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Color name
HEX #2CDE52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CDE52 it is the complementary color #D321AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CDE52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CDE52 shade: #31DE4D, #42F060, #53FF73, #64FF86 and #75FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CDE52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CDE52 shade: #2CDE52, #1BCC3F, #0ABA2C, #00A819 and #009606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CDE52 shade: #2BDE51, #35DE2B, #65DE2B, #96DE2B and #C6DE2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CDE52 shade: #2BDE51, #2BDE82, #2BDEB2, #2BDADE and #2BAADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CDE52 shade matches the following richer shades: #2BDE51 and #17F246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CDE52 shade: #2BDE51, #3FCA5D, #53B668, #67A373 and #7A8F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CDE52 shade: #67DE2B, #37DE2B, #2BDE4F, #2BDE7F and #2BDEAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CDE52 shade: #199E35, #1EC241, #2BDE51, #4FE46F and #73E98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CDE52 shade: #2CDE52, #2B96DE and #DE2B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CDE52 shade: #2CDE52, #4F2BDE and #DE4F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CDE52 shade: #2CDE52, #2B96DE, #DE2BBA and #DE732B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CDE52 shade: #2CDE52, #2B61DE, #DE2BBA and #DEA82B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

Complementary color

CMYK 0 / 84 / 18 / 17

HEX #D321AD

RGB 211 33 173

HSL 312.81, 0.73%, 0.48%

LAB 49.44, 76.15, -31.78

 

CMYK 78 / 0 / 65 / 13

HEX #31DE4D

RGB 49 222 77

HSL 129.71, 0.72%, 0.53%

LAB 78.13, -70.18, 57.15

 

CMYK 73 / 0 / 60 / 6

HEX #42F060

RGB 66 240 96

HSL 130.34, 0.85%, 0.6%

LAB 84.13, -71.47, 55.98

 

CMYK 67 / 0 / 55 / 0

HEX #53FF73

RGB 83 255 115

HSL 131.16, 1%, 0.66%

LAB 89.2, -71.36, 53.63

 

CMYK 61 / 0 / 47 / 0

HEX #64FF86

RGB 100 255 134

HSL 133.16, 1%, 0.7%

LAB 89.84, -65.58, 45.7

 

CMYK 54 / 0 / 40 / 0

HEX #75FF99

RGB 117 255 153

HSL 135.65, 1%, 0.73%

LAB 90.6, -58.98, 37.58

 

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

CMYK 87 / 0 / 69 / 20

HEX #1BCC3F

RGB 27 204 63

HSL 132.2, 0.77%, 0.45%

LAB 72.08, -68.34, 56.12

 

CMYK 95 / 0 / 76 / 27

HEX #0ABA2C

RGB 10 186 44

HSL 131.59, 0.9%, 0.38%

LAB 66.03, -65.72, 56.79

 

CMYK 100 / 0 / 85 / 34

HEX #00A819

RGB 0 168 25

HSL 128.93, 1%, 0.33%

LAB 59.96, -62.23, 56.62

 

CMYK 100 / 0 / 96 / 41

HEX #009606

RGB 0 150 6

HSL 122.4, 1%, 0.29%

LAB 53.84, -57.83, 55.01

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE51

RGB 43 222 81

HSL 132.74, 0.73%, 0.52%

LAB 78.08, -70.46, 55.42

 

CMYK 76 / 0 / 81 / 13

HEX #35DE2B

RGB 53 222 43

HSL 116.65, 0.73%, 0.52%

LAB 77.98, -72.28, 68.68

 

CMYK 55 / 0 / 81 / 13

HEX #65DE2B

RGB 101 222 43

HSL 100.56, 0.73%, 0.52%

LAB 79.15, -62.56, 70.19

 

CMYK 32 / 0 / 81 / 13

HEX #96DE2B

RGB 150 222 43

HSL 84.13, 0.73%, 0.52%

LAB 81.24, -47.15, 72.86

 

CMYK 11 / 0 / 81 / 13

HEX #C6DE2B

RGB 198 222 43

HSL 68.04, 0.73%, 0.52%

LAB 84.19, -28.62, 76.6

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE51

RGB 43 222 81

HSL 132.74, 0.73%, 0.52%

LAB 78.08, -70.46, 55.42

 

CMYK 81 / 0 / 41 / 13

HEX #2BDE82

RGB 43 222 130

HSL 149.16, 0.73%, 0.52%

LAB 78.68, -63.37, 33.13

 

CMYK 81 / 0 / 20 / 13

HEX #2BDEB2

RGB 43 222 178

HSL 165.25, 0.73%, 0.52%

LAB 79.6, -53.15, 9.43

 

CMYK 81 / 2 / 0 / 13

HEX #2BDADE

RGB 43 218 222

HSL 181.34, 0.73%, 0.52%

LAB 79.57, -39.61, -14.04

 

CMYK 81 / 23 / 0 / 13

HEX #2BAADE

RGB 43 170 222

HSL 197.43, 0.73%, 0.52%

LAB 65.39, -15.92, -35.73

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE51

RGB 43 222 81

HSL 132.74, 0.73%, 0.52%

LAB 78.08, -70.46, 55.42

 

