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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD694 it is the complementary color #D3296B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD694 shade: #31D68F, #42E8A2, #53FAB5, #64FFC8 and #75FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD694 shade: #2CD694, #1BC481, #0AB26E, #00A05B and #008E48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD694 shade: #2ED695, #2ED668, #2ED63A, #4FD62E and #7CD62E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD694 shade: #2ED695, #2ED6C2, #2EBCD6, #2E8FD6 and #2E62D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD694 shade matches the following richer shades: #2ED695, #1AEA99 and #06FE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD694 shade: #2ED695, #43C290, #57AD8C, #6B9987 and #7F8583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD694 shade: #2ED639, #2ED666, #2ED693, #2ED6BF and #2EBFD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD694 shade: #1D9466, #24B77E, #2ED695, #51DDA6 and #73E3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD694 shade: #2CD694, #2E50D6 and #D6502E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD694 shade: #2CD694, #932ED6 and #D6932E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD694 shade: #2CD694, #2E50D6, #D62E71 and #D6B42E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD694 shade: #2CD694, #3F2ED6, #D62E71 and #C5D62E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

Complementary color

CMYK 0 / 81 / 49 / 17

HEX #D3296B

RGB 211 41 107

HSL 336.71, 0.67%, 0.49%

LAB 47.62, 67.38, 5.27

 

CMYK 77 / 0 / 33 / 16

HEX #31D68F

RGB 49 214 143

HSL 154.18, 0.67%, 0.52%

LAB 76.51, -57.32, 23.58

 

CMYK 72 / 0 / 30 / 9

HEX #42E8A2

RGB 66 232 162

HSL 154.7, 0.78%, 0.58%

LAB 82.64, -58.03, 22.12

 

CMYK 67 / 0 / 28 / 2

HEX #53FAB5

RGB 83 250 181

HSL 155.21, 0.94%, 0.65%

LAB 88.71, -58.5, 20.78

 

CMYK 61 / 0 / 22 / 0

HEX #64FFC8

RGB 100 255 200

HSL 158.71, 1%, 0.7%

LAB 90.96, -53.57, 14.25

 

CMYK 54 / 0 / 14 / 0

HEX #75FFDB

RGB 117 255 219

HSL 164.35, 1%, 0.73%

LAB 91.87, -46.09, 5.82

 

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

CMYK 86 / 0 / 34 / 23

HEX #1BC481

RGB 27 196 129

HSL 156.21, 0.76%, 0.44%

LAB 70.38, -55.64, 22.57

 

CMYK 94 / 0 / 38 / 30

HEX #0AB26E

RGB 10 178 110

HSL 155.71, 0.89%, 0.37%

LAB 64.19, -54, 24.31

 

CMYK 100 / 0 / 43 / 37

HEX #00A05B

RGB 0 160 91

HSL 154.13, 1%, 0.31%

LAB 57.94, -51.79, 26.21

 

CMYK 100 / 0 / 49 / 44

HEX #008E48

RGB 0 142 72

HSL 150.42, 1%, 0.28%

LAB 51.63, -49, 28.25

 

CMYK 79 / 0 / 30 / 16

HEX #2ED695

RGB 46 214 149

HSL 156.79, 0.67%, 0.51%

LAB 76.58, -56.39, 20.52

 

CMYK 79 / 0 / 51 / 16

HEX #2ED668

RGB 46 214 104

HSL 140.71, 0.67%, 0.51%

LAB 75.87, -64.6, 42.43

 

CMYK 79 / 0 / 73 / 16

HEX #2ED63A

RGB 46 214 58

HSL 124.29, 0.67%, 0.51%

LAB 75.44, -69.82, 61.52

 

CMYK 63 / 0 / 79 / 16

HEX #4FD62E

RGB 79 214 46

HSL 108.21, 0.67%, 0.51%

LAB 76.04, -64.97, 66.21

 

CMYK 42 / 0 / 79 / 16

HEX #7CD62E

RGB 124 214 46

HSL 92.14, 0.67%, 0.51%

LAB 77.62, -52.66, 68.27

 

CMYK 79 / 0 / 30 / 16

HEX #2ED695

RGB 46 214 149

HSL 156.79, 0.67%, 0.51%

LAB 76.58, -56.39, 20.52

 

CMYK 79 / 0 / 9 / 16

HEX #2ED6C2

RGB 46 214 194

HSL 172.86, 0.67%, 0.51%

LAB 77.62, -45.46, -1.96

 

CMYK 79 / 12 / 0 / 16

HEX #2EBCD6

RGB 46 188 214

HSL 189.29, 0.67%, 0.51%

LAB 70.46, -27.57, -23.52

 

CMYK 79 / 33 / 0 / 16

HEX #2E8FD6

RGB 46 143 214

HSL 205.36, 0.67%, 0.51%

LAB 57.15, -3.35, -44.19

 

CMYK 79 / 54 / 0 / 16

HEX #2E62D6

RGB 46 98 214

HSL 221.43, 0.67%, 0.51%

LAB 44.48, 24.48, -64.5

 

CMYK 79 / 0 / 30 / 16

HEX #2ED695

RGB 46 214 149

HSL 156.79, 0.67%, 0.51%

LAB 76.58, -56.39, 20.52

 

CMYK 89 / 0 / 35 / 8

HEX #1AEA99

RGB 26 234 153

HSL 156.63, 0.83%, 0.51%

LAB 82.57, -64.48, 26.59

 

