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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD442 it is the complementary color #D32BBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD442. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD442 shade: #31D43D, #42E650, #53F863, #64FF76 and #75FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD442. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD442 shade: #2CD442, #1BC22F, #0AB01C, #009E09 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD442 shade: #2BD441, #43D42B, #70D42B, #9DD42B and #CBD42B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD442 shade: #2BD441, #2BD46F, #2BD49C, #2BD4CA and #2BB0D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD442 shade matches the following richer shades: #2BD441, #17E832 and #02FD23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD442 shade: #2BD441, #40BF51, #55AA60, #69966F and #7E817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD442 shade: #71D42B, #45D42B, #2BD43F, #2BD46C and #2BD499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD442 shade: #1D8F2C, #24B137, #2BD441, #4EDB60 and #70E27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD442 shade: #2CD442, #2B9ED4 and #D42B5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD442 shade: #2CD442, #3F2BD4 and #D43F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD442 shade: #2CD442, #2B9ED4, #D42BC0 and #D4612B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD442 shade: #2CD442, #2B6CD4, #D42BC0 and #D4932B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

Complementary color

CMYK 0 / 80 / 10 / 17

HEX #D32BBD

RGB 211 43 189

HSL 307.86, 0.66%, 0.5%

LAB 50.98, 76.09, -38.73

 

CMYK 77 / 0 / 71 / 17

HEX #31D43D

RGB 49 212 61

HSL 124.42, 0.65%, 0.51%

LAB 74.87, -68.57, 59.88

 

CMYK 71 / 0 / 65 / 10

HEX #42E650

RGB 66 230 80

HSL 125.12, 0.77%, 0.58%

LAB 80.92, -69.96, 59.07

 

CMYK 67 / 0 / 60 / 3

HEX #53F863

RGB 83 248 99

HSL 125.82, 0.92%, 0.65%

LAB 86.94, -70.92, 57.99

 

CMYK 61 / 0 / 54 / 0

HEX #64FF76

RGB 100 255 118

HSL 126.97, 1%, 0.7%

LAB 89.64, -67.74, 52.9

 

CMYK 54 / 0 / 46 / 0

HEX #75FF89

RGB 117 255 137

HSL 128.7, 1%, 0.73%

LAB 90.37, -61.4, 45.05

 

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

CMYK 86 / 0 / 76 / 24

HEX #1BC22F

RGB 27 194 47

HSL 127.19, 0.76%, 0.43%

LAB 68.77, -66.71, 58.54

 

CMYK 94 / 0 / 84 / 31

HEX #0AB01C

RGB 10 176 28

HSL 126.51, 0.89%, 0.36%

LAB 62.68, -63.85, 58.35

 

CMYK 100 / 0 / 94 / 38

HEX #009E09

RGB 0 158 9

HSL 123.42, 1%, 0.31%

LAB 56.56, -60.01, 56.81

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 80 / 0 / 69 / 17

HEX #2BD441

RGB 43 212 65

HSL 127.81, 0.66%, 0.5%

LAB 74.81, -68.98, 58.3

 

CMYK 68 / 0 / 80 / 17

HEX #43D42B

RGB 67 212 43

HSL 111.48, 0.66%, 0.5%

LAB 75.11, -66.92, 66.1

 

CMYK 47 / 0 / 80 / 17

HEX #70D42B

RGB 112 212 43

HSL 95.5, 0.66%, 0.5%

LAB 76.5, -55.79, 67.9

 

CMYK 26 / 0 / 80 / 17

HEX #9DD42B

RGB 157 212 43

HSL 79.53, 0.66%, 0.5%

LAB 78.71, -40.27, 70.73

 

CMYK 4 / 0 / 80 / 17

HEX #CBD42B

RGB 203 212 43

HSL 63.2, 0.66%, 0.5%

LAB 81.82, -21.77, 74.67

 

CMYK 80 / 0 / 69 / 17

HEX #2BD441

RGB 43 212 65

HSL 127.81, 0.66%, 0.5%

LAB 74.81, -68.98, 58.3

 

CMYK 80 / 0 / 48 / 17

HEX #2BD46F

RGB 43 212 111

HSL 144.14, 0.66%, 0.5%

LAB 75.29, -63.18, 38.29

 

CMYK 80 / 0 / 26 / 17

HEX #2BD49C

RGB 43 212 156

HSL 160.12, 0.66%, 0.5%

LAB 76.07, -54.39, 16.11

 

CMYK 80 / 0 / 5 / 17

HEX #2BD4CA

RGB 43 212 202

HSL 176.45, 0.66%, 0.5%

LAB 77.2, -42.66, -6.87

 

CMYK 80 / 17 / 0 / 17

HEX #2BB0D4

RGB 43 176 212

HSL 192.78, 0.66%, 0.5%

LAB 66.76, -22.44, -28.09

 

CMYK 80 / 0 / 69 / 17

HEX #2BD441

RGB 43 212 65

HSL 127.81, 0.66%, 0.5%

LAB 74.81, -68.98, 58.3

 

CMYK 90 / 0 / 78 / 9

HEX #17E832

RGB 23 232 50

HSL 127.75, 0.82%, 0.5%

LAB 80.81, -77.66, 69.28

 

CMYK 99 / 0 / 86 / 1

HEX #02FD23

RGB 2 253 35

HSL 127.89, 0.98%, 0.5%

LAB 87.19, -84.84, 78.65

 

