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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC3E2 it is the complementary color #D33C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC3E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC3E2 shade: #31C3DD, #42D5F0, #53E7FF, #64F9FF and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC3E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC3E2 shade: #2CC3E2, #1BB1CF, #0A9FBC, #008DA9 and #007B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC3E2 shade: #2CC3E2, #2C92E2, #2C60E2, #2C2FE2 and #592CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC3E2 shade: #2CC3E2, #2C92E2, #2C60E2, #2C2FE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC3E2 shade matches the following richer shades: #2CC3E2 and #18CFF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC3E2 shade: #2CC3E2, #3FB6CE, #52A9BB, #669CA8 and #799094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC3E2 shade: #2CE29F, #2CE2D0, #2CC3E2, #2C93E2 and #2C62E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC3E2 shade: #168CA5, #1BABC9, #2CC3E2, #50CDE7 and #74D7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC3E2 shade: #2CC3E2, #6E2CE2 and #E2B72C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC3E2 shade: #2CC3E2, #E22CC3 and #C3E22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC3E2 shade: #2CC3E2, #6E2CE2, #E24A2C and #9FE22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC3E2 shade: #2CC3E2, #A52CE2, #E24A2C and #68E22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

Complementary color

CMYK 0 / 72 / 86 / 17

HEX #D33C1D

RGB 211 60 29

HSL 10.22, 0.76%, 0.47%

LAB 48.47, 57.55, 51

 

CMYK 78 / 12 / 0 / 13

HEX #31C3DD

RGB 49 195 221

HSL 189.07, 0.72%, 0.53%

LAB 72.83, -28.53, -23.71

 

CMYK 73 / 11 / 0 / 6

HEX #42D5F0

RGB 66 213 240

HSL 189.31, 0.85%, 0.6%

LAB 79.06, -29.62, -24.39

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 61 / 2 / 0 / 0

HEX #64F9FF

RGB 100 249 255

HSL 182.32, 1%, 0.7%

LAB 90.63, -37.54, -14.73

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 87 / 14 / 0 / 19

HEX #1BB1CF

RGB 27 177 207

HSL 190, 0.77%, 0.46%

LAB 66.66, -25.84, -25.51

 

CMYK 95 / 15 / 0 / 26

HEX #0A9FBC

RGB 10 159 188

HSL 189.78, 0.9%, 0.39%

LAB 60.33, -23.88, -24.66

 

CMYK 100 / 17 / 0 / 34

HEX #008DA9

RGB 0 141 169

HSL 189.94, 1%, 0.33%

LAB 53.94, -21.48, -23.71

 

CMYK 100 / 18 / 0 / 41

HEX #007B96

RGB 0 123 150

HSL 190.8, 1%, 0.29%

LAB 47.45, -18.64, -22.66

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 81 / 35 / 0 / 11

HEX #2C92E2

RGB 44 146 226

HSL 206.37, 0.76%, 0.53%

LAB 58.59, -0.95, -48.63

 

CMYK 81 / 58 / 0 / 11

HEX #2C60E2

RGB 44 96 226

HSL 222.86, 0.76%, 0.53%

LAB 44.79, 30.07, -70.82

 

CMYK 81 / 79 / 0 / 11

HEX #2C2FE2

RGB 44 47 226

HSL 239.01, 0.76%, 0.53%

LAB 34.11, 58.85, -88.4

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 81 / 35 / 0 / 11

HEX #2C92E2

RGB 44 146 226

HSL 206.37, 0.76%, 0.53%

LAB 58.59, -0.95, -48.63

 

CMYK 81 / 58 / 0 / 11

HEX #2C60E2

RGB 44 96 226

HSL 222.86, 0.76%, 0.53%

LAB 44.79, 30.07, -70.82

 

CMYK 81 / 79 / 0 / 11

HEX #2C2FE2

RGB 44 47 226

HSL 239.01, 0.76%, 0.53%

LAB 34.11, 58.85, -88.4

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 90 / 16 / 0 / 4

HEX #18CFF5

RGB 24 207 245

HSL 190.32, 0.92%, 0.53%

LAB 76.93, -28.46, -30.38

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 69 / 12 / 0 / 19

HEX #3FB6CE

RGB 63 182 206

HSL 190.07, 0.59%, 0.53%

LAB 68.73, -25.09, -21.74

 

