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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CAEE5 it is the complementary color #D3511A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CAEE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CAEE5 shade: #31AEE0, #42C0F3, #53D2FF, #64E4FF and #75F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CAEE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CAEE5 shade: #2CAEE5, #1B9CD2, #0A8ABF, #0078AC and #006699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CAEE5 shade: #2EAFE5, #2E7DE5, #2E4CE5, #422EE5 and #732EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CAEE5 shade: #2EAFE5, #2E7DE5, #2E4CE5 and #2E2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CAEE5 shade matches the following richer shades: #2EAFE5 and #1BB6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CAEE5 shade: #2EAFE5, #41A7D2, #549FBF, #6798AC and #7A9099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CAEE5 shade: #2EE5B7, #2EE2E5, #2EB1E5, #2E81E5 and #2E50E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CAEE5 shade: #157FAC, #1A9AD0, #2EAFE5, #53BDEA and #78CBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CAEE5 shade: #2CAEE5, #872EE5 and #E5D02E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CAEE5 shade: #2CAEE5, #E52EB1 and #B1E52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CAEE5 shade: #2CAEE5, #872EE5, #E5622E and #8DE52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CAEE5 shade: #2CAEE5, #BE2EE5, #E5622E and #56E52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

Complementary color

CMYK 0 / 62 / 88 / 17

HEX #D3511A

RGB 211 81 26

HSL 17.84, 0.78%, 0.46%

LAB 51.62, 48.94, 54.74

 

CMYK 78 / 22 / 0 / 12

HEX #31AEE0

RGB 49 174 224

HSL 197.14, 0.74%, 0.54%

LAB 66.75, -16.81, -34.7

 

CMYK 73 / 21 / 0 / 5

HEX #42C0F3

RGB 66 192 243

HSL 197.29, 0.88%, 0.61%

LAB 73.11, -18.1, -35.15

 

CMYK 67 / 18 / 0 / 0

HEX #53D2FF

RGB 83 210 255

HSL 195.7, 1%, 0.66%

LAB 79.13, -21.31, -32.25

 

CMYK 61 / 11 / 0 / 0

HEX #64E4FF

RGB 100 228 255

HSL 190.45, 1%, 0.7%

LAB 84.7, -27.61, -23.69

 

CMYK 54 / 4 / 0 / 0

HEX #75F6FF

RGB 117 246 255

HSL 183.91, 1%, 0.73%

LAB 90.28, -33.18, -15.21

 

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

CMYK 87 / 26 / 0 / 18

HEX #1B9CD2

RGB 27 156 210

HSL 197.7, 0.77%, 0.46%

LAB 60.48, -13.76, -36.74

 

CMYK 95 / 28 / 0 / 25

HEX #0A8ABF

RGB 10 138 191

HSL 197.57, 0.9%, 0.39%

LAB 54.03, -11.48, -36.14

 

CMYK 100 / 30 / 0 / 33

HEX #0078AC

RGB 0 120 172

HSL 198.14, 1%, 0.34%

LAB 47.51, -8.67, -35.45

 

CMYK 100 / 33 / 0 / 40

HEX #006699

RGB 0 102 153

HSL 200, 1%, 0.3%

LAB 40.9, -5.34, -34.68

 

CMYK 80 / 24 / 0 / 10

HEX #2EAFE5

RGB 46 175 229

HSL 197.7, 0.78%, 0.54%

LAB 67.2, -15.94, -36.75

 

CMYK 80 / 45 / 0 / 10

HEX #2E7DE5

RGB 46 125 229

HSL 214.1, 0.78%, 0.54%

LAB 52.85, 13.03, -59.47

 

CMYK 80 / 67 / 0 / 10

HEX #2E4CE5

RGB 46 76 229

HSL 230.16, 0.78%, 0.54%

LAB 40.26, 43.86, -79.94

 

CMYK 71 / 80 / 0 / 10

HEX #422EE5

RGB 66 46 229

HSL 246.56, 0.78%, 0.54%

LAB 35.54, 61.58, -87.7

 

CMYK 50 / 80 / 0 / 10

HEX #732EE5

RGB 115 46 229

HSL 262.62, 0.78%, 0.54%

LAB 40.01, 66.46, -80.17

 

CMYK 80 / 24 / 0 / 10

HEX #2EAFE5

RGB 46 175 229

HSL 197.7, 0.78%, 0.54%

LAB 67.2, -15.94, -36.75

 

CMYK 80 / 45 / 0 / 10

HEX #2E7DE5

RGB 46 125 229

HSL 214.1, 0.78%, 0.54%

LAB 52.85, 13.03, -59.47

 

CMYK 80 / 67 / 0 / 10

HEX #2E4CE5

RGB 46 76 229

HSL 230.16, 0.78%, 0.54%

LAB 40.26, 43.86, -79.94

 

CMYK 80 / 80 / 0 / 10

HEX #2E2EE5

RGB 46 46 229

HSL 240, 0.78%, 0.54%

LAB 34.38, 60.33, -89.65

 

CMYK 80 / 24 / 0 / 10

HEX #2EAFE5

RGB 46 175 229

HSL 197.7, 0.78%, 0.54%

LAB 67.2, -15.94, -36.75

 

