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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD563 it is the complementary color #D32A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD563 shade: #31D55E, #42E771, #53F984, #64FF97 and #75FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD563 shade: #2CD563, #1BC350, #0AB13D, #009F2A and #008D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD563 shade: #2AD562, #2AD534, #4FD52A, #7DD52A and #ABD52A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD563 shade: #2AD562, #2AD590, #2AD5BE, #2ABED5 and #2A90D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD563 shade matches the following richer shades: #2AD562, #15EA5A and #01FE53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD563 shade: #2AD562, #3FC069, #53AC70, #689777 and #7D827E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD563 shade: #4FD52A, #2AD533, #2AD560, #2AD58E and #2AD5BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD563 shade: #1C9042, #23B252, #2AD562, #4DDC7B and #6FE395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD563 shade: #2CD563, #2A7DD5 and #D52A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD563 shade: #2CD563, #602AD5 and #D5602A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD563 shade: #2CD563, #2A7DD5, #D52A9F and #D5822A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD563 shade: #2CD563, #2A49D5, #D52A9F and #D5B62A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

Complementary color

CMYK 0 / 80 / 26 / 17

HEX #D32A9C

RGB 211 42 156

HSL 319.53, 0.67%, 0.5%

LAB 49.38, 72.05, -21.8

 

CMYK 77 / 0 / 56 / 16

HEX #31D55E

RGB 49 213 94

HSL 136.46, 0.66%, 0.51%

LAB 75.48, -65.31, 46.7

 

CMYK 71 / 0 / 51 / 9

HEX #42E771

RGB 66 231 113

HSL 137.09, 0.77%, 0.58%

LAB 81.57, -66.3, 45.22

 

CMYK 67 / 0 / 47 / 2

HEX #53F984

RGB 83 249 132

HSL 137.71, 0.93%, 0.65%

LAB 87.61, -66.94, 43.77

 

CMYK 61 / 0 / 41 / 0

HEX #64FF97

RGB 100 255 151

HSL 139.74, 1%, 0.7%

LAB 90.07, -62.95, 37.78

 

CMYK 54 / 0 / 33 / 0

HEX #75FFAA

RGB 117 255 170

HSL 143.04, 1%, 0.73%

LAB 90.87, -56.09, 29.48

 

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

CMYK 86 / 0 / 59 / 24

HEX #1BC350

RGB 27 195 80

HSL 138.93, 0.76%, 0.44%

LAB 69.36, -63.67, 45.86

 

CMYK 94 / 0 / 66 / 31

HEX #0AB13D

RGB 10 177 61

HSL 138.32, 0.89%, 0.37%

LAB 63.22, -61.46, 47.31

 

CMYK 100 / 0 / 74 / 38

HEX #009F2A

RGB 0 159 42

HSL 135.85, 1%, 0.31%

LAB 57.04, -58.43, 48.44

 

CMYK 100 / 0 / 84 / 45

HEX #008D17

RGB 0 141 23

HSL 129.79, 1%, 0.28%

LAB 50.82, -54.51, 48.78

 

CMYK 80 / 0 / 54 / 16

HEX #2AD562

RGB 42 213 98

HSL 139.65, 0.67%, 0.5%

LAB 75.43, -65.59, 44.74

 

CMYK 80 / 0 / 76 / 16

HEX #2AD534

RGB 42 213 52

HSL 123.51, 0.67%, 0.5%

LAB 75.03, -70.45, 63.13

 

CMYK 63 / 0 / 80 / 16

HEX #4FD52A

RGB 79 213 42

HSL 107.02, 0.67%, 0.5%

LAB 75.71, -64.86, 67.04

 

CMYK 41 / 0 / 80 / 16

HEX #7DD52A

RGB 125 213 42

HSL 90.88, 0.67%, 0.5%

LAB 77.35, -52.13, 69.15

 

CMYK 20 / 0 / 80 / 16

HEX #ABD52A

RGB 171 213 42

HSL 74.74, 0.67%, 0.5%

LAB 79.85, -35.33, 72.34

 

CMYK 80 / 0 / 54 / 16

HEX #2AD562

RGB 42 213 98

HSL 139.65, 0.67%, 0.5%

LAB 75.43, -65.59, 44.74

 

CMYK 80 / 0 / 32 / 16

HEX #2AD590

RGB 42 213 144

HSL 155.79, 0.67%, 0.5%

LAB 76.13, -57.49, 22.51

 

CMYK 80 / 0 / 11 / 16

HEX #2AD5BE

RGB 42 213 190

HSL 171.93, 0.67%, 0.5%

LAB 77.16, -46.47, -0.49

 

CMYK 80 / 11 / 0 / 16

HEX #2ABED5

RGB 42 190 213

HSL 188.07, 0.67%, 0.5%

LAB 70.96, -29.24, -22.22

 

CMYK 80 / 32 / 0 / 16

HEX #2A90D5

RGB 42 144 213

HSL 204.21, 0.67%, 0.5%

LAB 57.31, -4.7, -43.39

 

CMYK 80 / 0 / 54 / 16

HEX #2AD562

RGB 42 213 98

HSL 139.65, 0.67%, 0.5%

LAB 75.43, -65.59, 44.74

 

CMYK 91 / 0 / 62 / 8

HEX #15EA5A

RGB 21 234 90

HSL 139.44, 0.84%, 0.5%

LAB 81.7, -74.82, 55.63

 