CMYK 56 / 10 / 0 / 27

HEX #52A9BB

RGB 82 169 187

HSL 190.29, 0.44%, 0.53%

LAB 64.77, -20.94, -17.2

 

CMYK 39 / 7 / 0 / 34

HEX #669CA8

RGB 102 156 168

HSL 190.91, 0.28%, 0.53%

LAB 61.16, -14.65, -11.9

 

CMYK 18 / 3 / 0 / 42

HEX #799094

RGB 121 144 148

HSL 188.89, 0.11%, 0.53%

LAB 58.18, -7.24, -4.86

 

CMYK 81 / 0 / 30 / 11

HEX #2CE29F

RGB 44 226 159

HSL 157.91, 0.76%, 0.53%

LAB 80.42, -58.97, 20.58

 

CMYK 81 / 0 / 8 / 11

HEX #2CE2D0

RGB 44 226 208

HSL 174.07, 0.76%, 0.53%

LAB 81.56, -47, -3.64

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 81 / 35 / 0 / 11

HEX #2C93E2

RGB 44 147 226

HSL 206.04, 0.76%, 0.53%

LAB 58.88, -1.53, -48.17

 

CMYK 81 / 57 / 0 / 11

HEX #2C62E2

RGB 44 98 226

HSL 222.2, 0.76%, 0.53%

LAB 45.31, 28.79, -69.98

 

CMYK 87 / 15 / 0 / 35

HEX #168CA5

RGB 22 140 165

HSL 190.49, 0.76%, 0.37%

LAB 53.65, -21.27, -21.84

 

CMYK 87 / 15 / 0 / 21

HEX #1BABC9

RGB 27 171 201

HSL 190.34, 0.76%, 0.45%

LAB 64.62, -24.8, -25.32

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 65 / 11 / 0 / 9

HEX #50CDE7

RGB 80 205 231

HSL 190.33, 0.76%, 0.61%

LAB 76.76, -26.51, -23.05

 

CMYK 51 / 9 / 0 / 7

HEX #74D7EC

RGB 116 215 236

HSL 190.5, 0.76%, 0.69%

LAB 80.94, -23.48, -19.27

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 51 / 81 / 0 / 11

HEX #6E2CE2

RGB 110 44 226

HSL 261.76, 0.76%, 0.53%

LAB 38.91, 65.87, -80.28

 

CMYK 0 / 19 / 81 / 11

HEX #E2B72C

RGB 226 183 44

HSL 45.82, 0.76%, 0.53%

LAB 76.2, 2.82, 70.24

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 0 / 81 / 14 / 11

HEX #E22CC3

RGB 226 44 195

HSL 310.22, 0.76%, 0.53%

LAB 53.93, 79.76, -37.38

 

CMYK 14 / 0 / 81 / 11

HEX #C3E22C

RGB 195 226 44

HSL 70.22, 0.76%, 0.53%

LAB 85.09, -31.67, 77.05

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 51 / 81 / 0 / 11

HEX #6E2CE2

RGB 110 44 226

HSL 261.76, 0.76%, 0.53%

LAB 38.91, 65.87, -80.28

 

CMYK 0 / 67 / 81 / 11

HEX #E24A2C

RGB 226 74 44

HSL 9.89, 0.76%, 0.53%

LAB 53.22, 57.5, 49.3

 

CMYK 30 / 0 / 81 / 11

HEX #9FE22C

RGB 159 226 44

HSL 82.09, 0.76%, 0.53%

LAB 82.88, -45.54, 74.26

 

CMYK 81 / 14 / 0 / 11

HEX #2CC3E2

RGB 44 195 226

HSL 190.22, 0.76%, 0.53%

LAB 72.93, -27.4, -26.27

 

CMYK 27 / 81 / 0 / 11

HEX #A52CE2

RGB 165 44 226

HSL 279.89, 0.76%, 0.53%

LAB 46.03, 73.61, -68.35

 

CMYK 0 / 67 / 81 / 11

HEX #E24A2C

RGB 226 74 44

HSL 9.89, 0.76%, 0.53%

LAB 53.22, 57.5, 49.3

 

CMYK 54 / 0 / 81 / 11

HEX #68E22C

RGB 104 226 44

HSL 100.22, 0.76%, 0.53%

LAB 80.47, -63.12, 71.17

 

Description

Color code: HEX #2CC3E2 | qconv.com Color code: HEX #2CC3E2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 195 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 195 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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