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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCE5E it is the complementary color #D331A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCE5E shade: #31CE59, #42E06C, #53F27F, #64FF92 and #75FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCE5E shade: #2CCE5E, #1BBC4B, #0AAA38, #009825 and #008612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCE5E shade: #2CCE5E, #2CCE32, #51CE2C, #7DCE2C and #A9CE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCE5E shade: #2CCE5E, #2CCE8A, #2CCEB5, #2CBBCE and #2C8FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCE5E shade matches the following richer shades: #2CCE5E, #18E256 and #03F74E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCE5E shade: #2CCE5E, #40BA66, #54A66D, #689275 and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCE5E shade: #52CE2C, #2CCE31, #2CCE5C, #2CCE88 and #2CCEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCE5E shade: #1D8A3F, #25AC4E, #2CCE5E, #4AD976 and #6CE090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCE5E shade: #2CCE5E, #2C7DCE and #CE2C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCE5E shade: #2CCE5E, #5C2CCE and #CE5C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCE5E shade: #2CCE5E, #2C7DCE, #CE2C9D and #CE7D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCE5E shade: #2CCE5E, #2C4CCE, #CE2C9D and #CEAE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

Complementary color

CMYK 0 / 77 / 24 / 17

HEX #D331A1

RGB 211 49 161

HSL 318.52, 0.65%, 0.51%

LAB 50.24, 70.8, -23.45

 

CMYK 76 / 0 / 57 / 19

HEX #31CE59

RGB 49 206 89

HSL 135.29, 0.62%, 0.5%

LAB 73.23, -63.66, 46.34

 

CMYK 71 / 0 / 52 / 12

HEX #42E06C

RGB 66 224 108

HSL 135.95, 0.72%, 0.57%

LAB 79.36, -64.61, 44.88

 

CMYK 66 / 0 / 48 / 5

HEX #53F27F

RGB 83 242 127

HSL 136.6, 0.86%, 0.64%

LAB 85.44, -65.22, 43.43

 

CMYK 61 / 0 / 43 / 0

HEX #64FF92

RGB 100 255 146

HSL 137.81, 1%, 0.7%

LAB 90, -63.76, 40.13

 

CMYK 54 / 0 / 35 / 0

HEX #75FFA5

RGB 117 255 165

HSL 140.87, 1%, 0.73%

LAB 90.79, -56.97, 31.87

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 86 / 0 / 60 / 26

HEX #1BBC4B

RGB 27 188 75

HSL 137.89, 0.75%, 0.42%

LAB 67.06, -62.08, 45.47

 

CMYK 94 / 0 / 67 / 33

HEX #0AAA38

RGB 10 170 56

HSL 137.25, 0.89%, 0.35%

LAB 60.87, -59.85, 46.87

 

CMYK 100 / 0 / 76 / 40

HEX #009825

RGB 0 152 37

HSL 134.61, 1%, 0.3%

LAB 54.65, -56.77, 47.87

 

CMYK 100 / 0 / 87 / 47

HEX #008612

RGB 0 134 18

HSL 128.06, 1%, 0.26%

LAB 48.38, -52.72, 47.91

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 79 / 0 / 76 / 19

HEX #2CCE32

RGB 44 206 50

HSL 122.22, 0.65%, 0.49%

LAB 72.83, -68.25, 61.63

 

CMYK 61 / 0 / 79 / 19

HEX #51CE2C

RGB 81 206 44

HSL 106.3, 0.65%, 0.49%

LAB 73.59, -61.94, 64.51

 

CMYK 39 / 0 / 79 / 19

HEX #7DCE2C

RGB 125 206 44

HSL 90, 0.65%, 0.49%

LAB 75.25, -49.23, 66.66

 

CMYK 18 / 0 / 79 / 19

HEX #A9CE2C

RGB 169 206 44

HSL 73.7, 0.65%, 0.49%

LAB 77.73, -32.83, 69.84

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 79 / 0 / 33 / 19

HEX #2CCE8A

RGB 44 206 138

HSL 154.81, 0.65%, 0.49%

LAB 73.88, -55.91, 22.6

 

CMYK 79 / 0 / 12 / 19

HEX #2CCEB5

RGB 44 206 181

HSL 170.74, 0.65%, 0.49%

LAB 74.83, -45.69, 0.96

 

CMYK 79 / 9 / 0 / 19

HEX #2CBBCE

RGB 44 187 206

HSL 187.04, 0.65%, 0.49%

LAB 69.85, -29.79, -20.08

 

CMYK 79 / 31 / 0 / 19

HEX #2C8FCE

RGB 44 143 206

HSL 203.33, 0.65%, 0.49%

LAB 56.72, -6.44, -40.38

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 89 / 0 / 62 / 11

HEX #18E256

RGB 24 226 86

HSL 138.42, 0.81%, 0.49%

LAB 79.19, -72.72, 54.5

 

