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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C8778 it is the complementary color #D37887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C8778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C8778 shade: #318773, #429986, #53AB99, #64BDAC and #75CFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C8778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C8778 shade: #2C8778, #1B7565, #0A6352, #00513F and #003F2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C8778 shade: #2C8778, #2C875F, #2C8747, #2C872E and #42872C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C8778 shade: #2C8778, #2C7D87, #2C6587, #2C4C87 and #2C3487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C8778 shade matches the following richer shades: #2C8778, #1D9581, #0FA48B and #00B295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C8778 shade: #2C8778, #3A786E, #496A64, #575B5B and #654D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C8778 shade: #2C8747, #2C875F, #2C8778, #2C7E87 and #2C6587

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C8778 shade: #184840, #22685C, #2C8778, #36A693 and #43C2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C8778 shade: #2C8778, #2F2C87 and #87532C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C8778 shade: #2C8778, #782C87 and #87782C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C8778 shade: #2C8778, #2F2C87, #872C3B and #84872C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C8778 shade: #2C8778, #4A2C87, #872C3B and #68872C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

Complementary color

CMYK 0 / 43 / 36 / 17

HEX #D37887

RGB 211 120 135

HSL 350.11, 0.51%, 0.65%

LAB 60.81, 37.12, 7.52

 

CMYK 64 / 0 / 15 / 47

HEX #318773

RGB 49 135 115

HSL 166.05, 0.47%, 0.36%

LAB 50.94, -30.76, 3.18

 

CMYK 57 / 0 / 12 / 40

HEX #429986

RGB 66 153 134

HSL 166.9, 0.4%, 0.43%

LAB 57.71, -30.92, 2.13

 

CMYK 51 / 0 / 11 / 33

HEX #53AB99

RGB 83 171 153

HSL 167.73, 0.35%, 0.5%

LAB 64.37, -30.94, 1.18

 

CMYK 47 / 0 / 9 / 26

HEX #64BDAC

RGB 100 189 172

HSL 168.54, 0.4%, 0.57%

LAB 70.93, -30.89, 0.32

 

CMYK 43 / 0 / 8 / 19

HEX #75CFBF

RGB 117 207 191

HSL 169.33, 0.48%, 0.64%

LAB 77.38, -30.79, -0.47

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 77 / 0 / 14 / 54

HEX #1B7565

RGB 27 117 101

HSL 169.33, 0.63%, 0.28%

LAB 44.08, -29.72, 1.43

 

CMYK 90 / 0 / 17 / 61

HEX #0A6352

RGB 10 99 82

HSL 168.54, 0.82%, 0.21%

LAB 37.11, -28.63, 2.82

 

CMYK 100 / 0 / 22 / 68

HEX #00513F

RGB 0 81 63

HSL 166.67, 1%, 0.16%

LAB 30.02, -26.8, 4.5

 

CMYK 100 / 0 / 30 / 75

HEX #003F2C

RGB 0 63 44

HSL 161.9, 1%, 0.12%

LAB 22.78, -23.98, 6.55

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 67 / 0 / 30 / 47

HEX #2C875F

RGB 44 135 95

HSL 153.63, 0.51%, 0.35%

LAB 50.32, -36.66, 13.85

 

CMYK 67 / 0 / 47 / 47

HEX #2C8747

RGB 44 135 71

HSL 137.8, 0.51%, 0.35%

LAB 49.88, -41.49, 26.71

 

CMYK 67 / 0 / 66 / 47

HEX #2C872E

RGB 44 135 46

HSL 121.32, 0.51%, 0.35%

LAB 49.57, -45.05, 38.97

 

CMYK 51 / 0 / 67 / 47

HEX #42872C

RGB 66 135 44

HSL 105.49, 0.51%, 0.35%

LAB 50.3, -39.43, 40.88

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 67 / 7 / 0 / 47

HEX #2C7D87

RGB 44 125 135

HSL 186.59, 0.51%, 0.35%

LAB 48.2, -20.8, -12.63

 

CMYK 67 / 25 / 0 / 47

HEX #2C6587

RGB 44 101 135

HSL 202.42, 0.51%, 0.35%

LAB 40.56, -7.24, -24.34

 

CMYK 67 / 44 / 0 / 47

HEX #2C4C87

RGB 44 76 135

HSL 218.9, 0.51%, 0.35%

LAB 32.82, 8.67, -36.54

 

CMYK 67 / 61 / 0 / 47

HEX #2C3487

RGB 44 52 135

HSL 234.73, 0.51%, 0.35%

LAB 25.98, 24.96, -47.56

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 81 / 0 / 13 / 42

HEX #1D9581

RGB 29 149 129

HSL 170, 0.67%, 0.35%

LAB 55.42, -36.36, 1.54

 

