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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC151 it is the complementary color #D33EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC151 shade: #31C14C, #42D35F, #53E572, #64F785 and #75FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC151 shade: #2CC151, #1BAF3E, #0A9D2B, #008B18 and #007905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC151 shade: #2BBF50, #2FBF2B, #56BF2B, #7EBF2B and #A6BF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC151 shade: #2BBF50, #2BBF78, #2BBFA0, #2BB7BF and #2B8FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC151 shade matches the following richer shades: #2BBF50, #18D247 and #05E53D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC151 shade: #2BBF50, #3EAC5A, #519963, #64866D and #777376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC151 shade: #58BF2B, #30BF2B, #2BBF4E, #2BBF75 and #2BBF9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC151 shade: #1C7C34, #249E42, #2BBF50, #40D465 and #62DB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC151 shade: #2CC151, #2B7FBF and #BF2B44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC151 shade: #2CC151, #4E2BBF and #BF4E2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC151 shade: #2CC151, #2B7FBF, #BF2B9D and #BF6B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC151 shade: #2CC151, #2B53BF, #BF2B9D and #BF982B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

Complementary color

CMYK 0 / 71 / 18 / 17

HEX #D33EAE

RGB 211 62 174

HSL 314.9, 0.63%, 0.54%

LAB 52.23, 68.42, -28.02

 

CMYK 75 / 0 / 61 / 24

HEX #31C14C

RGB 49 193 76

HSL 131.25, 0.6%, 0.47%

LAB 68.98, -60.97, 47.32

 

CMYK 69 / 0 / 55 / 17

HEX #42D35F

RGB 66 211 95

HSL 132, 0.62%, 0.54%

LAB 75.18, -61.91, 45.95

 

CMYK 64 / 0 / 50 / 10

HEX #53E572

RGB 83 229 114

HSL 132.74, 0.74%, 0.61%

LAB 81.34, -62.49, 44.55

 

CMYK 60 / 0 / 46 / 3

HEX #64F785

RGB 100 247 133

HSL 133.47, 0.9%, 0.68%

LAB 87.45, -62.81, 43.17

 

CMYK 54 / 0 / 40 / 0

HEX #75FF98

RGB 117 255 152

HSL 135.22, 1%, 0.73%

LAB 90.58, -59.14, 38.05

 

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

CMYK 85 / 0 / 65 / 31

HEX #1BAF3E

RGB 27 175 62

HSL 134.19, 0.73%, 0.4%

LAB 62.71, -59.49, 46.35

 

CMYK 94 / 0 / 73 / 38

HEX #0A9D2B

RGB 10 157 43

HSL 133.47, 0.88%, 0.33%

LAB 56.44, -57.17, 47.45

 

CMYK 100 / 0 / 83 / 45

HEX #008B18

RGB 0 139 24

HSL 130.36, 1%, 0.27%

LAB 50.13, -53.86, 47.84

 

CMYK 100 / 0 / 96 / 53

HEX #007905

RGB 0 121 5

HSL 122.48, 1%, 0.24%

LAB 43.78, -49.44, 46.81

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF50

RGB 43 191 80

HSL 135, 0.63%, 0.46%

LAB 68.28, -60.65, 44.65

 

CMYK 75 / 0 / 77 / 25

HEX #2FBF2B

RGB 47 191 43

HSL 118.38, 0.63%, 0.46%

LAB 68.05, -63.71, 59.23

 

CMYK 55 / 0 / 77 / 25

HEX #56BF2B

RGB 86 191 43

HSL 102.57, 0.63%, 0.46%

LAB 69.05, -55.45, 60.54

 

CMYK 34 / 0 / 77 / 25

HEX #7EBF2B

RGB 126 191 43

HSL 86.35, 0.63%, 0.46%

LAB 70.78, -42.68, 62.8

 

CMYK 13 / 0 / 77 / 25

HEX #A6BF2B

RGB 166 191 43

HSL 70.14, 0.63%, 0.46%

LAB 73.25, -27.02, 65.98

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF50

RGB 43 191 80

HSL 135, 0.63%, 0.46%

LAB 68.28, -60.65, 44.65

 

CMYK 77 / 0 / 37 / 25

HEX #2BBF78

RGB 43 191 120

HSL 151.22, 0.63%, 0.46%

LAB 68.85, -54.06, 25.29

 

CMYK 77 / 0 / 16 / 25

HEX #2BBFA0

RGB 43 191 160

HSL 167.43, 0.63%, 0.46%

LAB 69.69, -44.9, 4.9

 

CMYK 77 / 4 / 0 / 25

HEX #2BB7BF

RGB 43 183 191

HSL 183.24, 0.63%, 0.46%

LAB 68.13, -32.58, -14.44

 

CMYK 77 / 25 / 0 / 25

HEX #2B8FBF

RGB 43 143 191

HSL 199.46, 0.63%, 0.46%

LAB 56.01, -11.88, -33.02

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF50

RGB 43 191 80

HSL 135, 0.63%, 0.46%

LAB 68.28, -60.65, 44.65

 

CMYK 89 / 0 / 66 / 18

HEX #18D247

RGB 24 210 71

HSL 135.16, 0.79%, 0.46%

LAB 74.02, -69.57, 55.02

 

