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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9626 it is the complementary color #D369D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9626 shade: #319621, #42A834, #53BA47, #64CC5A and #75DE6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9626 shade: #2C9626, #1B8413, #0A7200, #006000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9626 shade: #2C9726, #4A9726, #699726, #879726 and #978826

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9626 shade: #2C9726, #26973E, #26975D, #26977B and #269497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9626 shade matches the following richer shades: #2C9726, #1EA616 and #11B507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9626 shade: #2C9726, #398835, #477844, #556954 and #625A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9626 shade: #6A9726, #4B9726, #2D9726, #26973C and #26975B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9626 shade: #195515, #22761D, #2C9726, #35B82E and #48CF40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9626 shade: #2C9626, #268897 and #97265B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9626 shade: #2C9626, #262D97 and #97262D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9626 shade: #2C9626, #268897, #8F2697 and #973526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9626 shade: #2C9626, #266697, #8F2697 and #975726

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

Complementary color

CMYK 3 / 52 / 0 / 15

HEX #D369D9

RGB 211 105 217

HSL 296.79, 0.6%, 0.63%

LAB 60.75, 57.26, -39.38

 

CMYK 67 / 0 / 78 / 41

HEX #319621

RGB 49 150 33

HSL 111.79, 0.64%, 0.36%

LAB 54.63, -50.54, 49.5

 

CMYK 61 / 0 / 69 / 34

HEX #42A834

RGB 66 168 52

HSL 112.76, 0.53%, 0.43%

LAB 61.14, -51.52, 49.11

 

CMYK 55 / 0 / 62 / 27

HEX #53BA47

RGB 83 186 71

HSL 113.74, 0.45%, 0.5%

LAB 67.58, -52.06, 48.2

 

CMYK 51 / 0 / 56 / 20

HEX #64CC5A

RGB 100 204 90

HSL 114.74, 0.53%, 0.58%

LAB 73.95, -52.32, 47.06

 

CMYK 47 / 0 / 51 / 13

HEX #75DE6D

RGB 117 222 109

HSL 115.75, 0.63%, 0.65%

LAB 80.25, -52.39, 45.84

 

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

CMYK 80 / 0 / 86 / 48

HEX #1B8413

RGB 27 132 19

HSL 115.75, 0.75%, 0.3%

LAB 47.98, -49.42, 47.4

 

CMYK 91 / 0 / 100 / 55

HEX #0A7200

RGB 10 114 0

HSL 114.74, 1%, 0.22%

LAB 41.37, -46.65, 46.05

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 71 / 0 / 75 / 41

HEX #2C9726

RGB 44 151 38

HSL 116.81, 0.6%, 0.37%

LAB 54.87, -51.53, 47.91

 

CMYK 51 / 0 / 75 / 41

HEX #4A9726

RGB 74 151 38

HSL 100.88, 0.6%, 0.37%

LAB 55.82, -43.99, 49.16

 

CMYK 30 / 0 / 75 / 41

HEX #699726

RGB 105 151 38

HSL 84.42, 0.6%, 0.37%

LAB 57.34, -33.09, 51.19

 

CMYK 11 / 0 / 75 / 41

HEX #879726

RGB 135 151 38

HSL 68.5, 0.6%, 0.37%

LAB 59.36, -20.63, 53.84

 

CMYK 0 / 10 / 75 / 41

HEX #978826

RGB 151 136 38

HSL 52.04, 0.6%, 0.37%

LAB 56.41, -5.52, 51.49

 

CMYK 71 / 0 / 75 / 41

HEX #2C9726

RGB 44 151 38

HSL 116.81, 0.6%, 0.37%

LAB 54.87, -51.53, 47.91

 

CMYK 75 / 0 / 59 / 41

HEX #26973E

RGB 38 151 62

HSL 132.74, 0.6%, 0.37%

LAB 54.96, -50.02, 37.53

 

CMYK 75 / 0 / 38 / 41

HEX #26975D

RGB 38 151 93

HSL 149.2, 0.6%, 0.37%

LAB 55.42, -44.77, 21.87

 

CMYK 75 / 0 / 19 / 41

HEX #26977B

RGB 38 151 123

HSL 165.13, 0.6%, 0.37%

LAB 56.06, -37.79, 5.91

 

CMYK 75 / 2 / 0 / 41

HEX #269497

RGB 38 148 151

HSL 181.59, 0.6%, 0.37%

LAB 55.91, -28.4, -10.33

 

CMYK 71 / 0 / 75 / 41

HEX #2C9726

RGB 44 151 38

HSL 116.81, 0.6%, 0.37%

LAB 54.87, -51.53, 47.91

 

CMYK 82 / 0 / 87 / 35

HEX #1EA616

RGB 30 166 22

HSL 116.67, 0.77%, 0.37%

LAB 59.53, -59.53, 57.05

 

CMYK 91 / 0 / 96 / 29

HEX #11B507

RGB 17 181 7

HSL 116.55, 0.93%, 0.37%

LAB 64.31, -65.59, 63.55

 

