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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCAB9 it is the complementary color #D33546. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCAB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCAB9 shade: #31CAB4, #42DCC7, #53EEDA, #64FFED and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCAB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCAB9 shade: #2CCAB9, #1BB8A6, #0AA693, #009480 and #00826D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCAB9 shade: #2CC9B8, #2CC98E, #2CC963, #2CC939 and #49C92C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCAB9 shade: #2CC9B8, #2CAFC9, #2C85C9, #2C5BC9 and #2C31C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCAB9 shade matches the following richer shades: #2CC9B8, #18DDC7 and #04F0D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCAB9 shade: #2CC9B8, #40B5A8, #54A199, #678D89 and #7B7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCAB9 shade: #2CC963, #2CC98D, #2CC9B6, #2CB1C9 and #2C87C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCAB9 shade: #1D857A, #25A799, #2CC9B8, #47D7C7 and #69DED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCAB9 shade: #2CCAB9, #392CC9 and #C9782C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCAB9 shade: #2CCAB9, #B62CC9 and #C9B62C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCAB9 shade: #2CCAB9, #392CC9, #C92C3E and #BCC92C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCAB9 shade: #2CCAB9, #682CC9, #C92C3E and #8DC92C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

Complementary color

CMYK 0 / 75 / 67 / 17

HEX #D33546

RGB 211 53 70

HSL 353.54, 0.64%, 0.52%

LAB 48.05, 61.45, 28.44

 

CMYK 76 / 0 / 11 / 21

HEX #31CAB4

RGB 49 202 180

HSL 171.37, 0.61%, 0.49%

LAB 73.67, -43.72, -0.19

 

CMYK 70 / 0 / 10 / 14

HEX #42DCC7

RGB 66 220 199

HSL 171.82, 0.69%, 0.56%

LAB 79.88, -44.45, -1.28

 

CMYK 65 / 0 / 8 / 7

HEX #53EEDA

RGB 83 238 218

HSL 172.26, 0.82%, 0.63%

LAB 86.03, -44.97, -2.27

 

CMYK 61 / 0 / 7 / 0

HEX #64FFED

RGB 100 255 237

HSL 173.03, 1%, 0.7%

LAB 91.84, -44.91, -3.6

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

CMYK 85 / 0 / 10 / 28

HEX #1BB8A6

RGB 27 184 166

HSL 173.12, 0.74%, 0.41%

LAB 67.48, -41.71, -1.64

 

CMYK 94 / 0 / 11 / 35

HEX #0AA693

RGB 10 166 147

HSL 172.69, 0.89%, 0.35%

LAB 61.17, -40.14, -0.31

 

CMYK 100 / 0 / 14 / 42

HEX #009480

RGB 0 148 128

HSL 171.89, 1%, 0.29%

LAB 54.8, -38.1, 1.18

 

CMYK 100 / 0 / 16 / 49

HEX #00826D

RGB 0 130 109

HSL 170.31, 1%, 0.25%

LAB 48.35, -35.61, 2.84

 

CMYK 78 / 0 / 8 / 21

HEX #2CC9B8

RGB 44 201 184

HSL 173.5, 0.64%, 0.48%

LAB 73.4, -42.72, -2.77

 

CMYK 78 / 0 / 29 / 21

HEX #2CC98E

RGB 44 201 142

HSL 157.45, 0.64%, 0.48%

LAB 72.4, -53.15, 18.46

 

CMYK 78 / 0 / 51 / 21

HEX #2CC963

RGB 44 201 99

HSL 141.02, 0.64%, 0.48%

LAB 71.7, -61.2, 39.69

 

CMYK 78 / 0 / 72 / 21

HEX #2CC939

RGB 44 201 57

HSL 124.97, 0.64%, 0.48%

LAB 71.29, -66.18, 57.63

 

CMYK 64 / 0 / 78 / 21

HEX #49C92C

RGB 73 201 44

HSL 108.92, 0.64%, 0.48%

LAB 71.81, -62.06, 62.73

 

CMYK 78 / 0 / 8 / 21

HEX #2CC9B8

RGB 44 201 184

HSL 173.5, 0.64%, 0.48%

LAB 73.4, -42.72, -2.77

 

CMYK 78 / 13 / 0 / 21

HEX #2CAFC9

RGB 44 175 201

HSL 189.94, 0.64%, 0.48%

LAB 66.07, -25.42, -23.08

 

CMYK 78 / 34 / 0 / 21

HEX #2C85C9

RGB 44 133 201

HSL 205.99, 0.64%, 0.48%

LAB 53.52, -2.42, -42.6

 

CMYK 78 / 55 / 0 / 21

HEX #2C5BC9

RGB 44 91 201

HSL 222.04, 0.64%, 0.48%

LAB 41.59, 23.9, -61.72

 

CMYK 78 / 76 / 0 / 21

HEX #2C31C9

RGB 44 49 201

HSL 238.09, 0.64%, 0.48%

LAB 31.69, 49.92, -77.95

 

CMYK 78 / 0 / 8 / 21

HEX #2CC9B8

RGB 44 201 184

HSL 173.5, 0.64%, 0.48%

LAB 73.4, -42.72, -2.77

 

CMYK 89 / 0 / 10 / 13

HEX #18DDC7

RGB 24 221 199

HSL 173.3, 0.8%, 0.48%

LAB 79.63, -48.63, -1.71

 