CMYK 98 / 0 / 73 / 10

HEX #05E53D

RGB 5 229 61

HSL 135, 0.96%, 0.46%

LAB 79.85, -76.81, 64.84

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF50

RGB 43 191 80

HSL 135, 0.63%, 0.46%

LAB 68.28, -60.65, 44.65

 

CMYK 64 / 0 / 48 / 33

HEX #3EAC5A

RGB 62 172 90

HSL 135.27, 0.47%, 0.46%

LAB 62.73, -49.16, 33.08

 

CMYK 47 / 0 / 35 / 40

HEX #519963

RGB 81 153 99

HSL 135, 0.31%, 0.46%

LAB 57.49, -34.87, 21.58

 

CMYK 25 / 0 / 19 / 47

HEX #64866D

RGB 100 134 109

HSL 135.88, 0.15%, 0.46%

LAB 52.8, -17.4, 9.63

 

CMYK 0 / 3 / 1 / 53

HEX #777376

RGB 119 115 118

HSL 315, 0.02%, 0.46%

LAB 48.87, 2.13, -1.11

 

CMYK 54 / 0 / 77 / 25

HEX #58BF2B

RGB 88 191 43

HSL 101.76, 0.63%, 0.46%

LAB 69.12, -54.91, 60.63

 

CMYK 75 / 0 / 77 / 25

HEX #30BF2B

RGB 48 191 43

HSL 117.97, 0.63%, 0.46%

LAB 68.07, -63.56, 59.26

 

CMYK 77 / 0 / 59 / 25

HEX #2BBF4E

RGB 43 191 78

HSL 134.19, 0.63%, 0.46%

LAB 68.26, -60.91, 45.55

 

CMYK 77 / 0 / 39 / 25

HEX #2BBF75

RGB 43 191 117

HSL 150, 0.63%, 0.46%

LAB 68.79, -54.65, 26.8

 

CMYK 77 / 0 / 18 / 25

HEX #2BBF9D

RGB 43 191 157

HSL 166.22, 0.63%, 0.46%

LAB 69.62, -45.67, 6.43

 

CMYK 77 / 0 / 58 / 51

HEX #1C7C34

RGB 28 124 52

HSL 135, 0.63%, 0.3%

LAB 45.51, -43.25, 31.28

 

CMYK 77 / 0 / 58 / 38

HEX #249E42

RGB 36 158 66

HSL 134.75, 0.63%, 0.38%

LAB 57.29, -52.24, 38.32

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF50

RGB 43 191 80

HSL 135, 0.63%, 0.46%

LAB 68.28, -60.65, 44.65

 

CMYK 70 / 0 / 52 / 17

HEX #40D465

RGB 64 212 101

HSL 135, 0.63%, 0.54%

LAB 75.52, -61.78, 43.51

 

CMYK 55 / 0 / 42 / 14

HEX #62DB80

RGB 98 219 128

HSL 134.88, 0.63%, 0.62%

LAB 78.94, -53.35, 34.71

 

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

CMYK 77 / 34 / 0 / 25

HEX #2B7FBF

RGB 43 127 191

HSL 205.95, 0.63%, 0.46%

LAB 51.21, -2.64, -40.54

 

CMYK 0 / 77 / 64 / 25

HEX #BF2B44

RGB 191 43 68

HSL 349.86, 0.63%, 0.46%

LAB 43.1, 58.62, 22.59

 

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

CMYK 59 / 77 / 0 / 25

HEX #4E2BBF

RGB 78 43 191

HSL 254.19, 0.63%, 0.46%

LAB 32.05, 53.17, -71.4

 

CMYK 0 / 59 / 77 / 25

HEX #BF4E2B

RGB 191 78 43

HSL 14.19, 0.63%, 0.46%

LAB 47.88, 43.5, 42.51

 

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

CMYK 77 / 34 / 0 / 25

HEX #2B7FBF

RGB 43 127 191

HSL 205.95, 0.63%, 0.46%

LAB 51.21, -2.64, -40.54

 

CMYK 0 / 77 / 18 / 25

HEX #BF2B9D

RGB 191 43 157

HSL 313.78, 0.63%, 0.46%

LAB 45.96, 67.34, -27.98

 

CMYK 0 / 44 / 77 / 25

HEX #BF6B2B

RGB 191 107 43

HSL 25.95, 0.63%, 0.46%

LAB 53.78, 28.64, 48.43

 

CMYK 77 / 0 / 58 / 24

HEX #2CC151

RGB 44 193 81

HSL 134.9, 0.63%, 0.46%

LAB 68.95, -61.05, 44.97

 

CMYK 77 / 57 / 0 / 25

HEX #2B53BF

RGB 43 83 191

HSL 223.78, 0.63%, 0.46%

LAB 38.66, 25.24, -60.67

 

CMYK 0 / 77 / 18 / 25

HEX #BF2B9D

RGB 191 43 157

HSL 313.78, 0.63%, 0.46%

LAB 45.96, 67.34, -27.98

 

CMYK 0 / 20 / 77 / 25

HEX #BF982B

RGB 191 152 43

HSL 44.19, 0.63%, 0.46%

LAB 64.73, 3.98, 58.9

 

Description

Color code: HEX #2CC151 | qconv.com Color code: HEX #2CC151 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 193 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 193 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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