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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD55E it is the complementary color #D32AA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD55E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD55E shade: #31D559, #42E76C, #53F97F, #64FF92 and #75FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD55E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD55E shade: #2CD55E, #1BC34B, #0AB138, #009F25 and #008D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD55E shade: #2AD55D, #2AD52F, #54D52A, #82D52A and #B0D52A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD55E shade: #2AD55D, #2AD58B, #2AD5B9, #2AC3D5 and #2A95D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD55E shade matches the following richer shades: #2AD55D, #15EA54 and #01FE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD55E shade: #2AD55D, #3FC065, #53AC6D, #689776 and #7D827E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD55E shade: #55D52A, #2AD52D, #2AD55A, #2AD588 and #2AD5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD55E shade: #1C903F, #23B24E, #2AD55D, #4DDC77 and #6FE391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD55E shade: #2CD55E, #2A82D5 and #D52A3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD55E shade: #2CD55E, #5A2AD5 and #D55A2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD55E shade: #2CD55E, #2A82D5, #D52AA5 and #D57D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD55E shade: #2CD55E, #2A4FD5, #D52AA5 and #D5B02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

Complementary color

CMYK 0 / 80 / 24 / 17

HEX #D32AA1

RGB 211 42 161

HSL 317.75, 0.67%, 0.5%

LAB 49.59, 72.65, -24.45

 

CMYK 77 / 0 / 58 / 16

HEX #31D559

RGB 49 213 89

HSL 134.63, 0.66%, 0.51%

LAB 75.43, -65.96, 48.92

 

CMYK 71 / 0 / 53 / 9

HEX #42E76C

RGB 66 231 108

HSL 135.27, 0.77%, 0.58%

LAB 81.51, -67, 47.5

 

CMYK 67 / 0 / 49 / 2

HEX #53F97F

RGB 83 249 127

HSL 135.9, 0.93%, 0.65%

LAB 87.54, -67.68, 46.07

 

CMYK 61 / 0 / 43 / 0

HEX #64FF92

RGB 100 255 146

HSL 137.81, 1%, 0.7%

LAB 90, -63.76, 40.13

 

CMYK 54 / 0 / 35 / 0

HEX #75FFA5

RGB 117 255 165

HSL 140.87, 1%, 0.73%

LAB 90.79, -56.97, 31.87

 

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

CMYK 86 / 0 / 62 / 24

HEX #1BC34B

RGB 27 195 75

HSL 137.14, 0.76%, 0.44%

LAB 69.31, -64.29, 48.06

 

CMYK 94 / 0 / 68 / 31

HEX #0AB138

RGB 10 177 56

HSL 136.53, 0.89%, 0.37%

LAB 63.17, -61.99, 49.37

 

CMYK 100 / 0 / 77 / 38

HEX #009F25

RGB 0 159 37

HSL 133.96, 1%, 0.31%

LAB 57.01, -58.85, 50.23

 

CMYK 100 / 0 / 87 / 45

HEX #008D12

RGB 0 141 18

HSL 127.66, 1%, 0.28%

LAB 50.8, -54.79, 50.1

 

CMYK 80 / 0 / 56 / 16

HEX #2AD55D

RGB 42 213 93

HSL 137.89, 0.67%, 0.5%

LAB 75.37, -66.28, 47

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52F

RGB 42 213 47

HSL 121.75, 0.67%, 0.5%

LAB 75, -70.79, 64.67

 

CMYK 61 / 0 / 80 / 16

HEX #54D52A

RGB 84 213 42

HSL 105.26, 0.67%, 0.5%

LAB 75.85, -63.73, 67.22

 

CMYK 39 / 0 / 80 / 16

HEX #82D52A

RGB 130 213 42

HSL 89.12, 0.67%, 0.5%

LAB 77.58, -50.46, 69.45

 

CMYK 17 / 0 / 80 / 16

HEX #B0D52A

RGB 176 213 42

HSL 72.98, 0.67%, 0.5%

LAB 80.17, -33.34, 72.75

 

CMYK 80 / 0 / 56 / 16

HEX #2AD55D

RGB 42 213 93

HSL 137.89, 0.67%, 0.5%

LAB 75.37, -66.28, 47

 

CMYK 80 / 0 / 35 / 16

HEX #2AD58B

RGB 42 213 139

HSL 154.04, 0.67%, 0.5%

LAB 76.04, -58.52, 25

 

CMYK 80 / 0 / 13 / 16

HEX #2AD5B9

RGB 42 213 185

HSL 170.18, 0.67%, 0.5%

LAB 77.03, -47.79, 2

 

CMYK 80 / 8 / 0 / 16

HEX #2AC3D5

RGB 42 195 213

HSL 186.32, 0.67%, 0.5%

LAB 72.45, -31.67, -19.95

 

CMYK 80 / 30 / 0 / 16

HEX #2A95D5

RGB 42 149 213

HSL 202.46, 0.67%, 0.5%

LAB 58.78, -7.57, -41.07

 

CMYK 80 / 0 / 56 / 16

HEX #2AD55D

RGB 42 213 93

HSL 137.89, 0.67%, 0.5%

LAB 75.37, -66.28, 47

 

CMYK 91 / 0 / 64 / 8

HEX #15EA54

RGB 21 234 84

HSL 137.75, 0.84%, 0.5%

LAB 81.64, -75.48, 58.08

 