CMYK 90 / 0 / 71 / 5

HEX #17F246

RGB 23 242 70

HSL 132.88, 0.89%, 0.52%

LAB 84.03, -79.01, 66.01

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE51

RGB 43 222 81

HSL 132.74, 0.73%, 0.52%

LAB 78.08, -70.46, 55.42

 

CMYK 69 / 0 / 54 / 21

HEX #3FCA5D

RGB 63 202 93

HSL 132.95, 0.57%, 0.52%

LAB 72.29, -59.57, 43.4

 

CMYK 54 / 0 / 43 / 29

HEX #53B668

RGB 83 182 104

HSL 132.73, 0.4%, 0.52%

LAB 66.74, -46.01, 31.1

 

CMYK 37 / 0 / 29 / 36

HEX #67A373

RGB 103 163 115

HSL 132, 0.25%, 0.52%

LAB 61.93, -29.89, 18.94

 

CMYK 15 / 0 / 11 / 44

HEX #7A8F7F

RGB 122 143 127

HSL 134.29, 0.09%, 0.52%

LAB 57.38, -10.8, 6

 

CMYK 54 / 0 / 81 / 13

HEX #67DE2B

RGB 103 222 43

HSL 99.89, 0.73%, 0.52%

LAB 79.21, -62.02, 70.27

 

CMYK 75 / 0 / 81 / 13

HEX #37DE2B

RGB 55 222 43

HSL 115.98, 0.73%, 0.52%

LAB 78.01, -72, 68.72

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE4F

RGB 43 222 79

HSL 132.07, 0.73%, 0.52%

LAB 78.06, -70.67, 56.23

 

CMYK 81 / 0 / 43 / 13

HEX #2BDE7F

RGB 43 222 127

HSL 148.16, 0.73%, 0.52%

LAB 78.63, -63.9, 34.58

 

CMYK 81 / 0 / 22 / 13

HEX #2BDEAE

RGB 43 222 174

HSL 163.91, 0.73%, 0.52%

LAB 79.51, -54.11, 11.42

 

CMYK 84 / 0 / 66 / 38

HEX #199E35

RGB 25 158 53

HSL 132.63, 0.73%, 0.36%

LAB 56.99, -55.24, 43.95

 

CMYK 85 / 0 / 66 / 24

HEX #1EC241

RGB 30 194 65

HSL 132.8, 0.73%, 0.44%

LAB 68.93, -64.84, 51.94

 

CMYK 81 / 0 / 64 / 13

HEX #2BDE51

RGB 43 222 81

HSL 132.74, 0.73%, 0.52%

LAB 78.08, -70.46, 55.42

 

CMYK 65 / 0 / 51 / 11

HEX #4FE46F

RGB 79 228 111

HSL 132.89, 0.73%, 0.6%

LAB 80.9, -63.32, 45.42

 

CMYK 51 / 0 / 40 / 9

HEX #73E98C

RGB 115 233 140

HSL 132.71, 0.73%, 0.68%

LAB 83.87, -52.86, 35.22

 

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

CMYK 81 / 32 / 0 / 13

HEX #2B96DE

RGB 43 150 222

HSL 204.13, 0.73%, 0.52%

LAB 59.53, -4.81, -44.92

 

CMYK 0 / 81 / 64 / 13

HEX #DE2B4F

RGB 222 43 79

HSL 347.93, 0.73%, 0.52%

LAB 49.28, 67.9, 25.01

 

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

CMYK 64 / 81 / 0 / 13

HEX #4F2BDE

RGB 79 43 222

HSL 252.07, 0.73%, 0.52%

LAB 35.33, 61.97, -84.01

 

CMYK 0 / 64 / 81 / 13

HEX #DE4F2B

RGB 222 79 43

HSL 12.07, 0.73%, 0.52%

LAB 53.27, 54.1, 49.59

 

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

CMYK 81 / 32 / 0 / 13

HEX #2B96DE

RGB 43 150 222

HSL 204.13, 0.73%, 0.52%

LAB 59.53, -4.81, -44.92

 

CMYK 0 / 81 / 16 / 13

HEX #DE2BBA

RGB 222 43 186

HSL 312.07, 0.73%, 0.52%

LAB 52.73, 77.97, -34.1

 

CMYK 0 / 48 / 81 / 13

HEX #DE732B

RGB 222 115 43

HSL 24.13, 0.73%, 0.52%

LAB 59.86, 37.09, 55.76

 

CMYK 80 / 0 / 63 / 13

HEX #2CDE52

RGB 44 222 82

HSL 132.81, 0.73%, 0.52%

LAB 78.1, -70.24, 55.03

 

CMYK 81 / 56 / 0 / 13

HEX #2B61DE

RGB 43 97 222

HSL 221.9, 0.73%, 0.52%

LAB 44.71, 27.84, -68.68

 

CMYK 0 / 81 / 16 / 13

HEX #DE2BBA

RGB 222 43 186

HSL 312.07, 0.73%, 0.52%

LAB 52.73, 77.97, -34.1

 

CMYK 0 / 24 / 81 / 13

HEX #DEA82B

RGB 222 168 43

HSL 41.9, 0.73%, 0.52%

LAB 72.03, 8.98, 66.73

 

Description

Color code: HEX #2CDE52 | qconv.com Color code: HEX #2CDE52 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 222 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 222 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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