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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CDC60 it is the complementary color #D3239F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CDC60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CDC60 shade: #31DC5B, #42EE6E, #53FF81, #64FF94 and #75FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CDC60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CDC60 shade: #2CDC60, #1BCA4D, #0AB83A, #00A627 and #009414

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CDC60 shade: #2CDD61, #2CDD31, #57DD2C, #87DD2C and #B7DD2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CDC60 shade: #2CDD61, #2CDD90, #2CDDC0, #2CCADD and #2C9BDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CDC60 shade matches the following richer shades: #2CDD61 and #19F158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CDC60 shade: #2CDD61, #40C969, #54B571, #68A179 and #7C8E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CDC60 shade: #59DD2C, #2CDD2F, #2CDD5E, #2CDD8D and #2CDDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CDC60 shade: #1A9D40, #1FC14F, #2CDD61, #50E37B and #73E896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CDC60 shade: #2CDC60, #2C88DD and #DD2C41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CDC60 shade: #2CDC60, #5E2CDD and #DD5E2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CDC60 shade: #2CDC60, #2C88DD, #DD2CAB and #DD822C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CDC60 shade: #2CDC60, #2C53DD, #DD2CAB and #DDB72C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

Complementary color

CMYK 0 / 83 / 25 / 17

HEX #D3239F

RGB 211 35 159

HSL 317.73, 0.72%, 0.48%

LAB 48.95, 74.01, -24.25

 

CMYK 78 / 0 / 59 / 14

HEX #31DC5B

RGB 49 220 91

HSL 134.74, 0.71%, 0.53%

LAB 77.64, -67.97, 50.6

 

CMYK 72 / 0 / 54 / 7

HEX #42EE6E

RGB 66 238 110

HSL 135.35, 0.83%, 0.6%

LAB 83.67, -69.07, 49.18

 

CMYK 67 / 0 / 49 / 0

HEX #53FF81

RGB 83 255 129

HSL 136.05, 1%, 0.66%

LAB 89.37, -69.47, 47.39

 

CMYK 61 / 0 / 42 / 0

HEX #64FF94

RGB 100 255 148

HSL 138.58, 1%, 0.7%

LAB 90.03, -63.44, 39.2

 

CMYK 54 / 0 / 35 / 0

HEX #75FFA7

RGB 117 255 167

HSL 141.74, 1%, 0.73%

LAB 90.82, -56.62, 30.92

 

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

CMYK 87 / 0 / 62 / 21

HEX #1BCA4D

RGB 27 202 77

HSL 137.14, 0.76%, 0.45%

LAB 71.56, -66.24, 49.75

 

CMYK 95 / 0 / 68 / 28

HEX #0AB83A

RGB 10 184 58

HSL 136.55, 0.9%, 0.38%

LAB 65.48, -63.9, 51.03

 

CMYK 100 / 0 / 77 / 35

HEX #00A627

RGB 0 166 39

HSL 134.1, 1%, 0.33%

LAB 59.36, -60.75, 51.87

 

CMYK 100 / 0 / 86 / 42

HEX #009414

RGB 0 148 20

HSL 128.11, 1%, 0.29%

LAB 53.2, -56.73, 51.76

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 80 / 0 / 78 / 13

HEX #2CDD31

RGB 44 221 49

HSL 121.69, 0.72%, 0.52%

LAB 77.56, -72.78, 66.54

 

CMYK 61 / 0 / 80 / 13

HEX #57DD2C

RGB 87 221 44

HSL 105.42, 0.72%, 0.52%

LAB 78.42, -65.62, 69.09

 

CMYK 39 / 0 / 80 / 13

HEX #87DD2C

RGB 135 221 44

HSL 89.15, 0.72%, 0.52%

LAB 80.21, -51.9, 71.39

 

CMYK 17 / 0 / 80 / 13

HEX #B7DD2C

RGB 183 221 44

HSL 72.88, 0.72%, 0.52%

LAB 82.89, -34.16, 74.81

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 80 / 0 / 35 / 13

HEX #2CDD90

RGB 44 221 144

HSL 153.9, 0.72%, 0.52%

LAB 78.61, -60.24, 25.89

 

CMYK 80 / 0 / 13 / 13

HEX #2CDDC0

RGB 44 221 192

HSL 170.17, 0.72%, 0.52%

LAB 79.64, -49.13, 2.06

 

CMYK 80 / 9 / 0 / 13

HEX #2CCADD

RGB 44 202 221

HSL 186.44, 0.72%, 0.52%

LAB 74.82, -32.38, -20.68

 

