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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C7934 it is the complementary color #D386CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C7934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C7934 shade: #31792F, #428B42, #539D55, #64AF68 and #75C17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C7934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C7934 shade: #2C7934, #1B6721, #0A550E, #004300 and #003100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C7934 shade: #2B7833, #38782B, #4D782B, #61782B and #76782B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C7934 shade: #2B7833, #2B7848, #2B785D, #2B7871 and #2B6A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C7934 shade matches the following richer shades: #2B7833, #1E8529, #11921E and #04A014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C7934 shade: #2B7833, #386B3E, #465E48, #535053 and #60435D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C7934 shade: #4C782B, #38782B, #2B7833, #2B7847 and #2B785C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C7934 shade: #153B19, #205A26, #2B7833, #369640 and #41B54D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C7934 shade: #2C7934, #2B6178 and #782B42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C7934 shade: #2C7934, #332B78 and #78332B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C7934 shade: #2C7934, #2B6178, #782B70 and #78422B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C7934 shade: #2C7934, #2B4A78, #782B70 and #78592B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

Complementary color

CMYK 0 / 36 / 4 / 17

HEX #D386CB

RGB 211 134 203

HSL 306.23, 0.47%, 0.68%

LAB 65.91, 39.97, -23.52

 

CMYK 60 / 0 / 61 / 53

HEX #31792F

RGB 49 121 47

HSL 118.38, 0.44%, 0.33%

LAB 44.99, -38.26, 33.34

 

CMYK 53 / 0 / 53 / 45

HEX #428B42

RGB 66 139 66

HSL 120, 0.36%, 0.4%

LAB 51.86, -38.47, 31.98

 

CMYK 47 / 0 / 46 / 38

HEX #539D55

RGB 83 157 85

HSL 121.62, 0.31%, 0.47%

LAB 58.61, -38.43, 30.61

 

CMYK 43 / 0 / 41 / 31

HEX #64AF68

RGB 100 175 104

HSL 123.2, 0.32%, 0.54%

LAB 65.25, -38.28, 29.29

 

CMYK 39 / 0 / 36 / 24

HEX #75C17B

RGB 117 193 123

HSL 124.74, 0.38%, 0.61%

LAB 71.79, -38.06, 28.05

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 74 / 0 / 68 / 60

HEX #1B6721

RGB 27 103 33

HSL 124.74, 0.58%, 0.25%

LAB 37.92, -38.12, 32

 

CMYK 88 / 0 / 84 / 67

HEX #0A550E

RGB 10 85 14

HSL 123.2, 0.79%, 0.19%

LAB 30.86, -36.4, 32.79

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 53 / 0 / 64 / 53

HEX #38782B

RGB 56 120 43

HSL 109.87, 0.47%, 0.32%

LAB 44.87, -36.31, 35.23

 

CMYK 36 / 0 / 64 / 53

HEX #4D782B

RGB 77 120 43

HSL 93.51, 0.47%, 0.32%

LAB 45.89, -29.05, 36.65

 

CMYK 19 / 0 / 64 / 53

HEX #61782B

RGB 97 120 43

HSL 77.92, 0.47%, 0.32%

LAB 47.17, -20.88, 38.43

 

CMYK 2 / 0 / 64 / 53

HEX #76782B

RGB 118 120 43

HSL 61.56, 0.47%, 0.32%

LAB 48.83, -11.53, 40.72

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 64 / 0 / 40 / 53

HEX #2B7848

RGB 43 120 72

HSL 142.6, 0.47%, 0.32%

LAB 44.82, -35.26, 19.57

 

CMYK 64 / 0 / 23 / 53

HEX #2B785D

RGB 43 120 93

HSL 158.96, 0.47%, 0.32%

LAB 45.27, -30.54, 7.95

 

CMYK 64 / 0 / 6 / 53

HEX #2B7871

RGB 43 120 113

HSL 174.55, 0.47%, 0.32%

LAB 45.82, -25.1, -3.14

 

CMYK 64 / 12 / 0 / 53

HEX #2B6A78

RGB 43 106 120

HSL 190.91, 0.47%, 0.32%

LAB 41.5, -15.46, -13.83

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 77 / 0 / 69 / 48

HEX #1E8529

RGB 30 133 41

HSL 126.41, 0.63%, 0.32%

LAB 48.53, -47.53, 39.97

 

CMYK 88 / 0 / 79 / 43

HEX #11921E

RGB 17 146 30

HSL 126.05, 0.79%, 0.32%

LAB 52.7, -54.35, 48.43

 

