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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C71B2 it is the complementary color #D38E4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C71B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C71B2 shade: #3171AD, #4283C0, #5395D3, #64A7E6 and #75B9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C71B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C71B2 shade: #2C71B2, #1B5F9F, #0A4D8C, #003B79 and #002966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C71B2 shade: #2D72B4, #2D4EB4, #302DB4, #542DB4 and #792DB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C71B2 shade: #2D72B4, #2D4EB4 and #2D2DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C71B2 shade matches the following richer shades: #2D72B4, #1B73C6 and #0973D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C71B2 shade: #2D72B4, #3F72A1, #51718F, #63717D and #75706B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C71B2 shade: #2DB4AD, #2D96B4, #2D72B4, #2D4FB4 and #2F2DB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C71B2 shade: #1C4872, #255D93, #2D72B4, #3C87CE and #5D9BD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C71B2 shade: #2C71B2, #892DB4 and #A8B42D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C71B2 shade: #2C71B2, #B42D72 and #72B42D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C71B2 shade: #2C71B2, #892DB4, #B46E2D and #58B42D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C71B2 shade: #2C71B2, #B12DB4, #B46E2D and #2FB42D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

Complementary color

CMYK 0 / 33 / 64 / 17

HEX #D38E4D

RGB 211 142 77

HSL 29.1, 0.6%, 0.56%

LAB 64.75, 19.89, 44.59

 

CMYK 72 / 35 / 0 / 32

HEX #3171AD

RGB 49 113 173

HSL 209.03, 0.56%, 0.44%

LAB 46.29, 0.01, -37.91

 

CMYK 66 / 32 / 0 / 25

HEX #4283C0

RGB 66 131 192

HSL 209.05, 0.5%, 0.51%

LAB 53.16, -1.33, -37.99

 

CMYK 61 / 29 / 0 / 17

HEX #5395D3

RGB 83 149 211

HSL 209.06, 0.59%, 0.58%

LAB 59.92, -2.37, -38.07

 

CMYK 57 / 27 / 0 / 10

HEX #64A7E6

RGB 100 167 230

HSL 209.08, 0.72%, 0.65%

LAB 66.57, -3.2, -38.16

 

CMYK 53 / 26 / 0 / 2

HEX #75B9F9

RGB 117 185 249

HSL 209.09, 0.92%, 0.72%

LAB 73.1, -3.88, -38.27

 

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

CMYK 83 / 40 / 0 / 38

HEX #1B5F9F

RGB 27 95 159

HSL 209.09, 0.71%, 0.36%

LAB 39.45, 3.2, -40.54

 

CMYK 93 / 45 / 0 / 45

HEX #0A4D8C

RGB 10 77 140

HSL 209.08, 0.87%, 0.29%

LAB 32.4, 5.94, -40.33

 

CMYK 100 / 51 / 0 / 53

HEX #003B79

RGB 0 59 121

HSL 210.74, 1%, 0.24%

LAB 25.29, 9.58, -39.98

 

CMYK 100 / 60 / 0 / 60

HEX #002966

RGB 0 41 102

HSL 215.88, 1%, 0.2%

LAB 18.12, 14.23, -39.38

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 75 / 57 / 0 / 29

HEX #2D4EB4

RGB 45 78 180

HSL 225.33, 0.6%, 0.44%

LAB 36.56, 24.6, -57.62

 

CMYK 73 / 75 / 0 / 29

HEX #302DB4

RGB 48 45 180

HSL 241.33, 0.6%, 0.44%

LAB 28.9, 45.57, -70.17

 

CMYK 53 / 75 / 0 / 29

HEX #542DB4

RGB 84 45 180

HSL 257.33, 0.6%, 0.44%

LAB 31.94, 49.88, -65.06

 

CMYK 33 / 75 / 0 / 29

HEX #792DB4

RGB 121 45 180

HSL 273.78, 0.6%, 0.44%

LAB 36.44, 56.03, -57.53

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 75 / 57 / 0 / 29

HEX #2D4EB4

RGB 45 78 180

HSL 225.33, 0.6%, 0.44%

LAB 36.56, 24.6, -57.62

 

CMYK 75 / 75 / 0 / 29

HEX #2D2DB4

RGB 45 45 180

HSL 240, 0.6%, 0.44%

LAB 28.72, 45.3, -70.47

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 86 / 42 / 0 / 22

HEX #1B73C6

RGB 27 115 198

HSL 209.12, 0.76%, 0.44%

LAB 47.72, 5.83, -50.14

 

CMYK 96 / 47 / 0 / 15

HEX #0973D8

RGB 9 115 216

HSL 209.28, 0.92%, 0.44%

LAB 48.61, 12, -58.99

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 61 / 29 / 0 / 37

HEX #3F72A1

RGB 63 114 161

HSL 208.78, 0.44%, 0.44%

LAB 46.53, -2.37, -30.45

 