CMYK 89 / 27 / 0 / 3

HEX #1BB6F8

RGB 27 182 248

HSL 197.92, 0.94%, 0.54%

LAB 69.8, -14.46, -43.06

 

CMYK 80 / 24 / 0 / 10

HEX #2EAFE5

RGB 46 175 229

HSL 197.7, 0.78%, 0.54%

LAB 67.2, -15.94, -36.75

 

CMYK 69 / 20 / 0 / 18

HEX #41A7D2

RGB 65 167 210

HSL 197.79, 0.62%, 0.54%

LAB 64.5, -15.73, -30.45

 

CMYK 56 / 17 / 0 / 25

HEX #549FBF

RGB 84 159 191

HSL 197.94, 0.46%, 0.54%

LAB 62.03, -14.05, -23.6

 

CMYK 40 / 12 / 0 / 33

HEX #6798AC

RGB 103 152 172

HSL 197.39, 0.29%, 0.54%

LAB 60.18, -11.14, -15.64

 

CMYK 20 / 6 / 0 / 40

HEX #7A9099

RGB 122 144 153

HSL 197.42, 0.13%, 0.54%

LAB 58.4, -5.76, -7.38

 

CMYK 80 / 0 / 20 / 10

HEX #2EE5B7

RGB 46 229 183

HSL 164.92, 0.78%, 0.54%

LAB 81.86, -54.46, 10.02

 

CMYK 80 / 1 / 0 / 10

HEX #2EE2E5

RGB 46 226 229

HSL 180.98, 0.78%, 0.54%

LAB 82.18, -40.95, -13.86

 

CMYK 80 / 23 / 0 / 10

HEX #2EB1E5

RGB 46 177 229

HSL 197.05, 0.78%, 0.54%

LAB 67.79, -17, -35.84

 

CMYK 80 / 44 / 0 / 10

HEX #2E81E5

RGB 46 129 229

HSL 212.79, 0.78%, 0.54%

LAB 53.96, 10.56, -57.67

 

CMYK 80 / 65 / 0 / 10

HEX #2E50E5

RGB 46 80 229

HSL 228.85, 0.78%, 0.54%

LAB 41.18, 41.41, -78.43

 

CMYK 88 / 26 / 0 / 33

HEX #157FAC

RGB 21 127 172

HSL 197.88, 0.78%, 0.38%

LAB 49.88, -11.7, -31.72

 

CMYK 88 / 26 / 0 / 18

HEX #1A9AD0

RGB 26 154 208

HSL 197.8, 0.78%, 0.46%

LAB 59.78, -13.43, -36.72

 

CMYK 80 / 24 / 0 / 10

HEX #2EAFE5

RGB 46 175 229

HSL 197.7, 0.78%, 0.54%

LAB 67.2, -15.94, -36.75

 

CMYK 65 / 19 / 0 / 8

HEX #53BDEA

RGB 83 189 234

HSL 197.88, 0.78%, 0.62%

LAB 72.35, -16.98, -31.43

 

CMYK 50 / 15 / 0 / 7

HEX #78CBEE

RGB 120 203 238

HSL 197.8, 0.78%, 0.7%

LAB 77.8, -15.97, -25.09

 

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

CMYK 41 / 80 / 0 / 10

HEX #872EE5

RGB 135 46 229

HSL 269.18, 0.78%, 0.54%

LAB 42.4, 69.1, -76.15

 

CMYK 0 / 9 / 80 / 10

HEX #E5D02E

RGB 229 208 46

HSL 53.11, 0.78%, 0.54%

LAB 82.9, -8.71, 75.62

 

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

CMYK 0 / 80 / 23 / 10

HEX #E52EB1

RGB 229 46 177

HSL 317.05, 0.78%, 0.54%

LAB 53.8, 77.62, -27.1

 

CMYK 23 / 0 / 80 / 10

HEX #B1E52E

RGB 177 229 46

HSL 77.05, 0.78%, 0.54%

LAB 84.78, -40.02, 75.83

 

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

CMYK 41 / 80 / 0 / 10

HEX #872EE5

RGB 135 46 229

HSL 269.18, 0.78%, 0.54%

LAB 42.4, 69.1, -76.15

 

CMYK 0 / 57 / 80 / 10

HEX #E5622E

RGB 229 98 46

HSL 17.05, 0.78%, 0.54%

LAB 57.65, 48.21, 52.75

 

CMYK 38 / 0 / 80 / 10

HEX #8DE52E

RGB 141 229 46

HSL 88.85, 0.78%, 0.54%

LAB 82.86, -53, 73.37

 

CMYK 81 / 24 / 0 / 10

HEX #2CAEE5

RGB 44 174 229

HSL 197.84, 0.78%, 0.54%

LAB 66.87, -15.58, -37.26

 

CMYK 17 / 80 / 0 / 10

HEX #BE2EE5

RGB 190 46 229

HSL 287.21, 0.78%, 0.54%

LAB 50.17, 77.75, -63.17

 

CMYK 0 / 57 / 80 / 10

HEX #E5622E

RGB 229 98 46

HSL 17.05, 0.78%, 0.54%

LAB 57.65, 48.21, 52.75

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

Description

Color code: HEX #2CAEE5 | qconv.com Color code: HEX #2CAEE5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 174 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 174 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 24 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 24% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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