CMYK 98 / 0 / 38 / 0

HEX #06FE9E

RGB 6 254 158

HSL 156.77, 0.99%, 0.51%

LAB 88.63, -71.11, 32.19

 

CMYK 79 / 0 / 30 / 16

HEX #2ED695

RGB 46 214 149

HSL 156.79, 0.67%, 0.51%

LAB 76.58, -56.39, 20.52

 

CMYK 65 / 0 / 26 / 24

HEX #43C290

RGB 67 194 144

HSL 156.38, 0.51%, 0.51%

LAB 70.73, -46.6, 15.12

 

CMYK 50 / 0 / 19 / 32

HEX #57AD8C

RGB 87 173 140

HSL 156.98, 0.34%, 0.51%

LAB 64.81, -34.02, 9.05

 

CMYK 30 / 0 / 12 / 40

HEX #6B9987

RGB 107 153 135

HSL 156.52, 0.18%, 0.51%

LAB 59.58, -19.58, 4.49

 

CMYK 5 / 0 / 2 / 48

HEX #7F8583

RGB 127 133 131

HSL 160, 0.02%, 0.51%

LAB 55, -2.61, 0.3

 

CMYK 79 / 0 / 73 / 16

HEX #2ED639

RGB 46 214 57

HSL 123.93, 0.67%, 0.51%

LAB 75.43, -69.9, 61.87

 

CMYK 79 / 0 / 52 / 16

HEX #2ED666

RGB 46 214 102

HSL 140, 0.67%, 0.51%

LAB 75.84, -64.89, 43.36

 

CMYK 79 / 0 / 31 / 16

HEX #2ED693

RGB 46 214 147

HSL 156.07, 0.67%, 0.51%

LAB 76.55, -56.82, 21.52

 

CMYK 79 / 0 / 11 / 16

HEX #2ED6BF

RGB 46 214 191

HSL 171.79, 0.67%, 0.51%

LAB 77.54, -46.26, -0.47

 

CMYK 79 / 11 / 0 / 16

HEX #2EBFD6

RGB 46 191 214

HSL 188.21, 0.67%, 0.51%

LAB 71.35, -29.05, -22.16

 

CMYK 80 / 0 / 31 / 42

HEX #1D9466

RGB 29 148 102

HSL 156.81, 0.67%, 0.35%

LAB 54.45, -42.82, 15.52

 

CMYK 80 / 0 / 31 / 28

HEX #24B77E

RGB 36 183 126

HSL 156.73, 0.67%, 0.43%

LAB 66.33, -50.55, 18.65

 

CMYK 79 / 0 / 30 / 16

HEX #2ED695

RGB 46 214 149

HSL 156.79, 0.67%, 0.51%

LAB 76.58, -56.39, 20.52

 

CMYK 63 / 0 / 25 / 13

HEX #51DDA6

RGB 81 221 166

HSL 156.43, 0.67%, 0.59%

LAB 79.74, -50.45, 16.06

 

CMYK 49 / 0 / 19 / 11

HEX #73E3B8

RGB 115 227 184

HSL 156.96, 0.67%, 0.67%

LAB 82.94, -42.05, 11.25

 

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

CMYK 79 / 63 / 0 / 16

HEX #2E50D6

RGB 46 80 214

HSL 227.86, 0.67%, 0.51%

LAB 39.87, 36.02, -72.01

 

CMYK 0 / 63 / 79 / 16

HEX #D6502E

RGB 214 80 46

HSL 12.14, 0.67%, 0.51%

LAB 52.1, 51, 46.51

 

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

CMYK 31 / 79 / 0 / 16

HEX #932ED6

RGB 147 46 214

HSL 276.07, 0.67%, 0.51%

LAB 42.78, 67.62, -66.89

 

CMYK 0 / 31 / 79 / 16

HEX #D6932E

RGB 214 147 46

HSL 36.07, 0.67%, 0.51%

LAB 66.03, 16.89, 59.91

 

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

CMYK 79 / 63 / 0 / 16

HEX #2E50D6

RGB 46 80 214

HSL 227.86, 0.67%, 0.51%

LAB 39.87, 36.02, -72.01

 

CMYK 0 / 79 / 47 / 16

HEX #D62E71

RGB 214 46 113

HSL 336.07, 0.67%, 0.51%

LAB 48.81, 67.34, 3.38

 

CMYK 0 / 16 / 79 / 16

HEX #D6B42E

RGB 214 180 46

HSL 47.86, 0.67%, 0.51%

LAB 74.28, -0.74, 67.46

 

CMYK 79 / 0 / 31 / 16

HEX #2CD694

RGB 44 214 148

HSL 156.71, 0.67%, 0.51%

LAB 76.54, -56.82, 20.98

 

CMYK 71 / 79 / 0 / 16

HEX #3F2ED6

RGB 63 46 214

HSL 246.07, 0.67%, 0.51%

LAB 33.7, 56.95, -82.14

 

CMYK 0 / 79 / 47 / 16

HEX #D62E71

RGB 214 46 113

HSL 336.07, 0.67%, 0.51%

LAB 48.81, 67.34, 3.38

 

CMYK 8 / 0 / 79 / 16

HEX #C5D62E

RGB 197 214 46

HSL 66.07, 0.67%, 0.51%

LAB 81.93, -25.12, 73.78

 

Description

Color code: HEX #2CD694 | qconv.com Color code: HEX #2CD694 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 214 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 214 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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