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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCF80 it is the complementary color #D3307F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCF80 shade: #31CF7B, #42E18E, #53F3A1, #64FFB4 and #75FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCF80 shade: #2CCF80, #1BBD6D, #0AAB5A, #009947 and #008734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCF80 shade: #2CCE7F, #2CCE54, #30CE2C, #5BCE2C and #87CE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCF80 shade: #2CCE7F, #2CCEAB, #2CC5CE, #2C99CE and #2C6ECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCF80 shade matches the following richer shades: #2CCE7F, #18E280 and #03F781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCF80 shade: #2CCE7F, #40BA7F, #54A67E, #68927E and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCF80 shade: #31CE2C, #2CCE52, #2CCE7D, #2CCEA8 and #2CC9CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCF80 shade: #1D8A55, #25AC6A, #2CCE7F, #4AD994 and #6CE0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCF80 shade: #2CCF80, #2C5CCE and #CE3C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCF80 shade: #2CCF80, #7D2CCE and #CE7D2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCF80 shade: #2CCF80, #2C5CCE, #CE2C7D and #CE9D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCF80 shade: #2CCF80, #2C2CCE, #CE2C7D and #CECE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

Complementary color

CMYK 0 / 77 / 40 / 17

HEX #D3307F

RGB 211 48 127

HSL 330.92, 0.65%, 0.51%

LAB 48.88, 67.29, -5.11

 

CMYK 76 / 0 / 41 / 19

HEX #31CF7B

RGB 49 207 123

HSL 148.1, 0.62%, 0.5%

LAB 74, -58.63, 30.59

 

CMYK 71 / 0 / 37 / 12

HEX #42E18E

RGB 66 225 142

HSL 148.68, 0.73%, 0.57%

LAB 80.16, -59.35, 29.06

 

CMYK 66 / 0 / 34 / 5

HEX #53F3A1

RGB 83 243 161

HSL 149.25, 0.87%, 0.64%

LAB 86.26, -59.79, 27.64

 

CMYK 61 / 0 / 29 / 0

HEX #64FFB4

RGB 100 255 180

HSL 150.97, 1%, 0.7%

LAB 90.56, -57.71, 23.92

 

CMYK 54 / 0 / 22 / 0

HEX #75FFC7

RGB 117 255 199

HSL 155.65, 1%, 0.73%

LAB 91.43, -50.46, 15.49

 

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

CMYK 86 / 0 / 42 / 26

HEX #1BBD6D

RGB 27 189 109

HSL 150.37, 0.75%, 0.42%

LAB 67.82, -57.08, 29.67

 

CMYK 94 / 0 / 47 / 33

HEX #0AAB5A

RGB 10 171 90

HSL 149.81, 0.89%, 0.35%

LAB 61.59, -55.34, 31.46

 

CMYK 100 / 0 / 54 / 40

HEX #009947

RGB 0 153 71

HSL 147.84, 1%, 0.3%

LAB 55.32, -52.93, 33.37

 

CMYK 100 / 0 / 61 / 47

HEX #008734

RGB 0 135 52

HSL 143.11, 1%, 0.26%

LAB 48.98, -49.81, 35.29

 

CMYK 79 / 0 / 38 / 19

HEX #2CCE7F

RGB 44 206 127

HSL 150.74, 0.65%, 0.49%

LAB 73.68, -58.12, 28.08

 

CMYK 79 / 0 / 59 / 19

HEX #2CCE54

RGB 44 206 84

HSL 134.81, 0.65%, 0.49%

LAB 73.1, -64.94, 48.45

 

CMYK 77 / 0 / 79 / 19

HEX #30CE2C

RGB 48 206 44

HSL 118.52, 0.65%, 0.49%

LAB 72.86, -68.12, 63.55

 

CMYK 56 / 0 / 79 / 19

HEX #5BCE2C

RGB 91 206 44

HSL 102.59, 0.65%, 0.49%

LAB 73.9, -59.47, 64.91

 

CMYK 34 / 0 / 79 / 19

HEX #87CE2C

RGB 135 206 44

HSL 86.3, 0.65%, 0.49%

LAB 75.75, -45.76, 67.29

 

CMYK 79 / 0 / 38 / 19

HEX #2CCE7F

RGB 44 206 127

HSL 150.74, 0.65%, 0.49%

LAB 73.68, -58.12, 28.08

 

CMYK 79 / 0 / 17 / 19

HEX #2CCEAB

RGB 44 206 171

HSL 167.04, 0.65%, 0.49%

LAB 74.58, -48.28, 5.98

 

CMYK 79 / 4 / 0 / 19

HEX #2CC5CE

RGB 44 197 206

HSL 183.33, 0.65%, 0.49%

LAB 72.84, -34.58, -15.54

 

CMYK 79 / 26 / 0 / 19

HEX #2C99CE

RGB 44 153 206

HSL 199.63, 0.65%, 0.49%

LAB 59.68, -12.09, -35.73

 

CMYK 79 / 47 / 0 / 19

HEX #2C6ECE

RGB 44 110 206

HSL 215.56, 0.65%, 0.49%

LAB 47.16, 13.57, -55.59

 

CMYK 79 / 0 / 38 / 19

HEX #2CCE7F

RGB 44 206 127

HSL 150.74, 0.65%, 0.49%

LAB 73.68, -58.12, 28.08

 

