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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD33B it is the complementary color #D32CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD33B shade: #31D336, #42E549, #53F75C, #64FF6F and #75FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD33B shade: #2CD33B, #1BC128, #0AAF15, #009D02 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD33B shade: #2DD23C, #4AD22D, #77D22D, #A4D22D and #D1D22D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD33B shade: #2DD23C, #2DD268, #2DD295, #2DD2C2 and #2DB6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD33B shade matches the following richer shades: #2DD23C, #18E72B and #03FC1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD33B shade: #2DD23C, #41BE4C, #56A95D, #6B946E and #7F807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD33B shade: #77D22D, #4BD22D, #2DD23A, #2DD267 and #2DD293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD33B shade: #1E8E28, #25B032, #2DD23C, #4FDA5B and #71E17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD33B shade: #2CD33B, #2DA3D2 and #D22D61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD33B shade: #2CD33B, #3A2DD2 and #D23A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD33B shade: #2CD33B, #2DA3D2, #D22DC5 and #D25C2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD33B shade: #2CD33B, #2D72D2, #D22DC5 and #D28D2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

Complementary color

CMYK 0 / 79 / 7 / 17

HEX #D32CC4

RGB 211 44 196

HSL 305.39, 0.65%, 0.5%

LAB 51.42, 76.85, -42.09

 

CMYK 77 / 0 / 74 / 17

HEX #31D336

RGB 49 211 54

HSL 121.85, 0.65%, 0.51%

LAB 74.51, -68.82, 61.99

 

CMYK 71 / 0 / 68 / 10

HEX #42E549

RGB 66 229 73

HSL 122.58, 0.76%, 0.58%

LAB 80.56, -70.3, 61.43

 

CMYK 66 / 0 / 63 / 3

HEX #53F75C

RGB 83 247 92

HSL 123.29, 0.91%, 0.65%

LAB 86.57, -71.33, 60.51

 

CMYK 61 / 0 / 56 / 0

HEX #64FF6F

RGB 100 255 111

HSL 124.26, 1%, 0.7%

LAB 89.57, -68.59, 55.94

 

CMYK 54 / 0 / 49 / 0

HEX #75FF82

RGB 117 255 130

HSL 125.65, 1%, 0.73%

LAB 90.28, -62.37, 48.25

 

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

CMYK 86 / 0 / 79 / 24

HEX #1BC128

RGB 27 193 40

HSL 124.7, 0.75%, 0.43%

LAB 68.41, -66.9, 60.41

 

CMYK 94 / 0 / 88 / 31

HEX #0AAF15

RGB 10 175 21

HSL 124, 0.89%, 0.36%

LAB 62.32, -63.89, 59.66

 

CMYK 100 / 0 / 99 / 38

HEX #009D02

RGB 0 157 2

HSL 120.76, 1%, 0.31%

LAB 56.21, -59.93, 57.59

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 79 / 0 / 71 / 18

HEX #2DD23C

RGB 45 210 60

HSL 125.45, 0.65%, 0.5%

LAB 74.18, -68.56, 59.51

 

CMYK 65 / 0 / 79 / 18

HEX #4AD22D

RGB 74 210 45

HSL 109.45, 0.65%, 0.5%

LAB 74.66, -64.77, 65.16

 

CMYK 43 / 0 / 79 / 18

HEX #77D22D

RGB 119 210 45

HSL 93.09, 0.65%, 0.5%

LAB 76.19, -52.74, 67.15

 

CMYK 22 / 0 / 79 / 18

HEX #A4D22D

RGB 164 210 45

HSL 76.73, 0.65%, 0.5%

LAB 78.56, -36.6, 70.2

 

CMYK 0 / 0 / 79 / 18

HEX #D1D22D

RGB 209 210 45

HSL 60.36, 0.65%, 0.5%

LAB 81.75, -18.21, 74.25

 

CMYK 79 / 0 / 71 / 18

HEX #2DD23C

RGB 45 210 60

HSL 125.45, 0.65%, 0.5%

LAB 74.18, -68.56, 59.51

 

CMYK 79 / 0 / 50 / 18

HEX #2DD268

RGB 45 210 104

HSL 141.45, 0.65%, 0.5%

LAB 74.6, -63.37, 40.86

 

CMYK 79 / 0 / 29 / 18

HEX #2DD295

RGB 45 210 149

HSL 157.82, 0.65%, 0.5%

LAB 75.34, -54.97, 18.8

 

CMYK 79 / 0 / 8 / 18

HEX #2DD2C2

RGB 45 210 194

HSL 174.18, 0.65%, 0.5%

LAB 76.4, -43.82, -3.75

 

CMYK 79 / 13 / 0 / 18

HEX #2DB6D2

RGB 45 182 210

HSL 190.18, 0.65%, 0.5%

LAB 68.51, -25.95, -24.31

 

CMYK 79 / 0 / 71 / 18

HEX #2DD23C

RGB 45 210 60

HSL 125.45, 0.65%, 0.5%

LAB 74.18, -68.56, 59.51

 

CMYK 90 / 0 / 81 / 9

HEX #18E72B

RGB 24 231 43

HSL 125.51, 0.81%, 0.5%

LAB 80.47, -77.72, 70.87

 