CMYK 98 / 0 / 10 / 6

HEX #04F0D7

RGB 4 240 215

HSL 173.64, 0.97%, 0.48%

LAB 85.63, -52.82, -1.39

 

CMYK 78 / 0 / 8 / 21

HEX #2CC9B8

RGB 44 201 184

HSL 173.5, 0.64%, 0.48%

LAB 73.4, -42.72, -2.77

 

CMYK 65 / 0 / 7 / 29

HEX #40B5A8

RGB 64 181 168

HSL 173.33, 0.48%, 0.48%

LAB 67.25, -35.49, -3

 

CMYK 48 / 0 / 5 / 37

HEX #54A199

RGB 84 161 153

HSL 173.77, 0.31%, 0.48%

LAB 61.37, -25.81, -3.21

 

CMYK 27 / 0 / 3 / 45

HEX #678D89

RGB 103 141 137

HSL 173.68, 0.16%, 0.48%

LAB 55.83, -14.03, -2.14

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 78 / 0 / 51 / 21

HEX #2CC963

RGB 44 201 99

HSL 141.02, 0.64%, 0.48%

LAB 71.7, -61.2, 39.69

 

CMYK 78 / 0 / 30 / 21

HEX #2CC98D

RGB 44 201 141

HSL 157.07, 0.64%, 0.48%

LAB 72.38, -53.36, 18.96

 

CMYK 78 / 0 / 9 / 21

HEX #2CC9B6

RGB 44 201 182

HSL 172.74, 0.64%, 0.48%

LAB 73.34, -43.27, -1.76

 

CMYK 78 / 12 / 0 / 21

HEX #2CB1C9

RGB 44 177 201

HSL 189.17, 0.64%, 0.48%

LAB 66.67, -26.43, -22.16

 

CMYK 78 / 33 / 0 / 21

HEX #2C87C9

RGB 44 135 201

HSL 205.22, 0.64%, 0.48%

LAB 54.11, -3.6, -41.66

 

CMYK 78 / 0 / 8 / 48

HEX #1D857A

RGB 29 133 122

HSL 173.65, 0.64%, 0.32%

LAB 50.03, -30.96, -2.29

 

CMYK 78 / 0 / 8 / 35

HEX #25A799

RGB 37 167 153

HSL 173.54, 0.64%, 0.4%

LAB 61.94, -36.91, -2.52

 

CMYK 78 / 0 / 8 / 21

HEX #2CC9B8

RGB 44 201 184

HSL 173.5, 0.64%, 0.48%

LAB 73.4, -42.72, -2.77

 

CMYK 67 / 0 / 7 / 16

HEX #47D7C7

RGB 71 215 199

HSL 173.33, 0.64%, 0.56%

LAB 78.5, -41.56, -3.29

 

CMYK 53 / 0 / 5 / 13

HEX #69DED2

RGB 105 222 210

HSL 173.85, 0.64%, 0.64%

LAB 81.78, -35.93, -4.22

 

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

CMYK 72 / 78 / 0 / 21

HEX #392CC9

RGB 57 44 201

HSL 244.97, 0.64%, 0.48%

LAB 31.55, 53.51, -78.16

 

CMYK 0 / 40 / 78 / 21

HEX #C9782C

RGB 201 120 44

HSL 29.04, 0.64%, 0.48%

LAB 58.07, 25.87, 52.62

 

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

CMYK 9 / 78 / 0 / 21

HEX #B62CC9

RGB 182 44 201

HSL 292.74, 0.64%, 0.48%

LAB 46.93, 71.95, -52.43

 

CMYK 0 / 9 / 78 / 21

HEX #C9B62C

RGB 201 182 44

HSL 52.74, 0.64%, 0.48%

LAB 73.58, -7.51, 67.02

 

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

CMYK 72 / 78 / 0 / 21

HEX #392CC9

RGB 57 44 201

HSL 244.97, 0.64%, 0.48%

LAB 31.55, 53.51, -78.16

 

CMYK 0 / 78 / 69 / 21

HEX #C92C3E

RGB 201 44 62

HSL 353.12, 0.64%, 0.48%

LAB 45.03, 60.9, 29.1

 

CMYK 6 / 0 / 78 / 21

HEX #BCC92C

RGB 188 201 44

HSL 64.97, 0.64%, 0.48%

LAB 77.67, -22.65, 70.29

 

CMYK 78 / 0 / 8 / 21

HEX #2CCAB9

RGB 44 202 185

HSL 173.54, 0.64%, 0.48%

LAB 73.73, -42.89, -2.83

 

CMYK 48 / 78 / 0 / 21

HEX #682CC9

RGB 104 44 201

HSL 262.93, 0.64%, 0.48%

LAB 35.91, 58.8, -70.82

 

CMYK 0 / 78 / 69 / 21

HEX #C92C3E

RGB 201 44 62

HSL 353.12, 0.64%, 0.48%

LAB 45.03, 60.9, 29.1

 

CMYK 30 / 0 / 78 / 21

HEX #8DC92C

RGB 141 201 44

HSL 82.93, 0.64%, 0.48%

LAB 74.58, -41.43, 66.33

 

Description

Color code: HEX #2CCAB9 | qconv.com Color code: HEX #2CCAB9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 202 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 202 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 8 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 8% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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