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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C884D it is the complementary color #D377B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C884D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C884D shade: #318848, #429A5B, #53AC6E, #64BE81 and #75D094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C884D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C884D shade: #2C884D, #1B763A, #0A6427, #005214 and #004001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C884D shade: #2C874C, #2C8734, #3C872C, #55872C and #6D872C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C884D shade: #2C874C, #2C8765, #2C877D, #2C7887 and #2C5F87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C884D shade matches the following richer shades: #2C874C, #1D9548, #0FA444 and #00B240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C884D shade: #2C874C, #3A7850, #496A55, #575B59 and #654D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C884D shade: #3C872C, #2C8733, #2C874C, #2C8764 and #2C877C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C884D shade: #184829, #22683B, #2C874C, #36A65E and #43C271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C884D shade: #2C884D, #2C5587 and #872C30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C884D shade: #2C884D, #4C2C87 and #874C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C884D shade: #2C884D, #2C5587, #872C67 and #875E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C884D shade: #2C884D, #2C3987, #872C67 and #87792C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

Complementary color

CMYK 0 / 44 / 16 / 17

HEX #D377B2

RGB 211 119 178

HSL 321.52, 0.51%, 0.65%

LAB 61.88, 43.64, -15.56

 

CMYK 64 / 0 / 47 / 47

HEX #318848

RGB 49 136 72

HSL 135.86, 0.47%, 0.36%

LAB 50.37, -40.65, 26.82

 

CMYK 57 / 0 / 41 / 40

HEX #429A5B

RGB 66 154 91

HSL 137.05, 0.4%, 0.43%

LAB 57.1, -40.8, 25.33

 

CMYK 52 / 0 / 36 / 33

HEX #53AC6E

RGB 83 172 110

HSL 138.2, 0.35%, 0.5%

LAB 63.73, -40.75, 23.95

 

CMYK 47 / 0 / 32 / 25

HEX #64BE81

RGB 100 190 129

HSL 139.33, 0.41%, 0.57%

LAB 70.26, -40.59, 22.69

 

CMYK 44 / 0 / 29 / 18

HEX #75D094

RGB 117 208 148

HSL 140.44, 0.49%, 0.64%

LAB 76.7, -40.37, 21.52

 

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

CMYK 77 / 0 / 51 / 54

HEX #1B763A

RGB 27 118 58

HSL 140.44, 0.63%, 0.28%

LAB 43.5, -40.17, 25.63

 

CMYK 90 / 0 / 61 / 61

HEX #0A6427

RGB 10 100 39

HSL 139.33, 0.82%, 0.22%

LAB 36.6, -38.79, 27.39

 

CMYK 100 / 0 / 76 / 68

HEX #005214

RGB 0 82 20

HSL 134.63, 1%, 0.16%

LAB 29.63, -36.17, 28.97

 

CMYK 100 / 0 / 98 / 75

HEX #004001

RGB 0 64 1

HSL 120.94, 1%, 0.13%

LAB 22.55, -31.92, 29.72

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 67 / 0 / 61 / 47

HEX #2C8734

RGB 44 135 52

HSL 125.27, 0.51%, 0.35%

LAB 49.63, -44.34, 36.21

 

CMYK 56 / 0 / 67 / 47

HEX #3C872C

RGB 60 135 44

HSL 109.45, 0.51%, 0.35%

LAB 50.06, -41.22, 40.56

 

CMYK 37 / 0 / 67 / 47

HEX #55872C

RGB 85 135 44

HSL 92.97, 0.51%, 0.35%

LAB 51.2, -32.93, 42.12

 

CMYK 19 / 0 / 67 / 47

HEX #6D872C

RGB 109 135 44

HSL 77.14, 0.51%, 0.35%

LAB 52.69, -23.33, 44.15

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 67 / 0 / 25 / 47

HEX #2C8765

RGB 44 135 101

HSL 157.58, 0.51%, 0.35%

LAB 50.46, -35.26, 10.59

 

CMYK 67 / 0 / 7 / 47

HEX #2C877D

RGB 44 135 125

HSL 173.41, 0.51%, 0.35%

LAB 51.09, -28.91, -2.45

 

CMYK 67 / 11 / 0 / 47

HEX #2C7887

RGB 44 120 135

HSL 189.89, 0.51%, 0.35%

LAB 46.6, -18.11, -15.05

 

CMYK 67 / 30 / 0 / 47

HEX #2C5F87

RGB 44 95 135

HSL 206.37, 0.51%, 0.35%

LAB 38.67, -3.58, -27.29

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 81 / 0 / 52 / 42

HEX #1D9548

RGB 29 149 72

HSL 141.5, 0.67%, 0.35%

LAB 54.26, -49.11, 31.62

 

CMYK 91 / 0 / 59 / 36

HEX #0FA444

RGB 15 164 68

HSL 141.34, 0.83%, 0.35%

LAB 59.04, -56.18, 39.36

 