CMYK 99 / 0 / 90 / 1

HEX #03FC1A

RGB 3 252 26

HSL 125.54, 0.98%, 0.5%

LAB 86.86, -84.85, 79.91

 

CMYK 79 / 0 / 71 / 18

HEX #2DD23C

RGB 45 210 60

HSL 125.45, 0.65%, 0.5%

LAB 74.18, -68.56, 59.51

 

CMYK 66 / 0 / 60 / 25

HEX #41BE4C

RGB 65 190 76

HSL 125.28, 0.49%, 0.5%

LAB 68.37, -57.13, 46.7

 

CMYK 49 / 0 / 45 / 34

HEX #56A95D

RGB 86 169 93

HSL 125.06, 0.33%, 0.5%

LAB 62.63, -41.52, 31.56

 

CMYK 28 / 0 / 26 / 42

HEX #6B946E

RGB 107 148 110

HSL 124.39, 0.16%, 0.5%

LAB 57.49, -22.05, 15.67

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 43 / 0 / 79 / 18

HEX #77D22D

RGB 119 210 45

HSL 93.09, 0.65%, 0.5%

LAB 76.19, -52.74, 67.15

 

CMYK 64 / 0 / 79 / 18

HEX #4BD22D

RGB 75 210 45

HSL 109.09, 0.65%, 0.5%

LAB 74.69, -64.56, 65.19

 

CMYK 79 / 0 / 72 / 18

HEX #2DD23A

RGB 45 210 58

HSL 124.73, 0.65%, 0.5%

LAB 74.16, -68.73, 60.22

 

CMYK 79 / 0 / 51 / 18

HEX #2DD267

RGB 45 210 103

HSL 141.09, 0.65%, 0.5%

LAB 74.59, -63.52, 41.33

 

CMYK 79 / 0 / 30 / 18

HEX #2DD293

RGB 45 210 147

HSL 157.09, 0.65%, 0.5%

LAB 75.3, -55.41, 19.81

 

CMYK 79 / 0 / 72 / 44

HEX #1E8E28

RGB 30 142 40

HSL 125.36, 0.65%, 0.34%

LAB 51.58, -50.7, 43.65

 

CMYK 79 / 0 / 72 / 31

HEX #25B032

RGB 37 176 50

HSL 125.61, 0.65%, 0.42%

LAB 63.07, -59.87, 51.73

 

CMYK 79 / 0 / 71 / 18

HEX #2DD23C

RGB 45 210 60

HSL 125.45, 0.65%, 0.5%

LAB 74.18, -68.56, 59.51

 

CMYK 64 / 0 / 58 / 15

HEX #4FDA5B

RGB 79 218 91

HSL 125.18, 0.65%, 0.58%

LAB 77.61, -62.38, 50.73

 

CMYK 50 / 0 / 45 / 12

HEX #71E17B

RGB 113 225 123

HSL 125.36, 0.65%, 0.66%

LAB 81.18, -52.76, 40.18

 

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

CMYK 79 / 22 / 0 / 18

HEX #2DA3D2

RGB 45 163 210

HSL 197.09, 0.65%, 0.5%

LAB 62.85, -16.07, -33.04

 

CMYK 0 / 79 / 54 / 18

HEX #D22D61

RGB 210 45 97

HSL 341.09, 0.65%, 0.5%

LAB 47.55, 65.28, 11.29

 

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

CMYK 72 / 79 / 0 / 18

HEX #3A2DD2

RGB 58 45 210

HSL 244.73, 0.65%, 0.5%

LAB 32.77, 55.84, -81.38

 

CMYK 0 / 72 / 79 / 18

HEX #D23A2D

RGB 210 58 45

HSL 4.73, 0.65%, 0.5%

LAB 48.16, 58.38, 42.81

 

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

CMYK 79 / 22 / 0 / 18

HEX #2DA3D2

RGB 45 163 210

HSL 197.09, 0.65%, 0.5%

LAB 62.85, -16.07, -33.04

 

CMYK 0 / 79 / 6 / 18

HEX #D22DC5

RGB 210 45 197

HSL 304.73, 0.65%, 0.5%

LAB 51.39, 76.54, -42.73

 

CMYK 0 / 56 / 79 / 18

HEX #D25C2D

RGB 210 92 45

HSL 17.09, 0.65%, 0.5%

LAB 53.54, 43.98, 48.21

 

CMYK 79 / 0 / 72 / 17

HEX #2CD33B

RGB 44 211 59

HSL 125.39, 0.65%, 0.5%

LAB 74.47, -69.08, 60.17

 

CMYK 79 / 46 / 0 / 18

HEX #2D72D2

RGB 45 114 210

HSL 214.91, 0.65%, 0.5%

LAB 48.57, 12.66, -55.61

 

CMYK 0 / 79 / 6 / 18

HEX #D22DC5

RGB 210 45 197

HSL 304.73, 0.65%, 0.5%

LAB 51.39, 76.54, -42.73

 

CMYK 0 / 33 / 79 / 18

HEX #D28D2D

RGB 210 141 45

HSL 34.91, 0.65%, 0.5%

LAB 64.11, 18.37, 58.34

 

Description

Color code: HEX #2CD33B | qconv.com Color code: HEX #2CD33B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 211 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 211 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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