CMYK 89 / 0 / 43 / 11

HEX #18E280

RGB 24 226 128

HSL 150.89, 0.81%, 0.49%

LAB 79.7, -66.58, 35.43

 

CMYK 99 / 0 / 48 / 3

HEX #03F781

RGB 3 247 129

HSL 150.98, 0.98%, 0.49%

LAB 86.07, -74.02, 43.07

 

CMYK 79 / 0 / 38 / 19

HEX #2CCE7F

RGB 44 206 127

HSL 150.74, 0.65%, 0.49%

LAB 73.68, -58.12, 28.08

 

CMYK 66 / 0 / 32 / 27

HEX #40BA7F

RGB 64 186 127

HSL 150.98, 0.49%, 0.49%

LAB 67.83, -47.49, 20.25

 

CMYK 49 / 0 / 24 / 35

HEX #54A67E

RGB 84 166 126

HSL 150.73, 0.33%, 0.49%

LAB 62.22, -34.62, 13.14

 

CMYK 29 / 0 / 14 / 43

HEX #68927E

RGB 104 146 126

HSL 151.43, 0.17%, 0.49%

LAB 57.08, -18.84, 5.99

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 76 / 0 / 79 / 19

HEX #31CE2C

RGB 49 206 44

HSL 118.15, 0.65%, 0.49%

LAB 72.88, -67.97, 63.57

 

CMYK 79 / 0 / 60 / 19

HEX #2CCE52

RGB 44 206 82

HSL 134.07, 0.65%, 0.49%

LAB 73.08, -65.18, 49.33

 

CMYK 79 / 0 / 39 / 19

HEX #2CCE7D

RGB 44 206 125

HSL 150, 0.65%, 0.49%

LAB 73.65, -58.5, 29.07

 

CMYK 79 / 0 / 18 / 19

HEX #2CCEA8

RGB 44 206 168

HSL 165.93, 0.65%, 0.49%

LAB 74.51, -49.03, 7.49

 

CMYK 79 / 2 / 0 / 19

HEX #2CC9CE

RGB 44 201 206

HSL 181.85, 0.65%, 0.49%

LAB 74.04, -36.44, -13.74

 

CMYK 79 / 0 / 38 / 46

HEX #1D8A55

RGB 29 138 85

HSL 150.83, 0.65%, 0.33%

LAB 50.8, -42.53, 20.12

 

CMYK 78 / 0 / 38 / 33

HEX #25AC6A

RGB 37 172 106

HSL 150.67, 0.65%, 0.41%

LAB 62.46, -50.42, 24.19

 

CMYK 79 / 0 / 38 / 19

HEX #2CCE7F

RGB 44 206 127

HSL 150.74, 0.65%, 0.49%

LAB 73.68, -58.12, 28.08

 

CMYK 66 / 0 / 32 / 15

HEX #4AD994

RGB 74 217 148

HSL 151.05, 0.65%, 0.57%

LAB 78, -53.83, 23.08

 

CMYK 52 / 0 / 25 / 12

HEX #6CE0A8

RGB 108 224 168

HSL 151.03, 0.65%, 0.65%

LAB 81.47, -45.73, 17.56

 

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

CMYK 79 / 55 / 0 / 19

HEX #2C5CCE

RGB 44 92 206

HSL 222.22, 0.65%, 0.49%

LAB 42.22, 25.14, -63.57

 

CMYK 0 / 71 / 79 / 19

HEX #CE3C2C

RGB 206 60 44

HSL 5.93, 0.65%, 0.49%

LAB 47.67, 56.36, 42.61

 

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

CMYK 39 / 79 / 0 / 19

HEX #7D2CCE

RGB 125 44 206

HSL 270, 0.65%, 0.49%

LAB 38.93, 63.08, -68.68

 

CMYK 0 / 39 / 79 / 19

HEX #CE7D2C

RGB 206 125 44

HSL 30, 0.65%, 0.49%

LAB 59.86, 25.28, 54.56

 

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

CMYK 79 / 55 / 0 / 19

HEX #2C5CCE

RGB 44 92 206

HSL 222.22, 0.65%, 0.49%

LAB 42.22, 25.14, -63.57

 

CMYK 0 / 79 / 39 / 19

HEX #CE2C7D

RGB 206 44 125

HSL 330, 0.65%, 0.49%

LAB 47.5, 66.94, -6.04

 

CMYK 0 / 24 / 79 / 19

HEX #CE9D2C

RGB 206 157 44

HSL 41.85, 0.65%, 0.49%

LAB 67.59, 7.93, 61.76

 

CMYK 79 / 0 / 38 / 19

HEX #2CCF80

RGB 44 207 128

HSL 150.92, 0.65%, 0.49%

LAB 74.01, -58.29, 28

 

CMYK 79 / 79 / 0 / 19

HEX #2C2CCE

RGB 44 44 206

HSL 240, 0.65%, 0.49%

LAB 31.33, 54.13, -81.46

 

CMYK 0 / 79 / 39 / 19

HEX #CE2C7D

RGB 206 44 125

HSL 330, 0.65%, 0.49%

LAB 47.5, 66.94, -6.04

 

CMYK 0 / 0 / 79 / 19

HEX #CECE2C

RGB 206 206 44

HSL 60, 0.65%, 0.49%

LAB 80.43, -17.53, 73.27

 

Description

Color code: HEX #2CCF80 | qconv.com Color code: HEX #2CCF80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 207 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 207 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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