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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CB8FE it is the complementary color #D34701. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CB8FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CB8FE shade: #31B8F9, #42CAFF, #53DCFF, #64EEFF and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CB8FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CB8FE shade: #2CB8FE, #1BA6EB, #0A94D8, #0082C5 and #0070B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CB8FE shade: #2AB7FE, #2A7EFE, #2A45FE, #482AFE and #812AFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CB8FE shade: #2AB7FE, #2A7EFE, #2A45FE and #2A2AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CB8FE shade matches the following richer shades: #2AB7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CB8FE shade: #2AB7FE, #3BB1ED, #4DACDB, #5EA6CA and #6FA0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CB8FE shade: #2AFED4, #2AF0FE, #2AB7FE, #2A7FFE and #2A46FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CB8FE shade: #018ED4, #01A9FD, #2AB7FE, #53C5FE and #7CD3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CB8FE shade: #2CB8FE, #9B2AFE and #FEF02A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CB8FE shade: #2CB8FE, #FE2AB7 and #B7FE2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CB8FE shade: #2CB8FE, #9B2AFE, #FE712A and #8DFE2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CB8FE shade: #2CB8FE, #DB2AFE, #FE712A and #4DFE2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

Complementary color

CMYK 0 / 66 / 100 / 17

HEX #D34701

RGB 211 71 1

HSL 20, 0.99%, 0.42%

LAB 49.93, 52.91, 60.57

 

CMYK 80 / 26 / 0 / 2

HEX #31B8F9

RGB 49 184 249

HSL 199.5, 0.94%, 0.58%

LAB 70.71, -13.67, -42.15

 

CMYK 74 / 21 / 0 / 0

HEX #42CAFF

RGB 66 202 255

HSL 196.83, 1%, 0.63%

LAB 76.45, -19.41, -36.43

 

CMYK 67 / 14 / 0 / 0

HEX #53DCFF

RGB 83 220 255

HSL 192.21, 1%, 0.66%

LAB 81.97, -26.31, -27.89

 

CMYK 61 / 7 / 0 / 0

HEX #64EEFF

RGB 100 238 255

HSL 186.58, 1%, 0.7%

LAB 87.52, -32.41, -19.41

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

CMYK 89 / 29 / 0 / 8

HEX #1BA6EB

RGB 27 166 235

HSL 199.9, 0.84%, 0.51%

LAB 64.57, -10.34, -44.18

 

CMYK 95 / 31 / 0 / 15

HEX #0A94D8

RGB 10 148 216

HSL 199.81, 0.91%, 0.44%

LAB 58.23, -7.88, -43.65

 

CMYK 100 / 34 / 0 / 23

HEX #0082C5

RGB 0 130 197

HSL 200.41, 1%, 0.39%

LAB 51.83, -4.93, -43.03

 

CMYK 100 / 37 / 0 / 30

HEX #0070B2

RGB 0 112 178

HSL 202.25, 1%, 0.35%

LAB 45.36, -1.51, -42.34

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 83 / 50 / 0 / 0

HEX #2A7EFE

RGB 42 126 254

HSL 216.23, 0.99%, 0.58%

LAB 54.63, 21.42, -70.5

 

CMYK 83 / 73 / 0 / 0

HEX #2A45FE

RGB 42 69 254

HSL 232.36, 0.99%, 0.58%

LAB 41.06, 56.18, -92.7

 

CMYK 72 / 83 / 0 / 0

HEX #482AFE

RGB 72 42 254

HSL 248.49, 0.99%, 0.58%

LAB 38.18, 70.59, -97.43

 

CMYK 49 / 83 / 0 / 0

HEX #812AFE

RGB 129 42 254

HSL 264.62, 0.99%, 0.58%

LAB 43.48, 75.42, -88.5

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 83 / 50 / 0 / 0

HEX #2A7EFE

RGB 42 126 254

HSL 216.23, 0.99%, 0.58%

LAB 54.63, 21.42, -70.5

 

CMYK 83 / 73 / 0 / 0

HEX #2A45FE

RGB 42 69 254

HSL 232.36, 0.99%, 0.58%

LAB 41.06, 56.18, -92.7

 

CMYK 83 / 83 / 0 / 0

HEX #2A2AFE

RGB 42 42 254

HSL 240, 0.99%, 0.58%

LAB 36.56, 69.2, -100.17

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 75 / 25 / 0 / 7

HEX #3BB1ED

RGB 59 177 237

HSL 200.22, 0.83%, 0.58%

LAB 68.38, -12.95, -39.26

 