CMYK 98 / 0 / 88 / 37

HEX #04A014

RGB 4 160 20

HSL 126.15, 0.95%, 0.32%

LAB 57.29, -59.96, 55.42

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 48 / 0 / 42 / 58

HEX #386B3E

RGB 56 107 62

HSL 127.06, 0.31%, 0.32%

LAB 40.74, -27.68, 20.04

 

CMYK 26 / 0 / 23 / 63

HEX #465E48

RGB 70 94 72

HSL 125, 0.15%, 0.32%

LAB 37.44, -14, 9.74

 

CMYK 0 / 4 / 0 / 67

HEX #535053

RGB 83 80 83

HSL 300, 0.02%, 0.32%

LAB 34.4, 1.87, -1.33

 

CMYK 0 / 30 / 3 / 62

HEX #60435D

RGB 96 67 93

HSL 306.21, 0.18%, 0.32%

LAB 32.46, 17.37, -10.43

 

CMYK 37 / 0 / 64 / 53

HEX #4C782B

RGB 76 120 43

HSL 94.29, 0.47%, 0.32%

LAB 45.83, -29.43, 36.57

 

CMYK 53 / 0 / 64 / 53

HEX #38782B

RGB 56 120 43

HSL 109.87, 0.47%, 0.32%

LAB 44.87, -36.31, 35.23

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 64 / 0 / 41 / 53

HEX #2B7847

RGB 43 120 71

HSL 141.82, 0.47%, 0.32%

LAB 44.8, -35.46, 20.12

 

CMYK 64 / 0 / 23 / 53

HEX #2B785C

RGB 43 120 92

HSL 158.18, 0.47%, 0.32%

LAB 45.25, -30.78, 8.5

 

CMYK 64 / 0 / 58 / 77

HEX #153B19

RGB 21 59 25

HSL 126.32, 0.48%, 0.16%

LAB 21.42, -22.15, 17.01

 

CMYK 64 / 0 / 58 / 65

HEX #205A26

RGB 32 90 38

HSL 126.21, 0.48%, 0.24%

LAB 33.48, -31.03, 24.31

 

CMYK 64 / 0 / 58 / 53

HEX #2B7833

RGB 43 120 51

HSL 126.23, 0.47%, 0.32%

LAB 44.5, -38.85, 30.68

 

CMYK 64 / 0 / 57 / 41

HEX #369640

RGB 54 150 64

HSL 126.25, 0.47%, 0.4%

LAB 55.04, -46.27, 36.74

 

CMYK 64 / 0 / 57 / 29

HEX #41B54D

RGB 65 181 77

HSL 126.21, 0.47%, 0.48%

LAB 65.52, -53.77, 42.93

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 64 / 19 / 0 / 53

HEX #2B6178

RGB 43 97 120

HSL 197.92, 0.47%, 0.32%

LAB 38.58, -10.28, -18.28

 

CMYK 0 / 64 / 45 / 53

HEX #782B42

RGB 120 43 66

HSL 342.08, 0.47%, 0.32%

LAB 29.7, 35.82, 3.41

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 58 / 64 / 0 / 53

HEX #332B78

RGB 51 43 120

HSL 246.23, 0.47%, 0.32%

LAB 22.96, 26.87, -43.01

 

CMYK 0 / 58 / 64 / 53

HEX #78332B

RGB 120 51 43

HSL 6.23, 0.47%, 0.32%

LAB 30.72, 29.54, 19.8

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 64 / 19 / 0 / 53

HEX #2B6178

RGB 43 97 120

HSL 197.92, 0.47%, 0.32%

LAB 38.58, -10.28, -18.28

 

CMYK 0 / 64 / 7 / 53

HEX #782B70

RGB 120 43 112

HSL 306.23, 0.47%, 0.32%

LAB 31.56, 42.56, -23.66

 

CMYK 0 / 45 / 64 / 53

HEX #78422B

RGB 120 66 43

HSL 17.92, 0.47%, 0.32%

LAB 34.12, 21.05, 24

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 64 / 38 / 0 / 53

HEX #2B4A78

RGB 43 74 120

HSL 215.84, 0.47%, 0.32%

LAB 31.27, 4.17, -29.7

 

CMYK 0 / 64 / 7 / 53

HEX #782B70

RGB 120 43 112

HSL 306.23, 0.47%, 0.32%

LAB 31.56, 42.56, -23.66

 

CMYK 0 / 26 / 64 / 53

HEX #78592B

RGB 120 89 43

HSL 35.84, 0.47%, 0.32%

LAB 40.1, 7.29, 31.09

 

Description

Color code: HEX #2C7934 | qconv.com Color code: HEX #2C7934 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 121 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 121 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 57 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 57% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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