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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9876 it is the complementary color #D36789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9876 shade: #319871, #42AA84, #53BC97, #64CEAA and #75E0BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9876 shade: #2C9876, #1B8663, #0A7450, #00623D and #00502A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9876 shade: #2C9675, #2C9658, #2C963B, #39962C and #56962C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9876 shade: #2C9675, #2C9691, #2C7E96, #2C6296 and #2C4596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9876 shade matches the following richer shades: #2C9675, #1CA67A and #0CB680

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9876 shade: #2C9675, #3B876F, #4B7769, #5B6763 and #6A575D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9876 shade: #2C963C, #2C9658, #2C9674, #2C9691 and #2C7F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9876 shade: #195643, #22765C, #2C9675, #35B68D and #4ACAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9876 shade: #2C9876, #2C3896 and #964A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9876 shade: #2C9876, #742C96 and #96742C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9876 shade: #2C9876, #2C3896, #962C4D and #968A2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9876 shade: #2C9876, #3F2C96, #962C4D and #83962C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

Complementary color

CMYK 0 / 51 / 35 / 17

HEX #D36789

RGB 211 103 137

HSL 341.11, 0.55%, 0.62%

LAB 57.42, 46.06, 1.48

 

CMYK 68 / 0 / 26 / 40

HEX #319871

RGB 49 152 113

HSL 157.28, 0.51%, 0.39%

LAB 56.39, -38.99, 12.08

 

CMYK 61 / 0 / 22 / 33

HEX #42AA84

RGB 66 170 132

HSL 158.08, 0.44%, 0.46%

LAB 62.99, -39.23, 10.8

 

CMYK 56 / 0 / 20 / 26

HEX #53BC97

RGB 83 188 151

HSL 158.86, 0.44%, 0.53%

LAB 69.5, -39.29, 9.66

 

CMYK 51 / 0 / 17 / 19

HEX #64CEAA

RGB 100 206 170

HSL 159.62, 0.52%, 0.6%

LAB 75.92, -39.25, 8.61

 

CMYK 48 / 0 / 16 / 12

HEX #75E0BD

RGB 117 224 189

HSL 160.37, 0.63%, 0.67%

LAB 82.25, -39.14, 7.65

 

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

CMYK 80 / 0 / 26 / 47

HEX #1B8663

RGB 27 134 99

HSL 160.37, 0.66%, 0.32%

LAB 49.72, -37.93, 10.66

 

CMYK 91 / 0 / 31 / 55

HEX #0A7450

RGB 10 116 80

HSL 159.62, 0.84%, 0.25%

LAB 42.97, -36.71, 12.3

 

CMYK 100 / 0 / 38 / 62

HEX #00623D

RGB 0 98 61

HSL 157.35, 1%, 0.19%

LAB 36.12, -34.73, 14.22

 

CMYK 100 / 0 / 48 / 69

HEX #00502A

RGB 0 80 42

HSL 151.5, 1%, 0.16%

LAB 29.17, -31.81, 16.44

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 71 / 0 / 41 / 41

HEX #2C9658

RGB 44 150 88

HSL 144.91, 0.55%, 0.38%

LAB 55.13, -44.38, 24.25

 

CMYK 71 / 0 / 61 / 41

HEX #2C963B

RGB 44 150 59

HSL 128.49, 0.55%, 0.38%

LAB 54.72, -49, 38.73

 

CMYK 62 / 0 / 71 / 41

HEX #39962C

RGB 57 150 44

HSL 112.64, 0.55%, 0.38%

LAB 54.93, -47.81, 45.73

 

CMYK 43 / 0 / 71 / 41

HEX #56962C

RGB 86 150 44

HSL 96.23, 0.55%, 0.38%

LAB 56.06, -39.22, 47.26

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 71 / 0 / 3 / 41

HEX #2C9691

RGB 44 150 145

HSL 177.17, 0.55%, 0.38%

LAB 56.48, -30.39, -6.04

 

CMYK 71 / 16 / 0 / 41

HEX #2C7E96

RGB 44 126 150

HSL 193.58, 0.55%, 0.38%

LAB 49.08, -16.43, -20.1

 

CMYK 71 / 35 / 0 / 41

HEX #2C6296

RGB 44 98 150

HSL 209.43, 0.55%, 0.38%

LAB 40.37, 0.05, -33.67

 

CMYK 71 / 54 / 0 / 41

HEX #2C4596

RGB 44 69 150

HSL 225.85, 0.55%, 0.38%

LAB 31.79, 19.09, -47.37

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 83 / 0 / 27 / 35

HEX #1CA67A

RGB 28 166 122

HSL 160.87, 0.71%, 0.38%

LAB 60.71, -45.53, 13.04

 

