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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C75D4 it is the complementary color #D38A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C75D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C75D4 shade: #3175CF, #4287E2, #5399F5, #64ABFF and #75BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C75D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C75D4 shade: #2C75D4, #1B63C1, #0A51AE, #003F9B and #002D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C75D4 shade: #2B74D4, #2B47D4, #3D2BD4, #6A2BD4 and #982BD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C75D4 shade: #2B74D4, #2B47D4 and #2B2BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C75D4 shade matches the following richer shades: #2B74D4, #1772E8 and #026FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C75D4 shade: #2B74D4, #4077BF, #557AAA, #697D96 and #7E7F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C75D4 shade: #2BD1D4, #2BA4D4, #2B77D4, #2B4AD4 and #392BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C75D4 shade: #1D4F8F, #2462B1, #2B74D4, #4E8BDB and #70A1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C75D4 shade: #2C75D4, #AA2BD4 and #BAD42B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C75D4 shade: #2C75D4, #D42B77 and #77D42B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C75D4 shade: #2C75D4, #AA2BD4, #D4882B and #55D42B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C75D4 shade: #2C75D4, #D42BCB, #D4882B and #2BD434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

Complementary color

CMYK 0 / 35 / 80 / 17

HEX #D38A2B

RGB 211 138 43

HSL 33.93, 0.66%, 0.5%

LAB 63.51, 20.35, 58.59

 

CMYK 76 / 43 / 0 / 19

HEX #3175CF

RGB 49 117 207

HSL 214.18, 0.62%, 0.5%

LAB 49.35, 10.11, -52.64

 

CMYK 71 / 40 / 0 / 11

HEX #4287E2

RGB 66 135 226

HSL 214.13, 0.73%, 0.57%

LAB 56.06, 8.18, -52.6

 

CMYK 66 / 38 / 0 / 4

HEX #5399F5

RGB 83 153 245

HSL 214.07, 0.89%, 0.64%

LAB 62.69, 6.62, -52.55

 

CMYK 61 / 33 / 0 / 0

HEX #64ABFF

RGB 100 171 255

HSL 212.52, 1%, 0.7%

LAB 68.79, 2.44, -48.31

 

CMYK 54 / 26 / 0 / 0

HEX #75BDFF

RGB 117 189 255

HSL 208.7, 1%, 0.73%

LAB 74.44, -4.27, -39.41

 

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

CMYK 86 / 49 / 0 / 24

HEX #1B63C1

RGB 27 99 193

HSL 213.98, 0.75%, 0.43%

LAB 42.77, 14.07, -55.19

 

CMYK 94 / 53 / 0 / 32

HEX #0A51AE

RGB 10 81 174

HSL 214.02, 0.89%, 0.36%

LAB 35.99, 17.37, -55.03

 

CMYK 100 / 59 / 0 / 39

HEX #003F9B

RGB 0 63 155

HSL 215.61, 1%, 0.3%

LAB 29.21, 21.4, -54.67

 

CMYK 100 / 67 / 0 / 47

HEX #002D88

RGB 0 45 136

HSL 220.15, 1%, 0.27%

LAB 22.49, 26.08, -53.96

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D4

RGB 43 116 212

HSL 214.08, 0.66%, 0.5%

LAB 49.2, 11.96, -55.73

 

CMYK 80 / 67 / 0 / 17

HEX #2B47D4

RGB 43 71 212

HSL 230.06, 0.66%, 0.5%

LAB 37.43, 40.68, -74.86

 

CMYK 71 / 80 / 0 / 17

HEX #3D2BD4

RGB 61 43 212

HSL 246.39, 0.66%, 0.5%

LAB 32.86, 57.61, -82.38

 

CMYK 50 / 80 / 0 / 17

HEX #6A2BD4

RGB 106 43 212

HSL 262.37, 0.66%, 0.5%

LAB 37.01, 62.25, -75.38

 

CMYK 28 / 80 / 0 / 17

HEX #982BD4

RGB 152 43 212

HSL 278.7, 0.66%, 0.5%

LAB 43, 69, -65.35

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D4

RGB 43 116 212

HSL 214.08, 0.66%, 0.5%

LAB 49.2, 11.96, -55.73

 

CMYK 80 / 67 / 0 / 17

HEX #2B47D4

RGB 43 71 212

HSL 230.06, 0.66%, 0.5%

LAB 37.43, 40.68, -74.86

 

CMYK 80 / 80 / 0 / 17

HEX #2B2BD4

RGB 43 43 212

HSL 240, 0.66%, 0.5%

LAB 31.8, 56.42, -84.17

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D4

RGB 43 116 212

HSL 214.08, 0.66%, 0.5%

LAB 49.2, 11.96, -55.73

 

CMYK 90 / 51 / 0 / 9

HEX #1772E8

RGB 23 114 232

HSL 213.88, 0.82%, 0.5%

LAB 49.55, 19.43, -66.49

 

