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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C6A33 it is the complementary color #D395CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C6A33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C6A33 shade: #316A2E, #427C41, #538E54, #64A067 and #75B27A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C6A33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C6A33 shade: #2C6A33, #1B5820, #0A460D, #003400 and #002200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C6A33 shade: #2C6832, #35682C, #45682C, #56682C and #66682C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C6A33 shade: #2C6832, #2C6843, #2C6853, #2C6864 and #2C5D68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C6A33 shade matches the following richer shades: #2C6832, #207429, #148020 and #088C17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C6A33 shade: #2C6832, #385C3C, #445045, #50444E and #5B3858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C6A33 shade: #46682C, #36682C, #2C6832, #2C6842 and #2C6852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C6A33 shade: #132E16, #1F4B24, #2C6832, #388541 and #44A24F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C6A33 shade: #2C6A33, #2C5668 and #682C3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C6A33 shade: #2C6A33, #322C68 and #68322C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C6A33 shade: #2C6A33, #2C5668, #682C62 and #683E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C6A33 shade: #2C6A33, #2C4468, #682C62 and #68502C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

Complementary color

CMYK 0 / 29 / 3 / 17

HEX #D395CC

RGB 211 149 204

HSL 306.77, 0.41%, 0.71%

LAB 69.26, 32.09, -18.98

 

CMYK 54 / 0 / 57 / 58

HEX #316A2E

RGB 49 106 46

HSL 117, 0.39%, 0.3%

LAB 39.85, -32, 27.79

 

CMYK 47 / 0 / 48 / 51

HEX #427C41

RGB 66 124 65

HSL 118.98, 0.31%, 0.37%

LAB 46.92, -31.97, 26.37

 

CMYK 42 / 0 / 41 / 44

HEX #538E54

RGB 83 142 84

HSL 121.02, 0.26%, 0.44%

LAB 53.84, -31.8, 25.01

 

CMYK 38 / 0 / 36 / 37

HEX #64A067

RGB 100 160 103

HSL 123, 0.24%, 0.51%

LAB 60.63, -31.56, 23.74

 

CMYK 34 / 0 / 31 / 30

HEX #75B27A

RGB 117 178 122

HSL 124.92, 0.28%, 0.58%

LAB 67.3, -31.3, 22.56

 

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

CMYK 69 / 0 / 64 / 65

HEX #1B5820

RGB 27 88 32

HSL 124.92, 0.53%, 0.23%

LAB 32.52, -32.32, 26.38

 

CMYK 86 / 0 / 81 / 73

HEX #0A460D

RGB 10 70 13

HSL 123, 0.75%, 0.16%

LAB 25.18, -31.06, 27.52

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 49 / 0 / 58 / 59

HEX #35682C

RGB 53 104 44

HSL 111, 0.41%, 0.29%

LAB 39.31, -30.09, 28.25

 

CMYK 34 / 0 / 58 / 59

HEX #45682C

RGB 69 104 44

HSL 95, 0.41%, 0.29%

LAB 40.16, -24.24, 29.47

 

CMYK 17 / 0 / 58 / 59

HEX #56682C

RGB 86 104 44

HSL 78, 0.41%, 0.29%

LAB 41.31, -17.11, 31.11

 

CMYK 2 / 0 / 58 / 59

HEX #66682C

RGB 102 104 44

HSL 62, 0.41%, 0.29%

LAB 42.62, -9.88, 32.96

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 58 / 0 / 36 / 59

HEX #2C6843

RGB 44 104 67

HSL 143, 0.41%, 0.29%

LAB 39.31, -28.81, 15.12

 

CMYK 58 / 0 / 20 / 59

HEX #2C6853

RGB 44 104 83

HSL 159, 0.41%, 0.29%

LAB 39.68, -25.07, 6.01

 

CMYK 58 / 0 / 4 / 59

HEX #2C6864

RGB 44 104 100

HSL 176, 0.41%, 0.29%

LAB 40.17, -20.4, -3.64

 

CMYK 58 / 11 / 0 / 59

HEX #2C5D68

RGB 44 93 104

HSL 191, 0.41%, 0.29%

LAB 36.68, -13.05, -11.34

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 72 / 0 / 65 / 55

HEX #207429

RGB 32 116 41

HSL 126.43, 0.57%, 0.29%

LAB 42.7, -41.05, 33.54

 

CMYK 84 / 0 / 75 / 50

HEX #148020

RGB 20 128 32

HSL 126.67, 0.73%, 0.29%

LAB 46.57, -48.14, 41.61

 

CMYK 94 / 0 / 84 / 45

HEX #088C17

RGB 8 140 23

HSL 126.82, 0.89%, 0.29%

LAB 50.53, -53.67, 48.53

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 39 / 0 / 35 / 64

HEX #385C3C

RGB 56 92 60

HSL 126.67, 0.24%, 0.29%

LAB 35.64, -20.51, 14.45

 

