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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC166 it is the complementary color #D33E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC166 shade: #31C161, #42D374, #53E587, #64F79A and #75FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC166 shade: #2CC166, #1BAF53, #0A9D40, #008B2D and #00791A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC166 shade: #2BBF65, #2BBF3D, #42BF2B, #69BF2B and #91BF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC166 shade: #2BBF65, #2BBF8D, #2BBFB5, #2BA2BF and #2B7ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC166 shade matches the following richer shades: #2BBF65, #18D261 and #05E55D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC166 shade: #2BBF65, #3EAC69, #51996D, #648672 and #777376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC166 shade: #42BF2B, #2BBF3D, #2BBF64, #2BBF8B and #2BBFB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC166 shade: #1C7C41, #249E53, #2BBF65, #40D47A and #62DB91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC166 shade: #2CC166, #2B69BF and #BF2B2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC166 shade: #2CC166, #642BBF and #BF642B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC166 shade: #2CC166, #2B69BF, #BF2B87 and #BF822B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC166 shade: #2CC166, #2B3DBF, #BF2B87 and #BFAE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

Complementary color

CMYK 0 / 71 / 27 / 17

HEX #D33E99

RGB 211 62 153

HSL 323.36, 0.63%, 0.54%

LAB 51.38, 65.69, -16.96

 

CMYK 75 / 0 / 50 / 24

HEX #31C161

RGB 49 193 97

HSL 140, 0.6%, 0.47%

LAB 69.22, -58.07, 37.62

 

CMYK 69 / 0 / 45 / 17

HEX #42D374

RGB 66 211 116

HSL 140.69, 0.62%, 0.54%

LAB 75.46, -58.79, 36.09

 

CMYK 64 / 0 / 41 / 10

HEX #53E587

RGB 83 229 135

HSL 141.37, 0.74%, 0.61%

LAB 81.63, -59.21, 34.63

 

CMYK 60 / 0 / 38 / 3

HEX #64F79A

RGB 100 247 154

HSL 142.04, 0.9%, 0.68%

LAB 87.76, -59.42, 33.25

 

CMYK 54 / 0 / 32 / 0

HEX #75FFAD

RGB 117 255 173

HSL 144.35, 1%, 0.73%

LAB 90.93, -55.55, 28.04

 

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

CMYK 85 / 0 / 53 / 31

HEX #1BAF53

RGB 27 175 83

HSL 142.7, 0.73%, 0.4%

LAB 62.94, -56.67, 36.74

 

CMYK 94 / 0 / 59 / 38

HEX #0A9D40

RGB 10 157 64

HSL 142.04, 0.88%, 0.33%

LAB 56.63, -54.75, 38.44

 

CMYK 100 / 0 / 68 / 45

HEX #008B2D

RGB 0 139 45

HSL 139.42, 1%, 0.27%

LAB 50.28, -51.98, 40.03

 

CMYK 100 / 0 / 79 / 53

HEX #00791A

RGB 0 121 26

HSL 132.89, 1%, 0.24%

LAB 43.87, -48.25, 41.12

 

CMYK 77 / 0 / 47 / 25

HEX #2BBF65

RGB 43 191 101

HSL 143.51, 0.63%, 0.46%

LAB 68.54, -57.53, 34.74

 

CMYK 77 / 0 / 68 / 25

HEX #2BBF3D

RGB 43 191 61

HSL 127.3, 0.63%, 0.46%

LAB 68.1, -62.81, 52.73

 

CMYK 65 / 0 / 77 / 25

HEX #42BF2B

RGB 66 191 43

HSL 110.68, 0.63%, 0.46%

LAB 68.46, -60.27, 59.76

 

CMYK 45 / 0 / 77 / 25

HEX #69BF2B

RGB 105 191 43

HSL 94.86, 0.63%, 0.46%

LAB 69.78, -49.85, 61.5

 

CMYK 24 / 0 / 77 / 25

HEX #91BF2B

RGB 145 191 43

HSL 78.65, 0.63%, 0.46%

LAB 71.86, -35.5, 64.2

 

CMYK 77 / 0 / 47 / 25

HEX #2BBF65

RGB 43 191 101

HSL 143.51, 0.63%, 0.46%

LAB 68.54, -57.53, 34.74

 

CMYK 77 / 0 / 26 / 25

HEX #2BBF8D

RGB 43 191 141

HSL 159.73, 0.63%, 0.46%

LAB 69.25, -49.55, 14.61

 

CMYK 77 / 0 / 5 / 25

HEX #2BBFB5

RGB 43 191 181

HSL 175.95, 0.63%, 0.46%

LAB 70.25, -39.22, -5.77

 

CMYK 77 / 15 / 0 / 25

HEX #2BA2BF

RGB 43 162 191

HSL 191.76, 0.63%, 0.46%

LAB 61.75, -22.13, -24.13

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 77 / 0 / 47 / 25

HEX #2BBF65

RGB 43 191 101

HSL 143.51, 0.63%, 0.46%

LAB 68.54, -57.53, 34.74

 

CMYK 89 / 0 / 54 / 18

HEX #18D261

RGB 24 210 97

HSL 143.55, 0.79%, 0.46%

LAB 74.29, -66.34, 43.78

 

