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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD599 it is the complementary color #D32A66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD599 shade: #31D594, #42E7A7, #53F9BA, #64FFCD and #75FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD599 shade: #2CD599, #1BC386, #0AB173, #009F60 and #008D4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD599 shade: #2AD598, #2AD56A, #2AD53C, #46D52A and #74D52A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD599 shade: #2AD598, #2AD5C6, #2AB5D5, #2A87D5 and #2A59D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD599 shade matches the following richer shades: #2AD598, #15EA9E and #01FEA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD599 shade: #2AD598, #3FC092, #53AC8C, #689786 and #7D8280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD599 shade: #2AD53B, #2AD569, #2AD596, #2AD5C4 and #2AB8D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD599 shade: #1C9067, #23B280, #2AD598, #4DDCA9 and #6FE3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD599 shade: #2CD599, #2A47D5 and #D5522A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD599 shade: #2CD599, #962AD5 and #D5962A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD599 shade: #2CD599, #2A47D5, #D52A69 and #D5B82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD599 shade: #2CD599, #412AD5, #D52A69 and #BED52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

Complementary color

CMYK 0 / 80 / 52 / 17

HEX #D32A66

RGB 211 42 102

HSL 338.7, 0.67%, 0.5%

LAB 47.58, 66.73, 8.28

 

CMYK 77 / 0 / 31 / 16

HEX #31D594

RGB 49 213 148

HSL 156.22, 0.66%, 0.51%

LAB 76.3, -55.89, 20.67

 

CMYK 71 / 0 / 28 / 9

HEX #42E7A7

RGB 66 231 167

HSL 156.73, 0.77%, 0.58%

LAB 82.43, -56.59, 19.25

 

CMYK 67 / 0 / 25 / 2

HEX #53F9BA

RGB 83 249 186

HSL 157.23, 0.93%, 0.65%

LAB 88.51, -57.05, 17.95

 

CMYK 61 / 0 / 20 / 0

HEX #64FFCD

RGB 100 255 205

HSL 160.65, 1%, 0.7%

LAB 91.07, -52.48, 11.83

 

CMYK 54 / 0 / 12 / 0

HEX #75FFE0

RGB 117 255 224

HSL 166.52, 1%, 0.73%

LAB 91.99, -44.94, 3.41

 

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

CMYK 86 / 0 / 31 / 24

HEX #1BC386

RGB 27 195 134

HSL 158.21, 0.76%, 0.44%

LAB 70.17, -54.19, 19.61

 

CMYK 94 / 0 / 35 / 31

HEX #0AB173

RGB 10 177 115

HSL 157.72, 0.89%, 0.37%

LAB 63.96, -52.58, 21.31

 

CMYK 100 / 0 / 40 / 38

HEX #009F60

RGB 0 159 96

HSL 156.23, 1%, 0.31%

LAB 57.69, -50.43, 23.19

 

CMYK 100 / 0 / 45 / 45

HEX #008D4D

RGB 0 141 77

HSL 152.77, 1%, 0.28%

LAB 51.37, -47.71, 25.23

 

CMYK 80 / 0 / 29 / 16

HEX #2AD598

RGB 42 213 152

HSL 158.6, 0.67%, 0.5%

LAB 76.28, -55.77, 18.52

 

CMYK 80 / 0 / 50 / 16

HEX #2AD56A

RGB 42 213 106

HSL 142.46, 0.67%, 0.5%

LAB 75.53, -64.41, 41.03

 

CMYK 80 / 0 / 72 / 16

HEX #2AD53C

RGB 42 213 60

HSL 126.32, 0.67%, 0.5%

LAB 75.08, -69.84, 60.43

 

CMYK 67 / 0 / 80 / 16

HEX #46D52A

RGB 70 213 42

HSL 110.18, 0.67%, 0.5%

LAB 75.49, -66.72, 66.75

 

CMYK 46 / 0 / 80 / 16

HEX #74D52A

RGB 116 213 42

HSL 94.04, 0.67%, 0.5%

LAB 76.96, -55, 68.65

 

CMYK 80 / 0 / 29 / 16

HEX #2AD598

RGB 42 213 152

HSL 158.6, 0.67%, 0.5%

LAB 76.28, -55.77, 18.52

 

CMYK 80 / 0 / 7 / 16

HEX #2AD5C6

RGB 42 213 198

HSL 174.74, 0.67%, 0.5%

LAB 77.38, -44.29, -4.47

 

CMYK 80 / 15 / 0 / 16

HEX #2AB5D5

RGB 42 181 213

HSL 191.23, 0.67%, 0.5%

LAB 68.27, -24.76, -26.32

 

CMYK 80 / 37 / 0 / 16

HEX #2A87D5

RGB 42 135 213

HSL 207.37, 0.67%, 0.5%

LAB 54.68, 0.59, -47.55

 

CMYK 80 / 58 / 0 / 16

HEX #2A59D5

RGB 42 89 213

HSL 223.51, 0.67%, 0.5%

LAB 41.91, 29.53, -68.11

 

CMYK 80 / 0 / 29 / 16

HEX #2AD598

RGB 42 213 152

HSL 158.6, 0.67%, 0.5%

LAB 76.28, -55.77, 18.52

 

CMYK 91 / 0 / 32 / 8

HEX #15EA9E

RGB 21 234 158

HSL 158.59, 0.84%, 0.5%

LAB 82.63, -63.7, 24.1

 