CMYK 100 / 0 / 70 / 0

HEX #01FE4C

RGB 1 254 76

HSL 137.79, 0.99%, 0.5%

LAB 87.68, -82.63, 67.63

 

CMYK 80 / 0 / 56 / 16

HEX #2AD55D

RGB 42 213 93

HSL 137.89, 0.67%, 0.5%

LAB 75.37, -66.28, 47

 

CMYK 67 / 0 / 47 / 25

HEX #3FC065

RGB 63 192 101

HSL 137.67, 0.51%, 0.5%

LAB 69.25, -54.77, 35.72

 

CMYK 52 / 0 / 37 / 33

HEX #53AC6D

RGB 83 172 109

HSL 137.53, 0.35%, 0.5%

LAB 63.71, -40.93, 24.47

 

CMYK 31 / 0 / 22 / 41

HEX #689776

RGB 104 151 118

HSL 137.87, 0.18%, 0.5%

LAB 58.4, -23.07, 12.4

 

CMYK 4 / 0 / 3 / 49

HEX #7D827E

RGB 125 130 126

HSL 132, 0.02%, 0.5%

LAB 53.85, -2.66, 1.51

 

CMYK 60 / 0 / 80 / 16

HEX #55D52A

RGB 85 213 42

HSL 104.91, 0.67%, 0.5%

LAB 75.88, -63.49, 67.26

 

CMYK 80 / 0 / 79 / 16

HEX #2AD52D

RGB 42 213 45

HSL 121.05, 0.67%, 0.5%

LAB 75, -70.91, 65.26

 

CMYK 80 / 0 / 58 / 16

HEX #2AD55A

RGB 42 213 90

HSL 136.84, 0.67%, 0.5%

LAB 75.34, -66.67, 48.34

 

CMYK 80 / 0 / 36 / 16

HEX #2AD588

RGB 42 213 136

HSL 152.98, 0.67%, 0.5%

LAB 75.98, -59.12, 26.49

 

CMYK 80 / 0 / 15 / 16

HEX #2AD5B6

RGB 42 213 182

HSL 169.12, 0.67%, 0.5%

LAB 76.96, -48.57, 3.5

 

CMYK 81 / 0 / 56 / 44

HEX #1C903F

RGB 28 144 63

HSL 138.1, 0.67%, 0.34%

LAB 52.46, -48.85, 34.01

 

CMYK 80 / 0 / 56 / 30

HEX #23B24E

RGB 35 178 78

HSL 138.04, 0.67%, 0.42%

LAB 63.96, -57.57, 40.44

 

CMYK 80 / 0 / 56 / 16

HEX #2AD55D

RGB 42 213 93

HSL 137.89, 0.67%, 0.5%

LAB 75.37, -66.28, 47

 

CMYK 65 / 0 / 46 / 14

HEX #4DDC77

RGB 77 220 119

HSL 137.62, 0.67%, 0.58%

LAB 78.52, -59.63, 38.55

 

CMYK 51 / 0 / 36 / 11

HEX #6FE391

RGB 111 227 145

HSL 137.59, 0.67%, 0.66%

LAB 82.03, -50.59, 30.25

 

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

CMYK 80 / 39 / 0 / 16

HEX #2A82D5

RGB 42 130 213

HSL 209.12, 0.67%, 0.5%

LAB 53.23, 3.6, -49.85

 

CMYK 0 / 80 / 71 / 16

HEX #D52A3E

RGB 213 42 62

HSL 352.98, 0.67%, 0.5%

LAB 47.17, 64.85, 32.22

 

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

CMYK 58 / 80 / 0 / 16

HEX #5A2AD5

RGB 90 42 213

HSL 256.84, 0.67%, 0.5%

LAB 35.27, 61.03, -78.89

 

CMYK 0 / 58 / 80 / 16

HEX #D55A2A

RGB 213 90 42

HSL 16.84, 0.67%, 0.5%

LAB 53.63, 45.95, 49.87

 

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

CMYK 80 / 39 / 0 / 16

HEX #2A82D5

RGB 42 130 213

HSL 209.12, 0.67%, 0.5%

LAB 53.23, 3.6, -49.85

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA5

RGB 213 42 165

HSL 316.84, 0.67%, 0.5%

LAB 50.12, 73.59, -25.97

 

CMYK 0 / 41 / 80 / 16

HEX #D57D2A

RGB 213 125 42

HSL 29.12, 0.67%, 0.5%

LAB 60.76, 28.16, 56.54

 

CMYK 79 / 0 / 56 / 16

HEX #2CD55E

RGB 44 213 94

HSL 137.75, 0.67%, 0.5%

LAB 75.41, -65.92, 46.59

 

CMYK 80 / 63 / 0 / 16

HEX #2A4FD5

RGB 42 79 213

HSL 227.02, 0.67%, 0.5%

LAB 39.39, 35.94, -72.22

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA5

RGB 213 42 165

HSL 316.84, 0.67%, 0.5%

LAB 50.12, 73.59, -25.97

 

CMYK 0 / 17 / 80 / 16

HEX #D5B02A

RGB 213 176 42

HSL 47.02, 0.67%, 0.5%

LAB 73.13, 0.79, 67.66

 

Description

Color code: HEX #2CD55E | qconv.com Color code: HEX #2CD55E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 213 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 213 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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