CMYK 43 / 21 / 0 / 44

HEX #51718F

RGB 81 113 143

HSL 209.03, 0.28%, 0.44%

LAB 46.37, -3.17, -20.01

 

CMYK 21 / 10 / 0 / 51

HEX #63717D

RGB 99 113 125

HSL 207.69, 0.12%, 0.44%

LAB 46.9, -2.42, -8.38

 

CMYK 0 / 4 / 9 / 54

HEX #75706B

RGB 117 112 107

HSL 30, 0.04%, 0.44%

LAB 47.54, 0.97, 3.46

 

CMYK 75 / 0 / 4 / 29

HEX #2DB4AD

RGB 45 180 173

HSL 176.89, 0.6%, 0.44%

LAB 66.69, -36.27, -6.65

 

CMYK 75 / 17 / 0 / 29

HEX #2D96B4

RGB 45 150 180

HSL 193.33, 0.6%, 0.44%

LAB 57.72, -19.24, -24.12

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 75 / 56 / 0 / 29

HEX #2D4FB4

RGB 45 79 180

HSL 224.89, 0.6%, 0.44%

LAB 36.83, 23.94, -57.19

 

CMYK 74 / 75 / 0 / 29

HEX #2F2DB4

RGB 47 45 180

HSL 240.89, 0.6%, 0.44%

LAB 28.84, 45.48, -70.27

 

CMYK 75 / 37 / 0 / 55

HEX #1C4872

RGB 28 72 114

HSL 209.3, 0.61%, 0.28%

LAB 29.65, 0.44, -28.53

 

CMYK 75 / 37 / 0 / 42

HEX #255D93

RGB 37 93 147

HSL 209.45, 0.6%, 0.36%

LAB 38.43, 1.01, -34.95

 

CMYK 75 / 37 / 0 / 29

HEX #2D72B4

RGB 45 114 180

HSL 209.33, 0.6%, 0.44%

LAB 46.83, 1.41, -41.14

 

CMYK 71 / 34 / 0 / 19

HEX #3C87CE

RGB 60 135 206

HSL 209.18, 0.6%, 0.52%

LAB 54.81, 0.23, -43.37

 

CMYK 57 / 28 / 0 / 16

HEX #5D9BD6

RGB 93 155 214

HSL 209.26, 0.6%, 0.6%

LAB 62.19, -2.86, -36.17

 

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

CMYK 24 / 75 / 0 / 29

HEX #892DB4

RGB 137 45 180

HSL 280.89, 0.6%, 0.44%

LAB 38.71, 59.05, -53.74

 

CMYK 7 / 0 / 75 / 29

HEX #A8B42D

RGB 168 180 45

HSL 65.33, 0.6%, 0.44%

LAB 70.29, -20.7, 62.66

 

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

CMYK 0 / 75 / 37 / 29

HEX #B42D72

RGB 180 45 114

HSL 329.33, 0.6%, 0.44%

LAB 42.45, 58.71, -7.31

 

CMYK 37 / 0 / 75 / 29

HEX #72B42D

RGB 114 180 45

HSL 89.33, 0.6%, 0.44%

LAB 66.83, -42.17, 58.15

 

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

CMYK 24 / 75 / 0 / 29

HEX #892DB4

RGB 137 45 180

HSL 280.89, 0.6%, 0.44%

LAB 38.71, 59.05, -53.74

 

CMYK 0 / 39 / 75 / 29

HEX #B46E2D

RGB 180 110 45

HSL 28.89, 0.6%, 0.44%

LAB 53, 22.4, 46.24

 

CMYK 51 / 0 / 75 / 29

HEX #58B42D

RGB 88 180 45

HSL 100.89, 0.6%, 0.44%

LAB 65.68, -50.65, 56.63

 

CMYK 75 / 37 / 0 / 30

HEX #2C71B2

RGB 44 113 178

HSL 209.1, 0.6%, 0.44%

LAB 46.39, 1.15, -40.66

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 0 / 39 / 75 / 29

HEX #B46E2D

RGB 180 110 45

HSL 28.89, 0.6%, 0.44%

LAB 53, 22.4, 46.24

 

CMYK 74 / 0 / 75 / 29

HEX #2FB42D

RGB 47 180 45

HSL 119.11, 0.6%, 0.44%

LAB 64.51, -60.08, 55.08

 

Description

Color code: HEX #2C71B2 | qconv.com Color code: HEX #2C71B2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 113 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 113 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 37 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 37% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - 上海证券交易所
Link: http://www.sse.com.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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