CMYK 100 / 0 / 35 / 0

HEX #01FEA4

RGB 1 254 164

HSL 158.66, 0.99%, 0.5%

LAB 88.72, -70.07, 29.29

 

CMYK 80 / 0 / 29 / 16

HEX #2AD598

RGB 42 213 152

HSL 158.6, 0.67%, 0.5%

LAB 76.28, -55.77, 18.52

 

CMYK 67 / 0 / 24 / 25

HEX #3FC092

RGB 63 192 146

HSL 158.6, 0.51%, 0.5%

LAB 70.06, -46, 13.09

 

CMYK 52 / 0 / 19 / 33

HEX #53AC8C

RGB 83 172 140

HSL 158.43, 0.35%, 0.5%

LAB 64.35, -34.53, 8.38

 

CMYK 31 / 0 / 11 / 41

HEX #689786

RGB 104 151 134

HSL 158.3, 0.18%, 0.5%

LAB 58.79, -19.71, 3.89

 

CMYK 4 / 0 / 2 / 49

HEX #7D8280

RGB 125 130 128

HSL 156, 0.02%, 0.5%

LAB 53.9, -2.25, 0.43

 

CMYK 80 / 0 / 72 / 16

HEX #2AD53B

RGB 42 213 59

HSL 125.96, 0.67%, 0.5%

LAB 75.07, -69.92, 60.78

 

CMYK 80 / 0 / 51 / 16

HEX #2AD569

RGB 42 213 105

HSL 142.11, 0.67%, 0.5%

LAB 75.51, -64.56, 41.49

 

CMYK 80 / 0 / 30 / 16

HEX #2AD596

RGB 42 213 150

HSL 157.89, 0.67%, 0.5%

LAB 76.24, -56.21, 19.52

 

CMYK 80 / 0 / 8 / 16

HEX #2AD5C4

RGB 42 213 196

HSL 174.04, 0.67%, 0.5%

LAB 77.32, -44.84, -3.48

 

CMYK 80 / 14 / 0 / 16

HEX #2AB8D5

RGB 42 184 213

HSL 190.18, 0.67%, 0.5%

LAB 69.17, -26.27, -24.95

 

CMYK 81 / 0 / 28 / 44

HEX #1C9067

RGB 28 144 103

HSL 158.79, 0.67%, 0.34%

LAB 53.14, -41.05, 13.14

 

CMYK 80 / 0 / 28 / 30

HEX #23B280

RGB 35 178 128

HSL 159.02, 0.67%, 0.42%

LAB 64.77, -48.24, 15.41

 

CMYK 80 / 0 / 29 / 16

HEX #2AD598

RGB 42 213 152

HSL 158.6, 0.67%, 0.5%

LAB 76.28, -55.77, 18.52

 

CMYK 65 / 0 / 23 / 14

HEX #4DDCA9

RGB 77 220 169

HSL 158.6, 0.67%, 0.58%

LAB 79.4, -50.07, 14

 

CMYK 51 / 0 / 18 / 11

HEX #6FE3BA

RGB 111 227 186

HSL 158.79, 0.67%, 0.66%

LAB 82.84, -42.53, 10.05

 

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

CMYK 80 / 67 / 0 / 16

HEX #2A47D5

RGB 42 71 213

HSL 229.82, 0.67%, 0.5%

LAB 37.49, 40.96, -75.35

 

CMYK 0 / 62 / 80 / 16

HEX #D5522A

RGB 213 82 42

HSL 14.04, 0.67%, 0.5%

LAB 52.23, 49.63, 48.53

 

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

CMYK 30 / 80 / 0 / 16

HEX #962AD5

RGB 150 42 213

HSL 277.89, 0.67%, 0.5%

LAB 42.68, 69.2, -66.46

 

CMYK 0 / 30 / 80 / 16

HEX #D5962A

RGB 213 150 42

HSL 37.89, 0.67%, 0.5%

LAB 66.62, 14.69, 61.86

 

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

CMYK 80 / 67 / 0 / 16

HEX #2A47D5

RGB 42 71 213

HSL 229.82, 0.67%, 0.5%

LAB 37.49, 40.96, -75.35

 

CMYK 0 / 80 / 51 / 16

HEX #D52A69

RGB 213 42 105

HSL 337.89, 0.67%, 0.5%

LAB 48.03, 67.49, 7.14

 

CMYK 0 / 14 / 80 / 16

HEX #D5B82A

RGB 213 184 42

HSL 49.82, 0.67%, 0.5%

LAB 75.2, -3.4, 69.48

 

CMYK 79 / 0 / 28 / 16

HEX #2CD599

RGB 44 213 153

HSL 158.7, 0.67%, 0.5%

LAB 76.33, -55.35, 18.06

 

CMYK 69 / 80 / 0 / 16

HEX #412AD5

RGB 65 42 213

HSL 248.07, 0.67%, 0.5%

LAB 33.1, 58.67, -82.55

 

CMYK 0 / 80 / 51 / 16

HEX #D52A69

RGB 213 42 105

HSL 337.89, 0.67%, 0.5%

LAB 48.03, 67.49, 7.14

 

CMYK 11 / 0 / 80 / 16

HEX #BED52A

RGB 190 213 42

HSL 68.07, 0.67%, 0.5%

LAB 81.13, -27.67, 73.96

 

Description

Color code: HEX #2CD599 | qconv.com Color code: HEX #2CD599 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 213 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 213 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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