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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CB399 it is the complementary color #D34C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CB399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CB399 shade: #31B394, #42C5A7, #53D7BA, #64E9CD and #75FBE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CB399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CB399 shade: #2CB399, #1BA186, #0A8F73, #007D60 and #006B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CB399 shade: #2CB59A, #2CB575, #2CB550, #2CB52C and #51B52C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CB399 shade: #2CB59A, #2CAAB5, #2C85B5, #2C60B5 and #2C3BB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CB399 shade matches the following richer shades: #2CB59A, #1AC7A5 and #07D9B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CB399 shade: #2CB59A, #3EA28F, #509084, #627E79 and #746C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CB399 shade: #2CB550, #2CB575, #2CB599, #2CACB5 and #2C87B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CB399 shade: #1C7262, #24937E, #2CB59A, #3ACFB3 and #5CD7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CB399 shade: #2CB399, #2C2CB5 and #B5632C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CB399 shade: #2CB399, #992CB5 and #B5992C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CB399 shade: #2CB399, #2C2CB5, #B52C47 and #B5B52C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CB399 shade: #2CB399, #552CB5, #B52C47 and #8CB52C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

Complementary color

CMYK 0 / 64 / 52 / 17

HEX #D34C66

RGB 211 76 102

HSL 348.44, 0.61%, 0.56%

LAB 51.81, 54.99, 14.2

 

CMYK 73 / 0 / 17 / 30

HEX #31B394

RGB 49 179 148

HSL 165.69, 0.57%, 0.45%

LAB 65.77, -42.11, 5.86

 

CMYK 66 / 0 / 15 / 23

HEX #42C5A7

RGB 66 197 167

HSL 166.26, 0.53%, 0.52%

LAB 72.15, -42.62, 4.69

 

CMYK 61 / 0 / 13 / 16

HEX #53D7BA

RGB 83 215 186

HSL 166.82, 0.62%, 0.58%

LAB 78.45, -42.93, 3.63

 

CMYK 57 / 0 / 12 / 9

HEX #64E9CD

RGB 100 233 205

HSL 167.37, 0.75%, 0.65%

LAB 84.69, -43.11, 2.66

 

CMYK 53 / 0 / 11 / 2

HEX #75FBE0

RGB 117 251 224

HSL 167.91, 0.94%, 0.72%

LAB 90.85, -43.19, 1.75

 

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

CMYK 83 / 0 / 17 / 37

HEX #1BA186

RGB 27 161 134

HSL 167.91, 0.71%, 0.37%

LAB 59.38, -40.48, 4.43

 

CMYK 93 / 0 / 20 / 44

HEX #0A8F73

RGB 10 143 115

HSL 167.37, 0.87%, 0.3%

LAB 52.89, -39.05, 5.9

 

CMYK 100 / 0 / 23 / 51

HEX #007D60

RGB 0 125 96

HSL 166.08, 1%, 0.25%

LAB 46.33, -37.06, 7.58

 

CMYK 100 / 0 / 28 / 58

HEX #006B4D

RGB 0 107 77

HSL 163.18, 1%, 0.21%

LAB 39.67, -34.46, 9.48

 

CMYK 76 / 0 / 15 / 29

HEX #2CB59A

RGB 44 181 154

HSL 168.18, 0.61%, 0.44%

LAB 66.46, -42.06, 3.52

 

CMYK 76 / 0 / 35 / 29

HEX #2CB575

RGB 44 181 117

HSL 151.97, 0.61%, 0.44%

LAB 65.65, -50.74, 22.59

 

CMYK 76 / 0 / 56 / 29

HEX #2CB550

RGB 44 181 80

HSL 135.77, 0.61%, 0.44%

LAB 65.09, -57.12, 40.87

 

CMYK 76 / 0 / 76 / 29

HEX #2CB52C

RGB 44 181 44

HSL 120, 0.61%, 0.44%

LAB 64.78, -60.95, 55.67

 

CMYK 55 / 0 / 76 / 29

HEX #51B52C

RGB 81 181 44

HSL 103.8, 0.61%, 0.44%

LAB 65.73, -53.07, 56.94

 

CMYK 76 / 0 / 15 / 29

HEX #2CB59A

RGB 44 181 154

HSL 168.18, 0.61%, 0.44%

LAB 66.46, -42.06, 3.52

 

CMYK 76 / 6 / 0 / 29

HEX #2CAAB5

RGB 44 170 181

HSL 184.82, 0.61%, 0.44%

LAB 63.85, -29.25, -15.34

 

CMYK 76 / 27 / 0 / 29

HEX #2C85B5

RGB 44 133 181

HSL 201.02, 0.61%, 0.44%

LAB 52.56, -9.63, -32.69

 

CMYK 76 / 47 / 0 / 29

HEX #2C60B5

RGB 44 96 181

HSL 217.23, 0.61%, 0.44%

LAB 41.59, 13.04, -50.08

 

CMYK 76 / 67 / 0 / 29

HEX #2C3BB5

RGB 44 59 181

HSL 233.43, 0.61%, 0.44%

LAB 31.81, 37.18, -65.99

 

CMYK 76 / 0 / 15 / 29

HEX #2CB59A

RGB 44 181 154

HSL 168.18, 0.61%, 0.44%

LAB 66.46, -42.06, 3.52

 

CMYK 87 / 0 / 17 / 22

HEX #1AC7A5

RGB 26 199 165

HSL 168.21, 0.77%, 0.44%

LAB 72.08, -48.4, 5.6

 