CMYK 100 / 0 / 67 / 0

HEX #01FE53

RGB 1 254 83

HSL 139.45, 0.99%, 0.5%

LAB 87.73, -82, 65.09

 

CMYK 80 / 0 / 54 / 16

HEX #2AD562

RGB 42 213 98

HSL 139.65, 0.67%, 0.5%

LAB 75.43, -65.59, 44.74

 

CMYK 67 / 0 / 45 / 25

HEX #3FC069

RGB 63 192 105

HSL 139.53, 0.51%, 0.5%

LAB 69.31, -54.12, 33.76

 

CMYK 52 / 0 / 35 / 33

HEX #53AC70

RGB 83 172 112

HSL 139.55, 0.35%, 0.5%

LAB 63.77, -40.38, 22.92

 

CMYK 31 / 0 / 21 / 41

HEX #689777

RGB 104 151 119

HSL 139.15, 0.18%, 0.5%

LAB 58.42, -22.87, 11.87

 

CMYK 4 / 0 / 3 / 49

HEX #7D827E

RGB 125 130 126

HSL 132, 0.02%, 0.5%

LAB 53.85, -2.66, 1.51

 

CMYK 63 / 0 / 80 / 16

HEX #4FD52A

RGB 79 213 42

HSL 107.02, 0.67%, 0.5%

LAB 75.71, -64.86, 67.04

 

CMYK 80 / 0 / 76 / 16

HEX #2AD533

RGB 42 213 51

HSL 123.16, 0.67%, 0.5%

LAB 75.03, -70.52, 63.45

 

CMYK 80 / 0 / 55 / 16

HEX #2AD560

RGB 42 213 96

HSL 138.95, 0.67%, 0.5%

LAB 75.4, -65.87, 45.65

 

CMYK 80 / 0 / 33 / 16

HEX #2AD58E

RGB 42 213 142

HSL 155.09, 0.67%, 0.5%

LAB 76.09, -57.91, 23.51

 

CMYK 80 / 0 / 12 / 16

HEX #2AD5BB

RGB 42 213 187

HSL 170.88, 0.67%, 0.5%

LAB 77.08, -47.26, 1

 

CMYK 81 / 0 / 54 / 44

HEX #1C9042

RGB 28 144 66

HSL 139.66, 0.67%, 0.34%

LAB 52.49, -48.4, 32.53

 

CMYK 80 / 0 / 54 / 30

HEX #23B252

RGB 35 178 82

HSL 139.72, 0.67%, 0.42%

LAB 64, -56.99, 38.56

 

CMYK 80 / 0 / 54 / 16

HEX #2AD562

RGB 42 213 98

HSL 139.65, 0.67%, 0.5%

LAB 75.43, -65.59, 44.74

 

CMYK 65 / 0 / 44 / 14

HEX #4DDC7B

RGB 77 220 123

HSL 139.3, 0.67%, 0.58%

LAB 78.57, -58.99, 36.64

 

CMYK 51 / 0 / 34 / 11

HEX #6FE395

RGB 111 227 149

HSL 139.66, 0.67%, 0.66%

LAB 82.1, -49.89, 28.29

 

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

CMYK 80 / 41 / 0 / 16

HEX #2A7DD5

RGB 42 125 213

HSL 210.88, 0.67%, 0.5%

LAB 51.8, 6.64, -52.14

 

CMYK 0 / 80 / 74 / 16

HEX #D52A38

RGB 213 42 56

HSL 355.09, 0.67%, 0.5%

LAB 47.09, 64.6, 35.66

 

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

CMYK 55 / 80 / 0 / 16

HEX #602AD5

RGB 96 42 213

HSL 258.95, 0.67%, 0.5%

LAB 35.88, 61.7, -77.86

 

CMYK 0 / 55 / 80 / 16

HEX #D5602A

RGB 213 96 42

HSL 18.95, 0.67%, 0.5%

LAB 54.74, 43.07, 50.93

 

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

CMYK 80 / 41 / 0 / 16

HEX #2A7DD5

RGB 42 125 213

HSL 210.88, 0.67%, 0.5%

LAB 51.8, 6.64, -52.14

 

CMYK 0 / 80 / 25 / 16

HEX #D52A9F

RGB 213 42 159

HSL 318.95, 0.67%, 0.5%

LAB 49.86, 72.86, -22.81

 

CMYK 0 / 39 / 80 / 16

HEX #D5822A

RGB 213 130 42

HSL 30.88, 0.67%, 0.5%

LAB 61.89, 25.48, 57.58

 

CMYK 79 / 0 / 54 / 16

HEX #2CD563

RGB 44 213 99

HSL 139.53, 0.67%, 0.5%

LAB 75.47, -65.22, 44.32

 

CMYK 80 / 66 / 0 / 16

HEX #2A49D5

RGB 42 73 213

HSL 229.12, 0.67%, 0.5%

LAB 37.95, 39.72, -74.59

 

CMYK 0 / 80 / 25 / 16

HEX #D52A9F

RGB 213 42 159

HSL 318.95, 0.67%, 0.5%

LAB 49.86, 72.86, -22.81

 

CMYK 0 / 15 / 80 / 16

HEX #D5B62A

RGB 213 182 42

HSL 49.12, 0.67%, 0.5%

LAB 74.68, -2.36, 69.03

 

Description

Color code: HEX #2CD563 | qconv.com Color code: HEX #2CD563 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 213 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 213 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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