CMYK 99 / 56 / 0 / 1

HEX #026FFD

RGB 2 111 253

HSL 213.94, 0.98%, 0.5%

LAB 50.07, 28.78, -77.38

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D4

RGB 43 116 212

HSL 214.08, 0.66%, 0.5%

LAB 49.2, 11.96, -55.73

 

CMYK 66 / 38 / 0 / 25

HEX #4077BF

RGB 64 119 191

HSL 214.02, 0.5%, 0.5%

LAB 49.55, 5.2, -43.13

 

CMYK 50 / 28 / 0 / 33

HEX #557AAA

RGB 85 122 170

HSL 213.88, 0.33%, 0.5%

LAB 50.4, 0.74, -29.6

 

CMYK 30 / 17 / 0 / 41

HEX #697D96

RGB 105 125 150

HSL 213.33, 0.18%, 0.5%

LAB 51.69, -1.16, -15.85

 

CMYK 2 / 2 / 0 / 49

HEX #7E7F81

RGB 126 127 129

HSL 220, 0.01%, 0.5%

LAB 53.17, 0.03, -1.22

 

CMYK 80 / 1 / 0 / 17

HEX #2BD1D4

RGB 43 209 212

HSL 181.07, 0.66%, 0.5%

LAB 76.6, -38.44, -13.15

 

CMYK 80 / 23 / 0 / 17

HEX #2BA4D4

RGB 43 164 212

HSL 197.04, 0.66%, 0.5%

LAB 63.19, -16.13, -33.62

 

CMYK 80 / 44 / 0 / 17

HEX #2B77D4

RGB 43 119 212

HSL 213.02, 0.66%, 0.5%

LAB 50.05, 10.08, -54.37

 

CMYK 80 / 65 / 0 / 17

HEX #2B4AD4

RGB 43 74 212

HSL 228.99, 0.66%, 0.5%

LAB 38.14, 38.81, -73.71

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 80 / 45 / 0 / 44

HEX #1D4F8F

RGB 29 79 143

HSL 213.68, 0.66%, 0.34%

LAB 33.64, 7.51, -40.16

 

CMYK 80 / 45 / 0 / 31

HEX #2462B1

RGB 36 98 177

HSL 213.62, 0.66%, 0.42%

LAB 41.67, 9.26, -47.63

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D4

RGB 43 116 212

HSL 214.08, 0.66%, 0.5%

LAB 49.2, 11.96, -55.73

 

CMYK 64 / 37 / 0 / 14

HEX #4E8BDB

RGB 78 139 219

HSL 214.04, 0.66%, 0.58%

LAB 57.27, 5.23, -46.74

 

CMYK 50 / 29 / 0 / 11

HEX #70A1E2

RGB 112 161 226

HSL 214.21, 0.66%, 0.66%

LAB 65.3, 1.54, -37.9

 

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

CMYK 20 / 80 / 0 / 17

HEX #AA2BD4

RGB 170 43 212

HSL 285.09, 0.66%, 0.5%

LAB 45.67, 72.03, -60.89

 

CMYK 12 / 0 / 80 / 17

HEX #BAD42B

RGB 186 212 43

HSL 69.23, 0.66%, 0.5%

LAB 80.57, -28.8, 73.1

 

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

CMYK 0 / 80 / 44 / 17

HEX #D42B77

RGB 212 43 119

HSL 333.02, 0.66%, 0.5%

LAB 48.33, 68.16, -1.03

 

CMYK 44 / 0 / 80 / 17

HEX #77D42B

RGB 119 212 43

HSL 93.02, 0.66%, 0.5%

LAB 76.79, -53.62, 68.27

 

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

CMYK 20 / 80 / 0 / 17

HEX #AA2BD4

RGB 170 43 212

HSL 285.09, 0.66%, 0.5%

LAB 45.67, 72.03, -60.89

 

CMYK 0 / 36 / 80 / 17

HEX #D4882B

RGB 212 136 43

HSL 33.02, 0.66%, 0.5%

LAB 63.16, 21.86, 58.31

 

CMYK 60 / 0 / 80 / 17

HEX #55D42B

RGB 85 212 43

HSL 105.09, 0.66%, 0.5%

LAB 75.57, -63.1, 66.7

 

CMYK 79 / 45 / 0 / 17

HEX #2C75D4

RGB 44 117 212

HSL 213.93, 0.66%, 0.5%

LAB 49.51, 11.43, -55.24

 

CMYK 0 / 80 / 4 / 17

HEX #D42BCB

RGB 212 43 203

HSL 303.2, 0.66%, 0.5%

LAB 51.88, 78.31, -45.39

 

CMYK 0 / 36 / 80 / 17

HEX #D4882B

RGB 212 136 43

HSL 33.02, 0.66%, 0.5%

LAB 63.16, 21.86, 58.31

 

CMYK 80 / 0 / 75 / 17

HEX #2BD434

RGB 43 212 52

HSL 123.2, 0.66%, 0.5%

LAB 74.73, -70.04, 62.84

 

Description

Color code: HEX #2C75D4 | qconv.com Color code: HEX #2C75D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 117 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 117 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 45 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 45% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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