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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD3FE it is the complementary color #D32C01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD3FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD3FE shade: #31D3F9, #42E5FF, #53F7FF, #64FFFF and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD3FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD3FE shade: #2CD3FE, #1BC1EB, #0AAFD8, #009DC5 and #008BB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD3FE shade: #2AD2FE, #2A99FE, #2A60FE, #2D2AFE and #662AFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD3FE shade: #2AD2FE, #2A99FE, #2A60FE and #2A2AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD3FE shade matches the following richer shades: #2AD2FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD3FE shade: #2AD2FE, #3BC8ED, #4DBEDB, #5EB4CA and #6FAAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD3FE shade: #2AFEB7, #2AFEF0, #2AD4FE, #2A9BFE and #2A62FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD3FE shade: #01A9D4, #01CAFD, #2AD2FE, #53DBFE and #7CE4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD3FE shade: #2CD3FE, #7F2AFE and #FED42A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD3FE shade: #2CD3FE, #FE2AD4 and #D4FE2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD3FE shade: #2CD3FE, #7F2AFE, #FE542A and #A9FE2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD3FE shade: #2CD3FE, #BE2AFE, #FE542A and #69FE2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

Complementary color

CMYK 0 / 79 / 100 / 17

HEX #D32C01

RGB 211 44 1

HSL 12.29, 0.99%, 0.42%

LAB 46.52, 62.32, 58.94

 

CMYK 80 / 15 / 0 / 2

HEX #31D3F9

RGB 49 211 249

HSL 191.4, 0.94%, 0.58%

LAB 78.51, -27.56, -30.07

 

CMYK 74 / 10 / 0 / 0

HEX #42E5FF

RGB 66 229 255

HSL 188.25, 1%, 0.63%

LAB 84.18, -32.78, -24.55

 

CMYK 67 / 3 / 0 / 0

HEX #53F7FF

RGB 83 247 255

HSL 182.79, 1%, 0.66%

LAB 89.66, -39.1, -16.23

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

CMYK 89 / 18 / 0 / 8

HEX #1BC1EB

RGB 27 193 235

HSL 192.12, 0.84%, 0.51%

LAB 72.48, -24.63, -31.86

 

CMYK 95 / 19 / 0 / 15

HEX #0AAFD8

RGB 10 175 216

HSL 191.94, 0.91%, 0.44%

LAB 66.28, -22.54, -31.07

 

CMYK 100 / 20 / 0 / 23

HEX #009DC5

RGB 0 157 197

HSL 192.18, 1%, 0.39%

LAB 60.02, -20.05, -30.2

 

CMYK 100 / 22 / 0 / 30

HEX #008BB2

RGB 0 139 178

HSL 193.15, 1%, 0.35%

LAB 53.69, -17.18, -29.26

 

CMYK 83 / 17 / 0 / 0

HEX #2AD2FE

RGB 42 210 254

HSL 192.45, 0.99%, 0.58%

LAB 78.31, -26, -33.05

 

CMYK 83 / 40 / 0 / 0

HEX #2A99FE

RGB 42 153 254

HSL 208.58, 0.99%, 0.58%

LAB 62.02, 5.01, -58.61

 

CMYK 83 / 62 / 0 / 0

HEX #2A60FE

RGB 42 96 254

HSL 224.72, 0.99%, 0.58%

LAB 46.99, 40.18, -82.93

 

CMYK 82 / 83 / 0 / 0

HEX #2D2AFE

RGB 45 42 254

HSL 240.85, 0.99%, 0.58%

LAB 36.69, 69.3, -99.96

 

CMYK 60 / 83 / 0 / 0

HEX #662AFE

RGB 102 42 254

HSL 256.98, 0.99%, 0.58%

LAB 40.63, 72.79, -93.29

 

CMYK 83 / 17 / 0 / 0

HEX #2AD2FE

RGB 42 210 254

HSL 192.45, 0.99%, 0.58%

LAB 78.31, -26, -33.05

 

CMYK 83 / 40 / 0 / 0

HEX #2A99FE

RGB 42 153 254

HSL 208.58, 0.99%, 0.58%

LAB 62.02, 5.01, -58.61

 

CMYK 83 / 62 / 0 / 0

HEX #2A60FE

RGB 42 96 254

HSL 224.72, 0.99%, 0.58%

LAB 46.99, 40.18, -82.93

 

CMYK 83 / 83 / 0 / 0

HEX #2A2AFE

RGB 42 42 254

HSL 240, 0.99%, 0.58%

LAB 36.56, 69.2, -100.17

 

CMYK 83 / 17 / 0 / 0

HEX #2AD2FE

RGB 42 210 254

HSL 192.45, 0.99%, 0.58%

LAB 78.31, -26, -33.05

 

CMYK 83 / 17 / 0 / 0

HEX #2AD2FE

RGB 42 210 254

HSL 192.45, 0.99%, 0.58%

LAB 78.31, -26, -33.05

 

CMYK 75 / 16 / 0 / 7

HEX #3BC8ED

RGB 59 200 237

HSL 192.47, 0.83%, 0.58%

LAB 75.05, -24.93, -28.94

 

