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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD978 it is the complementary color #D32687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD978 shade: #31D973, #42EB86, #53FD99, #64FFAC and #75FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD978 shade: #2CD978, #1BC765, #0AB552, #00A33F and #00912C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD978 shade: #2CD878, #2CD849, #3DD82C, #6CD82C and #9AD82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD978 shade: #2CD878, #2CD8A6, #2CD8D5, #2CADD8 and #2C7FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD978 shade matches the following richer shades: #2CD878 and #18EC75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD978 shade: #2CD878, #40C47A, #54B07C, #689C7F and #7D8781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD978 shade: #3DD82C, #2CD849, #2CD877, #2CD8A5 and #2CD8D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD978 shade: #1C9651, #22B964, #2CD878, #4FDF8E and #72E5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD978 shade: #2CD978, #2C6BD8 and #D8322C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD978 shade: #2CD978, #772CD8 and #D8772C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD978 shade: #2CD978, #2C6BD8, #D82C8E and #D8992C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD978 shade: #2CD978, #2C37D8, #D82C8E and #D8CD2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

Complementary color

CMYK 0 / 82 / 36 / 17

HEX #D32687

RGB 211 38 135

HSL 326.36, 0.69%, 0.49%

LAB 48.24, 70.68, -10.92

 

CMYK 77 / 0 / 47 / 15

HEX #31D973

RGB 49 217 115

HSL 143.57, 0.69%, 0.52%

LAB 76.99, -63.54, 38.48

 

CMYK 72 / 0 / 43 / 8

HEX #42EB86

RGB 66 235 134

HSL 144.14, 0.81%, 0.59%

LAB 83.07, -64.4, 36.92

 

CMYK 67 / 0 / 40 / 1

HEX #53FD99

RGB 83 253 153

HSL 144.71, 0.98%, 0.66%

LAB 89.11, -64.96, 35.45

 

CMYK 61 / 0 / 33 / 0

HEX #64FFAC

RGB 100 255 172

HSL 147.87, 1%, 0.7%

LAB 90.42, -59.25, 27.77

 

CMYK 54 / 0 / 25 / 0

HEX #75FFBF

RGB 117 255 191

HSL 152.17, 1%, 0.73%

LAB 91.26, -52.1, 19.36

 

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

CMYK 86 / 0 / 49 / 22

HEX #1BC765

RGB 27 199 101

HSL 145.81, 0.76%, 0.44%

LAB 70.88, -61.91, 37.65

 

CMYK 94 / 0 / 55 / 29

HEX #0AB552

RGB 10 181 82

HSL 145.26, 0.9%, 0.37%

LAB 64.74, -59.98, 39.4

 

CMYK 100 / 0 / 61 / 36

HEX #00A33F

RGB 0 163 63

HSL 143.19, 1%, 0.32%

LAB 58.56, -57.35, 41.14

 

CMYK 100 / 0 / 70 / 43

HEX #00912C

RGB 0 145 44

HSL 138.21, 1%, 0.28%

LAB 52.32, -53.97, 42.68

 

CMYK 80 / 0 / 44 / 15

HEX #2CD878

RGB 44 216 120

HSL 146.51, 0.69%, 0.51%

LAB 76.68, -62.94, 35.58

 

CMYK 80 / 0 / 66 / 15

HEX #2CD849

RGB 44 216 73

HSL 130.12, 0.69%, 0.51%

LAB 76.15, -69.33, 56.59

 

CMYK 72 / 0 / 80 / 15

HEX #3DD82C

RGB 61 216 44

HSL 114.07, 0.69%, 0.51%

LAB 76.24, -69.18, 66.84

 

CMYK 50 / 0 / 80 / 15

HEX #6CD82C

RGB 108 216 44

HSL 97.67, 0.69%, 0.51%

LAB 77.57, -58.42, 68.55

 

CMYK 29 / 0 / 80 / 15

HEX #9AD82C

RGB 154 216 44

HSL 81.63, 0.69%, 0.51%

LAB 79.71, -43.1, 71.29

 

CMYK 80 / 0 / 44 / 15

HEX #2CD878

RGB 44 216 120

HSL 146.51, 0.69%, 0.51%

LAB 76.68, -62.94, 35.58

 

CMYK 80 / 0 / 23 / 15

HEX #2CD8A6

RGB 44 216 166

HSL 162.56, 0.69%, 0.51%

LAB 77.52, -53.54, 12.84

 

CMYK 80 / 0 / 1 / 15

HEX #2CD8D5

RGB 44 216 213

HSL 178.95, 0.69%, 0.51%

LAB 78.72, -41.23, -10.5

 

CMYK 80 / 20 / 0 / 15

HEX #2CADD8

RGB 44 173 216

HSL 195, 0.69%, 0.51%

LAB 66.04, -19.46, -31.4

 

CMYK 80 / 41 / 0 / 15

HEX #2C7FD8

RGB 44 127 216

HSL 211.05, 0.69%, 0.51%

LAB 52.59, 6.74, -52.57

 

CMYK 80 / 0 / 44 / 15

HEX #2CD878

RGB 44 216 120

HSL 146.51, 0.69%, 0.51%

LAB 76.68, -62.94, 35.58

 

CMYK 90 / 0 / 50 / 7

HEX #18EC75

RGB 24 236 117

HSL 146.32, 0.85%, 0.51%

LAB 82.63, -71.65, 44.52

 