CMYK 98 / 0 / 59 / 10

HEX #05E55D

RGB 5 229 93

HSL 143.57, 0.96%, 0.46%

LAB 80.1, -73.58, 52.48

 

CMYK 77 / 0 / 47 / 25

HEX #2BBF65

RGB 43 191 101

HSL 143.51, 0.63%, 0.46%

LAB 68.54, -57.53, 34.74

 

CMYK 64 / 0 / 39 / 33

HEX #3EAC69

RGB 62 172 105

HSL 143.45, 0.47%, 0.46%

LAB 62.97, -46.55, 25.5

 

CMYK 47 / 0 / 29 / 40

HEX #51996D

RGB 81 153 109

HSL 143.33, 0.31%, 0.46%

LAB 57.69, -32.94, 16.3

 

CMYK 25 / 0 / 15 / 47

HEX #648672

RGB 100 134 114

HSL 144.71, 0.15%, 0.46%

LAB 52.92, -16.37, 6.91

 

CMYK 0 / 3 / 1 / 53

HEX #777376

RGB 119 115 118

HSL 315, 0.02%, 0.46%

LAB 48.87, 2.13, -1.11

 

CMYK 65 / 0 / 77 / 25

HEX #42BF2B

RGB 66 191 43

HSL 110.68, 0.63%, 0.46%

LAB 68.46, -60.27, 59.76

 

CMYK 77 / 0 / 68 / 25

HEX #2BBF3D

RGB 43 191 61

HSL 127.3, 0.63%, 0.46%

LAB 68.1, -62.81, 52.73

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 0 / 27 / 25

HEX #2BBF8B

RGB 43 191 139

HSL 158.92, 0.63%, 0.46%

LAB 69.21, -50.01, 15.63

 

CMYK 77 / 0 / 6 / 25

HEX #2BBFB3

RGB 43 191 179

HSL 175.14, 0.63%, 0.46%

LAB 70.2, -39.78, -4.76

 

CMYK 77 / 0 / 48 / 51

HEX #1C7C41

RGB 28 124 65

HSL 143.13, 0.63%, 0.3%

LAB 45.69, -41.1, 24.57

 

CMYK 77 / 0 / 47 / 38

HEX #249E53

RGB 36 158 83

HSL 143.11, 0.63%, 0.38%

LAB 57.51, -49.61, 29.98

 

CMYK 77 / 0 / 47 / 25

HEX #2BBF65

RGB 43 191 101

HSL 143.51, 0.63%, 0.46%

LAB 68.54, -57.53, 34.74

 

CMYK 70 / 0 / 42 / 17

HEX #40D47A

RGB 64 212 122

HSL 143.51, 0.63%, 0.54%

LAB 75.81, -58.48, 33.51

 

CMYK 55 / 0 / 34 / 14

HEX #62DB91

RGB 98 219 145

HSL 143.31, 0.63%, 0.62%

LAB 79.22, -50.4, 26.39

 

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

CMYK 77 / 45 / 0 / 25

HEX #2B69BF

RGB 43 105 191

HSL 214.86, 0.63%, 0.46%

LAB 44.77, 10.94, -50.8

 

CMYK 0 / 77 / 76 / 25

HEX #BF2B2E

RGB 191 43 46

HSL 358.78, 0.63%, 0.46%

LAB 42.77, 57.57, 35.45

 

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

CMYK 48 / 77 / 0 / 25

HEX #642BBF

RGB 100 43 191

HSL 263.11, 0.63%, 0.46%

LAB 34.39, 56.1, -67.47

 

CMYK 0 / 48 / 77 / 25

HEX #BF642B

RGB 191 100 43

HSL 23.11, 0.63%, 0.46%

LAB 52.25, 32.39, 46.91

 

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

CMYK 77 / 45 / 0 / 25

HEX #2B69BF

RGB 43 105 191

HSL 214.86, 0.63%, 0.46%

LAB 44.77, 10.94, -50.8

 

CMYK 0 / 77 / 29 / 25

HEX #BF2B87

RGB 191 43 135

HSL 322.7, 0.63%, 0.46%

LAB 45.02, 64.55, -16.15

 

CMYK 0 / 32 / 77 / 25

HEX #BF822B

RGB 191 130 43

HSL 35.27, 0.63%, 0.46%

LAB 59.17, 16.05, 53.66

 

CMYK 77 / 0 / 47 / 24

HEX #2CC166

RGB 44 193 102

HSL 143.36, 0.63%, 0.46%

LAB 69.21, -57.94, 35.08

 

CMYK 77 / 68 / 0 / 25

HEX #2B3DBF

RGB 43 61 191

HSL 232.7, 0.63%, 0.46%

LAB 33.16, 39.4, -69.66

 

CMYK 0 / 77 / 29 / 25

HEX #BF2B87

RGB 191 43 135

HSL 322.7, 0.63%, 0.46%

LAB 45.02, 64.55, -16.15

 

CMYK 0 / 9 / 77 / 25

HEX #BFAE2B

RGB 191 174 43

HSL 53.11, 0.63%, 0.46%

LAB 70.54, -7.75, 64.25

 

Description

Color code: HEX #2CC166 | qconv.com Color code: HEX #2CC166 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 193 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 193 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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