CMYK 71 / 0 / 75 / 41

HEX #2C9726

RGB 44 151 38

HSL 116.81, 0.6%, 0.37%

LAB 54.87, -51.53, 47.91

 

CMYK 58 / 0 / 61 / 47

HEX #398835

RGB 57 136 53

HSL 117.11, 0.44%, 0.37%

LAB 50.38, -41.45, 36.69

 

CMYK 41 / 0 / 43 / 53

HEX #477844

RGB 71 120 68

HSL 116.54, 0.28%, 0.37%

LAB 45.89, -27.95, 23.46

 

CMYK 19 / 0 / 20 / 59

HEX #556954

RGB 85 105 84

HSL 117.14, 0.11%, 0.37%

LAB 42.27, -12.02, 9.38

 

CMYK 1 / 9 / 0 / 61

HEX #625A63

RGB 98 90 99

HSL 293.33, 0.05%, 0.37%

LAB 39.26, 5.08, -4

 

CMYK 30 / 0 / 75 / 41

HEX #6A9726

RGB 106 151 38

HSL 83.89, 0.6%, 0.37%

LAB 57.4, -32.7, 51.26

 

CMYK 50 / 0 / 75 / 41

HEX #4B9726

RGB 75 151 38

HSL 100.35, 0.6%, 0.37%

LAB 55.86, -43.68, 49.22

 

CMYK 70 / 0 / 75 / 41

HEX #2D9726

RGB 45 151 38

HSL 116.28, 0.6%, 0.37%

LAB 54.9, -51.33, 47.94

 

CMYK 75 / 0 / 60 / 41

HEX #26973C

RGB 38 151 60

HSL 131.68, 0.6%, 0.37%

LAB 54.94, -50.28, 38.47

 

CMYK 75 / 0 / 40 / 41

HEX #26975B

RGB 38 151 91

HSL 148.14, 0.6%, 0.37%

LAB 55.38, -45.17, 22.92

 

CMYK 71 / 0 / 75 / 67

HEX #195515

RGB 25 85 21

HSL 116.25, 0.6%, 0.21%

LAB 31.25, -32.92, 30.38

 

CMYK 71 / 0 / 75 / 54

HEX #22761D

RGB 34 118 29

HSL 116.63, 0.61%, 0.29%

LAB 43.34, -42.66, 39.59

 

CMYK 71 / 0 / 75 / 41

HEX #2C9726

RGB 44 151 38

HSL 116.81, 0.6%, 0.37%

LAB 54.87, -51.53, 47.91

 

CMYK 71 / 0 / 75 / 28

HEX #35B82E

RGB 53 184 46

HSL 116.96, 0.6%, 0.45%

LAB 65.93, -60.28, 56.19

 

CMYK 65 / 0 / 69 / 19

HEX #48CF40

RGB 72 207 64

HSL 116.64, 0.6%, 0.53%

LAB 73.79, -62.81, 57.77

 

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

CMYK 75 / 10 / 0 / 41

HEX #268897

RGB 38 136 151

HSL 187.96, 0.6%, 0.37%

LAB 52.12, -22.3, -16.05

 

CMYK 0 / 75 / 40 / 41

HEX #97265B

RGB 151 38 91

HSL 331.86, 0.6%, 0.37%

LAB 35.44, 50.52, -3.81

 

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

CMYK 75 / 70 / 0 / 41

HEX #262D97

RGB 38 45 151

HSL 236.28, 0.6%, 0.37%

LAB 25.33, 34.61, -58.54

 

CMYK 0 / 75 / 70 / 41

HEX #97262D

RGB 151 38 45

HSL 356.28, 0.6%, 0.37%

LAB 34.3, 46.79, 24.23

 

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

CMYK 75 / 10 / 0 / 41

HEX #268897

RGB 38 136 151

HSL 187.96, 0.6%, 0.37%

LAB 52.12, -22.3, -16.05

 

CMYK 5 / 75 / 0 / 41

HEX #8F2697

RGB 143 38 151

HSL 295.75, 0.6%, 0.37%

LAB 36.86, 57.2, -39.27

 

CMYK 0 / 65 / 75 / 41

HEX #973526

RGB 151 53 38

HSL 7.96, 0.6%, 0.37%

LAB 36.49, 40.21, 31.02

 

CMYK 71 / 0 / 75 / 41

HEX #2C9626

RGB 44 150 38

HSL 116.79, 0.6%, 0.37%

LAB 54.54, -51.19, 47.57

 

CMYK 75 / 32 / 0 / 41

HEX #266697

RGB 38 102 151

HSL 206.02, 0.6%, 0.37%

LAB 41.45, -2.97, -32.57

 

CMYK 5 / 75 / 0 / 41

HEX #8F2697

RGB 143 38 151

HSL 295.75, 0.6%, 0.37%

LAB 36.86, 57.2, -39.27

 

CMYK 0 / 42 / 75 / 41

HEX #975726

RGB 151 87 38

HSL 26.02, 0.6%, 0.37%

LAB 43.56, 22.32, 38.64

 

Description

Color code: HEX #2C9626 | qconv.com Color code: HEX #2C9626 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 150 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 150 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 75 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 75% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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