CMYK 97 / 0 / 18 / 15

HEX #07D9B1

RGB 7 217 177

HSL 168.57, 0.94%, 0.44%

LAB 77.78, -53.4, 7.33

 

CMYK 76 / 0 / 15 / 29

HEX #2CB59A

RGB 44 181 154

HSL 168.18, 0.61%, 0.44%

LAB 66.46, -42.06, 3.52

 

CMYK 62 / 0 / 12 / 36

HEX #3EA28F

RGB 62 162 143

HSL 168.6, 0.45%, 0.44%

LAB 60.65, -33.65, 1.28

 

CMYK 44 / 0 / 8 / 44

HEX #509084

RGB 80 144 132

HSL 168.75, 0.29%, 0.44%

LAB 55.4, -23.59, -0.04

 

CMYK 22 / 0 / 4 / 51

HEX #627E79

RGB 98 126 121

HSL 169.29, 0.13%, 0.44%

LAB 50.57, -11.15, -0.59

 

CMYK 0 / 7 / 5 / 55

HEX #746C6E

RGB 116 108 110

HSL 345, 0.04%, 0.44%

LAB 46.4, 3.51, 0

 

CMYK 76 / 0 / 56 / 29

HEX #2CB550

RGB 44 181 80

HSL 135.77, 0.61%, 0.44%

LAB 65.09, -57.12, 40.87

 

CMYK 76 / 0 / 35 / 29

HEX #2CB575

RGB 44 181 117

HSL 151.97, 0.61%, 0.44%

LAB 65.65, -50.74, 22.59

 

CMYK 76 / 0 / 15 / 29

HEX #2CB599

RGB 44 181 153

HSL 167.74, 0.61%, 0.44%

LAB 66.43, -42.32, 4.04

 

CMYK 76 / 5 / 0 / 29

HEX #2CACB5

RGB 44 172 181

HSL 183.94, 0.61%, 0.44%

LAB 64.46, -30.22, -14.41

 

CMYK 76 / 25 / 0 / 29

HEX #2C87B5

RGB 44 135 181

HSL 200.15, 0.61%, 0.44%

LAB 53.17, -10.77, -31.74

 

CMYK 75 / 0 / 14 / 55

HEX #1C7262

RGB 28 114 98

HSL 168.84, 0.61%, 0.28%

LAB 43.01, -29, 1.67

 

CMYK 76 / 0 / 14 / 42

HEX #24937E

RGB 36 147 126

HSL 168.65, 0.61%, 0.36%

LAB 54.81, -35.46, 2.39

 

CMYK 76 / 0 / 15 / 29

HEX #2CB59A

RGB 44 181 154

HSL 168.18, 0.61%, 0.44%

LAB 66.46, -42.06, 3.52

 

CMYK 72 / 0 / 14 / 19

HEX #3ACFB3

RGB 58 207 179

HSL 168.72, 0.61%, 0.52%

LAB 75.31, -45.06, 2.76

 

CMYK 57 / 0 / 11 / 16

HEX #5CD7C0

RGB 92 215 192

HSL 168.78, 0.61%, 0.6%

LAB 78.86, -39.79, 1.04

 

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

CMYK 76 / 76 / 0 / 29

HEX #2C2CB5

RGB 44 44 181

HSL 240, 0.61%, 0.44%

LAB 28.57, 46.1, -71.32

 

CMYK 0 / 45 / 76 / 29

HEX #B5632C

RGB 181 99 44

HSL 24.09, 0.61%, 0.44%

LAB 50.6, 28.82, 44.32

 

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

CMYK 15 / 76 / 0 / 29

HEX #992CB5

RGB 153 44 181

HSL 287.74, 0.61%, 0.44%

LAB 41.07, 62.74, -50.39

 

CMYK 0 / 15 / 76 / 29

HEX #B5992C

RGB 181 153 44

HSL 47.74, 0.61%, 0.44%

LAB 63.99, -0.97, 57.48

 

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

CMYK 76 / 76 / 0 / 29

HEX #2C2CB5

RGB 44 44 181

HSL 240, 0.61%, 0.44%

LAB 28.57, 46.1, -71.32

 

CMYK 0 / 76 / 61 / 29

HEX #B52C47

RGB 181 44 71

HSL 348.18, 0.61%, 0.44%

LAB 41.34, 55.55, 18.06

 

CMYK 0 / 0 / 76 / 29

HEX #B5B52C

RGB 181 181 44

HSL 60, 0.61%, 0.44%

LAB 71.59, -15.67, 64.57

 

CMYK 75 / 0 / 15 / 30

HEX #2CB399

RGB 44 179 153

HSL 168.44, 0.61%, 0.44%

LAB 65.81, -41.45, 3.14

 

CMYK 53 / 76 / 0 / 29

HEX #552CB5

RGB 85 44 181

HSL 257.96, 0.61%, 0.44%

LAB 31.96, 50.79, -65.61

 

CMYK 0 / 76 / 61 / 29

HEX #B52C47

RGB 181 44 71

HSL 348.18, 0.61%, 0.44%

LAB 41.34, 55.55, 18.06

 

CMYK 23 / 0 / 76 / 29

HEX #8CB52C

RGB 140 181 44

HSL 77.96, 0.61%, 0.44%

LAB 68.61, -32.82, 60.71

 

Description

Color code: HEX #2CB399 | qconv.com Color code: HEX #2CB399 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 179 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 179 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 15 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 15% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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