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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC2F9 it is the complementary color #D33D06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC2F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC2F9 shade: #31C2F4, #42D4FF, #53E6FF, #64F8FF and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC2F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC2F9 shade: #2CC2F9, #1BB0E6, #0A9ED3, #008CC0 and #007AAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC2F9 shade: #2AC1F8, #2A8AF8, #2A52F8, #3A2AF8 and #722AF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC2F9 shade: #2AC1F8, #2A8AF8, #2A52F8 and #2A2AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC2F9 shade matches the following richer shades: #2AC1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC2F9 shade: #2AC1F8, #3CB9E7, #4EB1D5, #60A8C3 and #71A0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC2F9 shade: #2AF8C1, #2AF8F8, #2AC1F8, #2A8AF8 and #2A54F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC2F9 shade: #0695CA, #07B3F2, #2AC1F8, #52CDFA and #7AD8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC2F9 shade: #2CC2F9, #8A2AF8 and #F8DD2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC2F9 shade: #2CC2F9, #F82AC1 and #C1F82A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC2F9 shade: #2CC2F9, #8A2AF8, #F8612A and #98F82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC2F9 shade: #2CC2F9, #C82AF8, #F8612A and #5AF82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

Complementary color

CMYK 0 / 71 / 97 / 17

HEX #D33D06

RGB 211 61 6

HSL 16.1, 0.94%, 0.43%

LAB 48.51, 56.86, 58.57

 

CMYK 80 / 20 / 0 / 4

HEX #31C2F4

RGB 49 194 244

HSL 195.38, 0.9%, 0.57%

LAB 73.39, -20.61, -35.27

 

CMYK 74 / 17 / 0 / 0

HEX #42D4FF

RGB 66 212 255

HSL 193.65, 1%, 0.63%

LAB 79.31, -24.49, -32.01

 

CMYK 67 / 10 / 0 / 0

HEX #53E6FF

RGB 83 230 255

HSL 188.72, 1%, 0.66%

LAB 84.82, -31.17, -23.55

 

CMYK 61 / 3 / 0 / 0

HEX #64F8FF

RGB 100 248 255

HSL 182.71, 1%, 0.7%

LAB 90.35, -37.08, -15.16

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

CMYK 88 / 23 / 0 / 10

HEX #1BB0E6

RGB 27 176 230

HSL 195.96, 0.8%, 0.5%

LAB 67.27, -17.53, -37.2

 

CMYK 95 / 25 / 0 / 17

HEX #0A9ED3

RGB 10 158 211

HSL 195.82, 0.91%, 0.43%

LAB 60.98, -15.28, -36.54

 

CMYK 100 / 27 / 0 / 25

HEX #008CC0

RGB 0 140 192

HSL 196.25, 1%, 0.38%

LAB 54.62, -12.59, -35.8

 

CMYK 100 / 29 / 0 / 32

HEX #007AAD

RGB 0 122 173

HSL 197.69, 1%, 0.34%

LAB 48.18, -9.46, -34.98

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF8

RGB 42 138 248

HSL 212.04, 0.94%, 0.57%

LAB 57.51, 11.79, -62.54

 

CMYK 83 / 67 / 0 / 3

HEX #2A52F8

RGB 42 82 248

HSL 228.35, 0.94%, 0.57%

LAB 43.22, 46.62, -85.79

 

CMYK 77 / 83 / 0 / 3

HEX #3A2AF8

RGB 58 42 248

HSL 244.66, 0.94%, 0.57%

LAB 36.62, 68.18, -96.69

 

CMYK 54 / 83 / 0 / 3

HEX #722AF8

RGB 114 42 248

HSL 260.97, 0.94%, 0.57%

LAB 41.23, 72.42, -88.9

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF8

RGB 42 138 248

HSL 212.04, 0.94%, 0.57%

LAB 57.51, 11.79, -62.54

 

CMYK 83 / 67 / 0 / 3

HEX #2A52F8

RGB 42 82 248

HSL 228.35, 0.94%, 0.57%

LAB 43.22, 46.62, -85.79

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 74 / 20 / 0 / 9

HEX #3CB9E7

RGB 60 185 231

HSL 196.14, 0.78%, 0.57%

LAB 70.47, -19.07, -32.74

 

CMYK 63 / 17 / 0 / 16

HEX #4EB1D5

RGB 78 177 213

HSL 196, 0.62%, 0.57%

LAB 67.92, -18.03, -26.79

 