CMYK 65 / 13 / 0 / 14

HEX #4DBEDB

RGB 77 190 219

HSL 192.25, 0.66%, 0.58%

LAB 71.91, -23.07, -23.97

 

CMYK 53 / 11 / 0 / 21

HEX #5EB4CA

RGB 94 180 202

HSL 192.22, 0.5%, 0.58%

LAB 68.96, -19.83, -19.11

 

CMYK 40 / 8 / 0 / 27

HEX #6FAAB9

RGB 111 170 185

HSL 192.16, 0.35%, 0.58%

LAB 66.24, -15.23, -13.75

 

CMYK 83 / 0 / 28 / 0

HEX #2AFEB7

RGB 42 254 183

HSL 159.91, 0.99%, 0.58%

LAB 89.3, -64.33, 20.48

 

CMYK 83 / 0 / 6 / 0

HEX #2AFEF0

RGB 42 254 240

HSL 176.04, 0.99%, 0.58%

LAB 90.63, -50.34, -7.06

 

CMYK 83 / 17 / 0 / 0

HEX #2AD4FE

RGB 42 212 254

HSL 191.89, 0.99%, 0.58%

LAB 78.89, -27, -32.15

 

CMYK 83 / 39 / 0 / 0

HEX #2A9BFE

RGB 42 155 254

HSL 208.02, 0.99%, 0.58%

LAB 62.58, 3.83, -57.71

 

CMYK 83 / 61 / 0 / 0

HEX #2A62FE

RGB 42 98 254

HSL 224.15, 0.99%, 0.58%

LAB 47.47, 38.94, -82.14

 

CMYK 100 / 20 / 0 / 17

HEX #01A9D4

RGB 1 169 212

HSL 192.23, 0.99%, 0.42%

LAB 64.27, -21.07, -31.97

 

CMYK 100 / 20 / 0 / 1

HEX #01CAFD

RGB 1 202 253

HSL 192.14, 0.99%, 0.5%

LAB 75.66, -23.99, -36.63

 

CMYK 83 / 17 / 0 / 0

HEX #2AD2FE

RGB 42 210 254

HSL 192.45, 0.99%, 0.58%

LAB 78.31, -26, -33.05

 

CMYK 67 / 14 / 0 / 0

HEX #53DBFE

RGB 83 219 254

HSL 192.28, 0.99%, 0.66%

LAB 81.65, -26.12, -27.85

 

CMYK 51 / 10 / 0 / 0

HEX #7CE4FE

RGB 124 228 254

HSL 192, 0.98%, 0.74%

LAB 85.47, -23.38, -21.92

 

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

CMYK 50 / 83 / 0 / 0

HEX #7F2AFE

RGB 127 42 254

HSL 264.06, 0.99%, 0.58%

LAB 43.25, 75.2, -88.89

 

CMYK 0 / 17 / 83 / 0

HEX #FED42A

RGB 254 212 42

HSL 48.11, 0.99%, 0.58%

LAB 86.17, -0.24, 80.37

 

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

CMYK 0 / 83 / 17 / 0

HEX #FE2AD4

RGB 254 42 212

HSL 311.89, 0.99%, 0.58%

LAB 59.42, 87.98, -38.17

 

CMYK 17 / 0 / 83 / 0

HEX #D4FE2A

RGB 212 254 42

HSL 71.89, 0.99%, 0.58%

LAB 93.9, -37.75, 85.54

 

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

CMYK 50 / 83 / 0 / 0

HEX #7F2AFE

RGB 127 42 254

HSL 264.06, 0.99%, 0.58%

LAB 43.25, 75.2, -88.89

 

CMYK 0 / 67 / 83 / 0

HEX #FE542A

RGB 254 84 42

HSL 11.89, 0.99%, 0.58%

LAB 59.51, 62.68, 57.76

 

CMYK 33 / 0 / 83 / 0

HEX #A9FE2A

RGB 169 254 42

HSL 84.06, 0.99%, 0.58%

LAB 91.45, -53.64, 82.48

 

CMYK 83 / 17 / 0 / 0

HEX #2CD3FE

RGB 44 211 254

HSL 192.29, 0.99%, 0.58%

LAB 78.62, -26.36, -32.56

 

CMYK 25 / 83 / 0 / 0

HEX #BE2AFE

RGB 190 42 254

HSL 281.89, 0.99%, 0.58%

LAB 51.56, 83.32, -74.94

 

CMYK 0 / 67 / 83 / 0

HEX #FE542A

RGB 254 84 42

HSL 11.89, 0.99%, 0.58%

LAB 59.51, 62.68, 57.76

 

CMYK 59 / 0 / 83 / 0

HEX #69FE2A

RGB 105 254 42

HSL 102.17, 0.99%, 0.58%

LAB 88.95, -72.48, 79.31

 

Description

Color code: HEX #2CD3FE | qconv.com Color code: HEX #2CD3FE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 211 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 211 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 17 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 17% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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