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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C69CC it is the complementary color #D39633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C69CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C69CC shade: #3169C7, #427BDA, #538DED, #649FFF and #75B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C69CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C69CC shade: #2C69CC, #1B57B9, #0A45A6, #003393 and #002180

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C69CC shade: #2C6ACE, #2C3ECE, #452CCE, #712CCE and #9D2CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C69CC shade: #2C6ACE, #2C3ECE and #2C2CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C69CC shade matches the following richer shades: #2C6ACE, #1865E2 and #0360F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C69CC shade: #2C6ACE, #406EBA, #5473A6, #687892 and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C69CC shade: #2CC1CE, #2C95CE, #2C6ACE, #2C3FCE and #442CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C69CC shade: #1D478A, #2558AC, #2C6ACE, #4A81D9 and #6C98E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C69CC shade: #2C69CC, #B02CCE and #ABCE2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C69CC shade: #2C69CC, #CE2C6A and #6ACE2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C69CC shade: #2C69CC, #B02CCE, #CE902C and #4ACE2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C69CC shade: #2C69CC, #CE2CBB, #CE902C and #2CCE3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

Complementary color

CMYK 0 / 29 / 76 / 17

HEX #D39633

RGB 211 150 51

HSL 37.13, 0.65%, 0.51%

LAB 66.44, 14.17, 58.24

 

CMYK 75 / 47 / 0 / 22

HEX #3169C7

RGB 49 105 199

HSL 217.6, 0.6%, 0.49%

LAB 45.47, 14.69, -54.29

 

CMYK 70 / 44 / 0 / 15

HEX #427BDA

RGB 66 123 218

HSL 217.5, 0.67%, 0.56%

LAB 52.27, 12.65, -54.17

 

CMYK 65 / 41 / 0 / 7

HEX #538DED

RGB 83 141 237

HSL 217.4, 0.81%, 0.63%

LAB 58.98, 11.01, -54.04

 

CMYK 61 / 38 / 0 / 0

HEX #649FFF

RGB 100 159 255

HSL 217.16, 1%, 0.7%

LAB 65.53, 9.33, -53.46

 

CMYK 54 / 31 / 0 / 0

HEX #75B1FF

RGB 117 177 255

HSL 213.91, 1%, 0.73%

LAB 71.18, 2.36, -44.51

 

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

CMYK 85 / 53 / 0 / 27

HEX #1B57B9

RGB 27 87 185

HSL 217.22, 0.75%, 0.42%

LAB 38.82, 18.79, -56.93

 

CMYK 94 / 58 / 0 / 35

HEX #0A45A6

RGB 10 69 166

HSL 217.31, 0.89%, 0.35%

LAB 31.97, 22.25, -56.8

 

CMYK 100 / 65 / 0 / 42

HEX #003393

RGB 0 51 147

HSL 219.18, 1%, 0.29%

LAB 25.18, 26.44, -56.37

 

CMYK 100 / 74 / 0 / 50

HEX #002180

RGB 0 33 128

HSL 224.53, 1%, 0.25%

LAB 18.57, 31.08, -55.4

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 79 / 70 / 0 / 19

HEX #2C3ECE

RGB 44 62 206

HSL 233.33, 0.65%, 0.49%

LAB 34.88, 44.14, -75.6

 

CMYK 67 / 79 / 0 / 19

HEX #452CCE

RGB 69 44 206

HSL 249.26, 0.65%, 0.49%

LAB 32.97, 56.07, -78.7

 

CMYK 45 / 79 / 0 / 19

HEX #712CCE

RGB 113 44 206

HSL 265.56, 0.65%, 0.49%

LAB 37.42, 61.32, -71.2

 

CMYK 24 / 79 / 0 / 19

HEX #9D2CCE

RGB 157 44 206

HSL 281.85, 0.65%, 0.49%

LAB 43.4, 68.32, -61.21

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 79 / 70 / 0 / 19

HEX #2C3ECE

RGB 44 62 206

HSL 233.33, 0.65%, 0.49%

LAB 34.88, 44.14, -75.6

 

CMYK 79 / 79 / 0 / 19

HEX #2C2CCE

RGB 44 44 206

HSL 240, 0.65%, 0.49%

LAB 31.33, 54.13, -81.46

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 89 / 55 / 0 / 11

HEX #1865E2

RGB 24 101 226

HSL 217.13, 0.81%, 0.49%

LAB 45.62, 25.49, -69.48

 

CMYK 99 / 61 / 0 / 3

HEX #0360F7

RGB 3 96 247

HSL 217.13, 0.98%, 0.49%

LAB 45.77, 36.06, -81.06

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 66 / 41 / 0 / 27

HEX #406EBA

RGB 64 110 186

HSL 217.38, 0.49%, 0.49%

LAB 46.69, 8.99, -44.78

 