CMYK 93 / 0 / 30 / 29

HEX #0CB680

RGB 12 182 128

HSL 160.94, 0.88%, 0.38%

LAB 65.82, -51.48, 16.83

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 56 / 0 / 18 / 47

HEX #3B876F

RGB 59 135 111

HSL 161.05, 0.39%, 0.38%

LAB 51.16, -29.65, 5.86

 

CMYK 37 / 0 / 12 / 53

HEX #4B7769

RGB 75 119 105

HSL 160.91, 0.23%, 0.38%

LAB 46.59, -18.62, 2.9

 

CMYK 12 / 0 / 4 / 60

HEX #5B6763

RGB 91 103 99

HSL 160, 0.06%, 0.38%

LAB 42.5, -5.45, 0.69

 

CMYK 0 / 18 / 12 / 58

HEX #6A575D

RGB 106 87 93

HSL 341.05, 0.1%, 0.38%

LAB 39.02, 8.9, -0.54

 

CMYK 71 / 0 / 60 / 41

HEX #2C963C

RGB 44 150 60

HSL 129.06, 0.55%, 0.38%

LAB 54.74, -48.87, 38.26

 

CMYK 71 / 0 / 41 / 41

HEX #2C9658

RGB 44 150 88

HSL 144.91, 0.55%, 0.38%

LAB 55.13, -44.38, 24.25

 

CMYK 71 / 0 / 23 / 41

HEX #2C9674

RGB 44 150 116

HSL 160.75, 0.55%, 0.38%

LAB 55.69, -38.24, 9.39

 

CMYK 71 / 0 / 3 / 41

HEX #2C9691

RGB 44 150 145

HSL 177.17, 0.55%, 0.38%

LAB 56.48, -30.39, -6.04

 

CMYK 71 / 15 / 0 / 41

HEX #2C7F96

RGB 44 127 150

HSL 193.02, 0.55%, 0.38%

LAB 49.39, -16.98, -19.62

 

CMYK 71 / 0 / 22 / 66

HEX #195643

RGB 25 86 67

HSL 161.31, 0.55%, 0.22%

LAB 32.41, -24.59, 5.45

 

CMYK 71 / 0 / 22 / 54

HEX #22765C

RGB 34 118 92

HSL 161.43, 0.55%, 0.3%

LAB 44.33, -31.57, 7.18

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 71 / 0 / 23 / 29

HEX #35B68D

RGB 53 182 141

HSL 160.93, 0.55%, 0.46%

LAB 66.62, -44.54, 10.94

 

CMYK 63 / 0 / 20 / 21

HEX #4ACAA2

RGB 74 202 162

HSL 161.25, 0.55%, 0.54%

LAB 73.74, -44.64, 9.7

 

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

CMYK 71 / 63 / 0 / 41

HEX #2C3896

RGB 44 56 150

HSL 233.21, 0.55%, 0.38%

LAB 28.29, 27.83, -53.07

 

CMYK 0 / 51 / 71 / 41

HEX #964A2C

RGB 150 74 44

HSL 16.98, 0.55%, 0.38%

LAB 40.51, 29.47, 32.08

 

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

CMYK 23 / 71 / 0 / 41

HEX #742C96

RGB 116 44 150

HSL 280.75, 0.55%, 0.38%

LAB 33.39, 48.7, -44.45

 

CMYK 0 / 23 / 71 / 41

HEX #96742C

RGB 150 116 44

HSL 40.75, 0.55%, 0.38%

LAB 50.87, 5.54, 43.37

 

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

CMYK 71 / 63 / 0 / 41

HEX #2C3896

RGB 44 56 150

HSL 233.21, 0.55%, 0.38%

LAB 28.29, 27.83, -53.07

 

CMYK 0 / 71 / 49 / 41

HEX #962C4D

RGB 150 44 77

HSL 341.32, 0.55%, 0.38%

LAB 35.64, 46.53, 5.46

 

CMYK 0 / 8 / 71 / 41

HEX #968A2C

RGB 150 138 44

HSL 53.21, 0.55%, 0.38%

LAB 56.92, -6.76, 49.57

 

CMYK 71 / 0 / 22 / 40

HEX #2C9876

RGB 44 152 118

HSL 161.11, 0.55%, 0.38%

LAB 56.39, -38.62, 9.23

 

CMYK 58 / 71 / 0 / 41

HEX #3F2C96

RGB 63 44 150

HSL 250.75, 0.55%, 0.38%

LAB 26.91, 38.27, -55.27

 

CMYK 0 / 71 / 49 / 41

HEX #962C4D

RGB 150 44 77

HSL 341.32, 0.55%, 0.38%

LAB 35.64, 46.53, 5.46

 

CMYK 13 / 0 / 71 / 41

HEX #83962C

RGB 131 150 44

HSL 70.75, 0.55%, 0.38%

LAB 58.81, -21.52, 50.94

 

Description

Color code: HEX #2C9876 | qconv.com Color code: HEX #2C9876 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 152 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 152 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 22 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 22% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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