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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD331 it is the complementary color #D32CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD331 shade: #31D32C, #42E53F, #53F752, #64FF65 and #75FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD331 shade: #2CD331, #1BC11E, #0AAF0B, #009D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD331 shade: #2DD232, #54D22D, #81D22D, #AED22D and #D2CA2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD331 shade: #2DD232, #2DD25E, #2DD28B, #2DD2B8 and #2DC0D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD331 shade matches the following richer shades: #2DD232, #18E71E and #03FC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD331 shade: #2DD232, #41BE45, #56A958, #6B946C and #7F807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD331 shade: #82D22D, #56D22D, #2DD22F, #2DD25C and #2DD288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD331 shade: #1E8E22, #25B02A, #2DD232, #4FDA53 and #71E174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD331 shade: #2CD331, #2DAED2 and #D22D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD331 shade: #2CD331, #2F2DD2 and #D22F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD331 shade: #2CD331, #2DAED2, #D22DD0 and #D2512D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD331 shade: #2CD331, #2D7DD2, #D22DD0 and #D2822D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

Complementary color

CMYK 0 / 79 / 2 / 17

HEX #D32CCE

RGB 211 44 206

HSL 301.8, 0.65%, 0.5%

LAB 51.96, 78.32, -47

 

CMYK 77 / 0 / 79 / 17

HEX #31D32C

RGB 49 211 44

HSL 118.2, 0.65%, 0.5%

LAB 74.46, -69.49, 65.08

 

CMYK 71 / 0 / 72 / 10

HEX #42E53F

RGB 66 229 63

HSL 118.92, 0.76%, 0.57%

LAB 80.49, -71.13, 65.01

 

CMYK 66 / 0 / 67 / 3

HEX #53F752

RGB 83 247 82

HSL 119.64, 0.91%, 0.65%

LAB 86.49, -72.29, 64.41

 

CMYK 61 / 0 / 60 / 0

HEX #64FF65

RGB 100 255 101

HSL 120.39, 1%, 0.7%

LAB 89.47, -69.7, 60.14

 

CMYK 54 / 0 / 53 / 0

HEX #75FF78

RGB 117 255 120

HSL 121.3, 1%, 0.73%

LAB 90.16, -63.66, 52.73

 

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

CMYK 86 / 0 / 84 / 24

HEX #1BC11E

RGB 27 193 30

HSL 121.08, 0.75%, 0.43%

LAB 68.36, -67.45, 63.06

 

CMYK 94 / 0 / 94 / 31

HEX #0AAF0B

RGB 10 175 11

HSL 120.36, 0.89%, 0.36%

LAB 62.29, -64.22, 61.36

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 79 / 0 / 76 / 18

HEX #2DD232

RGB 45 210 50

HSL 121.82, 0.65%, 0.5%

LAB 74.11, -69.33, 62.89

 

CMYK 60 / 0 / 79 / 18

HEX #54D22D

RGB 84 210 45

HSL 105.82, 0.65%, 0.5%

LAB 74.93, -62.54, 65.51

 

CMYK 39 / 0 / 79 / 18

HEX #81D22D

RGB 129 210 45

HSL 89.45, 0.65%, 0.5%

LAB 76.65, -49.45, 67.73

 

CMYK 17 / 0 / 79 / 18

HEX #AED22D

RGB 174 210 45

HSL 73.09, 0.65%, 0.5%

LAB 79.2, -32.64, 71.01

 

CMYK 0 / 4 / 79 / 18

HEX #D2CA2D

RGB 210 202 45

HSL 57.09, 0.65%, 0.5%

LAB 79.69, -13.8, 72.46

 

CMYK 79 / 0 / 76 / 18

HEX #2DD232

RGB 45 210 50

HSL 121.82, 0.65%, 0.5%

LAB 74.11, -69.33, 62.89

 

CMYK 79 / 0 / 55 / 18

HEX #2DD25E

RGB 45 210 94

HSL 137.82, 0.65%, 0.5%

LAB 74.48, -64.82, 45.49

 

CMYK 79 / 0 / 34 / 18

HEX #2DD28B

RGB 45 210 139

HSL 154.18, 0.65%, 0.5%

LAB 75.15, -57.09, 23.8

 

CMYK 79 / 0 / 12 / 18

HEX #2DD2B8

RGB 45 210 184

HSL 170.55, 0.65%, 0.5%

LAB 76.14, -46.5, 1.24

 

CMYK 79 / 9 / 0 / 18

HEX #2DC0D2

RGB 45 192 210

HSL 186.55, 0.65%, 0.5%

LAB 71.49, -30.88, -19.76

 

CMYK 79 / 0 / 76 / 18

HEX #2DD232

RGB 45 210 50

HSL 121.82, 0.65%, 0.5%

LAB 74.11, -69.33, 62.89

 

CMYK 90 / 0 / 87 / 9

HEX #18E71E

RGB 24 231 30

HSL 121.74, 0.81%, 0.5%

LAB 80.43, -78.3, 73.74

 

CMYK 99 / 0 / 96 / 1

HEX #03FC0B

RGB 3 252 11

HSL 121.93, 0.98%, 0.5%

LAB 86.83, -85.17, 81.61

 