CMYK 80 / 0 / 44 / 15

HEX #2CD878

RGB 44 216 120

HSL 146.51, 0.69%, 0.51%

LAB 76.68, -62.94, 35.58

 

CMYK 67 / 0 / 38 / 23

HEX #40C47A

RGB 64 196 122

HSL 146.36, 0.53%, 0.51%

LAB 70.85, -52.45, 26.99

 

CMYK 52 / 0 / 30 / 31

HEX #54B07C

RGB 84 176 124

HSL 146.09, 0.37%, 0.51%

LAB 65.27, -39.55, 18.47

 

CMYK 33 / 0 / 19 / 39

HEX #689C7F

RGB 104 156 127

HSL 146.54, 0.21%, 0.51%

LAB 60.12, -23.77, 9.75

 

CMYK 7 / 0 / 4 / 47

HEX #7D8781

RGB 125 135 129

HSL 144, 0.04%, 0.51%

LAB 55.35, -4.88, 1.96

 

CMYK 72 / 0 / 80 / 15

HEX #3DD82C

RGB 61 216 44

HSL 114.07, 0.69%, 0.51%

LAB 76.24, -69.18, 66.84

 

CMYK 80 / 0 / 66 / 15

HEX #2CD849

RGB 44 216 73

HSL 130.12, 0.69%, 0.51%

LAB 76.15, -69.33, 56.59

 

CMYK 80 / 0 / 45 / 15

HEX #2CD877

RGB 44 216 119

HSL 146.16, 0.69%, 0.51%

LAB 76.67, -63.11, 36.06

 

CMYK 80 / 0 / 24 / 15

HEX #2CD8A5

RGB 44 216 165

HSL 162.21, 0.69%, 0.51%

LAB 77.5, -53.78, 13.34

 

CMYK 80 / 0 / 2 / 15

HEX #2CD8D3

RGB 44 216 211

HSL 178.26, 0.69%, 0.51%

LAB 78.67, -41.8, -9.52

 

CMYK 81 / 0 / 46 / 41

HEX #1C9651

RGB 28 150 81

HSL 146.07, 0.69%, 0.35%

LAB 54.71, -48.04, 27.44

 

CMYK 82 / 0 / 46 / 27

HEX #22B964

RGB 34 185 100

HSL 146.23, 0.69%, 0.43%

LAB 66.49, -56.63, 32.6

 

CMYK 80 / 0 / 44 / 15

HEX #2CD878

RGB 44 216 120

HSL 146.51, 0.69%, 0.51%

LAB 76.68, -62.94, 35.58

 

CMYK 65 / 0 / 36 / 13

HEX #4FDF8E

RGB 79 223 142

HSL 146.25, 0.69%, 0.59%

LAB 79.84, -56.44, 28.68

 

CMYK 50 / 0 / 28 / 10

HEX #72E5A4

RGB 114 229 164

HSL 146.09, 0.69%, 0.67%

LAB 83.07, -47.22, 21.89

 

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

CMYK 80 / 50 / 0 / 15

HEX #2C6BD8

RGB 44 107 216

HSL 218.02, 0.69%, 0.51%

LAB 46.99, 19.27, -61.58

 

CMYK 0 / 77 / 80 / 15

HEX #D8322C

RGB 216 50 44

HSL 2.09, 0.69%, 0.51%

LAB 48.34, 62.79, 43.89

 

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

CMYK 45 / 80 / 0 / 15

HEX #772CD8

RGB 119 44 216

HSL 266.16, 0.69%, 0.51%

LAB 39.04, 64.57, -74.3

 

CMYK 0 / 45 / 80 / 15

HEX #D8772C

RGB 216 119 44

HSL 26.16, 0.69%, 0.51%

LAB 59.87, 32.63, 55.04

 

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

CMYK 80 / 50 / 0 / 15

HEX #2C6BD8

RGB 44 107 216

HSL 218.02, 0.69%, 0.51%

LAB 46.99, 19.27, -61.58

 

CMYK 0 / 80 / 34 / 15

HEX #D82C8E

RGB 216 44 142

HSL 325.81, 0.69%, 0.51%

LAB 49.92, 71.15, -12.51

 

CMYK 0 / 29 / 80 / 15

HEX #D8992C

RGB 216 153 44

HSL 38.02, 0.69%, 0.51%

LAB 67.7, 14.44, 62.26

 

CMYK 80 / 0 / 45 / 15

HEX #2CD978

RGB 44 217 120

HSL 146.36, 0.69%, 0.51%

LAB 76.99, -63.28, 35.98

 

CMYK 80 / 75 / 0 / 15

HEX #2C37D8

RGB 44 55 216

HSL 236.16, 0.69%, 0.51%

LAB 34.45, 51.54, -82.09

 

CMYK 0 / 80 / 34 / 15

HEX #D82C8E

RGB 216 44 142

HSL 325.81, 0.69%, 0.51%

LAB 49.92, 71.15, -12.51

 

CMYK 0 / 5 / 80 / 15

HEX #D8CD2C

RGB 216 205 44

HSL 56.16, 0.69%, 0.51%

LAB 80.98, -12.79, 74.08

 

Description

Color code: HEX #2CD978 | qconv.com Color code: HEX #2CD978 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 217 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 217 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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