CMYK 49 / 31 / 0 / 35

HEX #5473A6

RGB 84 115 166

HSL 217.32, 0.33%, 0.49%

LAB 48.13, 3.44, -30.8

 

CMYK 29 / 18 / 0 / 43

HEX #687892

RGB 104 120 146

HSL 217.14, 0.17%, 0.49%

LAB 50.04, 0.41, -16.03

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 79 / 6 / 0 / 19

HEX #2CC1CE

RGB 44 193 206

HSL 184.81, 0.65%, 0.49%

LAB 71.64, -32.68, -17.35

 

CMYK 79 / 28 / 0 / 19

HEX #2C95CE

RGB 44 149 206

HSL 201.11, 0.65%, 0.49%

LAB 58.5, -9.86, -37.59

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 79 / 69 / 0 / 19

HEX #2C3FCE

RGB 44 63 206

HSL 232.96, 0.65%, 0.49%

LAB 35.1, 43.54, -75.24

 

CMYK 67 / 79 / 0 / 19

HEX #442CCE

RGB 68 44 206

HSL 248.89, 0.65%, 0.49%

LAB 32.89, 55.97, -78.83

 

CMYK 79 / 49 / 0 / 46

HEX #1D478A

RGB 29 71 138

HSL 216.88, 0.65%, 0.33%

LAB 30.88, 10.91, -41.52

 

CMYK 78 / 49 / 0 / 33

HEX #2558AC

RGB 37 88 172

HSL 217.33, 0.65%, 0.41%

LAB 38.47, 13.95, -49.82

 

CMYK 79 / 49 / 0 / 19

HEX #2C6ACE

RGB 44 106 206

HSL 217.04, 0.65%, 0.49%

LAB 46.04, 16.12, -57.39

 

CMYK 66 / 41 / 0 / 15

HEX #4A81D9

RGB 74 129 217

HSL 216.92, 0.65%, 0.57%

LAB 54.2, 9.87, -50.5

 

CMYK 52 / 32 / 0 / 12

HEX #6C98E0

RGB 108 152 224

HSL 217.24, 0.65%, 0.65%

LAB 62.53, 5.19, -41.14

 

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

CMYK 15 / 79 / 0 / 19

HEX #B02CCE

RGB 176 44 206

HSL 288.89, 0.65%, 0.49%

LAB 46.3, 71.71, -56.38

 

CMYK 17 / 0 / 79 / 19

HEX #ABCE2C

RGB 171 206 44

HSL 72.96, 0.65%, 0.49%

LAB 77.86, -32.03, 70.01

 

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

CMYK 0 / 79 / 49 / 19

HEX #CE2C6A

RGB 206 44 106

HSL 337.04, 0.65%, 0.49%

LAB 46.93, 65.2, 4.76

 

CMYK 49 / 0 / 79 / 19

HEX #6ACE2C

RGB 106 206 44

HSL 97.04, 0.65%, 0.49%

LAB 74.44, -55.27, 65.6

 

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

CMYK 15 / 79 / 0 / 19

HEX #B02CCE

RGB 176 44 206

HSL 288.89, 0.65%, 0.49%

LAB 46.3, 71.71, -56.38

 

CMYK 0 / 30 / 79 / 19

HEX #CE902C

RGB 206 144 44

HSL 37.04, 0.65%, 0.49%

LAB 64.36, 14.97, 58.78

 

CMYK 64 / 0 / 79 / 19

HEX #4ACE2C

RGB 74 206 44

HSL 108.89, 0.65%, 0.49%

LAB 73.4, -63.51, 64.26

 

CMYK 78 / 49 / 0 / 20

HEX #2C69CC

RGB 44 105 204

HSL 217.13, 0.65%, 0.49%

LAB 45.63, 16, -56.91

 

CMYK 0 / 79 / 9 / 19

HEX #CE2CBB

RGB 206 44 187

HSL 307.04, 0.65%, 0.49%

LAB 50.11, 74.53, -38.99

 

CMYK 0 / 30 / 79 / 19

HEX #CE902C

RGB 206 144 44

HSL 37.04, 0.65%, 0.49%

LAB 64.36, 14.97, 58.78

 

CMYK 79 / 0 / 69 / 19

HEX #2CCE3F

RGB 44 206 63

HSL 127.04, 0.65%, 0.49%

LAB 72.92, -67.2, 57.07

 

Description

Color code: HEX #2C69CC | qconv.com Color code: HEX #2C69CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 105 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 105 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 49% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - template | Sputnik &...
Link: http://enge.aikotoba.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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