CMYK 65 / 21 / 0 / 14

HEX #4DACDB

RGB 77 172 219

HSL 199.86, 0.66%, 0.58%

LAB 66.67, -13.65, -32.02

 

CMYK 53 / 18 / 0 / 21

HEX #5EA6CA

RGB 94 166 202

HSL 200, 0.5%, 0.58%

LAB 64.9, -12.42, -25.31

 

CMYK 40 / 14 / 0 / 27

HEX #6FA0B9

RGB 111 160 185

HSL 200.27, 0.35%, 0.58%

LAB 63.36, -9.85, -18.09

 

CMYK 83 / 0 / 17 / 0

HEX #2AFED4

RGB 42 254 212

HSL 168.11, 0.99%, 0.58%

LAB 89.92, -57.6, 6.43

 

CMYK 83 / 6 / 0 / 0

HEX #2AF0FE

RGB 42 240 254

HSL 183.96, 0.99%, 0.58%

LAB 86.98, -40.25, -19.81

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 83 / 50 / 0 / 0

HEX #2A7FFE

RGB 42 127 254

HSL 215.94, 0.99%, 0.58%

LAB 54.89, 20.79, -70.07

 

CMYK 83 / 72 / 0 / 0

HEX #2A46FE

RGB 42 70 254

HSL 232.08, 0.99%, 0.58%

LAB 41.26, 55.62, -92.37

 

CMYK 100 / 33 / 0 / 17

HEX #018ED4

RGB 1 142 212

HSL 199.91, 0.99%, 0.42%

LAB 56.19, -6.2, -44.62

 

CMYK 100 / 33 / 0 / 1

HEX #01A9FD

RGB 1 169 253

HSL 200, 0.99%, 0.5%

LAB 66.12, -6.37, -51.58

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 67 / 22 / 0 / 0

HEX #53C5FE

RGB 83 197 254

HSL 200, 0.99%, 0.66%

LAB 75.41, -14.91, -37.47

 

CMYK 51 / 17 / 0 / 0

HEX #7CD3FE

RGB 124 211 254

HSL 199.85, 0.98%, 0.74%

LAB 80.76, -14.78, -29.1

 

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

CMYK 39 / 83 / 0 / 0

HEX #9B2AFE

RGB 155 42 254

HSL 271.98, 0.99%, 0.58%

LAB 46.68, 78.49, -83.11

 

CMYK 0 / 6 / 83 / 0

HEX #FEF02A

RGB 254 240 42

HSL 56.04, 0.99%, 0.58%

LAB 93.26, -14.2, 86.24

 

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

CMYK 0 / 83 / 28 / 0

HEX #FE2AB7

RGB 254 42 183

HSL 320.09, 0.99%, 0.58%

LAB 58.18, 84.57, -23.47

 

CMYK 28 / 0 / 83 / 0

HEX #B7FE2A

RGB 183 254 42

HSL 80.09, 0.99%, 0.58%

LAB 92.18, -48.68, 83.4

 

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

CMYK 39 / 83 / 0 / 0

HEX #9B2AFE

RGB 155 42 254

HSL 271.98, 0.99%, 0.58%

LAB 46.68, 78.49, -83.11

 

CMYK 0 / 56 / 83 / 0

HEX #FE712A

RGB 254 113 42

HSL 20.09, 0.99%, 0.58%

LAB 64.2, 50.25, 61.82

 

CMYK 44 / 0 / 83 / 0

HEX #8DFE2A

RGB 141 254 42

HSL 91.98, 0.99%, 0.58%

LAB 90.19, -62.76, 80.89

 

CMYK 83 / 28 / 0 / 0

HEX #2CB8FE

RGB 44 184 254

HSL 200, 0.99%, 0.58%

LAB 70.85, -12.37, -44.64

 

CMYK 14 / 83 / 0 / 0

HEX #DB2AFE

RGB 219 42 254

HSL 290.09, 0.99%, 0.58%

LAB 55.96, 87.81, -67.61

 

CMYK 0 / 56 / 83 / 0

HEX #FE712A

RGB 254 113 42

HSL 20.09, 0.99%, 0.58%

LAB 64.2, 50.25, 61.82

 

CMYK 70 / 0 / 83 / 0

HEX #4DFE2A

RGB 77 254 42

HSL 110.09, 0.99%, 0.58%

LAB 88.27, -78.15, 78.45

 

Description

Color code: HEX #2CB8FE | qconv.com Color code: HEX #2CB8FE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 184 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 184 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 28 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 28% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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