CMYK 91 / 0 / 15 / 36

HEX #0FA48B

RGB 15 164 139

HSL 169.93, 0.83%, 0.35%

LAB 60.35, -41.27, 3

 

CMYK 100 / 0 / 16 / 30

HEX #00B295

RGB 0 178 149

HSL 170.22, 1%, 0.35%

LAB 64.97, -45.09, 4.09

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 52 / 0 / 8 / 53

HEX #3A786E

RGB 58 120 110

HSL 170.32, 0.35%, 0.35%

LAB 46.26, -22.66, -0.65

 

CMYK 31 / 0 / 6 / 58

HEX #496A64

RGB 73 106 100

HSL 169.09, 0.18%, 0.35%

LAB 42.22, -13.34, -0.46

 

CMYK 4 / 0 / 0 / 64

HEX #575B5B

RGB 87 91 91

HSL 180, 0.02%, 0.35%

LAB 38.31, -1.57, -0.55

 

CMYK 0 / 24 / 20 / 60

HEX #654D51

RGB 101 77 81

HSL 350, 0.13%, 0.35%

LAB 35.34, 10.8, 1.53

 

CMYK 67 / 0 / 47 / 47

HEX #2C8747

RGB 44 135 71

HSL 137.8, 0.51%, 0.35%

LAB 49.88, -41.49, 26.71

 

CMYK 67 / 0 / 30 / 47

HEX #2C875F

RGB 44 135 95

HSL 153.63, 0.51%, 0.35%

LAB 50.32, -36.66, 13.85

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 67 / 7 / 0 / 47

HEX #2C7E87

RGB 44 126 135

HSL 185.93, 0.51%, 0.35%

LAB 48.52, -21.33, -12.14

 

CMYK 67 / 25 / 0 / 47

HEX #2C6587

RGB 44 101 135

HSL 202.42, 0.51%, 0.35%

LAB 40.56, -7.24, -24.34

 

CMYK 67 / 0 / 11 / 72

HEX #184840

RGB 24 72 64

HSL 170, 0.5%, 0.19%

LAB 27.29, -18.4, -0.01

 

CMYK 67 / 0 / 12 / 59

HEX #22685C

RGB 34 104 92

HSL 169.71, 0.51%, 0.27%

LAB 39.6, -24.81, 0.37

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 67 / 0 / 11 / 35

HEX #36A693

RGB 54 166 147

HSL 169.82, 0.51%, 0.43%

LAB 61.79, -35.84, 0.67

 

CMYK 65 / 0 / 11 / 24

HEX #43C2AD

RGB 67 194 173

HSL 170.08, 0.51%, 0.51%

LAB 71.41, -39.6, 0.36

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 65 / 67 / 0 / 47

HEX #2F2C87

RGB 47 44 135

HSL 241.98, 0.51%, 0.35%

LAB 24.18, 30.73, -50.5

 

CMYK 0 / 39 / 67 / 47

HEX #87532C

RGB 135 83 44

HSL 25.71, 0.51%, 0.35%

LAB 40.44, 17.85, 31.43

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 11 / 67 / 0 / 47

HEX #782C87

RGB 120 44 135

HSL 290.11, 0.51%, 0.35%

LAB 33.01, 46.48, -35.79

 

CMYK 0 / 11 / 67 / 47

HEX #87782C

RGB 135 120 44

HSL 50.11, 0.51%, 0.35%

LAB 50.41, -3.65, 42.41

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 65 / 67 / 0 / 47

HEX #2F2C87

RGB 47 44 135

HSL 241.98, 0.51%, 0.35%

LAB 24.18, 30.73, -50.5

 

CMYK 0 / 67 / 56 / 47

HEX #872C3B

RGB 135 44 59

HSL 350.11, 0.51%, 0.35%

LAB 32.41, 39.93, 12.21

 

CMYK 2 / 0 / 67 / 47

HEX #84872C

RGB 132 135 44

HSL 61.98, 0.51%, 0.35%

LAB 54.46, -13.26, 46.55

 

CMYK 67 / 0 / 11 / 47

HEX #2C8778

RGB 44 135 120

HSL 170.11, 0.51%, 0.35%

LAB 50.94, -30.32, 0.25

 

CMYK 45 / 67 / 0 / 47

HEX #4A2C87

RGB 74 44 135

HSL 259.78, 0.51%, 0.35%

LAB 26.75, 35.73, -46.19

 

CMYK 0 / 67 / 56 / 47

HEX #872C3B

RGB 135 44 59

HSL 350.11, 0.51%, 0.35%

LAB 32.41, 39.93, 12.21

 

CMYK 23 / 0 / 67 / 47

HEX #68872C

RGB 104 135 44

HSL 80.44, 0.51%, 0.35%

LAB 52.35, -25.43, 43.69

 

Description

Color code: HEX #2C8778 | qconv.com Color code: HEX #2C8778 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 135 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 135 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 11 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 11% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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