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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C6A5E it is the complementary color #D395A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C6A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C6A5E shade: #316A59, #427C6C, #538E7F, #64A092 and #75B2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C6A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C6A5E shade: #2C6A5E, #1B584B, #0A4638, #003425 and #002212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C6A5E shade: #2B685C, #2B684C, #2B683B, #2B682B and #3C682B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C6A5E shade: #2B685C, #2B6368, #2B5368, #2B4268 and #2B3268

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C6A5E shade matches the following richer shades: #2B685C, #1F7463, #13806B and #078C72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C6A5E shade: #2B685C, #375C55, #43504D, #4F4446 and #5B383F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C6A5E shade: #2B683B, #2B684B, #2B685C, #2B6468 and #2B5468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C6A5E shade: #132E28, #1F4B42, #2B685C, #378576 and #43A290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C6A5E shade: #2C6A5E, #2B2B68 and #68432B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C6A5E shade: #2C6A5E, #5C2B68 and #685C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C6A5E shade: #2C6A5E, #2B2B68, #682B37 and #68682B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C6A5E shade: #2C6A5E, #3D2B68, #682B37 and #56682B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

Complementary color

CMYK 0 / 29 / 24 / 17

HEX #D395A1

RGB 211 149 161

HSL 348.39, 0.41%, 0.71%

LAB 67.96, 25.03, 3.07

 

CMYK 54 / 0 / 16 / 58

HEX #316A59

RGB 49 106 89

HSL 162.11, 0.37%, 0.3%

LAB 40.71, -23.28, 3.86

 

CMYK 47 / 0 / 13 / 51

HEX #427C6C

RGB 66 124 108

HSL 163.45, 0.31%, 0.37%

LAB 47.82, -23.15, 2.85

 

CMYK 42 / 0 / 11 / 44

HEX #538E7F

RGB 83 142 127

HSL 164.75, 0.26%, 0.44%

LAB 54.78, -22.98, 1.96

 

CMYK 38 / 0 / 9 / 37

HEX #64A092

RGB 100 160 146

HSL 166, 0.24%, 0.51%

LAB 61.59, -22.8, 1.14

 

CMYK 34 / 0 / 7 / 30

HEX #75B2A5

RGB 117 178 165

HSL 167.21, 0.28%, 0.58%

LAB 68.27, -22.62, 0.39

 

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

CMYK 69 / 0 / 15 / 65

HEX #1B584B

RGB 27 88 75

HSL 167.21, 0.53%, 0.23%

LAB 33.39, -22.95, 1.84

 

CMYK 86 / 0 / 20 / 73

HEX #0A4638

RGB 10 70 56

HSL 166, 0.75%, 0.16%

LAB 25.95, -22.3, 3.21

 

CMYK 100 / 0 / 29 / 80

HEX #003425

RGB 0 52 37

HSL 162.69, 1%, 0.1%

LAB 18.32, -20.81, 4.96

 

CMYK 100 / 0 / 47 / 87

HEX #002212

RGB 0 34 18

HSL 151.76, 1%, 0.07%

LAB 10.47, -17.21, 7.09

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 59 / 0 / 27 / 59

HEX #2B684C

RGB 43 104 76

HSL 152.46, 0.41%, 0.29%

LAB 39.47, -27.05, 9.94

 

CMYK 59 / 0 / 43 / 59

HEX #2B683B

RGB 43 104 59

HSL 135.74, 0.41%, 0.29%

LAB 39.12, -30.68, 19.55

 

CMYK 59 / 0 / 59 / 59

HEX #2B682B

RGB 43 104 43

HSL 120, 0.41%, 0.29%

LAB 38.88, -33.32, 28.17

 

CMYK 42 / 0 / 59 / 59

HEX #3C682B

RGB 60 104 43

HSL 103.28, 0.41%, 0.29%

LAB 39.64, -27.78, 29.26

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 59 / 5 / 0 / 59

HEX #2B6368

RGB 43 99 104

HSL 184.92, 0.41%, 0.29%

LAB 38.62, -16.68, -8.42

 

CMYK 59 / 20 / 0 / 59

HEX #2B5368

RGB 43 83 104

HSL 200.66, 0.41%, 0.29%

LAB 33.35, -7.32, -16.42

 

CMYK 59 / 37 / 0 / 59

HEX #2B4268

RGB 43 66 104

HSL 217.38, 0.41%, 0.29%

LAB 27.87, 3.63, -24.95

 

CMYK 59 / 52 / 0 / 59

HEX #2B3268

RGB 43 50 104

HSL 233.11, 0.41%, 0.29%

LAB 22.98, 14.67, -32.73

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 73 / 0 / 15 / 55

HEX #1F7463

RGB 31 116 99

HSL 168, 0.58%, 0.29%

LAB 43.77, -29.23, 2.19

 

CMYK 85 / 0 / 16 / 50

HEX #13806B

RGB 19 128 107

HSL 168.44, 0.74%, 0.29%

LAB 47.8, -34.02, 3.24

 

