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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC18B it is the complementary color #D33E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC18B shade: #31C186, #42D399, #53E5AC, #64F7BF and #75FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC18B shade: #2CC18B, #1BAF78, #0A9D65, #008B52 and #00793F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC18B shade: #2BBF8A, #2BBF62, #2BBF3A, #45BF2B and #6DBF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC18B shade: #2BBF8A, #2BBFB2, #2BA5BF, #2B7DBF and #2B55BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC18B shade matches the following richer shades: #2BBF8A, #18D28F and #05E594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC18B shade: #2BBF8A, #3EAC84, #51997F, #64867A and #777375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC18B shade: #2BBF3A, #2BBF62, #2BBF89, #2BBFB0 and #2BA7BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC18B shade: #1C7C59, #249E71, #2BBF8A, #40D49E and #62DBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC18B shade: #2CC18B, #2B44BF and #BF4E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC18B shade: #2CC18B, #892BBF and #BF892B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC18B shade: #2CC18B, #2B44BF, #BF2B62 and #BFA72B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC18B shade: #2CC18B, #3F2BBF, #BF2B62 and #ABBF2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

Complementary color

CMYK 0 / 71 / 45 / 17

HEX #D33E74

RGB 211 62 116

HSL 338.26, 0.63%, 0.54%

LAB 50.16, 61.7, 3.44

 

CMYK 75 / 0 / 31 / 24

HEX #31C186

RGB 49 193 134

HSL 155.42, 0.6%, 0.47%

LAB 69.83, -51.16, 19.2

 

CMYK 69 / 0 / 27 / 17

HEX #42D399

RGB 66 211 153

HSL 156, 0.62%, 0.54%

LAB 76.1, -51.73, 17.8

 

CMYK 64 / 0 / 25 / 10

HEX #53E5AC

RGB 83 229 172

HSL 156.58, 0.74%, 0.61%

LAB 82.3, -52.06, 16.51

 

CMYK 60 / 0 / 23 / 3

HEX #64F7BF

RGB 100 247 191

HSL 157.14, 0.9%, 0.68%

LAB 88.44, -52.24, 15.33

 

CMYK 54 / 0 / 18 / 0

HEX #75FFD2

RGB 117 255 210

HSL 160.43, 1%, 0.73%

LAB 91.66, -48.1, 10.17

 

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

CMYK 85 / 0 / 31 / 31

HEX #1BAF78

RGB 27 175 120

HSL 157.7, 0.73%, 0.4%

LAB 63.55, -49.65, 18.07

 

CMYK 94 / 0 / 36 / 38

HEX #0A9D65

RGB 10 157 101

HSL 157.14, 0.88%, 0.33%

LAB 57.19, -48.12, 19.79

 

CMYK 100 / 0 / 41 / 45

HEX #008B52

RGB 0 139 82

HSL 155.4, 1%, 0.27%

LAB 50.77, -45.98, 21.71

 

CMYK 100 / 0 / 48 / 53

HEX #00793F

RGB 0 121 63

HSL 151.24, 1%, 0.24%

LAB 44.28, -43.16, 23.8

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF8A

RGB 43 191 138

HSL 158.51, 0.63%, 0.46%

LAB 69.19, -50.23, 16.14

 

CMYK 77 / 0 / 49 / 25

HEX #2BBF62

RGB 43 191 98

HSL 142.3, 0.63%, 0.46%

LAB 68.5, -58.02, 36.2

 

CMYK 77 / 0 / 70 / 25

HEX #2BBF3A

RGB 43 191 58

HSL 126.08, 0.63%, 0.46%

LAB 68.08, -63.09, 53.9

 

CMYK 64 / 0 / 77 / 25

HEX #45BF2B

RGB 69 191 43

HSL 109.46, 0.63%, 0.46%

LAB 68.53, -59.62, 59.87

 

CMYK 43 / 0 / 77 / 25

HEX #6DBF2B

RGB 109 191 43

HSL 93.24, 0.63%, 0.46%

LAB 69.96, -48.55, 61.72

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF8A

RGB 43 191 138

HSL 158.51, 0.63%, 0.46%

LAB 69.19, -50.23, 16.14

 

CMYK 77 / 0 / 7 / 25

HEX #2BBFB2

RGB 43 191 178

HSL 174.73, 0.63%, 0.46%

LAB 70.17, -40.06, -4.25

 

CMYK 77 / 14 / 0 / 25

HEX #2BA5BF

RGB 43 165 191

HSL 190.54, 0.63%, 0.46%

LAB 62.66, -23.68, -22.73

 

CMYK 77 / 35 / 0 / 25

HEX #2B7DBF

RGB 43 125 191

HSL 206.76, 0.63%, 0.46%

LAB 50.62, -1.44, -41.48

 

CMYK 77 / 55 / 0 / 25

HEX #2B55BF

RGB 43 85 191

HSL 222.97, 0.63%, 0.46%

LAB 39.19, 23.93, -59.8

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF8A

RGB 43 191 138

HSL 158.51, 0.63%, 0.46%

LAB 69.19, -50.23, 16.14

 

CMYK 89 / 0 / 32 / 18

HEX #18D28F

RGB 24 210 143

HSL 158.39, 0.79%, 0.46%

LAB 75, -58.03, 21.46

 

