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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CBC9B it is the complementary color #D34364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CBC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CBC9B shade: #31BC96, #42CEA9, #53E0BC, #64F2CF and #75FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CBC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CBC9B shade: #2CBC9B, #1BAA88, #0A9875, #008662 and #00744F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CBC9B shade: #2CBA99, #2CBA73, #2CBA4D, #31BA2C and #57BA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CBC9B shade: #2CBA99, #2CB4BA, #2C8EBA, #2C67BA and #2C41BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CBC9B shade matches the following richer shades: #2CBA99, #19CCA3 and #06DFAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CBC9B shade: #2CBA99, #3EA78F, #519585, #63827B and #767071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CBC9B shade: #2CBA4D, #2CBA73, #2CBA99, #2CB5BA and #2C8FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CBC9B shade: #1C7762, #24987E, #2CBA99, #3DD2B0 and #5FD9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CBC9B shade: #2CBC9B, #2C30BA and #BA602C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CBC9B shade: #2CBC9B, #992CBA and #BA992C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CBC9B shade: #2CBC9B, #2C30BA, #BA2C4D and #BAB52C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CBC9B shade: #2CBC9B, #522CBA, #BA2C4D and #94BA2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

Complementary color

CMYK 0 / 68 / 53 / 17

HEX #D34364

RGB 211 67 100

HSL 346.25, 0.62%, 0.55%

LAB 50.43, 58.46, 13.5

 

CMYK 74 / 0 / 20 / 26

HEX #31BC96

RGB 49 188 150

HSL 163.6, 0.59%, 0.46%

LAB 68.62, -45.44, 8.84

 

CMYK 68 / 0 / 18 / 19

HEX #42CEA9

RGB 66 206 169

HSL 164.14, 0.59%, 0.53%

LAB 74.93, -46, 7.61

 

CMYK 63 / 0 / 16 / 12

HEX #53E0BC

RGB 83 224 188

HSL 164.68, 0.69%, 0.6%

LAB 81.17, -46.35, 6.49

 

CMYK 59 / 0 / 14 / 5

HEX #64F2CF

RGB 100 242 207

HSL 165.21, 0.85%, 0.67%

LAB 87.35, -46.55, 5.46

 

CMYK 54 / 0 / 11 / 0

HEX #75FFE2

RGB 117 255 226

HSL 167.39, 1%, 0.73%

LAB 92.04, -44.48, 2.44

 

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

CMYK 84 / 0 / 20 / 33

HEX #1BAA88

RGB 27 170 136

HSL 165.73, 0.73%, 0.39%

LAB 62.3, -43.78, 7.5

 

CMYK 93 / 0 / 23 / 40

HEX #0A9875

RGB 10 152 117

HSL 165.21, 0.88%, 0.32%

LAB 55.89, -42.32, 9.03

 

CMYK 100 / 0 / 27 / 47

HEX #008662

RGB 0 134 98

HSL 163.88, 1%, 0.26%

LAB 49.41, -40.31, 10.76

 

CMYK 100 / 0 / 32 / 55

HEX #00744F

RGB 0 116 79

HSL 160.86, 1%, 0.23%

LAB 42.85, -37.71, 12.71

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 76 / 0 / 38 / 27

HEX #2CBA73

RGB 44 186 115

HSL 150, 0.62%, 0.45%

LAB 67.2, -53.04, 25.73

 

CMYK 76 / 0 / 59 / 27

HEX #2CBA4D

RGB 44 186 77

HSL 133.94, 0.62%, 0.45%

LAB 66.66, -59.23, 44.15

 

CMYK 74 / 0 / 76 / 27

HEX #31BA2C

RGB 49 186 44

HSL 117.89, 0.62%, 0.45%

LAB 66.48, -61.75, 57.39

 

CMYK 53 / 0 / 76 / 27

HEX #57BA2C

RGB 87 186 44

HSL 101.83, 0.62%, 0.45%

LAB 67.52, -53.27, 58.76

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 76 / 3 / 0 / 27

HEX #2CB4BA

RGB 44 180 186

HSL 182.54, 0.62%, 0.45%

LAB 67.07, -32.56, -13.27

 

CMYK 76 / 24 / 0 / 27

HEX #2C8EBA

RGB 44 142 186

HSL 198.59, 0.62%, 0.45%

LAB 55.51, -12.96, -30.95

 

CMYK 76 / 45 / 0 / 27

HEX #2C67BA

RGB 44 103 186

HSL 215.07, 0.62%, 0.45%

LAB 43.92, 10.44, -49.26

 

CMYK 76 / 65 / 0 / 27

HEX #2C41BA

RGB 44 65 186

HSL 231.13, 0.62%, 0.45%

LAB 33.69, 35.18, -65.85

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 88 / 0 / 20 / 20

HEX #19CCA3

RGB 25 204 163

HSL 166.26, 0.78%, 0.45%

LAB 73.57, -51, 8.81

 