CMYK 99 / 0 / 68 / 3

HEX #03F74E

RGB 3 247 78

HSL 138.44, 0.98%, 0.49%

LAB 85.55, -80.45, 64.65

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 66 / 0 / 45 / 27

HEX #40BA66

RGB 64 186 102

HSL 138.69, 0.49%, 0.49%

LAB 67.4, -52.16, 32.86

 

CMYK 49 / 0 / 34 / 35

HEX #54A66D

RGB 84 166 109

HSL 138.29, 0.33%, 0.49%

LAB 61.88, -38.03, 22.02

 

CMYK 29 / 0 / 20 / 43

HEX #689275

RGB 104 146 117

HSL 138.57, 0.17%, 0.49%

LAB 56.87, -20.71, 10.81

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 60 / 0 / 79 / 19

HEX #52CE2C

RGB 82 206 44

HSL 105.93, 0.65%, 0.49%

LAB 73.62, -61.7, 64.55

 

CMYK 79 / 0 / 76 / 19

HEX #2CCE31

RGB 44 206 49

HSL 121.85, 0.65%, 0.49%

LAB 72.83, -68.32, 61.95

 

CMYK 79 / 0 / 55 / 19

HEX #2CCE5C

RGB 44 206 92

HSL 137.78, 0.65%, 0.49%

LAB 73.19, -63.89, 44.87

 

CMYK 79 / 0 / 34 / 19

HEX #2CCE88

RGB 44 206 136

HSL 154.07, 0.65%, 0.49%

LAB 73.84, -56.33, 23.6

 

CMYK 79 / 0 / 13 / 19

HEX #2CCEB3

RGB 44 206 179

HSL 170, 0.65%, 0.49%

LAB 74.78, -46.22, 1.96

 

CMYK 79 / 0 / 54 / 46

HEX #1D8A3F

RGB 29 138 63

HSL 138.72, 0.65%, 0.33%

LAB 50.45, -46.56, 31.58

 

CMYK 78 / 0 / 55 / 33

HEX #25AC4E

RGB 37 172 78

HSL 138.22, 0.65%, 0.41%

LAB 62.04, -55.27, 38.15

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 66 / 0 / 46 / 15

HEX #4AD976

RGB 74 217 118

HSL 138.46, 0.65%, 0.57%

LAB 77.51, -59.25, 37.75

 

CMYK 52 / 0 / 36 / 12

HEX #6CE090

RGB 108 224 144

HSL 138.62, 0.65%, 0.65%

LAB 81.02, -50.27, 29.39

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 79 / 39 / 0 / 19

HEX #2C7DCE

RGB 44 125 206

HSL 210, 0.65%, 0.49%

LAB 51.45, 4.23, -48.73

 

CMYK 0 / 79 / 71 / 19

HEX #CE2C3C

RGB 206 44 60

HSL 354.07, 0.65%, 0.49%

LAB 45.97, 62.24, 31.66

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 55 / 79 / 0 / 19

HEX #5C2CCE

RGB 92 44 206

HSL 257.78, 0.65%, 0.49%

LAB 35.07, 58.54, -75.16

 

CMYK 0 / 55 / 79 / 19

HEX #CE5C2C

RGB 206 92 44

HSL 17.78, 0.65%, 0.49%

LAB 52.9, 42.43, 47.85

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 79 / 39 / 0 / 19

HEX #2C7DCE

RGB 44 125 206

HSL 210, 0.65%, 0.49%

LAB 51.45, 4.23, -48.73

 

CMYK 0 / 79 / 24 / 19

HEX #CE2C9D

RGB 206 44 157

HSL 318.15, 0.65%, 0.49%

LAB 48.71, 70.51, -23.51

 

CMYK 0 / 39 / 79 / 19

HEX #CE7D2C

RGB 206 125 44

HSL 30, 0.65%, 0.49%

LAB 59.86, 25.28, 54.56

 

CMYK 79 / 0 / 54 / 19

HEX #2CCE5E

RGB 44 206 94

HSL 138.52, 0.65%, 0.49%

LAB 73.21, -63.61, 43.95

 

CMYK 79 / 63 / 0 / 19

HEX #2C4CCE

RGB 44 76 206

HSL 228.15, 0.65%, 0.49%

LAB 38.13, 35.46, -70.25

 

CMYK 0 / 79 / 24 / 19

HEX #CE2C9D

RGB 206 44 157

HSL 318.15, 0.65%, 0.49%

LAB 48.71, 70.51, -23.51

 

CMYK 0 / 16 / 79 / 19

HEX #CEAE2C

RGB 206 174 44

HSL 48.15, 0.65%, 0.49%

LAB 71.94, -1.14, 65.72

 

Description

Color code: HEX #2CCE5E | qconv.com Color code: HEX #2CCE5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 206 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 206 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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