CMYK 80 / 0 / 69 / 17

HEX #2BD441

RGB 43 212 65

HSL 127.81, 0.66%, 0.5%

LAB 74.81, -68.98, 58.3

 

CMYK 66 / 0 / 58 / 25

HEX #40BF51

RGB 64 191 81

HSL 128.03, 0.5%, 0.5%

LAB 68.71, -57.07, 44.8

 

CMYK 50 / 0 / 44 / 33

HEX #55AA60

RGB 85 170 96

HSL 127.76, 0.33%, 0.5%

LAB 62.95, -41.75, 30.39

 

CMYK 30 / 0 / 26 / 41

HEX #69966F

RGB 105 150 111

HSL 128, 0.18%, 0.5%

LAB 58, -23.57, 15.79

 

CMYK 2 / 0 / 2 / 49

HEX #7E817E

RGB 126 129 126

HSL 120, 0.01%, 0.5%

LAB 53.65, -1.71, 1.23

 

CMYK 47 / 0 / 80 / 17

HEX #71D42B

RGB 113 212 43

HSL 95.15, 0.66%, 0.5%

LAB 76.54, -55.49, 67.95

 

CMYK 67 / 0 / 80 / 17

HEX #45D42B

RGB 69 212 43

HSL 110.77, 0.66%, 0.5%

LAB 75.16, -66.54, 66.16

 

CMYK 80 / 0 / 70 / 17

HEX #2BD43F

RGB 43 212 63

HSL 127.1, 0.66%, 0.5%

LAB 74.8, -69.16, 59.04

 

CMYK 80 / 0 / 49 / 17

HEX #2BD46C

RGB 43 212 108

HSL 143.08, 0.66%, 0.5%

LAB 75.25, -63.65, 39.71

 

CMYK 80 / 0 / 28 / 17

HEX #2BD499

RGB 43 212 153

HSL 159.05, 0.66%, 0.5%

LAB 76.01, -55.06, 17.61

 

CMYK 80 / 0 / 69 / 44

HEX #1D8F2C

RGB 29 143 44

HSL 127.89, 0.66%, 0.34%

LAB 51.94, -50.77, 42.35

 

CMYK 80 / 0 / 69 / 31

HEX #24B137

RGB 36 177 55

HSL 128.09, 0.66%, 0.42%

LAB 63.42, -59.85, 50.12

 

CMYK 80 / 0 / 69 / 17

HEX #2BD441

RGB 43 212 65

HSL 127.81, 0.66%, 0.5%

LAB 74.81, -68.98, 58.3

 

CMYK 64 / 0 / 56 / 14

HEX #4EDB60

RGB 78 219 96

HSL 127.66, 0.66%, 0.58%

LAB 77.95, -62.33, 48.85

 

CMYK 50 / 0 / 44 / 11

HEX #70E27F

RGB 112 226 127

HSL 127.89, 0.66%, 0.66%

LAB 81.49, -52.83, 38.6

 

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

CMYK 80 / 25 / 0 / 17

HEX #2B9ED4

RGB 43 158 212

HSL 199.17, 0.66%, 0.5%

LAB 61.41, -12.86, -36.39

 

CMYK 0 / 80 / 57 / 17

HEX #D42B5B

RGB 212 43 91

HSL 342.96, 0.66%, 0.5%

LAB 47.6, 65.94, 15.11

 

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

CMYK 70 / 80 / 0 / 17

HEX #3F2BD4

RGB 63 43 212

HSL 247.1, 0.66%, 0.5%

LAB 33, 57.77, -82.14

 

CMYK 0 / 70 / 80 / 17

HEX #D43F2B

RGB 212 63 43

HSL 7.1, 0.66%, 0.5%

LAB 49.16, 57.14, 44.99

 

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

CMYK 80 / 25 / 0 / 17

HEX #2B9ED4

RGB 43 158 212

HSL 199.17, 0.66%, 0.5%

LAB 61.41, -12.86, -36.39

 

CMYK 0 / 80 / 9 / 17

HEX #D42BC0

RGB 212 43 192

HSL 307.1, 0.66%, 0.5%

LAB 51.3, 76.72, -39.95

 

CMYK 0 / 54 / 80 / 17

HEX #D4612B

RGB 212 97 43

HSL 19.17, 0.66%, 0.5%

LAB 54.78, 42.23, 50.46

 

CMYK 79 / 0 / 69 / 17

HEX #2CD442

RGB 44 212 66

HSL 127.86, 0.66%, 0.5%

LAB 74.83, -68.77, 57.94

 

CMYK 80 / 49 / 0 / 17

HEX #2B6CD4

RGB 43 108 212

HSL 216.92, 0.66%, 0.5%

LAB 46.96, 17.02, -59.33

 

CMYK 0 / 80 / 9 / 17

HEX #D42BC0

RGB 212 43 192

HSL 307.1, 0.66%, 0.5%

LAB 51.3, 76.72, -39.95

 

CMYK 0 / 31 / 80 / 17

HEX #D4932B

RGB 212 147 43

HSL 36.92, 0.66%, 0.5%

LAB 65.78, 15.92, 60.71

 

Description

Color code: HEX #2CD442 | qconv.com Color code: HEX #2CD442 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 212 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 212 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 69 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 69% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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