CMYK 97 / 0 / 22 / 13

HEX #06DFAD

RGB 6 223 173

HSL 166.18, 0.95%, 0.45%

LAB 79.52, -56.76, 11.92

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 63 / 0 / 14 / 35

HEX #3EA78F

RGB 62 167 143

HSL 166.29, 0.46%, 0.45%

LAB 62.21, -35.97, 3.54

 

CMYK 46 / 0 / 11 / 42

HEX #519585

RGB 81 149 133

HSL 165.88, 0.3%, 0.45%

LAB 57.01, -25.61, 1.75

 

CMYK 24 / 0 / 5 / 49

HEX #63827B

RGB 99 130 123

HSL 166.45, 0.14%, 0.45%

LAB 51.89, -12.57, 0.18

 

CMYK 0 / 5 / 4 / 54

HEX #767071

RGB 118 112 113

HSL 350, 0.03%, 0.45%

LAB 47.79, 2.51, 0.27

 

CMYK 76 / 0 / 59 / 27

HEX #2CBA4D

RGB 44 186 77

HSL 133.94, 0.62%, 0.45%

LAB 66.66, -59.23, 44.15

 

CMYK 76 / 0 / 38 / 27

HEX #2CBA73

RGB 44 186 115

HSL 150, 0.62%, 0.45%

LAB 67.2, -53.04, 25.73

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 76 / 3 / 0 / 27

HEX #2CB5BA

RGB 44 181 186

HSL 182.11, 0.62%, 0.45%

LAB 67.37, -33.03, -12.81

 

CMYK 76 / 23 / 0 / 27

HEX #2C8FBA

RGB 44 143 186

HSL 198.17, 0.62%, 0.45%

LAB 55.81, -13.51, -30.48

 

CMYK 76 / 0 / 18 / 53

HEX #1C7762

RGB 28 119 98

HSL 166.15, 0.62%, 0.29%

LAB 44.69, -31.36, 4.1

 

CMYK 76 / 0 / 17 / 40

HEX #24987E

RGB 36 152 126

HSL 166.55, 0.62%, 0.37%

LAB 56.42, -37.71, 4.72

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA99

RGB 44 186 153

HSL 166.06, 0.62%, 0.45%

LAB 67.99, -44.46, 6.28

 

CMYK 71 / 0 / 16 / 18

HEX #3DD2B0

RGB 61 210 176

HSL 166.31, 0.62%, 0.53%

LAB 76.2, -46.69, 5.67

 

CMYK 56 / 0 / 13 / 15

HEX #5FD9BD

RGB 95 217 189

HSL 166.23, 0.62%, 0.61%

LAB 79.46, -40.83, 3.53

 

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

CMYK 76 / 74 / 0 / 27

HEX #2C30BA

RGB 44 48 186

HSL 238.31, 0.62%, 0.45%

LAB 29.9, 45.52, -72.09

 

CMYK 0 / 48 / 76 / 27

HEX #BA602C

RGB 186 96 44

HSL 21.97, 0.62%, 0.45%

LAB 50.67, 32.5, 44.61

 

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

CMYK 18 / 76 / 0 / 27

HEX #992CBA

RGB 153 44 186

HSL 286.06, 0.62%, 0.45%

LAB 41.4, 63.7, -52.8

 

CMYK 0 / 18 / 76 / 27

HEX #BA992C

RGB 186 153 44

HSL 46.06, 0.62%, 0.45%

LAB 64.49, 1.26, 58.12

 

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

CMYK 76 / 74 / 0 / 27

HEX #2C30BA

RGB 44 48 186

HSL 238.31, 0.62%, 0.45%

LAB 29.9, 45.52, -72.09

 

CMYK 0 / 76 / 59 / 27

HEX #BA2C4D

RGB 186 44 77

HSL 346.06, 0.62%, 0.45%

LAB 42.42, 57.43, 15.92

 

CMYK 0 / 3 / 76 / 27

HEX #BAB52C

RGB 186 181 44

HSL 57.89, 0.62%, 0.45%

LAB 72.01, -13.51, 65.1

 

CMYK 77 / 0 / 18 / 26

HEX #2CBC9B

RGB 44 188 155

HSL 166.25, 0.62%, 0.45%

LAB 68.66, -44.8, 6.14

 

CMYK 56 / 76 / 0 / 27

HEX #522CBA

RGB 82 44 186

HSL 256.06, 0.62%, 0.45%

LAB 32.12, 51.78, -68.32

 

CMYK 0 / 76 / 59 / 27

HEX #BA2C4D

RGB 186 44 77

HSL 346.06, 0.62%, 0.45%

LAB 42.42, 57.43, 15.92

 

CMYK 20 / 0 / 76 / 27

HEX #94BA2C

RGB 148 186 44

HSL 76.06, 0.62%, 0.45%

LAB 70.59, -31.95, 62.76

 

Description

Color code: HEX #2CBC9B | qconv.com Color code: HEX #2CBC9B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 188 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 188 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 18 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 18% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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