CMYK 100 / 0 / 64 / 30

HEX #00B240

RGB 0 178 64

HSL 141.57, 1%, 0.35%

LAB 63.52, -61.89, 46.32

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 52 / 0 / 33 / 53

HEX #3A7850

RGB 58 120 80

HSL 141.29, 0.35%, 0.35%

LAB 45.51, -29.81, 15.99

 

CMYK 31 / 0 / 20 / 58

HEX #496A55

RGB 73 106 85

HSL 141.82, 0.18%, 0.35%

LAB 41.81, -16.82, 8.02

 

CMYK 4 / 0 / 2 / 64

HEX #575B59

RGB 87 91 89

HSL 150, 0.02%, 0.35%

LAB 38.25, -2.01, 0.6

 

CMYK 0 / 24 / 8 / 60

HEX #654D5D

RGB 101 77 93

HSL 320, 0.13%, 0.35%

LAB 35.72, 13.07, -5.47

 

CMYK 56 / 0 / 67 / 47

HEX #3C872C

RGB 60 135 44

HSL 109.45, 0.51%, 0.35%

LAB 50.06, -41.22, 40.56

 

CMYK 67 / 0 / 62 / 47

HEX #2C8733

RGB 44 135 51

HSL 124.62, 0.51%, 0.35%

LAB 49.62, -44.46, 36.68

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 67 / 0 / 26 / 47

HEX #2C8764

RGB 44 135 100

HSL 156.92, 0.51%, 0.35%

LAB 50.43, -35.5, 11.13

 

CMYK 67 / 0 / 8 / 47

HEX #2C877C

RGB 44 135 124

HSL 172.75, 0.51%, 0.35%

LAB 51.06, -29.2, -1.91

 

CMYK 67 / 0 / 43 / 72

HEX #184829

RGB 24 72 41

HSL 141.25, 0.5%, 0.19%

LAB 26.7, -24.41, 13.91

 

CMYK 67 / 0 / 43 / 59

HEX #22683B

RGB 34 104 59

HSL 141.43, 0.51%, 0.27%

LAB 38.82, -32.9, 19.11

 

CMYK 67 / 0 / 44 / 47

HEX #2C874C

RGB 44 135 76

HSL 141.1, 0.51%, 0.35%

LAB 49.96, -40.6, 24.08

 

CMYK 67 / 0 / 43 / 35

HEX #36A65E

RGB 54 166 94

HSL 141.43, 0.51%, 0.43%

LAB 60.66, -47.75, 28.3

 

CMYK 65 / 0 / 42 / 24

HEX #43C271

RGB 67 194 113

HSL 141.73, 0.51%, 0.51%

LAB 70.15, -52.77, 30.77

 

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

CMYK 67 / 37 / 0 / 47

HEX #2C5587

RGB 44 85 135

HSL 212.97, 0.51%, 0.35%

LAB 35.56, 2.75, -32.18

 

CMYK 0 / 67 / 64 / 47

HEX #872C30

RGB 135 44 48

HSL 357.36, 0.51%, 0.35%

LAB 32.18, 39.09, 19.02

 

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

CMYK 44 / 67 / 0 / 47

HEX #4C2C87

RGB 76 44 135

HSL 261.1, 0.51%, 0.35%

LAB 26.98, 36.16, -45.81

 

CMYK 0 / 44 / 67 / 47

HEX #874C2C

RGB 135 76 44

HSL 21.1, 0.51%, 0.35%

LAB 38.73, 21.92, 29.44

 

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

CMYK 67 / 37 / 0 / 47

HEX #2C5587

RGB 44 85 135

HSL 212.97, 0.51%, 0.35%

LAB 35.56, 2.75, -32.18

 

CMYK 0 / 67 / 24 / 47

HEX #872C67

RGB 135 44 103

HSL 321.1, 0.51%, 0.35%

LAB 33.84, 45.02, -14.19

 

CMYK 0 / 30 / 67 / 47

HEX #875E2C

RGB 135 94 44

HSL 32.97, 0.51%, 0.35%

LAB 43.27, 11.38, 34.63

 

CMYK 68 / 0 / 43 / 47

HEX #2C884D

RGB 44 136 77

HSL 141.52, 0.51%, 0.35%

LAB 50.31, -40.82, 23.98

 

CMYK 67 / 58 / 0 / 47

HEX #2C3987

RGB 44 57 135

HSL 231.43, 0.51%, 0.35%

LAB 27.33, 21.57, -45.38

 

CMYK 0 / 67 / 24 / 47

HEX #872C67

RGB 135 44 103

HSL 321.1, 0.51%, 0.35%

LAB 33.84, 45.02, -14.19

 

CMYK 0 / 10 / 67 / 47

HEX #87792C

RGB 135 121 44

HSL 50.77, 0.51%, 0.35%

LAB 50.7, -4.21, 42.71

 

Description

Color code: HEX #2C884D | qconv.com Color code: HEX #2C884D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 136 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 136 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 43 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 43% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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