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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCC78 it is the complementary color #D33387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCC78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCC78 shade: #31CC73, #42DE86, #53F099, #64FFAC and #75FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCC78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCC78 shade: #2CCC78, #1BBA65, #0AA852, #00963F and #00842C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCC78 shade: #2CCE79, #2CCE4D, #36CE2C, #62CE2C and #8ECE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCC78 shade: #2CCE79, #2CCEA5, #2CCCCE, #2CA0CE and #2C74CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCC78 shade matches the following richer shades: #2CCE79, #18E278 and #03F777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCC78 shade: #2CCE79, #40BA7A, #54A67B, #68927C and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCC78 shade: #37CE2C, #2CCE4C, #2CCE78, #2CCEA3 and #2CCECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCC78 shade: #1D8A51, #25AC65, #2CCE79, #4AD98E and #6CE0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCC78 shade: #2CCC78, #2C62CE and #CE372C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCC78 shade: #2CCC78, #782CCE and #CE782C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCC78 shade: #2CCC78, #2C62CE, #CE2C82 and #CE982C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCC78 shade: #2CCC78, #2C31CE, #CE2C82 and #CEC92C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

Complementary color

CMYK 0 / 76 / 36 / 17

HEX #D33387

RGB 211 51 135

HSL 328.5, 0.65%, 0.51%

LAB 49.45, 67.22, -9.09

 

CMYK 76 / 0 / 44 / 20

HEX #31CC73

RGB 49 204 115

HSL 145.55, 0.61%, 0.5%

LAB 72.94, -58.99, 33.29

 

CMYK 70 / 0 / 40 / 13

HEX #42DE86

RGB 66 222 134

HSL 146.15, 0.7%, 0.56%

LAB 79.11, -59.71, 31.75

 

CMYK 65 / 0 / 36 / 6

HEX #53F099

RGB 83 240 153

HSL 146.75, 0.84%, 0.63%

LAB 85.23, -60.16, 30.31

 

CMYK 61 / 0 / 33 / 0

HEX #64FFAC

RGB 100 255 172

HSL 147.87, 1%, 0.7%

LAB 90.42, -59.25, 27.77

 

CMYK 54 / 0 / 25 / 0

HEX #75FFBF

RGB 117 255 191

HSL 152.17, 1%, 0.73%

LAB 91.26, -52.1, 19.36

 

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

CMYK 85 / 0 / 46 / 27

HEX #1BBA65

RGB 27 186 101

HSL 147.92, 0.75%, 0.42%

LAB 66.74, -57.47, 32.4

 

CMYK 94 / 0 / 51 / 34

HEX #0AA852

RGB 10 168 82

HSL 147.34, 0.89%, 0.35%

LAB 60.5, -55.68, 34.19

 

CMYK 100 / 0 / 58 / 41

HEX #00963F

RGB 0 150 63

HSL 145.2, 1%, 0.29%

LAB 54.21, -53.17, 36.04

 

CMYK 100 / 0 / 67 / 48

HEX #00842C

RGB 0 132 44

HSL 140, 1%, 0.26%

LAB 47.86, -49.87, 37.8

 

CMYK 79 / 0 / 41 / 19

HEX #2CCE79

RGB 44 206 121

HSL 148.52, 0.65%, 0.49%

LAB 73.58, -59.24, 31.05

 

CMYK 79 / 0 / 63 / 19

HEX #2CCE4D

RGB 44 206 77

HSL 132.22, 0.65%, 0.49%

LAB 73.03, -65.77, 51.47

 

CMYK 74 / 0 / 79 / 19

HEX #36CE2C

RGB 54 206 44

HSL 116.3, 0.65%, 0.49%

LAB 72.96, -67.23, 63.69

 

CMYK 52 / 0 / 79 / 19

HEX #62CE2C

RGB 98 206 44

HSL 100, 0.65%, 0.49%

LAB 74.14, -57.58, 65.22

 

CMYK 31 / 0 / 79 / 19

HEX #8ECE2C

RGB 142 206 44

HSL 83.7, 0.65%, 0.49%

LAB 76.12, -43.23, 67.77

 

CMYK 79 / 0 / 41 / 19

HEX #2CCE79

RGB 44 206 121

HSL 148.52, 0.65%, 0.49%

LAB 73.58, -59.24, 31.05

 

CMYK 79 / 0 / 20 / 19

HEX #2CCEA5

RGB 44 206 165

HSL 164.81, 0.65%, 0.49%

LAB 74.44, -49.77, 9.01

 

CMYK 79 / 1 / 0 / 19

HEX #2CCCCE

RGB 44 204 206

HSL 180.74, 0.65%, 0.49%

LAB 74.94, -37.83, -12.4

 

CMYK 79 / 22 / 0 / 19

HEX #2CA0CE

RGB 44 160 206

HSL 197.04, 0.65%, 0.49%

LAB 61.77, -15.92, -32.49

 

CMYK 79 / 44 / 0 / 19

HEX #2C74CE

RGB 44 116 206

HSL 213.33, 0.65%, 0.49%

LAB 48.86, 9.79, -52.86

 

CMYK 79 / 0 / 41 / 19

HEX #2CCE79

RGB 44 206 121

HSL 148.52, 0.65%, 0.49%

LAB 73.58, -59.24, 31.05

 

