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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCE37 it is the complementary color #D331C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCE37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCE37 shade: #31CE32, #42E045, #53F258, #64FF6B and #75FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCE37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCE37 shade: #2CCE37, #1BBC24, #0AAA11, #009800 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCE37 shade: #2CCE37, #4DCE2C, #78CE2C, #A4CE2C and #CECC2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCE37 shade: #2CCE37, #2CCE63, #2CCE8E, #2CCEBA and #2CB6CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCE37 shade matches the following richer shades: #2CCE37, #18E225 and #03F714

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCE37 shade: #2CCE37, #40BA48, #54A65A, #68926B and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCE37 shade: #78CE2C, #4CCE2C, #2CCE37, #2CCE62 and #2CCE8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCE37 shade: #1D8A25, #25AC2E, #2CCE37, #4AD954 and #6CE074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCE37 shade: #2CCE37, #2CA3CE and #CE2C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCE37 shade: #2CCE37, #372CCE and #CE372C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCE37 shade: #2CCE37, #2CA3CE, #CE2CC3 and #CE572C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCE37 shade: #2CCE37, #2C72CE, #CE2CC3 and #CE882C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

Complementary color

CMYK 0 / 77 / 5 / 17

HEX #D331C8

RGB 211 49 200

HSL 304.07, 0.65%, 0.51%

LAB 52.08, 76.14, -43.36

 

CMYK 76 / 0 / 76 / 19

HEX #31CE32

RGB 49 206 50

HSL 120.38, 0.62%, 0.5%

LAB 72.91, -67.58, 61.73

 

CMYK 71 / 0 / 69 / 12

HEX #42E045

RGB 66 224 69

HSL 121.14, 0.72%, 0.57%

LAB 78.98, -69.07, 61.29

 

CMYK 66 / 0 / 64 / 5

HEX #53F258

RGB 83 242 88

HSL 121.89, 0.86%, 0.64%

LAB 85.02, -70.09, 60.43

 

CMYK 61 / 0 / 58 / 0

HEX #64FF6B

RGB 100 255 107

HSL 122.71, 1%, 0.7%

LAB 89.53, -69.05, 57.64

 

CMYK 54 / 0 / 51 / 0

HEX #75FF7E

RGB 117 255 126

HSL 123.91, 1%, 0.73%

LAB 90.23, -62.9, 50.06

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 86 / 0 / 81 / 26

HEX #1BBC24

RGB 27 188 36

HSL 123.35, 0.75%, 0.42%

LAB 66.77, -65.68, 60.03

 

CMYK 94 / 0 / 90 / 33

HEX #0AAA11

RGB 10 170 17

HSL 122.63, 0.89%, 0.35%

LAB 60.65, -62.62, 59

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 63 / 0 / 79 / 19

HEX #4DCE2C

RGB 77 206 44

HSL 107.78, 0.65%, 0.49%

LAB 73.48, -62.85, 64.36

 

CMYK 42 / 0 / 79 / 19

HEX #78CE2C

RGB 120 206 44

HSL 91.85, 0.65%, 0.49%

LAB 75.02, -50.89, 66.36

 

CMYK 20 / 0 / 79 / 19

HEX #A4CE2C

RGB 164 206 44

HSL 75.56, 0.65%, 0.49%

LAB 77.41, -34.82, 69.43

 

CMYK 0 / 1 / 79 / 19

HEX #CECC2C

RGB 206 204 44

HSL 59.26, 0.65%, 0.49%

LAB 79.89, -16.54, 72.8

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 79 / 0 / 52 / 19

HEX #2CCE63

RGB 44 206 99

HSL 140.37, 0.65%, 0.49%

LAB 73.27, -62.89, 41.64

 

CMYK 79 / 0 / 31 / 19

HEX #2CCE8E

RGB 44 206 142

HSL 156.3, 0.65%, 0.49%

LAB 73.95, -55.07, 20.59

 

CMYK 79 / 0 / 10 / 19

HEX #2CCEBA

RGB 44 206 186

HSL 172.59, 0.65%, 0.49%

LAB 74.97, -44.36, -1.55

 

CMYK 79 / 12 / 0 / 19

HEX #2CB6CE

RGB 44 182 206

HSL 188.89, 0.65%, 0.49%

LAB 68.35, -27.33, -22.36

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 89 / 0 / 84 / 11

HEX #18E225

RGB 24 226 37

HSL 123.86, 0.81%, 0.49%

LAB 78.88, -76.64, 70.89

 

