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Color name
HEX #2C6D10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C6D10 it is the complementary color #D392EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C6D10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C6D10 shade: #316D0B, #427F1E, #539131, #64A344 and #75B557

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C6D10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C6D10 shade: #2C6D10, #1B5B00, #0A4900, #003700 and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C6D10 shade: #2D6F11, #466F11, #606F11, #6F6511 and #6F4B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C6D10 shade: #2D6F11, #146F11, #116F27, #116F41 and #116F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C6D10 shade matches the following richer shades: #2D6F11 and #297906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C6D10 shade: #2D6F11, #31651B, #355A25, #395030 and #3D463A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C6D10 shade: #616F11, #486F11, #2E6F11, #156F11 and #116F25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C6D10 shade: #102706, #1E4B0B, #2D6F11, #3C9316 and #4AB71B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C6D10 shade: #2C6D10, #116F64 and #6F1154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C6D10 shade: #2C6D10, #112E6F and #6F112E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C6D10 shade: #2C6D10, #116F64, #51116F and #6F111C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C6D10 shade: #2C6D10, #115E6F, #51116F and #6F2211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

Complementary color

CMYK 12 / 39 / 0 / 6

HEX #D392EF

RGB 211 146 239

HSL 281.94, 0.74%, 0.75%

LAB 69.92, 40.47, -37.25

 

CMYK 55 / 0 / 90 / 57

HEX #316D0B

RGB 49 109 11

HSL 96.73, 0.82%, 0.24%

LAB 40.6, -36.43, 43.1

 

CMYK 48 / 0 / 76 / 50

HEX #427F1E

RGB 66 127 30

HSL 97.73, 0.62%, 0.31%

LAB 47.53, -37.26, 43.79

 

CMYK 43 / 0 / 66 / 43

HEX #539131

RGB 83 145 49

HSL 98.75, 0.49%, 0.38%

LAB 54.36, -37.66, 43.29

 

CMYK 39 / 0 / 58 / 36

HEX #64A344

RGB 100 163 68

HSL 99.79, 0.41%, 0.45%

LAB 61.06, -37.8, 42.32

 

CMYK 35 / 0 / 52 / 29

HEX #75B557

RGB 117 181 87

HSL 100.85, 0.39%, 0.53%

LAB 67.66, -37.8, 41.16

 

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

CMYK 70 / 0 / 100 / 64

HEX #1B5B00

RGB 27 91 0

HSL 102.2, 1%, 0.18%

LAB 33.38, -36.18, 39.81

 

CMYK 86 / 0 / 100 / 71

HEX #0A4900

RGB 10 73 0

HSL 111.78, 1%, 0.14%

LAB 26.24, -33.23, 33.8

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 59 / 0 / 85 / 56

HEX #2D6F11

RGB 45 111 17

HSL 102.13, 0.73%, 0.25%

LAB 41.16, -38.14, 41.88

 

CMYK 37 / 0 / 85 / 56

HEX #466F11

RGB 70 111 17

HSL 86.17, 0.73%, 0.25%

LAB 42.33, -29.47, 43.37

 

CMYK 14 / 0 / 85 / 56

HEX #606F11

RGB 96 111 17

HSL 69.57, 0.73%, 0.25%

LAB 44.08, -18.24, 45.61

 

CMYK 0 / 9 / 85 / 56

HEX #6F6511

RGB 111 101 17

HSL 53.62, 0.73%, 0.25%

LAB 42.35, -5.57, 44.6

 

CMYK 0 / 32 / 85 / 56

HEX #6F4B11

RGB 111 75 17

HSL 37.02, 0.73%, 0.25%

LAB 34.91, 9.92, 38

 

CMYK 59 / 0 / 85 / 56

HEX #2D6F11

RGB 45 111 17

HSL 102.13, 0.73%, 0.25%

LAB 41.16, -38.14, 41.88

 

CMYK 82 / 0 / 85 / 56

HEX #146F11

RGB 20 111 17

HSL 118.09, 0.73%, 0.25%

LAB 40.5, -43.65, 41.03

 

CMYK 85 / 0 / 65 / 56

HEX #116F27

RGB 17 111 39

HSL 134.04, 0.73%, 0.25%

LAB 40.63, -41.94, 32.08

 

CMYK 85 / 0 / 41 / 56

HEX #116F41

RGB 17 111 65

HSL 150.64, 0.73%, 0.25%

LAB 41.01, -37.45, 18.44

 

CMYK 85 / 0 / 19 / 56

HEX #116F5A

RGB 17 111 90

HSL 166.6, 0.73%, 0.25%

LAB 41.57, -31.24, 4.39

 

CMYK 59 / 0 / 85 / 56

HEX #2D6F11

RGB 45 111 17

HSL 102.13, 0.73%, 0.25%

LAB 41.16, -38.14, 41.88

 

CMYK 66 / 0 / 95 / 53

HEX #297906

RGB 41 121 6

HSL 101.74, 0.91%, 0.25%

LAB 44.46, -43.47, 47.44

 

