LAB 80.28, -67.44, 71.09

 

CMYK 40 / 0 / 81 / 11

HEX #89E32B

RGB 137 227 43

HSL 89.35, 0.77%, 0.53%

LAB 82.07, -53.67, 73.37

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32B

RGB 187 227 43

HSL 73.04, 0.77%, 0.53%

LAB 84.83, -35.35, 76.87

 

CMYK 0 / 4 / 81 / 11

HEX #E3DA2B

RGB 227 218 43

HSL 57.07, 0.77%, 0.53%

LAB 85.33, -14.64, 78.45

 

CMYK 81 / 0 / 79 / 11

HEX #2BE330

RGB 43 227 48

HSL 121.63, 0.77%, 0.53%

LAB 79.42, -74.7, 68.6

 

CMYK 81 / 0 / 57 / 11

HEX #2BE362

RGB 43 227 98

HSL 137.93, 0.77%, 0.53%

LAB 79.8, -70, 49.97

 

CMYK 81 / 0 / 35 / 11

HEX #2BE393

RGB 43 227 147

HSL 153.91, 0.77%, 0.53%

LAB 80.49, -61.92, 26.88

 

CMYK 81 / 0 / 13 / 11

HEX #2BE3C5

RGB 43 227 197

HSL 170.22, 0.77%, 0.53%

LAB 81.56, -50.41, 2.19

 

CMYK 81 / 8 / 0 / 11

HEX #2BD0E3

RGB 43 208 227

HSL 186.2, 0.77%, 0.53%

LAB 76.78, -33.48, -20.93

 

CMYK 81 / 0 / 79 / 11

HEX #2BE330

RGB 43 227 48

HSL 121.63, 0.77%, 0.53%

LAB 79.42, -74.7, 68.6

 

CMYK 91 / 0 / 88 / 3

HEX #17F71E

RGB 23 247 30

HSL 121.88, 0.93%, 0.53%

LAB 85.4, -82.67, 78.05

 

CMYK 81 / 0 / 79 / 11

HEX #2BE330

RGB 43 227 48

HSL 121.63, 0.77%, 0.53%

LAB 79.42, -74.7, 68.6

 

CMYK 70 / 0 / 68 / 18

HEX #3ED042

RGB 62 208 66

HSL 121.64, 0.61%, 0.53%

LAB 73.89, -64.86, 57.03

 

CMYK 57 / 0 / 55 / 26

HEX #52BD55

RGB 82 189 85

HSL 121.68, 0.45%, 0.53%

LAB 68.64, -51.82, 42.95

 

CMYK 40 / 0 / 39 / 34

HEX #65A967

RGB 101 169 103

HSL 121.76, 0.28%, 0.53%

LAB 63.44, -35.42, 27.47

 

CMYK 20 / 0 / 19 / 41

HEX #789679

RGB 120 150 121

HSL 122, 0.13%, 0.53%

LAB 59.15, -16.43, 11.9

 

CMYK 39 / 0 / 81 / 11

HEX #8AE32B

RGB 138 227 43

HSL 89.02, 0.77%, 0.53%

LAB 82.12, -53.33, 73.43

 

CMYK 61 / 0 / 81 / 11

HEX #59E32B

RGB 89 227 43

HSL 105, 0.77%, 0.53%

LAB 80.31, -67.21, 71.12

 

CMYK 81 / 0 / 80 / 11

HEX #2BE32E

RGB 43 227 46

HSL 120.98, 0.77%, 0.53%

LAB 79.41, -74.82, 69.15

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 81 / 0 / 37 / 11

HEX #2BE390

RGB 43 227 144

HSL 152.93, 0.77%, 0.53%

LAB 80.44, -62.51, 28.35

 

CMYK 87 / 0 / 84 / 35

HEX #16A61A

RGB 22 166 26

HSL 121.67, 0.77%, 0.37%

LAB 59.45, -60.2, 55.96

 

CMYK 87 / 0 / 85 / 20

HEX #1ACB1F

RGB 26 203 31

HSL 121.69, 0.77%, 0.45%

LAB 71.58, -70.35, 65.71

 

CMYK 81 / 0 / 79 / 11

HEX #2BE330

RGB 43 227 48

HSL 121.63, 0.77%, 0.53%

LAB 79.42, -74.7, 68.6

 

CMYK 66 / 0 / 64 / 9

HEX #4FE854

RGB 79 232 84

HSL 121.96, 0.77%, 0.61%

LAB 81.85, -67.93, 58.54

 

CMYK 51 / 0 / 50 / 7

HEX #74ED77

RGB 116 237 119

HSL 121.49, 0.77%, 0.69%

LAB 84.8, -57.25, 46.66

 

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 0 / 81 / 50 / 11

HEX #E32B72

RGB 227 43 114

HSL 336.85, 0.77%, 0.53%

LAB 51.01, 71.53, 6.24

 

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

CMYK 80 / 81 / 0 / 11

HEX #2E2BE3

RGB 46 43 227

HSL 240.98, 0.77%, 0.53%

LAB 33.68, 61.11, -89.68

 

CMYK 0 / 80 / 81 / 11

HEX #E32E2B

RGB 227 46 43

HSL 0.98, 0.77%, 0.53%

LAB 50.05, 67.05, 46.82

 

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 0 / 81 / 1 / 11

HEX #E32BE0

RGB 227 43 224

HSL 300.98, 0.77%, 0.53%

LAB 55.52, 84.27, -51.43

 

CMYK 0 / 63 / 81 / 11

HEX #E3532B

RGB 227 83 43

HSL 13.04, 0.77%, 0.53%

LAB 54.75, 54.12, 51.29

 

CMYK 81 / 0 / 78 / 11

HEX #2CE331

RGB 44 227 49

HSL 121.64, 0.77%, 0.53%

LAB 79.44, -74.53, 68.33

 

CMYK 81 / 42 / 0 / 11

HEX #2B84E3

RGB 43 132 227

HSL 210.98, 0.77%, 0.53%

LAB 54.62, 7.7, -55.51

 

CMYK 0 / 81 / 1 / 11

HEX #E32BE0

RGB 227 43 224

HSL 300.98, 0.77%, 0.53%

LAB 55.52, 84.27, -51.43

 

CMYK 0 / 39 / 81 / 11

HEX #E38A2B

RGB 227 138 43

HSL 30.98, 0.77%, 0.53%

LAB 65.5, 27.12, 61.14

 

Description

Color code: HEX #2CE331 | qconv.com Color code: HEX #2CE331 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 227 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 227 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 78 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 78% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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