CMYK 99 / 0 / 92 / 3

HEX #03F714

RGB 3 247 20

HSL 124.18, 0.98%, 0.49%

LAB 85.3, -83.7, 79.42

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 66 / 0 / 61 / 27

HEX #40BA48

RGB 64 186 72

HSL 123.93, 0.49%, 0.49%

LAB 67.03, -56.38, 46.97

 

CMYK 49 / 0 / 46 / 35

HEX #54A65A

RGB 84 166 90

HSL 124.39, 0.33%, 0.49%

LAB 61.56, -41.27, 31.75

 

CMYK 29 / 0 / 27 / 43

HEX #68926B

RGB 104 146 107

HSL 124.29, 0.17%, 0.49%

LAB 56.65, -22.63, 16.16

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 42 / 0 / 79 / 19

HEX #78CE2C

RGB 120 206 44

HSL 91.85, 0.65%, 0.49%

LAB 75.02, -50.89, 66.36

 

CMYK 63 / 0 / 79 / 19

HEX #4CCE2C

RGB 76 206 44

HSL 108.15, 0.65%, 0.49%

LAB 73.46, -63.07, 64.33

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 79 / 0 / 52 / 19

HEX #2CCE62

RGB 44 206 98

HSL 140, 0.65%, 0.49%

LAB 73.26, -63.04, 42.1

 

CMYK 79 / 0 / 32 / 19

HEX #2CCE8D

RGB 44 206 141

HSL 155.93, 0.65%, 0.49%

LAB 73.93, -55.28, 21.09

 

CMYK 79 / 0 / 73 / 46

HEX #1D8A25

RGB 29 138 37

HSL 124.4, 0.65%, 0.33%

LAB 50.18, -49.79, 43.4

 

CMYK 78 / 0 / 73 / 33

HEX #25AC2E

RGB 37 172 46

HSL 124, 0.65%, 0.41%

LAB 61.74, -58.94, 51.86

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 66 / 0 / 61 / 15

HEX #4AD954

RGB 74 217 84

HSL 124.2, 0.65%, 0.57%

LAB 77.11, -63.83, 53.21

 

CMYK 52 / 0 / 48 / 12

HEX #6CE074

RGB 108 224 116

HSL 124.14, 0.65%, 0.65%

LAB 80.61, -54.66, 42.84

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 79 / 21 / 0 / 19

HEX #2CA3CE

RGB 44 163 206

HSL 195.93, 0.65%, 0.49%

LAB 62.66, -17.53, -31.1

 

CMYK 0 / 79 / 52 / 19

HEX #CE2C62

RGB 206 44 98

HSL 340, 0.65%, 0.49%

LAB 46.72, 64.56, 9.4

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 73 / 79 / 0 / 19

HEX #372CCE

RGB 55 44 206

HSL 244.07, 0.65%, 0.49%

LAB 31.97, 54.88, -80.39

 

CMYK 0 / 73 / 79 / 19

HEX #CE372C

RGB 206 55 44

HSL 4.07, 0.65%, 0.49%

LAB 47.02, 58.15, 41.95

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 79 / 21 / 0 / 19

HEX #2CA3CE

RGB 44 163 206

HSL 195.93, 0.65%, 0.49%

LAB 62.66, -17.53, -31.1

 

CMYK 0 / 79 / 5 / 19

HEX #CE2CC3

RGB 206 44 195

HSL 304.07, 0.65%, 0.49%

LAB 50.53, 75.69, -42.98

 

CMYK 0 / 58 / 79 / 19

HEX #CE572C

RGB 206 87 44

HSL 15.93, 0.65%, 0.49%

LAB 51.97, 44.84, 46.93

 

CMYK 79 / 0 / 73 / 19

HEX #2CCE37

RGB 44 206 55

HSL 124.07, 0.65%, 0.49%

LAB 72.86, -67.88, 59.96

 

CMYK 79 / 45 / 0 / 19

HEX #2C72CE

RGB 44 114 206

HSL 214.07, 0.65%, 0.49%

LAB 48.29, 11.05, -53.77

 

CMYK 0 / 79 / 5 / 19

HEX #CE2CC3

RGB 206 44 195

HSL 304.07, 0.65%, 0.49%

LAB 50.53, 75.69, -42.98

 

CMYK 0 / 34 / 79 / 19

HEX #CE882C

RGB 206 136 44

HSL 34.07, 0.65%, 0.49%

LAB 62.43, 19.32, 56.98

 

Description

Color code: HEX #2CCE37 | qconv.com Color code: HEX #2CCE37 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 206 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 206 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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