CMYK 51 / 14 / 0 / 24

HEX #60A8C3

RGB 96 168 195

HSL 196.36, 0.45%, 0.57%

LAB 65.3, -15.1, -20.79

 

CMYK 36 / 10 / 0 / 31

HEX #71A0B1

RGB 113 160 177

HSL 195.94, 0.29%, 0.57%

LAB 63.2, -11.41, -13.84

 

CMYK 83 / 0 / 22 / 3

HEX #2AF8C1

RGB 42 248 193

HSL 163.98, 0.94%, 0.57%

LAB 87.72, -59.83, 13.12

 

CMYK 83 / 0 / 0 / 3

HEX #2AF8F8

RGB 42 248 248

HSL 180, 0.94%, 0.57%

LAB 89.11, -45.54, -13.47

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF8

RGB 42 138 248

HSL 212.04, 0.94%, 0.57%

LAB 57.51, 11.79, -62.54

 

CMYK 83 / 66 / 0 / 3

HEX #2A54F8

RGB 42 84 248

HSL 227.77, 0.94%, 0.57%

LAB 43.67, 45.41, -85.04

 

CMYK 97 / 26 / 0 / 21

HEX #0695CA

RGB 6 149 202

HSL 196.22, 0.94%, 0.41%

LAB 57.84, -13.72, -36.4

 

CMYK 97 / 26 / 0 / 5

HEX #07B3F2

RGB 7 179 242

HSL 196.09, 0.94%, 0.49%

LAB 68.53, -15.67, -41.8

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 67 / 18 / 0 / 2

HEX #52CDFA

RGB 82 205 250

HSL 196.07, 0.94%, 0.65%

LAB 77.49, -20.45, -32.1

 

CMYK 51 / 14 / 0 / 2

HEX #7AD8FB

RGB 122 216 251

HSL 196.28, 0.94%, 0.73%

LAB 81.95, -18.61, -25.68

 

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

CMYK 44 / 83 / 0 / 3

HEX #8A2AF8

RGB 138 42 248

HSL 267.96, 0.94%, 0.57%

LAB 44, 75.08, -84.25

 

CMYK 0 / 11 / 83 / 3

HEX #F8DD2A

RGB 248 221 42

HSL 52.14, 0.94%, 0.57%

LAB 87.89, -7.32, 81.58

 

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

CMYK 0 / 83 / 22 / 3

HEX #F82AC1

RGB 248 42 193

HSL 316.02, 0.94%, 0.57%

LAB 57.52, 84.46, -30.34

 

CMYK 22 / 0 / 83 / 3

HEX #C1F82A

RGB 193 248 42

HSL 76.02, 0.94%, 0.57%

LAB 91.07, -42.4, 82.66

 

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

CMYK 44 / 83 / 0 / 3

HEX #8A2AF8

RGB 138 42 248

HSL 267.96, 0.94%, 0.57%

LAB 44, 75.08, -84.25

 

CMYK 0 / 61 / 83 / 3

HEX #F8612A

RGB 248 97 42

HSL 16.02, 0.94%, 0.57%

LAB 60.49, 55.33, 58.23

 

CMYK 39 / 0 / 83 / 3

HEX #98F82A

RGB 152 248 42

HSL 87.96, 0.94%, 0.57%

LAB 88.91, -57, 79.95

 

CMYK 82 / 22 / 0 / 2

HEX #2CC2F9

RGB 44 194 249

HSL 196.1, 0.94%, 0.57%

LAB 73.52, -19.37, -37.78

 

CMYK 19 / 83 / 0 / 3

HEX #C82AF8

RGB 200 42 248

HSL 286.02, 0.94%, 0.57%

LAB 52.63, 83.76, -69.79

 

CMYK 0 / 61 / 83 / 3

HEX #F8612A

RGB 248 97 42

HSL 16.02, 0.94%, 0.57%

LAB 60.49, 55.33, 58.23

 

CMYK 64 / 0 / 83 / 3

HEX #5AF82A

RGB 90 248 42

HSL 106.02, 0.94%, 0.57%

LAB 86.74, -73.85, 77.19

 

Description

Color code: HEX #2CC2F9 | qconv.com Color code: HEX #2CC2F9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 194 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 194 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 22 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 22% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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