CMYK 95 / 0 / 19 / 45

HEX #078C72

RGB 7 140 114

HSL 168.27, 0.9%, 0.29%

LAB 51.86, -38.19, 4.99

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 40 / 0 / 8 / 64

HEX #375C55

RGB 55 92 85

HSL 168.65, 0.25%, 0.29%

LAB 36.22, -15.08, -0.15

 

CMYK 16 / 0 / 4 / 69

HEX #43504D

RGB 67 80 77

HSL 166.15, 0.09%, 0.29%

LAB 32.85, -5.83, 0.04

 

CMYK 0 / 14 / 11 / 69

HEX #4F4446

RGB 79 68 70

HSL 349.09, 0.07%, 0.29%

LAB 30.01, 5.08, 0.52

 

CMYK 0 / 38 / 31 / 64

HEX #5B383F

RGB 91 56 63

HSL 348, 0.24%, 0.29%

LAB 27.88, 16.66, 2.18

 

CMYK 59 / 0 / 43 / 59

HEX #2B683B

RGB 43 104 59

HSL 135.74, 0.41%, 0.29%

LAB 39.12, -30.68, 19.55

 

CMYK 59 / 0 / 28 / 59

HEX #2B684B

RGB 43 104 75

HSL 151.48, 0.41%, 0.29%

LAB 39.45, -27.28, 10.51

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 59 / 4 / 0 / 59

HEX #2B6468

RGB 43 100 104

HSL 183.93, 0.41%, 0.29%

LAB 38.95, -17.24, -7.92

 

CMYK 59 / 19 / 0 / 59

HEX #2B5468

RGB 43 84 104

HSL 199.67, 0.41%, 0.29%

LAB 33.68, -7.93, -15.92

 

CMYK 59 / 0 / 13 / 82

HEX #132E28

RGB 19 46 40

HSL 166.67, 0.42%, 0.13%

LAB 16.73, -12.16, 0.7

 

CMYK 59 / 0 / 12 / 71

HEX #1F4B42

RGB 31 75 66

HSL 167.73, 0.42%, 0.21%

LAB 28.69, -17.77, 0.75

 

CMYK 59 / 0 / 12 / 59

HEX #2B685C

RGB 43 104 92

HSL 168.2, 0.41%, 0.29%

LAB 39.89, -22.91, 0.83

 

CMYK 59 / 0 / 11 / 48

HEX #378576

RGB 55 133 118

HSL 168.46, 0.41%, 0.37%

LAB 50.56, -27.77, 0.91

 

CMYK 59 / 0 / 11 / 36

HEX #43A290

RGB 67 162 144

HSL 168.63, 0.41%, 0.45%

LAB 60.82, -32.41, 0.99

 

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

CMYK 59 / 59 / 0 / 59

HEX #2B2B68

RGB 43 43 104

HSL 240, 0.41%, 0.29%

LAB 20.98, 19.56, -35.95

 

CMYK 0 / 36 / 59 / 59

HEX #68432B

RGB 104 67 43

HSL 23.61, 0.41%, 0.29%

LAB 32.11, 13.15, 21.01

 

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

CMYK 12 / 59 / 0 / 59

HEX #5C2B68

RGB 92 43 104

HSL 288.2, 0.41%, 0.29%

LAB 26.74, 32.83, -26.41

 

CMYK 0 / 12 / 59 / 59

HEX #685C2B

RGB 104 92 43

HSL 48.2, 0.41%, 0.29%

LAB 39.19, -2.08, 29.58

 

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

CMYK 59 / 59 / 0 / 59

HEX #2B2B68

RGB 43 43 104

HSL 240, 0.41%, 0.29%

LAB 20.98, 19.56, -35.95

 

CMYK 0 / 59 / 47 / 59

HEX #682B37

RGB 104 43 55

HSL 348.2, 0.41%, 0.29%

LAB 26.58, 28.63, 5.91

 

CMYK 0 / 0 / 59 / 59

HEX #68682B

RGB 104 104 43

HSL 60, 0.41%, 0.29%

LAB 42.79, -9.04, 33.71

 

CMYK 58 / 0 / 11 / 58

HEX #2C6A5E

RGB 44 106 94

HSL 168.39, 0.41%, 0.29%

LAB 40.66, -23.16, 0.73

 

CMYK 41 / 59 / 0 / 59

HEX #3D2B68

RGB 61 43 104

HSL 257.7, 0.41%, 0.29%

LAB 22.72, 23.96, -33.06

 

CMYK 0 / 59 / 47 / 59

HEX #682B37

RGB 104 43 55

HSL 348.2, 0.41%, 0.29%

LAB 26.58, 28.63, 5.91

 

CMYK 17 / 0 / 59 / 59

HEX #56682B

RGB 86 104 43

HSL 77.7, 0.41%, 0.29%

LAB 41.3, -17.21, 31.62

 

Description

Color code: HEX #2C6A5E | qconv.com Color code: HEX #2C6A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 106 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 106 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 11 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 11% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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