CMYK 89 / 0 / 47 / 11

HEX #18E278

RGB 24 226 120

HSL 148.51, 0.81%, 0.49%

LAB 79.58, -67.95, 39.25

 

CMYK 99 / 0 / 52 / 3

HEX #03F777

RGB 3 247 119

HSL 148.52, 0.98%, 0.49%

LAB 85.94, -75.55, 47.64

 

CMYK 79 / 0 / 41 / 19

HEX #2CCE79

RGB 44 206 121

HSL 148.52, 0.65%, 0.49%

LAB 73.58, -59.24, 31.05

 

CMYK 66 / 0 / 34 / 27

HEX #40BA7A

RGB 64 186 122

HSL 148.52, 0.49%, 0.49%

LAB 67.73, -48.51, 22.81

 

CMYK 49 / 0 / 26 / 35

HEX #54A67B

RGB 84 166 123

HSL 148.54, 0.33%, 0.49%

LAB 62.16, -35.25, 14.71

 

CMYK 29 / 0 / 15 / 43

HEX #68927C

RGB 104 146 124

HSL 148.57, 0.17%, 0.49%

LAB 57.03, -19.27, 7.06

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 73 / 0 / 79 / 19

HEX #37CE2C

RGB 55 206 44

HSL 115.93, 0.65%, 0.49%

LAB 72.98, -67.07, 63.71

 

CMYK 79 / 0 / 63 / 19

HEX #2CCE4C

RGB 44 206 76

HSL 131.85, 0.65%, 0.49%

LAB 73.02, -65.88, 51.89

 

CMYK 79 / 0 / 42 / 19

HEX #2CCE78

RGB 44 206 120

HSL 148.15, 0.65%, 0.49%

LAB 73.57, -59.42, 31.54

 

CMYK 79 / 0 / 21 / 19

HEX #2CCEA3

RGB 44 206 163

HSL 164.07, 0.65%, 0.49%

LAB 74.4, -50.26, 10.01

 

CMYK 79 / 0 / 0 / 19

HEX #2CCECE

RGB 44 206 206

HSL 180, 0.65%, 0.49%

LAB 75.53, -38.74, -11.5

 

CMYK 79 / 0 / 41 / 46

HEX #1D8A51

RGB 29 138 81

HSL 148.62, 0.65%, 0.33%

LAB 50.72, -43.35, 22.25

 

CMYK 78 / 0 / 41 / 33

HEX #25AC65

RGB 37 172 101

HSL 148.44, 0.65%, 0.41%

LAB 62.37, -51.4, 26.75

 

CMYK 79 / 0 / 41 / 19

HEX #2CCE79

RGB 44 206 121

HSL 148.52, 0.65%, 0.49%

LAB 73.58, -59.24, 31.05

 

CMYK 66 / 0 / 35 / 15

HEX #4AD98E

RGB 74 217 142

HSL 148.53, 0.65%, 0.57%

LAB 77.9, -55.01, 26.05

 

CMYK 52 / 0 / 27 / 12

HEX #6CE0A3

RGB 108 224 163

HSL 148.45, 0.65%, 0.65%

LAB 81.37, -46.73, 20.03

 

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

CMYK 79 / 52 / 0 / 19

HEX #2C62CE

RGB 44 98 206

HSL 220, 0.65%, 0.49%

LAB 43.84, 21.26, -60.95

 

CMYK 0 / 73 / 79 / 19

HEX #CE372C

RGB 206 55 44

HSL 4.07, 0.65%, 0.49%

LAB 47.02, 58.15, 41.95

 

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

CMYK 42 / 79 / 0 / 19

HEX #782CCE

RGB 120 44 206

HSL 268.15, 0.65%, 0.49%

LAB 38.29, 62.33, -69.75

 

CMYK 0 / 42 / 79 / 19

HEX #CE782C

RGB 206 120 44

HSL 28.15, 0.65%, 0.49%

LAB 58.73, 27.97, 53.49

 

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

CMYK 79 / 52 / 0 / 19

HEX #2C62CE

RGB 44 98 206

HSL 220, 0.65%, 0.49%

LAB 43.84, 21.26, -60.95

 

CMYK 0 / 79 / 37 / 19

HEX #CE2C82

RGB 206 44 130

HSL 328.15, 0.65%, 0.49%

LAB 47.67, 67.44, -8.83

 

CMYK 0 / 26 / 79 / 19

HEX #CE982C

RGB 206 152 44

HSL 40, 0.65%, 0.49%

LAB 66.34, 10.63, 60.61

 

CMYK 78 / 0 / 41 / 20

HEX #2CCC78

RGB 44 204 120

HSL 148.5, 0.65%, 0.49%

LAB 72.94, -58.71, 30.72

 

CMYK 79 / 76 / 0 / 19

HEX #2C31CE

RGB 44 49 206

HSL 238.15, 0.65%, 0.49%

LAB 32.23, 51.54, -79.97

 

CMYK 0 / 79 / 37 / 19

HEX #CE2C82

RGB 206 44 130

HSL 328.15, 0.65%, 0.49%

LAB 47.67, 67.44, -8.83

 

CMYK 0 / 2 / 79 / 19

HEX #CEC92C

RGB 206 201 44

HSL 58.15, 0.65%, 0.49%

LAB 79.09, -15.04, 72.09

 

Description

Color code: HEX #2CCC78 | qconv.com Color code: HEX #2CCC78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 204 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 204 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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