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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CBC77 it is the complementary color #D34388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CBC77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2CBC77: #31BC72, #42CE85, #53E098, #64F2AB and #75FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CBC77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2CBC77: #2CBC77, #1BAA64, #0A9851, #00863E and #00742B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

Complementary color

CMYK 0 / 68 / 36 / 17

HEX #D34388

RGB 211 67 136

HSL 331.25, 0.62%, 0.55%

LAB 51.43, 61.9, -6.74

 

CMYK 74 / 0 / 39 / 26

HEX #31BC72

RGB 49 188 114

HSL 148.06, 0.59%, 0.46%

LAB 67.9, -53.31, 27.21

 

CMYK 68 / 0 / 35 / 19

HEX #42CE85

RGB 66 206 133

HSL 148.71, 0.59%, 0.53%

LAB 74.19, -53.87, 25.7

 

CMYK 63 / 0 / 32 / 12

HEX #53E098

RGB 83 224 152

HSL 149.36, 0.69%, 0.6%

LAB 80.41, -54.18, 24.32

 

CMYK 59 / 0 / 29 / 5

HEX #64F2AB

RGB 100 242 171

HSL 150, 0.85%, 0.67%

LAB 86.58, -54.32, 23.04

 

CMYK 54 / 0 / 25 / 0

HEX #75FFBE

RGB 117 255 190

HSL 151.74, 1%, 0.73%

LAB 91.24, -52.3, 19.84

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 84 / 0 / 41 / 33

HEX #1BAA64

RGB 27 170 100

HSL 150.63, 0.73%, 0.39%

LAB 61.57, -51.94, 26.2

 

CMYK 93 / 0 / 47 / 40

HEX #0A9851

RGB 10 152 81

HSL 150, 0.88%, 0.32%

LAB 55.19, -50.31, 28.01

 

CMYK 100 / 0 / 54 / 47

HEX #00863E

RGB 0 134 62

HSL 147.76, 1%, 0.26%

LAB 48.76, -47.95, 29.96

 

CMYK 100 / 0 / 63 / 55

HEX #00742B

RGB 0 116 43

HSL 142.24, 1%, 0.23%

LAB 42.25, -44.74, 31.92

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 77 / 0 / 24 / 27

HEX #2BB98C

RGB 43 185 140

HSL 160.99, 0.62%, 0.45%

LAB 67.36, -47.36, 12.49

 

CMYK 77 / 0 / 11 / 27

HEX #2BB9A4

RGB 43 185 164

HSL 171.13, 0.62%, 0.45%

LAB 67.94, -41.26, 0.17

 

CMYK 77 / 1 / 0 / 27

HEX #2BB7B9

RGB 43 183 185

HSL 180.85, 0.62%, 0.45%

LAB 67.93, -34.38, -11.42

 

CMYK 77 / 14 / 0 / 27

HEX #2B9FB9

RGB 43 159 185

HSL 190.99, 0.62%, 0.45%

LAB 60.62, -22.54, -22.5

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 77 / 0 / 37 / 6

HEX #38EF97

RGB 56 239 151

HSL 151.15, 0.85%, 0.58%

LAB 84.38, -64.08, 30.1

 

CMYK 77 / 0 / 37 / 86

HEX #082316

RGB 8 35 22

HSL 151.11, 0.63%, 0.08%

LAB 11.36, -14.3, 5.74

 

CMYK 77 / 0 / 37 / 66

HEX #145636

RGB 20 86 54

HSL 150.91, 0.62%, 0.21%

LAB 31.97, -28.84, 12.9

 

CMYK 77 / 0 / 36 / 46

HEX #208957

RGB 32 137 87

HSL 151.43, 0.62%, 0.33%

LAB 50.55, -41.29, 18.68

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 77 / 55 / 0 / 27

HEX #2B53B9

RGB 43 83 185

HSL 223.1, 0.62%, 0.45%

LAB 38.2, 22.96, -57.9

 

CMYK 0 / 68 / 77 / 27

HEX #B93C2B

RGB 185 60 43

HSL 7.18, 0.62%, 0.45%

LAB 43.83, 49.39, 37.96

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 37 / 77 / 0 / 27

HEX #752BB9

RGB 117 43 185

HSL 271.27, 0.62%, 0.45%

LAB 36.01, 57.3, -61.21

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 77 / 55 / 0 / 27

HEX #2B53B9

RGB 43 83 185

HSL 223.1, 0.62%, 0.45%

LAB 38.2, 22.96, -57.9

 

CMYK 0 / 77 / 39 / 27

HEX #B92B70

RGB 185 43 112

HSL 330.85, 0.62%, 0.45%

LAB 43.08, 60.47, -5.03

 

CMYK 0 / 22 / 77 / 27

HEX #B9912B

RGB 185 145 43

HSL 43.1, 0.62%, 0.45%

LAB 62.29, 5.13, 56.38

 

CMYK 77 / 0 / 37 / 26

HEX #2CBC77

RGB 44 188 119

HSL 151.25, 0.62%, 0.45%

LAB 67.9, -53.01, 24.55

 

CMYK 76 / 77 / 0 / 27

HEX #2D2BB9

RGB 45 43 185

HSL 240.85, 0.62%, 0.45%

LAB 28.87, 48.03, -73.19

 

CMYK 0 / 77 / 39 / 27

HEX #B92B70

RGB 185 43 112

HSL 330.85, 0.62%, 0.45%

LAB 43.08, 60.47, -5.03

 

CMYK 1 / 0 / 77 / 27

HEX #B7B92B

RGB 183 185 43

HSL 60.85, 0.62%, 0.45%

LAB 72.85, -16.87, 66.09

 

Description

Color code: HEX #2CBC77 | qconv.com Color code: HEX #2CBC77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 188 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 188 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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