CMYK 59 / 0 / 85 / 56

HEX #2D6F11

RGB 45 111 17

HSL 102.13, 0.73%, 0.25%

LAB 41.16, -38.14, 41.88

 

CMYK 51 / 0 / 73 / 60

HEX #31651B

RGB 49 101 27

HSL 102.16, 0.58%, 0.25%

LAB 37.91, -32, 34.98

 

CMYK 41 / 0 / 59 / 65

HEX #355A25

RGB 53 90 37

HSL 101.89, 0.42%, 0.25%

LAB 34.4, -24.34, 26.19

 

CMYK 29 / 0 / 40 / 69

HEX #395030

RGB 57 80 48

HSL 103.13, 0.25%, 0.25%

LAB 31.39, -15.83, 16.1

 

CMYK 13 / 0 / 17 / 73

HEX #3D463A

RGB 61 70 58

HSL 105, 0.09%, 0.25%

LAB 28.58, -6.36, 6.01

 

CMYK 13 / 0 / 85 / 56

HEX #616F11

RGB 97 111 17

HSL 68.94, 0.73%, 0.25%

LAB 44.16, -17.78, 45.71

 

CMYK 35 / 0 / 85 / 56

HEX #486F11

RGB 72 111 17

HSL 84.89, 0.73%, 0.25%

LAB 42.44, -28.67, 43.52

 

CMYK 59 / 0 / 85 / 56

HEX #2E6F11

RGB 46 111 17

HSL 101.49, 0.73%, 0.25%

LAB 41.2, -37.85, 41.93

 

CMYK 81 / 0 / 85 / 56

HEX #156F11

RGB 21 111 17

HSL 117.45, 0.73%, 0.25%

LAB 40.52, -43.5, 41.05

 

CMYK 85 / 0 / 67 / 56

HEX #116F25

RGB 17 111 37

HSL 132.77, 0.73%, 0.25%

LAB 40.61, -42.19, 33.03

 

CMYK 59 / 0 / 85 / 85

HEX #102706

RGB 16 39 6

HSL 101.82, 0.73%, 0.09%

LAB 13.07, -16.78, 16.46

 

CMYK 60 / 0 / 85 / 71

HEX #1E4B0B

RGB 30 75 11

HSL 102.19, 0.74%, 0.17%

LAB 27.66, -28.24, 31

 

CMYK 59 / 0 / 85 / 56

HEX #2D6F11

RGB 45 111 17

HSL 102.13, 0.73%, 0.25%

LAB 41.16, -38.14, 41.88

 

CMYK 59 / 0 / 85 / 42

HEX #3C9316

RGB 60 147 22

HSL 101.76, 0.74%, 0.33%

LAB 53.91, -47.44, 52.27

 

CMYK 60 / 0 / 85 / 28

HEX #4AB71B

RGB 74 183 27

HSL 101.92, 0.74%, 0.41%

LAB 66.06, -56.54, 62.06

 

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

CMYK 85 / 0 / 10 / 56

HEX #116F64

RGB 17 111 100

HSL 172.98, 0.73%, 0.25%

LAB 41.86, -28.31, -1.24

 

CMYK 0 / 85 / 24 / 56

HEX #6F1154

RGB 111 17 84

HSL 317.23, 0.73%, 0.25%

LAB 25.02, 45.54, -15.76

 

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

CMYK 85 / 59 / 0 / 56

HEX #112E6F

RGB 17 46 111

HSL 221.49, 0.73%, 0.25%

LAB 20.91, 15.95, -40.67

 

CMYK 0 / 85 / 59 / 56

HEX #6F112E

RGB 111 17 46

HSL 341.49, 0.73%, 0.25%

LAB 23.6, 41.36, 8.06

 

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

CMYK 85 / 0 / 10 / 56

HEX #116F64

RGB 17 111 100

HSL 172.98, 0.73%, 0.25%

LAB 41.86, -28.31, -1.24

 

CMYK 27 / 85 / 0 / 56

HEX #51116F

RGB 81 17 111

HSL 280.85, 0.73%, 0.25%

LAB 21.2, 43.74, -39.92

 

CMYK 0 / 85 / 75 / 56

HEX #6F111C

RGB 111 17 28

HSL 352.98, 0.73%, 0.25%

LAB 23.22, 40.2, 19.91

 

CMYK 60 / 0 / 85 / 57

HEX #2C6D10

RGB 44 109 16

HSL 101.94, 0.74%, 0.25%

LAB 40.43, -37.7, 41.49

 

CMYK 85 / 15 / 0 / 56

HEX #115E6F

RGB 17 94 111

HSL 190.85, 0.73%, 0.25%

LAB 36.5, -15.7, -16.01

 

CMYK 27 / 85 / 0 / 56

HEX #51116F

RGB 81 17 111

HSL 280.85, 0.73%, 0.25%

LAB 21.2, 43.74, -39.92

 

CMYK 0 / 69 / 85 / 56

HEX #6F2211

RGB 111 34 17

HSL 10.85, 0.73%, 0.25%

LAB 25.45, 33.16, 29.17

 

Description

Color code: HEX #2C6D10 | qconv.com Color code: HEX #2C6D10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 109 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 109 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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