CMYK 80 / 30 / 0 / 13

HEX #2C9BDD

RGB 44 155 221

HSL 202.37, 0.72%, 0.52%

LAB 60.96, -7.92, -42.11

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 90 / 0 / 63 / 5

HEX #19F158

RGB 25 241 88

HSL 137.5, 0.89%, 0.52%

LAB 83.87, -76.89, 58.92

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 68 / 0 / 48 / 21

HEX #40C969

RGB 64 201 105

HSL 137.96, 0.56%, 0.52%

LAB 72.15, -57.26, 37.38

 

CMYK 54 / 0 / 38 / 29

HEX #54B571

RGB 84 181 113

HSL 137.94, 0.4%, 0.52%

LAB 66.62, -43.8, 26.2

 

CMYK 35 / 0 / 25 / 37

HEX #68A179

RGB 104 161 121

HSL 137.89, 0.23%, 0.52%

LAB 61.49, -27.47, 15.04

 

CMYK 13 / 0 / 9 / 44

HEX #7C8E81

RGB 124 142 129

HSL 136.67, 0.07%, 0.52%

LAB 57.29, -9.13, 4.74

 

CMYK 60 / 0 / 80 / 13

HEX #59DD2C

RGB 89 221 44

HSL 104.75, 0.72%, 0.52%

LAB 78.47, -65.15, 69.16

 

CMYK 80 / 0 / 79 / 13

HEX #2CDD2F

RGB 44 221 47

HSL 121.02, 0.72%, 0.52%

LAB 77.55, -72.91, 67.12

 

CMYK 80 / 0 / 57 / 13

HEX #2CDD5E

RGB 44 221 94

HSL 136.95, 0.72%, 0.52%

LAB 77.91, -68.5, 49.55

 

CMYK 80 / 0 / 36 / 13

HEX #2CDD8D

RGB 44 221 141

HSL 152.88, 0.72%, 0.52%

LAB 78.56, -60.84, 27.37

 

CMYK 80 / 0 / 15 / 13

HEX #2CDDBC

RGB 44 221 188

HSL 168.81, 0.72%, 0.52%

LAB 79.55, -50.16, 4.05

 

CMYK 83 / 0 / 59 / 38

HEX #1A9D40

RGB 26 157 64

HSL 137.4, 0.72%, 0.36%

LAB 56.79, -53.45, 38.66

 

CMYK 84 / 0 / 59 / 24

HEX #1FC14F

RGB 31 193 79

HSL 137.78, 0.72%, 0.44%

LAB 68.75, -62.8, 45.62

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 65 / 0 / 46 / 11

HEX #50E37B

RGB 80 227 123

HSL 137.55, 0.72%, 0.6%

LAB 80.78, -61, 39.47

 

CMYK 50 / 0 / 35 / 9

HEX #73E896

RGB 115 232 150

HSL 137.95, 0.72%, 0.68%

LAB 83.74, -50.78, 30

 

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

CMYK 80 / 38 / 0 / 13

HEX #2C88DD

RGB 44 136 221

HSL 208.81, 0.72%, 0.52%

LAB 55.45, 3.14, -50.83

 

CMYK 0 / 80 / 71 / 13

HEX #DD2C41

RGB 221 44 65

HSL 352.88, 0.72%, 0.52%

LAB 48.95, 66.68, 32.95

 

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

CMYK 57 / 80 / 0 / 13

HEX #5E2CDD

RGB 94 44 221

HSL 256.95, 0.72%, 0.52%

LAB 36.75, 62.77, -81.05

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

CMYK 80 / 38 / 0 / 13

HEX #2C88DD

RGB 44 136 221

HSL 208.81, 0.72%, 0.52%

LAB 55.45, 3.14, -50.83

 

CMYK 0 / 80 / 23 / 13

HEX #DD2CAB

RGB 221 44 171

HSL 316.95, 0.72%, 0.52%

LAB 51.97, 75.61, -26.54

 

CMYK 0 / 41 / 80 / 13

HEX #DD822C

RGB 221 130 44

HSL 29.15, 0.72%, 0.52%

LAB 62.94, 28.89, 58.14

 

CMYK 80 / 0 / 56 / 14

HEX #2CDC60

RGB 44 220 96

HSL 137.73, 0.72%, 0.52%

LAB 77.62, -67.92, 48.3

 

CMYK 80 / 62 / 0 / 13

HEX #2C53DD

RGB 44 83 221

HSL 226.78, 0.72%, 0.52%

LAB 41.12, 36.49, -73.96

 

CMYK 0 / 80 / 23 / 13

HEX #DD2CAB

RGB 221 44 171

HSL 316.95, 0.72%, 0.52%

LAB 51.97, 75.61, -26.54

 

CMYK 0 / 17 / 80 / 13

HEX #DDB72C

RGB 221 183 44

HSL 47.12, 0.72%, 0.52%

LAB 75.71, 0.65, 69.63

 

Description

Color code: HEX #2CDC60 | qconv.com Color code: HEX #2CDC60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 220 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 220 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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