CMYK 15 / 0 / 14 / 69

HEX #445045

RGB 68 80 69

HSL 125, 0.08%, 0.29%

LAB 32.69, -7.24, 4.9

 

CMYK 0 / 15 / 2 / 69

HEX #50444E

RGB 80 68 78

HSL 310, 0.08%, 0.29%

LAB 30.38, 7.17, -4.11

 

CMYK 0 / 38 / 3 / 64

HEX #5B3858

RGB 91 56 88

HSL 305.14, 0.24%, 0.29%

LAB 28.79, 21.3, -12.86

 

CMYK 33 / 0 / 58 / 59

HEX #46682C

RGB 70 104 44

HSL 94, 0.41%, 0.29%

LAB 40.22, -23.84, 29.56

 

CMYK 48 / 0 / 58 / 59

HEX #36682C

RGB 54 104 44

HSL 110, 0.41%, 0.29%

LAB 39.36, -29.76, 28.32

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 58 / 0 / 37 / 59

HEX #2C6842

RGB 44 104 66

HSL 142, 0.41%, 0.29%

LAB 39.29, -29.02, 15.68

 

CMYK 58 / 0 / 21 / 59

HEX #2C6852

RGB 44 104 82

HSL 158, 0.41%, 0.29%

LAB 39.66, -25.33, 6.58

 

CMYK 59 / 0 / 52 / 82

HEX #132E16

RGB 19 46 22

HSL 126.67, 0.42%, 0.13%

LAB 16.26, -16.76, 12.37

 

CMYK 59 / 0 / 52 / 71

HEX #1F4B24

RGB 31 75 36

HSL 126.82, 0.42%, 0.21%

LAB 27.98, -24.84, 18.67

 

CMYK 58 / 0 / 52 / 59

HEX #2C6832

RGB 44 104 50

HSL 126, 0.41%, 0.29%

LAB 39.01, -31.98, 24.54

 

CMYK 58 / 0 / 51 / 48

HEX #388541

RGB 56 133 65

HSL 127.01, 0.41%, 0.37%

LAB 49.49, -38.84, 29.51

 

CMYK 58 / 0 / 51 / 36

HEX #44A24F

RGB 68 162 79

HSL 127.02, 0.41%, 0.45%

LAB 59.56, -45.54, 34.78

 

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

CMYK 58 / 17 / 0 / 59

HEX #2C5668

RGB 44 86 104

HSL 198, 0.41%, 0.29%

LAB 34.38, -8.91, -14.84

 

CMYK 0 / 58 / 40 / 59

HEX #682C3E

RGB 104 44 62

HSL 342, 0.41%, 0.29%

LAB 27, 28.93, 1.82

 

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

CMYK 52 / 58 / 0 / 59

HEX #322C68

RGB 50 44 104

HSL 246, 0.41%, 0.29%

LAB 21.87, 20.49, -34.49

 

CMYK 0 / 52 / 58 / 59

HEX #68322C

RGB 104 50 44

HSL 6, 0.41%, 0.29%

LAB 27.86, 23.52, 14.94

 

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

CMYK 58 / 17 / 0 / 59

HEX #2C5668

RGB 44 86 104

HSL 198, 0.41%, 0.29%

LAB 34.38, -8.91, -14.84

 

CMYK 0 / 58 / 6 / 59

HEX #682C62

RGB 104 44 98

HSL 306, 0.41%, 0.29%

LAB 28.45, 34.73, -19.72

 

CMYK 0 / 40 / 58 / 59

HEX #683E2C

RGB 104 62 44

HSL 18, 0.41%, 0.29%

LAB 30.81, 16.32, 18.76

 

CMYK 58 / 0 / 52 / 58

HEX #2C6A33

RGB 44 106 51

HSL 126.77, 0.41%, 0.29%

LAB 39.72, -32.7, 24.86

 

CMYK 58 / 35 / 0 / 59

HEX #2C4468

RGB 44 68 104

HSL 216, 0.41%, 0.29%

LAB 28.56, 2.53, -23.86

 

CMYK 0 / 58 / 6 / 59

HEX #682C62

RGB 104 44 98

HSL 306, 0.41%, 0.29%

LAB 28.45, 34.73, -19.72

 

CMYK 0 / 23 / 58 / 59

HEX #68502C

RGB 104 80 44

HSL 36, 0.41%, 0.29%

LAB 35.72, 5.25, 24.87

 

Description

Color code: HEX #2C6A33 | qconv.com Color code: HEX #2C6A33 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 106 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 106 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 52 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 52% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Guangzhou Fanghe Ele...
Link: http://gz-fanghe.en.alibaba.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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