CMYK 79 / 0 / 76 / 18

HEX #2DD232

RGB 45 210 50

HSL 121.82, 0.65%, 0.5%

LAB 74.11, -69.33, 62.89

 

CMYK 66 / 0 / 64 / 25

HEX #41BE45

RGB 65 190 69

HSL 121.92, 0.49%, 0.5%

LAB 68.3, -57.92, 49.73

 

CMYK 49 / 0 / 48 / 34

HEX #56A958

RGB 86 169 88

HSL 121.45, 0.33%, 0.5%

LAB 62.56, -42.27, 34.06

 

CMYK 28 / 0 / 27 / 42

HEX #6B946C

RGB 107 148 108

HSL 121.46, 0.16%, 0.5%

LAB 57.45, -22.41, 16.74

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 38 / 0 / 79 / 18

HEX #82D22D

RGB 130 210 45

HSL 89.09, 0.65%, 0.5%

LAB 76.7, -49.11, 67.8

 

CMYK 59 / 0 / 79 / 18

HEX #56D22D

RGB 86 210 45

HSL 105.09, 0.65%, 0.5%

LAB 74.99, -62.07, 65.58

 

CMYK 79 / 0 / 78 / 18

HEX #2DD22F

RGB 45 210 47

HSL 120.73, 0.65%, 0.5%

LAB 74.1, -69.53, 63.82

 

CMYK 79 / 0 / 56 / 18

HEX #2DD25C

RGB 45 210 92

HSL 137.09, 0.65%, 0.5%

LAB 74.46, -65.09, 46.39

 

CMYK 79 / 0 / 35 / 18

HEX #2DD288

RGB 45 210 136

HSL 153.09, 0.65%, 0.5%

LAB 75.09, -57.7, 25.3

 

CMYK 79 / 0 / 76 / 44

HEX #1E8E22

RGB 30 142 34

HSL 122.14, 0.65%, 0.34%

LAB 51.54, -51.23, 45.94

 

CMYK 79 / 0 / 76 / 31

HEX #25B02A

RGB 37 176 42

HSL 122.16, 0.65%, 0.42%

LAB 63.02, -60.52, 54.58

 

CMYK 79 / 0 / 76 / 18

HEX #2DD232

RGB 45 210 50

HSL 121.82, 0.65%, 0.5%

LAB 74.11, -69.33, 62.89

 

CMYK 64 / 0 / 62 / 15

HEX #4FDA53

RGB 79 218 83

HSL 121.73, 0.65%, 0.58%

LAB 77.54, -63.29, 54.15

 

CMYK 50 / 0 / 48 / 12

HEX #71E174

RGB 113 225 116

HSL 121.61, 0.65%, 0.66%

LAB 81.08, -53.75, 43.47

 

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

CMYK 79 / 17 / 0 / 18

HEX #2DAED2

RGB 45 174 210

HSL 193.09, 0.65%, 0.5%

LAB 66.12, -21.88, -27.97

 

CMYK 0 / 79 / 49 / 18

HEX #D22D6C

RGB 210 45 108

HSL 337.09, 0.65%, 0.5%

LAB 47.83, 66.15, 4.93

 

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

CMYK 78 / 79 / 0 / 18

HEX #2F2DD2

RGB 47 45 210

HSL 240.73, 0.65%, 0.5%

LAB 32.11, 55.06, -82.49

 

CMYK 0 / 78 / 79 / 18

HEX #D22F2D

RGB 210 47 45

HSL 0.73, 0.65%, 0.5%

LAB 46.87, 61.95, 41.5

 

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

CMYK 79 / 17 / 0 / 18

HEX #2DAED2

RGB 45 174 210

HSL 193.09, 0.65%, 0.5%

LAB 66.12, -21.88, -27.97

 

CMYK 0 / 79 / 1 / 18

HEX #D22DD0

RGB 210 45 208

HSL 300.73, 0.65%, 0.5%

LAB 51.99, 78.19, -48.11

 

CMYK 0 / 61 / 79 / 18

HEX #D2512D

RGB 210 81 45

HSL 13.09, 0.65%, 0.5%

LAB 51.58, 49.11, 46.27

 

CMYK 79 / 0 / 77 / 17

HEX #2CD331

RGB 44 211 49

HSL 121.8, 0.65%, 0.5%

LAB 74.41, -69.82, 63.49

 

CMYK 79 / 40 / 0 / 18

HEX #2D7DD2

RGB 45 125 210

HSL 210.91, 0.65%, 0.5%

LAB 51.7, 5.83, -50.6

 

CMYK 0 / 79 / 1 / 18

HEX #D22DD0

RGB 210 45 208

HSL 300.73, 0.65%, 0.5%

LAB 51.99, 78.19, -48.11

 

CMYK 0 / 38 / 79 / 18

HEX #D2822D

RGB 210 130 45

HSL 30.91, 0.65%, 0.5%

LAB 61.53, 24.32, 55.91

 

Description

Color code: HEX #2CD331 | qconv.com Color code: HEX #2CD331 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 211 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 211 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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