CMYK 98 / 0 / 35 / 10

HEX #05E594

RGB 5 229 148

HSL 158.3, 0.96%, 0.46%

LAB 80.85, -64.55, 26.81

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF8A

RGB 43 191 138

HSL 158.51, 0.63%, 0.46%

LAB 69.19, -50.23, 16.14

 

CMYK 64 / 0 / 23 / 33

HEX #3EAC84

RGB 62 172 132

HSL 158.18, 0.47%, 0.46%

LAB 63.5, -40.88, 11.51

 

CMYK 47 / 0 / 17 / 40

HEX #51997F

RGB 81 153 127

HSL 158.33, 0.31%, 0.46%

LAB 58.1, -29.02, 6.73

 

CMYK 25 / 0 / 9 / 47

HEX #64867A

RGB 100 134 122

HSL 158.82, 0.15%, 0.46%

LAB 53.13, -14.65, 2.57

 

CMYK 0 / 3 / 2 / 53

HEX #777375

RGB 119 115 117

HSL 330, 0.02%, 0.46%

LAB 48.84, 1.93, -0.56

 

CMYK 77 / 0 / 70 / 25

HEX #2BBF3A

RGB 43 191 58

HSL 126.08, 0.63%, 0.46%

LAB 68.08, -63.09, 53.9

 

CMYK 77 / 0 / 49 / 25

HEX #2BBF62

RGB 43 191 98

HSL 142.3, 0.63%, 0.46%

LAB 68.5, -58.02, 36.2

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF89

RGB 43 191 137

HSL 158.11, 0.63%, 0.46%

LAB 69.17, -50.46, 16.65

 

CMYK 77 / 0 / 8 / 25

HEX #2BBFB0

RGB 43 191 176

HSL 173.92, 0.63%, 0.46%

LAB 70.11, -40.62, -3.24

 

CMYK 77 / 13 / 0 / 25

HEX #2BA7BF

RGB 43 167 191

HSL 189.73, 0.63%, 0.46%

LAB 63.27, -24.7, -21.81

 

CMYK 77 / 0 / 28 / 51

HEX #1C7C59

RGB 28 124 89

HSL 158.13, 0.63%, 0.3%

LAB 46.15, -35.95, 11.49

 

CMYK 77 / 0 / 28 / 38

HEX #249E71

RGB 36 158 113

HSL 157.87, 0.63%, 0.38%

LAB 58.06, -43.51, 14.36

 

CMYK 77 / 0 / 28 / 25

HEX #2BBF8A

RGB 43 191 138

HSL 158.51, 0.63%, 0.46%

LAB 69.19, -50.23, 16.14

 

CMYK 70 / 0 / 25 / 17

HEX #40D49E

RGB 64 212 158

HSL 158.11, 0.63%, 0.54%

LAB 76.46, -51.33, 15.65

 

CMYK 55 / 0 / 20 / 14

HEX #62DBAF

RGB 98 219 175

HSL 158.18, 0.63%, 0.62%

LAB 79.82, -44.31, 11.49

 

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

CMYK 77 / 64 / 0 / 25

HEX #2B44BF

RGB 43 68 191

HSL 229.86, 0.63%, 0.46%

LAB 34.82, 34.99, -66.94

 

CMYK 0 / 59 / 77 / 25

HEX #BF4E2B

RGB 191 78 43

HSL 14.19, 0.63%, 0.46%

LAB 47.88, 43.5, 42.51

 

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

CMYK 28 / 77 / 0 / 25

HEX #892BBF

RGB 137 43 191

HSL 278.11, 0.63%, 0.46%

LAB 39.25, 62.1, -59.33

 

CMYK 0 / 28 / 77 / 25

HEX #BF892B

RGB 191 137 43

HSL 38.11, 0.63%, 0.46%

LAB 60.91, 12.19, 55.31

 

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

CMYK 77 / 64 / 0 / 25

HEX #2B44BF

RGB 43 68 191

HSL 229.86, 0.63%, 0.46%

LAB 34.82, 34.99, -66.94

 

CMYK 0 / 77 / 49 / 25

HEX #BF2B62

RGB 191 43 98

HSL 337.7, 0.63%, 0.46%

LAB 43.78, 60.78, 4.83

 

CMYK 0 / 13 / 77 / 25

HEX #BFA72B

RGB 191 167 43

HSL 50.27, 0.63%, 0.46%

LAB 68.67, -4.07, 62.54

 

CMYK 77 / 0 / 28 / 24

HEX #2CC18B

RGB 44 193 139

HSL 158.26, 0.63%, 0.46%

LAB 69.85, -50.68, 16.53

 

CMYK 67 / 77 / 0 / 25

HEX #3F2BBF

RGB 63 43 191

HSL 248.11, 0.63%, 0.46%

LAB 30.75, 51.52, -73.6

 

CMYK 0 / 77 / 49 / 25

HEX #BF2B62

RGB 191 43 98

HSL 337.7, 0.63%, 0.46%

LAB 43.78, 60.78, 4.83

 

CMYK 10 / 0 / 77 / 25

HEX #ABBF2B

RGB 171 191 43

HSL 68.11, 0.63%, 0.46%

LAB 73.61, -24.94, 66.44

 

Description

Color code: HEX #2CC18B | qconv.com Color code: HEX #2CC18B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 193 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 193 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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